Tag Archives: Old Crow Medicine Show

5 Five-Second Single Reviews: Trace Adkins, Jason Aldean, The Dirt Drifters, OCMS, Darius Rucker

Trace Adkins, “Just Fishin'” (Listen)

Written by Casey Beathard, Monty Criswell and Ed Hill

Wish this weren’t quite so heavy-handed about driving home the theme; a subtler approach could have made it a Strait-type classic. Still a nice, fresh idea, though.

Grade: B

Jason Aldean featuring Ludacris, “Dirt Road Anthem (Remix)” (Listen)

Written by Colt Ford and Brantley Gilbert

The jauntier rapping and production on Ludacris’ verse brings the track to life. They should have let him take over and just given Jason the choruses, a la Nelly/Tim’s “Over and Over.”

Grade: C+


The Dirt Drifters, “Always a Reason” (Listen)

Written by Ryan Fleener, Jeff Middleton and Justin Wilson

Their Springsteen is showing too much, but I still hope it’s a hit. Like “Something Better” before it, solid blue-collar bar rock.

Grade: B+

Old Crow Medicine Show, “Wagon Wheel”

Written by Bob Dylan and Ketch Secor

I’m confused. Are they actually releasing this oldie as a single? Wasn’t it already one? This is probably just some random promo thingy. In any case, still one of country music’s all-time great sing-alongs.

Grade: A+


Darius Rucker, “I Got Nothin'”

Written by Darius Rucker and Clay Mills

You got somethin'; you just ain’t usin’ it.

Grade: C

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The 201 Greatest Singles of the Decade, Part 9: #40-#21

The 201 Greatest Singles of the Decade, Part 9: #40-#21

#40
“This Is Me You’re Talking To”
Trisha Yearwood
2008
Peak: #25

Flawless. Proof positive that the nineties formula at its best is better than anything on naughties radio. Perhaps they can’t play it too much for that reason. It’s not good for business to park a new Lexus in a used car lot of Ford Pintos. – Kevin Coyne

#39
“Famous in a Small Town”
Miranda Lambert
2007
Peak: #14

This is one of those slice-of-life songs that anyone from a small town can easily relate to. What sets it above the pack of songs of that ilk is the witty nugget of truth that “everybody dies famous in a small town.” The Springsteen-esque vibe of the production is pretty cool, too. – Leeann Ward Continue reading

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The 100 Greatest Albums of the Decade, Conclusion: #10-#1

The 100 Greatest Albums of the Decade, Conclusion

As we come to the end of our list, the top ten selections are a lot like the ninety before them, with perhaps a bit more of a roots leaning overall.  If you didn’t see your favorite on the list, or just want to discover more great music that you might have missed, be sure to check out the list at The 9513, if you somehow haven’t done so already. Even better, start a blog and write your own list.  It feels like a lot of barriers fell within country music this decade, and I think one of the best walls to come down was the one between music journalism and the listening audience.  I hope in the next decade, a lot more readers become writers, so we can all keep reveling in the music we love and helping others discover it.

Sappy introduction aside, here’s our top ten of the decade:

10 Patty

#10
Patty Loveless, Mountain Soul

Imitation is the sincerest form of flattery, and few albums have inspired more imitation than Patty Loveless’ Mountain Soul. Bluegrass music full of roots influences, Mountain Soul, with its traditional sound, has become a surrogate definition of authenticity for mainstream artists returning to their musical beginnings. Standout songs include “Cheap Whiskey,” a classically dark drinking song; the energetic “The Boys are Back in Town,” with its WWII imagery; and “Soul of Constant Sorrow,” based on the traditional work popularized by the Stanley Brothers. – William Ward

Recommended Tracks: “The Boys are Back in Town”, “Cheap Whiskey”, “Soul of Constant Sorrow”, “You’ll Never Leave Harlan Alive”

9 Vince

#9
Vince Gill, These Days

An inordinate amount of praise has already been heaped upon Vince Gill’s prolific, 2006 landmark 4-disc box set of all original material. Moreover, all of the praise is warranted. Not only is all of the material original rather than culled from previous albums; Gill had a hand in writing each of the 43 tracks. Each disc is divided into its own genre (rock, jazz, bluegrass/acoustic and straight-up country). Furthermore, each disc is masterfully executed. Fortunately, These Days does not prove the old “less is more” adage. Instead, it only leaves us longing for more. – Leeann Ward

Recommended Tracks: “Sweet Thing”, “Faint of Heart (with Diana Krall)”, “Little Brother”, “Some Things Never Change (featuring Emmylou Harris)

8 Loretta

#8
Loretta Lynn, Van Lear Rose

She had already made a fine latter-day album with 2000’s Still Country, but Loretta Lynn’s crowning artistic moment of the last thirty years came when rocker Jack White offered to turn his semi-fetishization of Lynn’s music and persona into a full LP. As you’d expect of a project born of such fanboy fantasy, White was not shy about dressing up Loretta in his favorite things – in this case, snaky electric guitars and loose, often atmospheric arrangements that made the Kentucky gal sound more raw, Gothic and edgy than she ever had in her bouncy classic singles. But White also had the good sense not to let his little indulgences distract from the fantastic artist on his hands, who wrote herself a batch of sharp, soulful songs that capture the essence of what truly makes real country music – and Lynn herself – rock so hard. – Dan Milliken

Recommended Tracks: “Portland, Oregon”, “Trouble On the Line”, “Family Tree”, “Miss Being Mrs.”

7 Cash

#7
Johnny Cash, American III: Solitary Man

It’s astounding how some artists can convey as much meaning through voice as they can through lyric. Cash performs covers and original material alike so affectingly on this Grammy-award winning album that you feel like you can reach out and touch what you’re hearing. It’s a stunningly haunting, uniquely introspective project, carried by the strength of Cash’s wisdom and transcendent voice. – Tara Seetharam

Recommended Tracks: “Before My Time”, “I’m Leaving Now”, “Solitary Man”, “I See a Darkness”

6 OCMS

#6
Old Crow Medicine Show, Old Crow Medicine Show

Old Crow Medicine Show’s first and best progressive acoustic album is difficult to label as far as genre is concerned. However, what can be defined is that there are elements of bluegrass, country, folk, etc., which all culminate in a mighty fine debut effort from a band that has developed an impressive cult following as a result. With overt drug references, subtler (though still obvious) political undertones, quiet philosophical moments and some simply fun numbers, this album never gets tiresome, which is a testament to its long lasting substance as a whole. – LW

Recommended Tracks: “Tell It to Me”, “Big Time in the Jungle”, “Wagon Wheel”

5 Kathy

#5
Kathy Mattea, Coal

Kathy Mattea’s Coal is a near-perfect example of an album acting as a single piece of art. More than a collection of mining songs, Coal, co-produced by Marty Stuart, is a brutal and beautiful look at a way of life that is both challenging and enlightening. Notable tracks include “Dark as a Dungeon,” delivered with meticulous but even intensity; the haunting “Red-Winged Blackbird,” with its blood and coal color imagery; and the a cappella “Black Lung,” an impressive choice in which Mattea successfully pushes the boundaries of her musical abilities. – WW

Recommended Tracks: “Blue Diamond Mines”, “Red-Winged Blackbird”, “Sally in the Garden”, “Dark as a Dungeon”

4 Miranda

#4
Miranda Lambert, Crazy Ex-Girlfriend

Call it potential realized: Crazy Ex-Girlfriend is the album we all knew Lambert could make, and waited on the tips of our toes to hear. Her follow-up to Kerosene is a rich, defiant album that conveys a sharp perspective and a clear musical identity. Amidst a spunky blend of twang and rock, she draws from a more incisive set of songwriting skills and packs a hell of a believable punch, like on her first top ten hit, “Gunpowder & Lead.” And the punch isn’t reserved for the fiery numbers, as the album’s most gripping track comes in the form of pure tenderness. The wistful lament “More Like Her” is one of the best and most heartbreaking songs of this decade. – TS

Recommended Tracks: “Famous in a Small Town”, “More Like Her”, “Dry Town”, “Love Letters”

3 Gary

#3
Gary Allan, Tough All Over

A rough, scattered, imperfect and wholly realistic 12-track grieving process. By the time of the tragic personal events leading to this album, Allan had already proven he could interpret a song better than just about anyone working in the genre; on Tough All Over, he took on the unimaginable task of interpreting his own battered emotional core. The results are striking, as he confronts not just his inevitable loneliness (“Best I Ever Had”, “Ring”, “Puttin’ Memories Away”), but also less tidy trackings of guilt (“I Just Got Back From Hell”), self-loathing (“What Kind of Fool”), spite (the title track), and reluctant hope (“Nickajack Cave [Johnny Cash’s Redemption]”, “Life Ain’t Always Beautiful”). Country music and Allan himself have produced several more beautiful albums this past decade, but none that sounded quite so necessary. – DM

Recommended Tracks: “Tough All Over”, “I Just Got Back From Hell”, “Ring”, “Life Ain’t Always Beautiful”

2 Kasey Shane

#2
Kasey Chambers & Shane Nicholson, Rattlin’ Bones

The fact that neither Kasey Chambers nor Shane Nicholson make particularly traditional-sounding music on their own makes it all the more incredible that they have joined together to create one of the rootsiest records on this list. Aside from the intriguing, though processed “Jackson Hole”, the songs on Rattlin’ Bones sound more like beloved classics than the original Chambers and Nicholson compositions that they actually are. The naturally compatible husband-wife pairing has created an album full of crisp, majestic harmonies, distinctive melodies and intriguing lyrics, easily making this album one of the most sonically pleasing and substantive albums of the decade. – LW

Recommended Tracks: “Rattlin’ Bones”, “Monkey on A Wire”, “One More Year”, “No One Hurts Up Here”

1 Chicks

#1
Dixie Chicks, Home

This was our top selection by such a wide margin that it’s tempting to just say, “Of course it’s the greatest album of the decade. It’s Home.”   But one sentence does not a justification for best album of the decade make, so let me go on to say that Home is conclusive proof that a modern country album can tear down the walls between radio-friendly and artistic, mainstream and Americana, pure country and crossover, revealing that while they looked like stone, they were paper walls all along.

It was a hint of further greatness to come that the Chicks were able to pen some of their own material and have it stand proudly among the very best works of brilliant songwriters, and the album became a classic because the songs really are the best ever written by Darrell Scott (“Long Time Gone”), Stevie Nicks (“Landslide”), Bruce Robison (“Travelin’ Soldier”), Radney Foster, (“Godspeed [Sweet Dreams]), and Patty Griffin (“Truth No. 2 and “Top of the World”). But with the acoustic production and their decision to record three-part harmonies for the first time, the result is nothing short of a masterpiece.

Despite the formula being so simple – great songs + great vocals + great production = great album – Home is a reminder of just how difficult that formula is to pull off.  Released back in 2002, no country album has come along since to match its quality. – KC

Recommended Tracks: “Long Time Gone”, “Truth No. 2″, “Godspeed (Sweet Dreams)”, “Top of the World”

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100 Greatest Albums of the Decade, Part 3: #80-#71

The 100 Greatest Albums of the Decade, Part 3

80 Martina

#80
Martina McBride, Timeless

McBride has a voice that would have been as relevant in country music fifty years ago as it is today, and her album of cover songs exemplifies this. She doesn’t attempt to move any of the songs to a different level, but instead inhabits the artists’ original style with precision and spirit. The result is a pure, respectful homage to the country greats. – Tara Seetharam

Recommended Tracks: “Make The World Go Away”, “Pick Me Up On Your Way Down”

79 Felice

#79
Felice Brothers, Yonder is the Clock

The Felice Brothers are the least-known among the members of ‘The Big Surprise Tour’ headlined by Old Crow Medicine Show and featuring Dave Rawlings Machine with Gillian Welch, and Justin Townes Earle. Melding country-rock and folk-rock, they are roots-influenced and made their start playing in the subway. While it may take an extremely big tent to call them “country,” consistent Dylan comparisons make Yonder is the Clock hard to ignore. – William Ward

Recommended Tracks: “Run, Chicken, Run”, “The Big Surprise”

78 Big

#78
Big & Rich, Horse of a Different Color

Big Kenny’s and John Rich’s voices and creativity blend to form a richly textured harmony that is only fully realized when they work together, as is most evident on their debut album that took country music by storm in a huge way. While their subsequent projects haven’t even come close to matching the potential of their first, Horse of A Different Coloris an album of refreshing risks and creativity that has been both embraced and criticized as a result of unique production and odd lyrical twists. Songs ranging from ridiculous to philosophical and all points inbetween make this album one of the most memorable, if not controversial, mainstream albums of the decade. – Leeann Ward

Recommended Tracks: “Holy Water”, “Live This Life”

77 Dierks

#77
Dierks Bentley, Long Trip Alone

Bentley takes his road theme all the way, crafting a concept album that both celebrates the loneliness of the road and mourns the resting places left behind by those who choose to stay on it. – Kevin Coyne

Recommended Tracks: “Long Trip Alone”, “The Heaven I’m Headed To”

76 Josh

#76
Josh Turner, Everything is Fine

Turner’s third album is an outstanding example of a style that is deeply traditional yet still current, assured yet still vulnerable. His distinctive voice is paired with a well-crafted and charming set of songs on this album, which further solidified him as one of the genre’s leading traditionalists. – TS

Recommended Tracks: “Another Try”, “Nowhere Fast”

75 Reckless

#75
Reckless Kelly, Bulletproof

Country and power-pop collide in one of Texas’ most memorable albums in years. If Bulletproof has a weakness, it’s that its love songs and road anthems are all so damn hooky that the deeper material has to fight to steal your attention away. – Dan Milliken

Recommended Tracks: “American Blood”, “Mirage”

74 Chick

#74
Chick Corea & Béla Fleck, The Enchantment

The Enchantment is a collaboration between jazz pianist Chick Corea and banjo virtuoso Béla Fleck. Full of soaring energy and technical prowess, The Enchantment blends the influences of both Corea and Fleck resulting in jazz compositions infused with bluegrass overtones.- WW

Recommended Tracks: “Mountain”, “Sunset Road”

73 Otto

#73
James Otto, Sunset Man

On his breakthrough sophomore album, Otto’s voice is commanding and rich with soul, proving he has one of the most interesting male voices to come out of country music in the past few years. Sunset Man is a solid contemporary country album that has his voice melting just as effectively with bluesy, mid-tempo numbers as it does with muscular power ballads. – TS

Recommended Tracks: “For You”, “These Are The Good Ole Days”

72 Jon

#72
Jon Randall, Walking Among the Living

Thanks to his very lucrative songwriting collaboration with Bill Anderson that resulted in a smash hit for Brad Paisley and Alison Krauss with “Whiskey Lullaby”, Jon Randall received a major label deal with Sony. Unfortunately, Randall’s only album with them was not even a blip on most people’s radars, though not due to lack of quality. Randall’s gorgeous tenor, most closely comparable to Vince Gill’s,tastefully blends with rootsy instrumentation and solid compositions to create a humble work of art. – LW

Recommended Tracks: “I Shouldn’t Do This”, “Lonely for Awhile”

71 Crooked

#71
Crooked Still, Shaken By a Low Sound

Crooked Still is an alternate bluegrass group led by vocalist Aoife O’Donovan. With haunting vocals and technical prowess Crooked Still pushes acoustic music in a manner similar to Nickel Creek but with a slightly more recognizable traditional bend. – WW

Recommended Tracks: “Wind and Rain”, “Little Sadie”

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Discussion: Non-Hit Singles of the Decade

BillboardPop on those thinking caps; we’ve encountered a dilemma that Wikipedia alone cannot remedy!

See, like any warm-blooded entertainment blog, CU totally gets off on ranking stuff. So naturally, we’ve been hard at work piecing together our opinions on the decade’s finest albums and singles. The former category has proven easy enough to probe; the latter, however, presents a significant challenge, since singles that aren’t mainstream hits are often swept under the public carpet as the years go by.

I think it would be a shame to overlook some of the Aughts’ best work just because of our limited recall and research abilities, though, and I know our readers are diverse and knowledgeable enough to help us fill in the gaps. So I’m inviting everyone to name a bunch of their lesser-known favorites to help us broaden our selection pool (and have a little fun while we’re at it).

For example, my personal list would include:

  • Nickel Creek, “When You Come Back Down”
  • Dolly Parton, “Shine”
  • Alison Krauss & Union Station, “Restless”
  • Alison Krauss & James Taylor, “How’s The World Treating You”
  • Loretta Lynn with Jack White, “Portland, Oregon”
  • Old Crow Medicine Show, “Wagon Wheel”
  • Ryan Adams, “Let It Ride”
  • Pinmonkey, “That Train Don’t Run”
  • Randy Rogers Band, “Somebody Take Me Home”
  • Ashley Monroe, “Satisfied”
  • Bruce Robison, “All Over But the Cryin'”
  • Randy Travis, “Dig Two Graves”

And those are just some of the easy ones. But I’ll let y’all take over: What are some of your favorite non-hit singles from the past decade? Feel free to include anything from any classification of country – mainstream, Alt-Country/Americana, bluegrass, Texas, independent – and definitely include as many as you like, especially if you have a few that haven’t been mentioned yet. If it didn’t go Top 20 and was shipped to radio, it’s fair game!

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If I Were In New Hampshire, I’d Go To This

With the gracious permission of Tom Spurgeon, the creator of this feature at The Comics Reporter, I would like to introduce the Country Universe version of “If I Were In _________, I’d Go To This.” With interesting events around the country it is hard to know about everything, so starting with “If I Were In New Hampshire, I’d Go To This” we will present you with our picks of unique or particularly interesting upcoming shows or events.

Big Suprise Tour

PRESS RELEASE:

The Big Surprise Tour – featuring Old Crow Medicine Show, Dave Rawlings Machine (w/ Gillian Welch), The Felice Brothers and Justin Townes Earle – kicks off in Hampton, NH on Tuesday Aug. 4.

Born out of a deep running comradery built on countless tours and ties between a host of excellent musicians, each evening is sure to be a unique experience as they all put their many combined years of musicianship and knowledge of song-craft and American music into play for these performances.

This is gonna be an amazing show, so get your tickets now!

Tour Dates:

8/4 – Hampton Beach, NH @ Casino Ballroom

8/5 – Boston, MA @ House Of Blues

8/6 – New York, NY @ Beacon Theatre

8/7 – Philadelphia, PA @ Electric Factory

8/9 – Charlottesville, VA @ Charlottesville Pavilion

8/10 – Cary, NC @ Cary’s Booth Amphitheatre

8/12 – Louisville, KY @ Waterfront Park

8/13 – Nashville, TN @ Riverfront Park

8/14 – Knoxville, TN @ World’s Fair Park

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Iconic Songs of the Last Decade

I was listening to The Band’s album Music From Big Pink earlier this week, and something struck me about the song “The Weight.” Trust me, you know the song. It goes a little like this: “I pulled into Nazareth / Was feelin’ about half past dead / I just need some place / where I can lay my head.”  Ring a bell yet? No? Try this:

In the song, The Band, originally consisting of Robbie Robertson, Richard Manuel, Garth Hudson, Rick Danko and Levon Helm, draws from a familiar cast of characters and American mythology to tell a universal story set in the town of Nazareth, PA. First released in 1968, “The Weight” only reached #63 on the U.S. charts, but has since achieved iconic status. It has become an American standard in a way few songs have accomplished. Indeed, Rolling Stone lists it as the 41st greatest song of all time. 

Further cementing its iconic status, check out a very small sample of the artists  – across genres, of all ages – who have covered the song:

  • Van Morrison
  • Bob Dylan
  • The Black Crowes
  • Little Feat
  • Grateful Dead
  • Travis
  • Old Crow Medicine Show
  • Gillian Welch
  • The Staple Singers
  • Joan Osborne
  • John Denver
  • Deana Carter
  • Weezer
  • Lee Ann Womack
  • Cross Canadian Ragweed
  • Diana Ross, the Temptations and the Supremes
  • The Allman Brothers Band
  • The Marshall Tucker Band
  • Panic at the Disco
  • Aaron Pritchett

Songs with enduring power like “The Weight” are few and far between, and seem to be even more so nowadays. So tonight’s discussion asks:

What songs of the past decade have enduring power? What songs will we be listening to and hear covers of in the next 50 years?

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Discussion: Desert Island

islandIt’s always fun to learn a bit more about the tastes of our fellow country music fans from time to time. So, I’m asking you to enter my imaginary world for a little while.

Pretend that you’re trapped on a desert island and can have one of each item listed in the categories below. Of course, my imaginary existence somehow allows for you to, somehow, manage to have electricity, a stereo and a DVD player.

MUSIC
Complete works of one Country Music Artist/Band:
Vince Gill

One Album by another Country Music Artist/Band:
Kasey Chambers & Shane Nicholson, Rattlin’ Bones

One Bluegrass Album:
Patty Loveless, Mountain Soul

One “big tent” country album:
Old Crow Medicine Show, OCMS

One Album by a Non-Country Artist:
Nirvana, Nirvana Unplugged

One Country Music Artist Box Set (that does not include all the works of that artist):
Hank Williams, Unreleased Recordings

LITERATURE
Complete Works of one Author:
Richard Russo

One Novel:
To Kill A Mockingbird

One Collection of Short Stories:
Where I’m Calling From: Selected Stories by Raymond Carver

One Book of Poetry:
Where The Side Walk Ends by Shel Silverstein

One Miscellaneous Book:
Rabbit Angstrom: Four Novels by John Updike

FILM AND TELEVISION
Complete works of one Filmmaker:
Rob Reiner

One Feature Film:
Fiddler on the Roof

One Complete Television Series:
Friends

One Animated/Children’s movie:
Shrek

One Miscellaneous DVD or DVD set:
Gilmore Girls

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Old Crow Medicine Show, “Mary’s Kitchen”

Meh. Old Crow have become a cult favorites by way of raucous roots revivals that often bulldoze the boundaries of proper content and delivery, but you probably wouldn’t get that just from this record. Sure, the whole thing is blatant sexual innuendos, and that’s pretty amusing the first time or two, but the boys sound like they’re reciting the filth rather than relishing it. There’s still a lot of tight, interesting musicianship on display, of course – check out that winding guitar part in the interludes – but the thrill is gone.

Written by Gill Landry

Grade: B-

Listen: Mary’s Kitchen

Buy: Mary’s Kitchen

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