Our Best of 1994 Singles List continues with Part Three, which includes the ten songs that just missed the top ten! This section includes several #1 singles and signature hits, but kicks off with one of those should’ve been hits by a should’ve been star.
#20 “Wild Love”
Joy Lynn White
Written by Dennis Linde
JK #9 | SG #18 | KJC #39
A brash, fiery vocalist with an instantly recognizable timbre and sense of phrasing, White revels in the forthright sexuality of “Wild Love” and has the pipes to match the track’s blistering arrangement. White may never have cracked the top 40 at radio, but the influence of her vocal style is all over Natalie Maines’ singing, and “Wild Love” foretold the hard rock turn the genre would take a decade or so later. – Jonathan Keefe
The countdown continues. Scroll down to the bottom to hear samples of each song and to share your comments!
Top 40 Singles of 2011, Part Two: #30-#21
#30
Revelation Road
Shelby Lynne
Individual Rankings: #5 – Jonathan
It’s not for nothing that Tammy Wynette once claimed that Shelby Lynne had the best voice in country music, but, as Lynne has become increasingly subdued in the latter half of her career, she’s rarely explored the full range of her vocal talent. So when she unleashes that voice for the first time in a decade during the coda of “Revelation Road,” it may not be revelatory, but it sure is a most welcome return. – Jonathan Keefe
#29
My Name is Money
Sonia Leigh
Individual Rankings: Ben – #4
A clever lyrical personification of the Almighty Dollar. Sonia Leigh tears into the song with her gritty, powerful vocals while the snappy, genre-blending arrangement gives the single added spunk and sass. “My Name Is Money” is a delicious sonic confection from one of the 2011’s most dynamic and promising new talents. – Ben Foster
#28
God Only Knows
Natalie Maines
Individual Rankings: Kevin – #11; Tara – #14
Why? Because she can sing, and she nails a song that’s great to begin with. It’s not quite Lorrie Morgan singing “Don’t Worry Baby”, but it’s close. – Kevin John Coyne
#27
Codeine
Jason Isbell & The 400 Unit
Individual Rankings: #3 – Sam
One of the unlikeliest catchy songs of the year came from Jason Isbell. Sure, the content of the song is heartbreaking, but try listening to it and not singing along with “One of my friends is taking her in and giving her codeine.”- Sam Gazdziak
#26
Ghost on the Canvas
Glen Campbell
Individual Rankings: #10 – Kevin; #12 – Dan
Staring down his mortality, Campbell imparts a final message: Find me again in what I’ve left behind. In Campbell’s case – or Van Gogh’s, whose Wheatfield with Crows is referenced here – the remnants may be works of art. Others will have different sorts of canvases. One thing is universal: though most of the world will never see them, the ghosts will emerge for those who need them. – Dan Milliken
#25
Bleed Red
Ronnie Dunn
Individual Rankings: #5 – Kevin; #17 – Dan
Why? Because he can sing, and he sounds rejuvenated to be doing it as a solo artist. It’s a great song, but in lesser hands, it would’ve been sappy. – Kevin John Coyne
#24
The Cave
Mumford & Sons
Individual Rankings: #5- Sam; #16 – Leeann
Pop radio has managed to incorporate Lady Antebellum and Taylor Swift singles, to give just a couple examples. So would it kill country radio to add Mumford & Sons to the airwaves? Between Marcus Mumford’s hopeful lyrics (“But I will hold on hope/And I won’t let you choke/On the noose around your neck”) and Country Winston’s banjo, this song begged to be a crossover hit. – Sam Gazdziak
Very few artists could turn a borderline-trite hook into an invigorating anthem fit for the dance hall. Even fewer could do it so accessibly yet commandingly that you want to drop what you’re doing and have a Moonshine in his honor. Bottoms up, King George. – Tara Seetharam
When Wanda Jackson sings, “I’m wonderin’ where in the world could Jerry Lee be,” on her fantastic cover of Bob Dylan’s “Thunder on the Mountain,” Jack White’s on-point rockabilly arrangement makes it sound like Jerry Lee Lewis himself is playing in Jackson’s ace backing band. Though her voice may have lost some of its punch, Jackson’s delivery on “Thunder on the Mountain” finds the Queen of Rockabilly as feisty as ever. – Jonathan Keefe
#21
You Gonna Fly
Keith Urban
Individual Rankings: #8 – Tara; #9 – Jonathan
Urban strips the title phrase of all its pomposity but retains its punch with an assured, coolly confident performance. The song’s kicker, though, is the way it handles love’s ability to “fly us” to another plane, spiritually and emotionally, with matter-of-fact breeziness. “One, two, three / Baby don’t think twice / Just like that you got a brand new life” – how refreshingly uncomplicated. – Tara Seetharam
