Here’s my list:
- Trisha Yearwood, “Wrong Side of Memphis”
- Pam Tillis, “Deep Down”
- Tim McGraw, “Please Remember Me”
- Sawyer Brown, “Cafe on the Corner”
- Dixie Chicks, “Not Ready to Make Nice”
Here’s my list:
Some cover songs pale in comparison to previous incarnations. Other attempts may come across as competent but disposable. But every now and then, a cover song comes along that just might rival or even replace the original in my listening rotation.
What are your top five cover songs that you like better than the original?
Here’s my list:
1. Dixie Chicks, “Landslide” (Fleetwood Mac)
2. Linda Ronstadt, “Blue Bayou” (Roy Orbison)
3. Alison Krauss & Union Station, “When You Say Nothing At All” (Keith Whitley)
4. Jo Dee Messina, “Lesson in Leavin'” (Dottie West)
5. Pam Tillis, “When You Walk in the Room” (Jackie DeShannon)
How could you ever tell them apart?
Thank goodness we have the diversity and variety of male voices in country music to keep things fresh.
With deep gratitude to country music programmers for knowing what we really want. Thanks to your leadership, the genre is so much richer with talent today than it was in 1993.
This One’s Not For The Girls: Finally, Hill cautions against playing too many females. And playing them back to back, he says, is a no-no. “If you want to make ratings in Country radio, take females out,” he asserts. “The reason is mainstream Country radio generates more quarter hours from female listeners at the rate of 70 to 75%, and women like male artists. I’m basing that not only on music tests from over the years, but more than 300 client radio stations. The expectation is we’re principally a male format with a smaller female component. I’ve got about 40 music databases in front of me and the percentage of females in the one with the most is 19%. Trust me, I play great female records and we’ve got some right now; they’re just not the lettuce in our salad. The lettuce is Luke Bryan and Blake Shelton, Keith Urban and artists like that. The tomatoes of our salad are the females.”
Tossed salad imagery aside, in what other professional setting would such blatant gender discrimination be openly advocated? The breathtaking condescension toward female listeners in country music is nothing new, but it’s been more than twenty years since any such case could be supported by sales numbers.
We haven’t done a Daily Top Five for a few days, so the original post is going to be lengthier than usual.
You don’t have to to pick five artists in the comments, of course. But for the artists you pick, try to avoid singles!
I’m cheating and using my iPod play counts to help me out here.
Here are my five favorite fan favorites from five of my favorite artists:
Today, we kick off a new feature: Daily Top Five. Every day, one of our writers will post their top five picks for a given category, and invite readers to share their own lists in the comments. This idea was
ripped off from inspired by the film Top Five.
Since this is the first entry, today’s topic is First Favorites – your top five songs that got you into country music.
What’s your top five?
As 2014 comes to a close, the Country Universe staff has been collectively impressed by the number of quality albums that were released this year. How many of those albums, however, will we still be listening to in twenty years?
We have that benefit of hindsight for the year 1994, and we’ve compiled our twenty favorite studio sets from that year. At their time of release, some of our favorites were comeback albums from veteran artists, some were from current artists reaching new artistic and commercial peaks, and some were debut sets from artists that went on to become mainstays on country radio or in the Americana music scene that was just coming together twenty years ago.
What they all have in common is that each and every one of them still sounds great today, and they collectively show the wide breadth that the country music landscape was transforming into as the genre reached wider levels of popularity than it had ever seen before.
This is Me
BF #11 | KJC #15 | LW #19
Travis’ legendary status was practically secure by 1994, but This is Me shows an artist neither resting on his laurels nor struggling to keep up with the young new talent of the era. The album serves up one solid song after another, with its best tracks delivering clever new takes on signature country themes, thus further advancing an already respectable legacy. – Ben Foster
Recommended Tracks: “Before You Kill Us All”, “This is Me”, “The Box”
The countdown concludes with a wide range of classics, including breakthrough hits, signature songs, and exciting later career gems from long-established icons of the genre.
Written by Alan Jackson and Jim McBride
LW #10 | BF #5 | JK #38
What makes a better country song than a stark naked light bulb, one lonely pillow on a double bed, a mournful fiddle and steel guitar? Jackson’s “(Who Says) You Can’t Have It All” is one of the finest exhibits to present as the answer to that question. – Leeann Ward
Our Best of 1994 Singles List kicks off today with the bottom quarter of our top forty. The list was compiled by weighing each individual writer’s choices, with preference given to songs that appeared on multiple lists. Each writer’s individual ranking is listed under the songwriter credits.
Bonus retro fun: Check out those cassette singles covers!
“Livin’ on Love”
Written by Alan Jackson
SG #14 | JK #23 | BF #37
Country music has, historically, given voice to those disenfranchised by poverty, validating and finding the value in the struggles of economic hardship. What elevates the appropriately bare-bones narrative of “Livin’ on Love” is the warmth and real sense of empathy in Jackson’s performance. – Jonathan Keefe