Earlier this week, writer and friend-of-Country Universe C.M. Wilcox announced that he was shuttering his blog, Country California. The crew here have long been admirers of the sharp, insightful writing and wry humor that Country California brought to the country music blogosphere, and we all wish Chris the best in his new ventures.
Since making her debut with 1997’s Alabama Song, Allison Moorer has been one of country music’s most consistent albums artists. The singer-songwriter has three unqualified masterpieces to her credit— the flawless stone-country heartbreak cycle of The Hardest Part, the politically charged The Duel, and the somber, heady Southern Gothic of Crows. Despite having those triumphs— and other excellent albums like Alabama Song and Good Fortune— to her credit, Moorer’s latest effort, Down to Believing, is perhaps the finest album of her career because it finds Moorer challenging both her singing and her songwriting voices to plumb truly difficult emotional depths.
We can thank the shortsighted radio consultant Keith Hill for one thing: drawing attention to the women of country music in a year where so many of them are making outstanding music. As their mainstream counterparts cycle through a series of one-note styles and themes, female country artists are putting out diverse and decidedly more progressive music, even as they draw influence from previous generations. That they do so while supporting each other makes it all the more impressive.
It would be futile of us to ignore the recent sad news of Miranda Lambert’s and Blake Shelton’s divorce announcement, since it is a reality. We, however, have no desire to participate in the speculation or sensationalism of the news. Instead, it seems most appropriate to put some focus back on the music right about now. It’s no secret that Miranda Lambert is one of the few mainstream country artists that I enjoy anymore. As I contemplated this FSBFA, I wondered if she would have 25 songs that would warrant such a feature on her, since she’s only released five albums so far. It turns out that, as is the case with every FSBFA feature, not only are there 25 Lambert songs that I love, the 25 slots felt limited, as I had to leave many songs off the list. So, here are 25 of my favorite Lambert songs in Read More
Later today, we will publish our latest edition of Favorite Songs by Favorite Artists. The newest entry in our long running series is written by Leeann Ward and will focus on Miranda Lambert. To whet our appetites, today’s top five asks you to list your five favorite tracks from the award-winning artist. Here’s my list: Mama’s Broken Heart Little Red Wagon Gunpowder & Lead Guilty in Here Two Rings Shy
“Smokin’ and Drinkin’” Miranda Lambert with Little Big Town Written by Natalie Hemby, Luke Laird, and Shane McAnally Despite its title, Miranda Lambert’s “Smokin’ And Drinkin’” is not a rousing drinking party anthem. Instead, it is a quiet, wistful look back at the past. With vocal support from Little Big Town, Lambert sounds like their lead, though modest, singer as they wax nostalgic about how “smokin’ and drinkin’ gets you thinkin’ about the one that got away.”
The combined efforts of nine women and three men form the upper echelon of our Best Albums list from 1993. This embarrassment of riches showcases just how much great music there was to choose from that year, especially given how many of the genre’s biggest and most acclaimed stars – Vince Gill, Alan Jackson, Reba McEntire, Mary Chapin Carpenter, and Pam Tillis, just to name a few – were between albums that year. It was also a strong and diverse enough year that despite some overall consensus among the lists of all of the writers, each one of us has a different album at #1 on our personal lists. Enjoy the second half of our list, and look for the Singles list to kick off next weekend. #10 Uncle Tupelo Anodyne #1 – JK | #3 – SG In jumping to a major label, Uncle Tupelo was supposed to give Read More
We’ve all heard of the Sophomore Slump. It’s the phenomenon where an artist’s second album isn’t as good as their first album. This presumably happens because they’ve had more time to choose or write songs for their first album than they do after their careers have taken off and/or because there was so much hype surrounding their first album that their second album had no chance of living up to anyone’s expectations. Many artists, however, are able to avoid that slump and their second album ends up turning out to be better or at least as good as their first album. What are some of your favorite sophomore successes? Here’s my list: Miranda Lambert, Crazy Ex-Girlfriend Martina McBride, The Way that I am Tracy Lawrence, Alibis Shania Twain, The Woman in Me Sara Watkins, Sun Midnight Sun