We can thank the shortsighted radio consultant Keith Hill for one thing: drawing attention to the women of country music in a year where so many of them are making outstanding music. As their mainstream counterparts cycle through a series of one-note styles and themes, female country artists are putting out diverse and decidedly more progressive music, even as they draw influence from previous generations. That they do so while supporting each other makes it all the more impressive.
In a year that has already brought the deaths of immortal talents like George Jones, Slim Whitman, Patti Page, and Jack Greene, not to mention the untimely loss of Mindy McCready, it is understandable that the recent news regarding Randy Travis is having the country music fans collectively holding their breath with nervousness and dread.
There is something distinctly different about how I am processing the news about Randy Travis. The thought of losing him is inextricably linked with a feeling that we’d be losing an essential core of the country music that I fell in love with more than two decades ago. Now, I remember Randy Travis from when I was a child. What little kid wouldn’t be in love with a catchy song like “Forever and Ever, Amen”?