Tag Archives: Miranda Lambert

Single Review: Rodney Atkins, “Eat Sleep Love You Repeat”

Rodney Atkins Eat Sleep Love You Repeat

“Eat Sleep Love You Repeat”

Rodney Atkins

Written by Ryan Bizarri and Walker Hayes

I don’t think anybody does “Aw, Shucks” country better than Rodney Atkins.

Whether that’s a compliment or an indictment depends on your level of appreciation for simple-minded sincerity.   Personally, I find it endearing when it’s done reasonably well.

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CMA Awards 2014: Staff Predictions and Picks

Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music.  This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory.  His win for Entertainer saved a dismal show in its closing minutes.

Here’s our take on this year’s contenders:

George Strait ACMEntertainer of the Year

Should Win:

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait – Kevin, Jonathan, Tara, Ben
  • Keith Urban

Will Win:

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait – Jonathan, Kevin, Tara, Ben
  • Keith Urban

Kevin:  I’d settle for a Miranda Lambert victory, as she had an amazing year.  But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert.   The rest of these nominees have either won before or still seem to have their best days ahead of them.  There will never be another George Strait again.

Jonathan: The appalling sense of entitlement Jason Aldean has shown in his seemingly endless campaign of adult temper-tantrums disguised as interviews since these nominees were announced makes it all the more satisfying that the voters didn’t exclusively consider commercial and touring stats when voting for this award. I think that will likely continue with the final ballots, giving Strait the win here as a final send-off– a win that, as Kevin said, Strait’s last concert fully justifies based on even Aldean’s logic.

Tara: I have a feeling I’ll be pulling for Lambert next year, but 20 months after seeing it, I’m still high on Strait’s phenomenal farewell show. He deserves this.

Ben: Why not? Miranda will have plenty more shots at it, but this could be our last chance to see George Strait accept a CMA Entertainer of the Year trophy. Let the cowboy ride away in style.

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2014 CMA Nominations

This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark.  Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days.

George Strait ACMEntertainer of the Year

  • Luke Bryan
  • Miranda Lambert
  • Blake Shelton
  • George Strait
  • Keith Urban

Who’s In:  Miranda Lambert, Keith Urban

Who’s Out: Jason Aldean, Taylor Swift

George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert.   Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.

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Song Talk: Papa Don’t Preach!

It’s fun to think of our favorite endearing songs about dads. We’ve even done it here at Country Universe a time or two. But let’s face it, dad’s aren’t always right and they’re not always wise. Here are a few songs that show the invincible side of fathers.

While I’m so fond of my dad that I almost feel guilty about writing this Song Talk installment, my guilt is eased by knowing that he would actually be amused by the topic. So, here we go! Feel free to add your selections in the comments.

Lefty Frizzell Saginaw Michigan

Lefty Frizzell, “Saginaw, Michigan”

I was listening to this song the other day and it’s what inspired this list. It’s the classic scenario of the dad thinking that his daughter’s suitor isn’t good enough for her, but the twist at the end takes a hilarious turn!

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CU10 Flashback: Carrie Underwood, Shania Twain and Gender in Country Music

Shania Twain Carrie UnderwoodIn 2008, I was finishing up my degree in journalism and trying to understand what it meant to be a professional writer. I wanted to write about music, but the divide between fan and critic felt, at times, insurmountable.

That fall, I stumbled onto Country Universe through this post, and it changed my perspective. As both a writer and leader, Kevin was thoughtful, rational and personally invested in the country music genre. He showed a deep respect for the genre’s history, but wrote about new artists with tolerance and curiosity. Best of all, he held readers and writers alike to the highest standards of decency.

It’s for that reason that this post shines. Kevin’s ability to take a stand while cultivating constructive dialogue is unmatched. He cut through the divisive hype around Carrie Underwood –an artist who is as special to me now as she was back then—and underlined the real issue at hand: country music’s staggering, frustrating gender bias. Six years and a truckload of interchangeable male artists later, it’s more imperative than ever that we continue this discussion.  – Tara Seetharam

Discussion: Carrie Underwood, Shania Twain and Gender in Country Music

by Kevin John Coyne

August 29, 2008

I fear this post won’t quite live up to its ambitious title, and I realize that I’m stirring the tempest pot a bit by putting those two artists in the same sentence. But the tone that surfaces whenever Carrie Underwood is discussed here is something that I find increasingly frustrating, so I’m going to talk about it. Hopefully, I’ll get a meaningful conversation going along the way.

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Album Review: Miranda Lambert, Platinum

Miranda Lambert Platinum

Miranda Lambert
Platinum

stars-412.gif

Miranda Lambert’s life experience has caught up with her talent.

Platinum is a confident, intelligent record that weaves the themes of nostalgia, femininity, and celebrity together over sixteen tracks.  It’s a cohesive set, with lead single “Automatic” making much more sense in the context of the full album.  It’s also remarkably, defiantly country, which shows more of a rock-and-roll attitude these days than rocking out does.

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Favorite Songs by Favorite Artists: Carlene Carter

Carlene CarterIt’s easy to forget just how talented Carlene Carter is.  In the last eighteen years, she’s only given us two albums to remind us.  But with a career that stretches back to her 1978 eponymous debut album, all the way through her excellent new release, Carter Girl, she has been a consistently excellent entertainer and songwriter.

In addition to her latest release, her albums Musical Shapes (1980), I Fell in Love (1990), and Little Love Letters (1993) are all among the best country albums of their time.  Those three sets factor heavily into this list, but there are plenty of great moments on most of her other studio albums, too.  Her first four sets tend to fade in and out of print, but they’re worth snapping up when available.

It’s been more than five years since I’ve done a Favorite Songs by Favorite Artists post.  For the uninitiated, my rubric is simple: I just ranked my favorite twenty-five tracks and then counted them down with commentary.  No big stab at objective truth here.  This is just what I like the most from one of ‘em that I like the most.   Share your own favorites in the comments, and hopefully discover one or two new ones along the way.

Carlene Carter Little Love Letters

#25
Little Love Letter #1 and Little Love Letter #2
Little Love Letters (1993)
Written by Carlene Carter, Howie Epstein, and Benmont Tench

The first Carlene Carter album I ever bought was Little Love Letters.  I was instantly hooked by the clever framing of  “Side 1″ and “Side 2″ with these quick vignettes.  They’re funny, they’re heartfelt, and I could listen to a whole album full of them.

Carlene Carter Musical Shapes

#24
Too Bad About Sandy
Musical Shapes (1980)
Written by Carlene Carter

When I was younger, I just got a kick out of how dark and seedy this track seemed, with its celebration of the sweet low life and cold hard cash.  But now, I keep going back to the wisdom in the advice she gives her love-struck younger sister: “Honey, can’t be love if you’ve gotta ask twice.”

Carlene Carter Two Sides to Every Woman

#23
Swap-Meat Rag
Two Sides to Every Woman (1979)
Written by Carlene Carter

On the surface, it’s a bawdy number about free love.  Underneath the surface, it’s a wicked satire of the artifice that is American suburbia.  Plus she growls a lot, and it sounds cool.

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Single Review: Miranda Lambert and Carrie Underwood, “Somethin’ Bad”

Miranda Lambert Carrie Underwood Somethin' BadMiranda Lambert’s tempting fate with her titles, calling her upcoming album Platinum and her high-profile collaboration with Carrie Underwood, “Somethin’ Bad.”

No word for a while yet on whether the album will sell a million copies, but as far as the single goes, it lives up to the promise of the two singers more than it does to its title.

It does so by trying not to be as ambitious as the caliber of the collaborators would make you expect it to be.  This was a trap both ladies fell into when collaborating with other A-listers, making  Lambert’s duet with Keith Urban and Underwood’s with Brad Paisley not as successful as they could’ve been.

This is just a plain ol’ good girls on their baddest behavior ditty.  Well, not their baddest behavior.  Underwood doesn’t key up anyone’s car and Lambert doesn’t kill anybody.  But it’s all in good fun, and both ladies can perform the thing solo just fine when the other isn’t around.

And kudos to the production, I feel I should mention.  There were a few moments I thought it was gonna go all eighties glam rock, but the record pulls back before it goes over the edge, and we get just the ladies and a rhythm track, which actually supports the lyric better.  Somethin’ bad’s gonna happen, but….not yet.  Good stuff.

Written by Chris DeStefano, Brett James, and Priscilla Renea

Grade: B+

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WoCoWiC: Miranda Lambert

Miranda Lambert Over You

Women of Country on Women in Country: Miranda Lambert

On the voice of women on country radio:

“I don’t know what’s going on with all the other great female artists. I don’t know where the connection is off right now as far as the airplay….I champion the females. I’m a huge fan of female artists, and strong females in general. I’m proud of them, and I’m so thankful I’ve been able to follow in the footsteps of the ones before me, and I’m holding the door open for the ones that want to follow behind me. This is just one of those waves where females are struggling a little bit, but we’ll come back around and be a force to be reckoned with.”

Source: Billboard

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ACM Awards 2014: Final Thoughts

George StraitThis year’s ACM Awards were mediocre and broverwhemingly male-centric, despite women winning most of the major awards.  As with last fall’s CMA show, the best moment was the final one, when George Strait won Entertainer of the Year.

Here’s a rundown of all the major winners:

Entertainer of the Year

  • Luke Bryan

  • Miranda Lambert

  • Blake Shelton

  • George Strait

  • Taylor Swift

George Strait winning at the ACMs this year was even more surprising than at the CMAs last year, given how the fan-voted element of this award has favored stars with young fanbases in previous years.  King George, indeed. – KJC

While it’s disheartening to see Strait’s mainstream support dwindling, it’s great to see the fans come through for King George. – BF

Even if Strait did unintentionally but hilariously leave Miranda Lambert hanging on her attempted hi-five, it was nice to see the genuine support for Strait’s win among the other artists in attendance. Too bad radio seems to have turned their back on him.  – JK

jason-aldeanMale Vocalist of the Year

  • Jason Aldean

  • Lee Brice

  • Luke Bryan

  • Blake Shelton

  • Keith Urban

A repeat win for Jason Aldean helped both hosts go home empty handed, despite the big years both Bryan and Shelton had. – KJC

Miranda Lambert Over YouFemale Vocalist of the Year

  • Sheryl Crow

  • Miranda Lambert

  • Kacey Musgraves

  • Taylor Swift

  • Carrie Underwood

Has there ever been a female vocalist that the ACMs loved more?  Lambert’s fifth consecutive victory snaps Reba McEntire’s four in a row from 1985-1988, though she’d return to the winner’s circle three more times in the nineties.  But even McEntire didn’t dominate the other categories the way Lambert’s been doing. – KJC

Lambert officially owns this category for a half-decade. Can we please get a shake-up in the Female Vocalist race next year? – BF

As I said on twitter: If she’s in the building, Trisha Yearwood is the Best Female Vocalist (unless Connie Smith is also in the building, in which case Trisha would be runner-up). End of discussion. – JK

2013 CMA Music Festival - Day 3Vocal Duo of the Year

  • Big & Rich

  • Dan + Shay

  • Florida Georgia Line

  • Love and Theft

  • Thompson Square

Florida Georgia Line had the biggest year – actually, the only big year – of all the nominees, making their victory the least surprising win of the night. – KJC

Congratulations to Florida Georgia Line on their win for (Only Significantly Successful) Vocal Duo of the Year. – BF

The Band PerryVocal Group of the Year

  • Eli Young Band

  • Lady Antebellum

  • Little Big Town

  • The Band Perry

  • Zac Brown Band

The Band Perry won their first Vocal Group award, with all the votes in before a confetti backlash was able to sway the tally. – KJC

Justin MooreNew Artist of the Year

  • Brett Eldredge

  • Justin Moore

  • Kip Moore

Two Moores and a Brett walk into an ACM ceremony… – KJC

Kacey Musgraves Same Trailer Different ParkAlbum of the Year

  • Blake Shelton, Based on a True Story…

  • Luke Bryan, Crash My Party

  • Florida Georgia Line, Here’s to the Good Times

  • Kacey Musgraves, Same Trailer Different Park

  • Tim McGraw, Two Lanes of Freedom

With the Grammys picking Musgraves and the CMAs picking Shelton, the ACMs broke the tie, picking the best album over the biggest.  Good call. – KJC

Musgraves’ well-deserved victory restores some ACM credibility, though it is ironic that she was the only nominee whom the producers did not grant a performance slot. – BF

She won for Album of the Year and co-wrote the winner of Single of the Year, so we can’t necessarily blame the ACM voters for Musgraves’ lack of a performance: Clearly, the producers of the show had adopted an ethos of “Bros Before Women Who Make Good Music.” – JK

Mama's Broken HeartSingle Record of the Year

  • Florida Georgia Line, “Cruise”

  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”

  • Lee Brice, “I Drive Your Truck”

  • Miranda Lambert, “Mama’s Broken Heart”

  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

True, a Song of the Year victory would’ve been sweeter.  But Lambert’s single was still the best of the five, and gave her a third win in this category in four years.  That feat was last accomplished by Willie Nelson, who picked up three in four years back in the eighties, for “Always on My Mind”, “To All the Girls I’ve Loved Before”, and “The Highwayman.” – KJC

The “Cruise” phenomenon promised to be hard to beat, but fortunately the voters chose to honor the best record over the biggest. – BF

I really wouldn’t have any reservations at all with Miranda having won this category three times for “Kerosene,” “Gunpowder and Lead,” and “The House That Built Me.” Hers was easily the best nominee of this line-up, though. – JK

IDriveYourTruck_lee_briceSong of the Year

  • “Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren

  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary

  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves

  • “Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan

  • “Wagon Wheel” – Bob Dylan, Ketch Secor

With Grammy winner “Merry Go ‘Round” not in the running, the ACM chose to honor last fall’s CMA winner, “I Drive Your Truck.” – KJC

Props to Lee Brice for letting the songwriters have the spotlight for this win. Considering the Song of the Year award purports to honor the year’s best songwriting, it’s been disconcerting that recent years have seen the ACMs shifting the focus from the songwriters to the artists. – BF

Of note: Women won for Album of the Year, Single of the Year, and were two of the three co-writers of the Song of the Year. Yet the genre’s regressive gender politics are as problematic right now as at any point in recent memory. When will we reach a true tipping point with this? – JK

220px-TMG_-_Highway_Dont_Care_coverVideo of the Year

  • The Band Perry, “Better Dig Two”

  • Kacey Musgraves, “Blowin’ Smoke”

  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”

  • Lee Brice, “I Drive Your Truck”

  • Miranda Lambert, “Mama’s Broken Heart”

  • Carrie Underwood, “Two Black Cadillacs”

The high-octane collaboration between these three superstars earned several nominations, but their only win came in this category. – KJC

NASHVILLE, TN - NOVEMBER 06:  Miranda Lambert and Keith Urban perform onstage during the 47th annual CMA Awards at the Bridgestone Arena on November 6, 2013 in Nashville, Tennessee.  (Photo by Rick Diamond/Getty Images)Vocal Event of the Year

  • Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”

  • Florida Georgia Line featuring Nelly, “Cruise” (Remix)

  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”

  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

  • Keith Urban and Miranda Lambert, “We Were Us”

Betting against Miranda Lambert at the ACM Awards is starting to look like a fool’s wager.  This is her first win in this category, and with the other awards she won last night, her total ACM count is now at fifteen. – KJC

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