Patsy Cline

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A Conversation with Katie Armiger

January 15, 2013 Tara Seetharam 2






KatieArmigerIn 2007, Katie Armiger released her first album at just 15-years-old after winning a local singing competition in Texas. Since then, she’s had quiet but solid success in the industry, earning four Billboard-charting singles and touring with major artists such as Brad Paisley, Little Big Town, Jason Aldean and Ronnie Dunn. 

Last year, Country Weekly’s readers voted 21-year-old Armiger the “Hottest Bachelorette” for the second consecutive year, just before she appeared on ABC’s dubious reality television show, “The Bachelor Pad.” Ironic events, considering the fellow Sugar Land native has built her image on independence and  empowerment, themes she captures pithily on her first Top 40 hit, “Better in a Black Dress.”

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Album Review: Terri Clark, <i>Classic</i>

November 20, 2012 Ben Foster 9






A great covers record, no matter how sincere the artist’s intentions, must provide a satisfactory answer to one question: Why should we listen to this artist’s versions of these songs when the originals are still there for us to enjoy?






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Favorite Songs by Favorite Artists: Sara Evans

August 7, 2011 Ben Foster 41






I was in my early teens when I first discovered Sara Evans… and I thought she was the greatest thing since sliced bread. The rich throaty texture of her distinct voice reeled me in quickly, and her entertaining mixture of traditional and contemporary influences had me thoroughly hooked.






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2010 Christmas Albums Extravaganza

December 2, 2010 Leeann Ward 14






Yay! Christmas time is here again!

This year, instead of writing about this year’s crop of Christmas projects individually, I’ve decided to round them up in one post in an effort to make sure I acknowledge all of them. Unless I’ve overlooked one, the only album that will be omitted from this roundup is Shelby Lynne’s Christmas album, which is super good/compelling and funky, so it deserves its own review and it will come as soon as I figure out how to write about it.

Let the fun begin!

Carter’s Chord, Christmas

As Toby Keith’s best discovery so far, Carter’s Chord is a talented sister duo that hasn’t yet gotten the success that they deserve. With only one digitally released studio album that has received criminally little attention, they’ve still managed to deliver a delightful 4-song EP that would be well worth adding to your Christmas collection.






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400 Greatest Singles of the Nineties: #250-#226

July 23, 2010 Kevin John Coyne 22






A lot of songs from both ends of the charts here, including a husband-and-wife duet that spent six weeks at #1.

400 Greatest Singles of the Nineties: #250-#226

#250
I Meant Every Word He Said
Ricky Van Shelton
1990 | Peak: #2

Listen

At least the third song on this list about a guy mulling over romantic gestures he wishes he’d made to his former love, and the most traditional among those songs. You could easily imagine this one being a minor classic by a 60’s or 70’s legend, so close is its replication of that style. – Dan Milliken

#249
I’m So Happy I Can’t Stop Crying
Toby Keith with Sting
1997 | Peak: #2

Listen

My hard-and-fast rule for Toby Keith: The sadder he is, the happier the listening experience tends to be. He’s all kinds of sad in this snapshot of post-divorce melancholia, reflecting on everything from unfair custody protocol to the greater motions of the universe. Even a gratuitous Sting cameo can’t detract from the single’s gloomy grandeur. – DM

#248
You Ain’t Much Fun
Toby Keith
1995 | Peak: #2

Listen

Toby Keith is also funny, though. What’s a man to do? Sobering up ain’t all that it’s cracked up to be from is perspective. Ever since he’s done so, his wife has been taking advantage of his increased functionality by giving him honey-do lists that he wasn’t ably tackling pre-sobriety. It’s enough to drive a man to drink. – Leeann Ward






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Crystal Gayle Starter Kit

February 26, 2010 Kevin John Coyne 24






Producing primarily pop-flavored country music has rarely been a ticket to immortality for even the biggest artists, particularly the female ones. Imports like Shania Twain and Olivia Newton-John are labeled impostors. Faith Hill’s canny song sense is overlooked while hubby Tim McGraw’s is widely praised. Brilliant Dolly Parton records like “Here You Come Again” and “9 to 5” are cited as being beneath her greatness, rather than prime examples of it. Only Patsy Cline has been given a free pass, and who wouldn’t want to claim those pipes?






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A Conversation with Katie Cook

August 21, 2009 Tara Seetharam 7






KCookKatie Cook has been a staple on Country Music Television since 2002, hosting various series and specials such as CMT Most Wanted Live, the MWL concert series, MWL Star, MWL Stacked and the popular weekly entertainment magazine show, CMT Insider.

But her experience with country music is actually three-fold: along with being embedded in the industry as a television host and interviewer, she’s also the daughter of Nashville Songwriters Hall of Fame member Roger Cook, and she’s both a singer and songwriter herself – she released an album in 2000 as part of a band called Reno and continues to hone her songwriting skills. Cook took some time to share with Country Universe her opinions on the state of country music, the evolution of CMT and her recent White House visit, among other topics.