The final week of January was a big one for Aubrie Sellers, who gave her first television performance, released her first album, and appears poised for an outstanding 2016. Elsewhere a fairly light news week which includes a short but solid list of new releases as well as troubles for Jamey Johnson, Tyler Farr and Katie Armiger.
The Worst Singles of the Decade, Part 4: #20-#11
The Lost Trailers, “Holler Back”
If your response to hearing “Holler Back” is to brag that you’ve got a holler back in the woods, I suggest that you and your music stay there.
Trailer Choir, “Rockin’ the Beer Gut”
I appreciate the sincerity, but it can’t overcome the fact that he’s rockin’ the Autotune and singin’ the most ridiculous lyric of the year.
Bucky Covington, “A Different World”
Bucky and I are roughly the same age, and I know for a fact that we grew up with seat belts, video games, and remote controls. What’s next, Taylor Swift singing about growing up without the internet?
This is a guest contribution by regular commenter, Michael Hawkins, who posts as Highwayman3.
The movies have the Oscars, the world of music has the Grammys, and that world subdivided into the country genre has the CM’s—the annual extravaganza that we fans look forward to every year. We see our favorites perform, win awards and lose with smiling gracious faces, or not [insert the inevitable Faith Hill reference here]. Everyone picks their favorites in each category as to who they’d like to win. But what about the show itself, the backdrop for which these prestigious awards are presented?
Recently, there have been posts at both The 9513 and on this site where people have been weighing in on their favorite moments from these awards. It occurred to me that none of those moments have happened in the last few years. The awards have slid into mediocrity, which is a fitting representation of the current state of country music. I understand producing these awards must be tough because you have to be everything to everyone, and acknowledge the traditional country, the Disney country, the old and new alike, and bring in people who don’t belong for the sake of ratings.
It’s easy to lose sight of Billy Ray Cyrus the “artist” when 90% of his exposure of late has been alongside pop star Miley Cyrus – whose artistic credibility actually, surprisingly, sometimes surpasses his own. But when Cyrus taps into his core, with songs like “A Good Day,” he reminds us that he’s got a substantial amount of talent, particularly a strong, decent voice.
I blame Adam Lambert for what I am about to reveal to you all: I’m headed to a Taylor Swift concert tonight. That’s right, Taylor Swift. Insidious curiosity got the better of me.
But why do I blame Lambert, you ask? Because I haven’t been listening to a whole lot of country music recently. Instead, thanks to my new, bizarre obsession with Lambert, in the past month I’ve pulled out old Queen, Bowie, Michael Jackson and Led Zeppelin. And I’ve listened to more My Chemical Romance, Pink and even Def Leppard than anything resembling country. So, of course I thought of Swift. Because, when you think of hard rock, isn’t Swift the first person who comes to mind?