Tag Archives: Patty Griffin

Country Universe’s Best Albums of 2013, Part Two: #20-#1

2013 turned out to be a banner year for new music, full of powerful songwriting, inspired collaborations, and truly cohesive albums that would rank among the best releases in any given year.  Many of this year’s top twenty would’ve ranked much higher in other years, and many of us writers couldn’t even include all the works we deeply enjoyed this year on our personal lists, making our collective list worthy of the heartiest endorsement we could ever give.

Here’s to a great 2013, and a greedy wish that 2014 will be just as wonderful on the music front. As always, share your thoughts and personal favorites in the comments.

Charlie Worsham Rubberband

#20
Rubberband
Charlie Worsham

Individual rankings:  #7 – Tara; #12 – Leeann

Like Chris Young two years ago, Worsham’s voice is a commodity that instantly elevates the new artist to an orbit above the male radio regulars. His is warm and cleanly expressive, lending itself best to songs that nurture his upper register, like the jaunty “Want Me Too,” haunting “Someone Like You” or those invigorating opening bars of “Could It Be.” If only life imitated “Nashville” and its fictional stars’ uncomplicated brand of pop country, Worsham might just be the next Luke Bryan and “Rubberband” –the album’s finely produced, genre-bending title track– his next big hit. - Tara Seetharam

Recommended Tracks:  “Rubberband,” “Someone Like You,” “Young to See,” “Could it Be”

Patty Griffin Silver Bell

#19
Silver Bell
Patty Griffin

Individual rankings:  #5 – Kevin; #13 – Jonathan

It was a banner year for Patty Griffin fans, as two new studio albums were released.  Silver Bell is the oddity of the two, in that it was recorded thirteen years ago and languished in the vaults (and on cherished bootlegs.)  For those who have discovered Griffin during her past few years as an Americana goddess, Silver Bell was her final attempt at a mainstream album for A&M Records, and it is fantastic.  She finds a happy medium  between the rawness of her debut album, Living with Ghosts, and the hard edge of its follow-up, Flaming Red.  Two of the best tracks, “Truth #2″ and “Top of the World”, would become two of the best tracks on Home, the landmark Dixie Chicks album from 2002.  Emmylou Harris joins in on harmony for “Truth”, but the true revelation is the original recording of  “World”, which is darker and more haunting than the excellent renditions that the Chicks, and Griffin herself, would later record. - Kevin Coyne

Recommended Tracks:  “Top of the World”, “One More Girl”, “Mother of God”

Son Volt Honky Tonk

#18
Honky Tonk
Son Volt

Individual rankings:  #4 -Sam; #18 – Jonathan

As one of the defining bands of alt-country, Son Volt have rarely taken a straightforward approach to the country genre, but they go full-on Bakersfield on Honky Tonk. It’s a move that suits the band well, as the laid-back arrangements on tracks like “Tears of Change” and “Hearts and Minds” balance frontman Jay Farrar’s trademark intensity. - Jonathan Keefe

Recommended Tracks: “Hearts and Minds,” “Bakersfield,” “Seawall”

The Steeldrivers Hammer Down

#17
Hammer Down
The SteelDrivers

Individual rankings:  #12 – Ben; #15 – Tara, Sam; #20 – Jonathan

In many instances, the replacement of a lead vocalist has spelled disaster for a band’s career. In the case of the SteelDrivers, it’s the beginning of a whole new chapter as Gary Nichols ably fills the shoes of the departed Chris Stapleton. But great singers and great pickers still need great songs, and from the haunting opener “Shallow Grave” to the piercing melody of album closer “When I’m Gone,” Hammer Down sets a consistent standard that never wavers. - Ben Foster

Recommended Tracks:  “Hard Way Home,” “Keep Your Heart Young,” “Heart’s Content”

Guy Clark My Favorite Picture of You

#16
My Favorite Picture of You
Guy Clark

Individual rankings:  #3 – Ben; #10 – Leeann

Guy Clark has already secured his place in country music history – not to mention a place in the Nashville Songwriter’s Hall of Fame – but on his first new studio effort since 2009, the songwriting icon is still finding ways to keep things fresh. On My Favorite Picture of You, Guy Clark addresses current events (“Heroes,” “El Coyote”) as well as personal loss (the achingly gorgeous title track, a tribute his late wife Susanna), his absorbing lyrics delivered through a wise and weathered voice which feels like that of an old friend. - Ben Foster

Recommended Tracks: “My Favorite Picture of You,” “El Coyote,” “Heroes”

Holly Williams The Highway

#15
The Highway

Holly Williams

Individual rankings: #3 – Tara; #7 – Leeann

Producer Charlie Peacock treads a dangerous line on The Highway, with arrangements so sparse they’d easily deflate a lesser artist’s work. But he and Williams work exceptionally well together on her third album, leaning on her character-filled voice to fill in the spacious canvas. The album’s themes are heavy and often morose, but Williams doesn’t weigh them down; instead, she approaches them with weathered sensibleness, using only the ragged edges of her voice to convey the underlying drama. As for that family of hers, if there’s a role for them on The Highway, it’s only to help sketch out the small, poignant details of her characters’ stories, like in the vivid history of her maternal grandparents’ eternal love in “Waiting on June.”  - Tara Seetharam

Recommended Tracks:  “Drinkin’,” “The Highway,” “’Til It Runs Dry,” “Waiting on June”

 Pistol Annies Annie Up

#14
Annie Up
Pistol Annies

Individual rankings:  #9 – Tara, Sam; #15 – Ben; #19 – Kevin

It was unlikely that the Pistol Annies would match their self-titled debut, a bullet of an album that flew in the face of everything manicured, polite and conventional in 2011. Their sophomore album, then, is a little less of a shock, but just as much of a raucous hoot. The ladies are still challenging societal norms (“Being Pretty Ain’t Easy”), lamenting and –surprisingly often– conceding to small-town marital discord (“Unhappily Married”), and, of course, dancing with their demons (“I Feel A Sin Coming On”). The breadth of their combined talent and mission is almost uncontainable, so misfires are expected (“Girls Like Us”); in the end, though, the album cements the trio’s place as the genre’s bravest truth-spitting chicks.  - Tara Seetharam

Recommended Tracks:  “I Feel A Sin Coming On,” “Being Pretty Ain’t Pretty,” “Unhappily Married,” “Dear Sobriety”

 Sturgill Simpson High Top Mountain

#13
High Top Mountain
Sturgill Simpson

Individual rankings:  #1 – Jonathan; #2 – Sam

Far too often, traditional-minded country acts fetishize the genre’s past and end up sounding like mimics of great artists, rather than becoming great artists in their own right. Sturgill Simpson, an acolyte of Waylon Jennings’ outlaw period, adopts a too-country-for-country throwback style on his debut, High Top Mountain. But the deceptively shrewd perspective that informs “Railroad of Sin,” “Water in a Well,” and “Old King Coal” is modern through and through, making Simpson one of country’s most exciting new voices. - Jonathan Keefe

Recommended Tracks:  “Railroad of Sin,” “Hero,” “You Can Have the Crown,” “Life Ain’t Fair and the World is Mean”

Patty Griffin American Kid

#12
American Kid
Patty Griffin

Individual rankings:  #10 – Jonathan; #12 – Kevin; #13 – Leeann; #18 – Tara; #20 – Ben

Not only is Patty Griffin a very deservedly respected songwriter of intelligent and often gut wrenching songs, she has what many sing-songwriter types don’t have–a sublime voice that pierces right through one’s heart and soul. Join those elements together and it’s no wonder that her first album of original songs since 2007 is at least as good as anyone would dare to hope it would be.

From the sweet cover of “Mom and Dad’s Waltz” to the powerful “Not a Bad Man”, Griffin’s album is a collection of masterful and intelligent songs that will make you think and want to think some more. - Leeann Ward

Recommended Tracks: “Mom and Dad’s Waltz”, “Irish Boy”, “Not a Bad Man”

Music Review Alan Jackson

#11
The Bluegrass Album

Alan Jackson

Individual rankings:  #7 – Kevin, Dan; #9 – Ben; #11 – Tara; #20 – Leeann

Once again, Alan Jackson sets out to do a vanity project and it ends up as good as his best mainstream work ever was.  His foray into bluegrass yields wonderful results, both in the form of compelling new material (“Blue Ridge Mountain Song”, “Mary”, “Blue Side of Heaven”) and well-chosen covers (“Wild and Blue”, “Blue Moon of Kentucky.”)  Like Dolly Parton and Merle Haggard before him, Jackson’s crossover from country to bluegrass shows just how little distance there is between the two, at least when the country artist in question has deep roots in the first place.  - Kevin Coyne

Recommended Tracks:  “Blue Ridge Mountain Song”, “Knew All Along”, “Mary”

The Mavericks

#10
In Time
The Mavericks

Individual rankings:  #1 – Sam; #10 – Tara, Ben; #18 – Kevin, Leeann

The Mavericks reunion may have been one of the more unexpected comebacks in recent country music history, but it should have come as no surprise that In Time was as excellent as it was. “That’s Not My Name” showed their classic country influences, but tunes like “Lies” and “Come Unto Me” blended in some rock, soul and Latin feel too. “Come Unto Me,” with its horn section and Raul Malo’s searing vocals, was the sexiest song in country music in 2013. - Sam Gazdziak

Recommended Tracks: “Come Unto Me”, “Lies”, “That’s Not My Name”

Billie Joe + Norah Foreverly

#9
Foreverly
Billie Joe + Norah

Individual rankings: #4 – Kevin, #5 – Leeann, #6 – Dan; #13 – Tara; #14 – Jonathan

Another quirky Norah Jones project, eh? Sounds about right; guess it’s been about six months since the last one. Oh, she got the guy from Green Day in on it? Well, that’s…huh. What? They’re covering an Everly Brothers album of traditional country and folk songs from the 50′s? They’re just, like, taking time out of their busy schedules to lovingly coo through a bunch of covers of the Everly Brothers’ covers, perhaps to help pass on the Everlys’ important legacy to younger generations, or perhaps just because they’re fans and love music and know Starbucks will sell it regardless? Who do these recording artists think they are — artists? - Dan Milliken

Recommended Tracks:  “Long Time Gone”, “I’m Here to Get My Baby Out of Jail”, “Kentucky”

Vince Gill and Paul Franklin Bakersfield

#8
Bakersfield
Vince Gill and Paul Franklin

Individual rankings:  #4 – Leeann; #5 – Ben, Jonathan; #6 – Tara; #16 – Kevin

It may not be typical for a steel guitarist to receive top billing alongside a legend of Vince Gill’s caliber, but it’s certainly warranted in this case as the comforting whine of Paul Franklin’s pedal steel proves the perfect match for Gill’s distinctive tenor. It’s a delightful musical history lesson as the two lovingly cover ten beloved Owen and Haggard classics. Their takes are neither stale recreations nor scattershot attempts at modernizing and reinventing – rather, Bakersfield feels like a simple, unaffectedly sincere love letter to a unique and important era of country music. - Ben Foster

Recommended Tracks:  “Together Again,” “I Can’t Be Myself,” “Nobody’s Fool But Yours,” “Holding Things Together”

Emmylou Harris Rodney Crowell Old Yellow Moon

#7
Old Yellow Moon
Emmylou Harris and Rodney Crowell

Individual rankings:  #2 – Leeann; #6 – Kevin, Ben; #14 – Sam; #15 – Jonathan; #17 – Tara

The ease and friendship between Emmylou Harris and Rodney Crowell is undeniably palpable on their first full duets album, which is a huge part of what makes this project a blow out success. While the songs are mainly covers of their own songs, as in the sprightly “Bluebird Wine”, the new interpretations are fresh and feel like brand new songs, as is also the case with the covers of other people’s work, as proven by the sublime “Dreaming My Dreams.”

From the jaunty opener of “Hanging Up My Heart” to the gorgeous closer of the title track and all points in between, the entirety of Old Yellow Moon is a masterful collaboration between two brilliantly talented old friends.  - Leeann Ward

Recommended Tracks:  “Hanging Up My Heart”, “Dreaming My Dreams”, “Bluebird Wine”, “Here We Are”

kelly-willis-bruce-robison-cheaters-game

#6
Cheater’s Game
Kelly Willis and Bruce Robison

Individual rankings:  #5 – Dan; #9 – Leeann, Jonathan; #10 – Sam; #14 – Kevin, Tara; #17 – Ben

The first duets album by the Tim & Faith of Texas country lands, and the world immediately becomes a slightly better place. It’s an LP filled with smart Robison writing, golden Willis drawl, and enviable marital cuteness. True love is out there, guys. Listen to “Dreamin’” and sigh along with me. - Dan Milliken

Recommended Tracks:  “Cheater’s Game”, “Waterfall”, “Dreamin’”

Jason Isbell Southeastern

#5
Southeastern
Jason Isbell

Individual rankings:  #2 – Kevin, Jonathan; #3 – Sam; #5 – Tara; #8 – Dan

The best thing about Jason Isbell’s richly drawn stories from the underbelly of America is that he manages to humanize some quite despicable people without trying to make them likable at the same time.  There are very few anti-heroes to be found here.  Their stories are compelling, but you still root for the good guys and gals, and it’s rarely Isbell that is singing in their voice, preferring the challenge of bringing the often loathsome to life.

Which isn’t to say that’s the only role he plays, as there are hints of redemption in some of the best numbers.  The man haunted by the “Songs that She Sang in the Shower” might just treat the next one right, and there is nobody I enjoyed getting to know better this year than Andy in “Elephant”, a barroom louse who didn’t stick around when the girl was at her best, but is now by her side as she’s dying of cancer, singing her classic country songs and sweeping her hair up off the floor after putting her to bed.  – Kevin Coyne

Recommended Tracks:  “Elephant”, “Songs that She Sang in the Shower”, “Live Oak”

Kacey Musgraves Same Trailer Different Park

#4
Same Trailer Different Park
Kacey Musgraves

Individual rankings:  #3 – Dan; #4 – Ben; #6 – Sam; #8 – Leeann, Tara; #10 -Kevin

Kacey Musgraves set some mighty high expectations for herself to live up to with the universally acclaimed dark horse hit “Merry Go ‘Round,” but her major label debut release delivers in full. Same Trailer Different Park announces the arrival of one of country music’s most distinct and potent new voices, marked by keen-eyed observation, maturity beyond her years, and a refreshing willingness to tell it like it is.

The dawning optimism of “Silver Living” and “Step Off” is made all the more meaningful by the fact that Musgraves never shies away from themes of heartache, despondence, and frustration. But even the bitterest moments are sweetened by accessible melodies, comforting arrangements, and a down-to-earth vocal style.

In a genre that has long prided itself on being “real,” Musgraves has become one of a precious few mainstream artists to actually live up to that ideal, and by so doing has laid bare just how contrived the format has become. The fact that Same Trailer Different Park found the mainstream audience it richly deserved feels like an answered prayer. Don’t blow this now, country radio.- Ben Foster

Recommended Tracks: “Merry Go ‘Round,” “Keep it to Yourself,” “Follow Your Arrow,” “It Is What It Is”

Ashley Monroe Like a Rose

#3
Like a Rose
Ashley Monroe

Individual rankings:  #3 – Jonathan; #4 – Tara; #6 – Leeann; #8 – Ben; #9 – Kevin, Dan; #13 – Sam

A beautifully drawn character sketch, Like a Rose showcases Ashley Monroe’s gift for using authentic first-person detail to give depth to her distinctive, unconventional narratives. The persona Monroe projects over the course of the album’s brief song cycle is one of a young woman who has been scarred by the events in her past but who uses those scars as the jumping-off point for compelling stories rather than letting them define who she is or who she aspires to be. - Jonathan Keefe

Recommended Tracks:  “Like a Rose,” “Two Weeks Late,” “Used,” “The Morning After”

LeAnn Rimes Spitfire

#2
Spitfire
LeAnn Rimes

Individual rankings:  #1 – Tara; #2 – Dan, Ben; #3 – Leeann; #8 – Kevin, Jonathan

Rimes subtitled Spitfire as the “truth in no particular order,” an apt description for an album whose truth shines like a prism, flashing different, nuanced colors at us with each twist and turn. If Spitfire is meant to narrate Rimes’ messy history –her “truth” as so many have come to define her by–, it succeeds; but, the gifted artist that she’s become, Rimes knows that truth is more than intentions and events and aftermath. It’s in the intimate honesty that spills out from the smallest corners of thought, whether from places of regret or passion, shame or fearlessness, or in those boundless grey areas in between. Spitfire has it all, packaged in the most colorful, intriguing performances of the year.  - Tara Seetharam

Recommended Tracks: “Borrowed,” “I Do Now,” “Who We Really Are,” “What Have I Done””

Brandy Clark 12 Stories

#1
12 Stories
Brandy Clark

Individual rankings:  #1 – Kevin, Leeann, Dan, Ben; #2 – Tara; #4 – Jonathan; #5 – Sam

Brandy Clark’s 12 Stories was shopped around to several record labels, but none of them would commit to taking on the album, even the ones that admitted that it was the best album they’d heard in years.

Since it’s impossible to reasonably imagine why label executives who loved the album wouldn’t jump at the chance to put Clark on their roster, perhaps they assumed that the album was just too smart and good for the mainstream music scene they put their dollars behind. While this is certainly a simple, and maybe even naive, view of things, other explanations simply evade me. Fortunately, however, somebody did believe in Brandy Clark’s music and the album was organically promoted as an independent release.

Even after listening to the album at least a zillion times since first receiving a promo copy well before its official release, it is a challenge to find the proper words to appropriately describe this nearly perfect debut album. Clark’s sharp, clear eyed songs are supported by crisp and satisfying productions and solid, warm vocals. Without judgment, but with intelligence, she observes and explores the tougher parts of life such as unfaithfulness, divorce and various forms of mental anguish; all the while keeping the album accessible.

As much as can and should be written about this album, the most direct thing to be said is that this was the clear favorite of the very diverse Country Universe staff, with most of us selecting it as our Number One album and none of us ranking it below number five.  The rest of this list shows how far apart we often are on tastes; Brandy Clark is one artist we can all get behind.   - Leeann Ward

Recommended Tracks:  “Pray to Jesus”, “What’ll Keep Me Out of Heaven”, “Take a Little Pill”, “Hungover”

Country Universe’s Best of 2013:

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The 30 Day Song Challenge: Day 13

Today’s category is…

A Leaving Song.

Here are the staff picks:

Leeann Ward: “She’s Crazy For Leavin’” – Rodney Crowell

For me, this song plays out like a movie scene in one of those wacky romantic comedies. The guy is over-the-top trying to convince his girl not to go, saying that “she’s crazy for leaving”, while everyone else at the bus stop pretty much knows he’s the crazy one and tells him to just let her go. I especially love the hook, “You can’t stop a woman when she’s out of control.” Few can write tongue in cheek like Crowell and Guy Clark, I tell ya.

Dan Milliken: “She’ll Remember” – Dwight Yoakam

The zany first minute never gets old for me.

Tara Seetharam: “Let Him Fly” – Patty Griffin

To me, one of the most beautiful songs ever written. It so perfectly captures the equally peaceful and equally crushing “beauty of just letting go.”

Kevin Coyne: “Consider Me Gone” – Reba McEntire

Smart, adult, and even-tempered, this record claims the moral high ground while still managing to get in a subtle dig or two.

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The 30 Day Song Challenge: Day 4

Today’s category is…

A Song That Makes You Sad.

Here are the staff picks:

Kevin Coyne: “No Time to Cry” – Iris Dement

Most songs that I find sad don’t have a lingering impact after the last note fades.  “No Time to Cry” cuts so close to the bone that it brings on waves of melancholy. It captures my reality closer than any other song. It’s ironic that a song that talks about suppressing grief so it doesn’t surface is the one that makes the suppressed grief surface.

Leeann Ward: “Goodbye” – Patty Griffin

Suddenly losing my mother-in-law less than a month ago makes this song cut close to the bone right now. I suspect it will for a long time.

Tara Seetharam: “We Belong Together” – Gavin DeGraw

Something about the combination of melody, urgency and DeGraw’s nuanced delivery hits my gut every time I hear this song.

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2011 Grammy Pre-Telecast Winners

Refresh for updates. Major categories will be announced above the fold:

Male Country Vocal Performance: Keith Urban, “‘Til Summer Comes Around”

Country Duo/Group Vocal Performance: Lady Antebellum, “Need You Now”

Country Song: Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott, “Need You Now”

Country Collaboration with Vocals: Zac Brown Band featuring Alan Jackson, “As She’s Walking Away”

Country Instrumental Performance: Marty Stuart, “Hummingbyrd”

Bluegrass Album: Patty Loveless, Mountain Soul II

Americana Album: Mavis Staples, You Are Not Alone

Traditional Folk Album: Carolina Chocolate Drops, Genuine Negro Jig

Contemporary Folk Album: Ray LaMontagne And The Pariah Dogs, God Willin’ & The Creek Don’t Rise

Southern/Country/Gospel Bluegrass Album: Diamond Rio, The Reason

Traditional Gospel Album: Patty Griffin, Downtown Church

_____

Short Form Music Video: Lady GaGa, “Bad Romance”

Long Form Music Video: The Doors, When You’re Strange

Recording Package: The Black Keys, Brothers

Boxed Limited Edition Package: The White Stripes, Under Great White Northern Lights

Album Notes: Big Star, Keep an Eye on the Sky

Historical Album: The Beatles, Original Studio Recordings

Engineered Album, Non-Classical: John Mayer, Battle Studies

Remixed Recording: Madonna, “Revolver (David Guetta’s One Love Club Remix)”

Surround Sound Album: Michael Stern & Kansas City Symphony, Britten’s Orchestra

Instrumental Composition: Billy Childs, “The Path Among the Trees”

Instrumental Arrangement: John Scofield, Vince Mendoza & Metropole Orkest, “Carlos”

Instrumental Arrangement Accompanying Vocals: Christopher Tin, Soweto Gospel Choir & Royal Philharmonic Orchestra, “Baba Yetu”

Compilation Soundtrack Album: Crazy Heart

Score Soundtrack Album: Toy Story 3

Motion Picture, TV, Visual Media Song: Ryan Bingham & T. Bone Burnett, “The Weary Kind”

New Age Album: Kitaro, Sacred Journey Of Ku-Kai, Volume 4

Children’s Musical Album: Pete Seeger With The Rivertown Kids And Friends, Tomorrow’s Children

Children’s Spoken Word Album: Julie Andrews & Emma Walton Hamilton, Julie Andrews’ Collection Of Poems, Songs, And Lullabies

Spoken Word Album: Jon Stewart (With Samantha Bee, Wyatt Cenac, Jason Jones, John Oliver & Sigourney Weaver), The Daily Show With Jon Stewart Presents Earth (The Audiobook)

Musical Show Album: Billie Joe Armstrong, American Idiot (Featuring Green Day)

Hawaiian Music Album: Tia Carrere, Huana Ke Aloha

Native American Music Album: Various Artists, 2010 Gathering Of Nations Pow Wow: A Spirit’s Dance

Zydeco/Cajun Music Album: Chubby Carrier And The Bayou Swamp Band, Zydeco Junkie

Reggae Album: Buju Banton, Before The Dawn

Traditional World Music Album: Ali Farka Touré & Toumani Diabaté, Ali And Toumani

Contemporary World Music Album: Béla Fleck, Throw Down Your Heart , Africa Sessions Part 2: Unreleased Tracks

Dance Recording: Rihanna, “Only Girl (In the World)”

Electronic/Dance Album: La Roux, La Roux

Traditional Pop Vocal Album: Michael Bublé, Crazy Love

Latin Pop Album: Alejandro Sanz, Paraiso Express

Latin Rock/Alternative/Urban Album: Grupo Fantasma, El Existential

Tropical Latin Album: Spanish Harlem Orchestra, Viva La Tradición

Tejano Album:Little Joe & La Familia, Recuerdos

Norteño Album:Intocable, Classic

Banda Album:El Güero Y Su Banda Centenario, Enamórate De Mí

Gospel Performance: BeBe & CeCe Winans, “Grace”

Gospel Song: Jerry Peters & Kirk Whalum, “It’s What I Do”

Rock or Rap Gospel Album: Switchfoot, Hello Hurricane

Pop Contemporary Gospel Album: Israel Houghton, Love God. Love People.

Contemporary R&B Gospel Album: BeBe & CeCe Winans, Still

Engineering, Classical: TIE: Giancarlo Guerrero & Nashville Symphony Orchestra, Daugherty: Metropolis Symphony; Deus Ex Machina AND Eliesha Nelson & John McLaughlin Williams, Quincy Porter: Complete Viola Works

Orchestral Performance: Giancarlo Guerrero, Daugherty: Metropolis Symphony; Deus Ex Machina

Opera Recording:Deutsches Symphonie-Orchester Berlin; Rundfunkchor Berlin, Saariaho: L’Amour De Loin

Choral Performance: Riccardo Muti, conductor; Duain Wolfe, chorus master, “Verdi: Requiem”

Instrumental Solo w/Orchestra: Mitsuko Uchida, “Mozart: Piano Concertos Nos. 23 & 24″

Instrumental Solo w/o Orchestra: Paul Jacobs, “Messiaen: Livre Du Saint-Sacrement”

Chamber Music Performance:Parker Quartet, “Ligeti: String Quartets Nos. 1 & 2″

Small Ensemble:Jordi Savall, conductor; Hespèrion XXI & La Capella Reial De Catalunya, “Dinastia Borja”

Classical Vocal Performance:Cecilia Bartoli, “Sacrificium”

Classical Contemporary Composition: Michael Daugherty, “Deus Ex Machina”

Classical Crossover:Lucas Richman, Christopher Tin: Calling All Dawns

Producer of the Year, Classical: David Frost

Classical Album: Verdi: Requiem

Comedy Album: Lewis Black, Stark Raving Black

Contemporary Jazz Album: The Stanley Clarke Band, The Stanley Clarke Band

Jazz Vocal Album:Dee Dee Bridgewater, Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee

Improvised Jazz Solo: Herbie Hancock, “A Change is Gonna Come”

Jazz Instrumental Album: James Moody, Moody 4B

Large Jazz Ensemble Album: Mingus Big Band, Live At Jazz Standard

Latin Jazz Album: Chucho Valdés And The Afro-Cuban Messengers, Chucho’s Steps

Alternative Music Album: The Black Keys, Brothers

Traditional Blues Album:Pinetop Perkins & Willie ‘Big Eyes’ Smith, Joined At The Hip

Contemporary Blues Album: Buddy Guy, Living Proof

Rap Solo Performance: Eminem, “Not Afraid”

Rap Duo/Group Performance: Jay-Z & Swizz Beatz, “On to the Next One”

Rap/Sung Collaboration: Jay-Z & Alicia Keys, “Empire State of Mind”

Rap Song: Shawn Carter, Angela Hunte, Alicia Keys, Jane’t “Jnay” Sewell-Ulepic & Alexander Shuckburgh, “Empire State of Mind”

Female R&B Vocal Performance: Fantasia, “Bittersweet”

Male R&B Vocal Performance: Usher, “There Goes My Baby”

Duo/Group R&B Vocal Performance: Sade, “Soldier of Love”

Traditional R&B Vocal Performance: John Legend & The Roots, “Hang On In There”

Urban/Alternative Performance: Cee Lo Green, “F*** You”

R&B Song: John Stephens, “Shine”

R&B Album: John Legend & The Roots, Wake Up!

Contemporary R&B Album: Usher, Raymond V Raymond

Solo Rock Vocal Performance: Paul McCartney, “Helter Skelter”

Duo/Group Rock Vocal Performance: The Black Keys, “Tighten Up”

Hard Rock Performance: Them Crooked Vultures, “New Fang”

Metal Performance: Iron Maiden, “El Dorado”

Rock Instrumental Performance: Jeff Beck, “Hammerhead”

Rock Song: Neil Young, “Angry World”

Pop Collaboration with Vocals: Herbie Hancock, Pink, India.Arie, Seal, Konono No 1, Jeff Beck & Oumou Sangare, “Imagine”

Pop Instrumental Performance: Jeff Beck, “Nessun Dorma”

Pop Instrumental Album: Larry Carlton & Tak Matsumoto, Take Your Pick

Female Pop Vocal Performance: Lady Gaga, “Bad Romance”

Male Pop Vocal Performance: Bruno Mars, “Just the Way You Are”

Producer of the Year, Non-Classical: Danger Mouse







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Where’ve You Been? – 2011 Edition

It’s hard to believe that there once was a time that country artists put out two full-length albums a year.  If they were part of a regular superstar duet team, like Conway Twitty & Loretta Lynn or Porter Wagoner & Dolly Parton, a fan might hear as many as four new studio albums from their favorite artist.

By the time that I got into country music – twenty years ago, natch – things had slowed down a bit.  Artists usually released a new album every 12-18 months.  Sometimes they’d push it to two years, but not often.

Those were the days.  Waits between album releases have gotten crazy lately.  I’m all for taking the time to get it right, but once we push past the half-decade mark, things have gone too far.  Sure, we’re given side projects to carry us over, but there’s no substitute for a full-length studio album of all-new material.

Here are five artists who I’d really love to see make a long-awaited return with a new album in 2011, along with a brief rundown of the side projects that they’ve been busy with while we’ve waited for that new album:

Shania Twain

Last Studio Album: Up! (2002)

Side Projects: Greatest Hits (2005), featuring four new tracks; contributions to a Dolly Parton tribute album, a live Willie Nelson album, an Anne Murray duet album, and the Desperate Housewives soundtrack.

It’s been over eight years since Twain released that 19-track opus. It was cool that she released the album in three different mixes, essentially giving us 57 new mp3s for the iPods we didn’t even have yet. Of all the superstar acts, she’s the one who has been away the longest.

Wynonna

Last Studio Album: What the World Needs (2003)

Side Projects: Live album, Christmas album, covers album, Cracker Barrel album…

In a sense, she’s never really gone away. But despite being a fixture in the media and releasing so many other-type albums, we haven’t gotten a real studio set from Wynonna in over seven years. Given that the last one was among the finest in her career, it’s a shame she has yet to craft another mainstream country album.

Dwight Yoakam

Last Studio Album: Blame the Vain (2005)

Side Projects: A Buck Owens tribute album in 2007, Dwight Sings Buck.

The most distressing absence on the list, mostly because he’s been so prolific in the past. Movie appearances are keeping him busy. Here’s hoping that when he does return, we get more than ten songs.

Dixie Chicks

Last Studio Album: Taking the Long Way (2006)

Side Projects: “The Neighbor”, from the Shut Up & Sing documentary; contributions to a Tony Bennett duet project; Emily and Martie’s Court Yard Hounds set; Natalie’s duet with Neil Diamond.

It’s hard to follow up an album that wins a bunch of Grammys, but it’s not like they haven’t done so before. If they’re insisting on writing all of the next album, it could be gestating for a very long time. Can’t we get a Patty Griffin or Darrell Scott covers album to hold us over?

Vince Gill

Last Studio Album: These Days (2006)

Side Projects: A mother lode of duet and harmony appearances on other artist’s albums (Reba McEntire, Charlie Daniels, Amy Grant, Clay Aiken…)

Gill’s last album was a four discs worth of new material, so it’s understandable that it would take a couple of years for him to craft a new one. But we’re going on five now. Since Gill was able to create those four discs a mere three years after his previous studio set (2003′s Next Big Thing), we should be due for a new album soon.

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The Saddest Country Songs

The Boot has published another  list that’s got me thinking. This time, it’s Top 10 Sad Love Songs in Country Music.  Again, the title is a bit strange, as the list includes the Suzy Bogguss hit “Letting Go”, which is about a mother watching her daughter go off to college, but there’s no rule that a love song has to be about romantic love, I guess.

Predictably and justifiably, the list is topped by “He Stopped Loving Her Today”, a George Jones classic that tops many a classic country list, including one of our own.  There’s also a pretty high body count – four outright deaths and one by implication.  Country songs sure do like to kill people off, don’t they?

So what are the saddest country songs ever? My first instinct was to mention “Where’ve You Been”, but that Kathy Mattea classic has a ray of hope. It’s really about a perfect relationship meeting its natural end.

For real, heartbreaking sadness, all hope must be vanquished, with only regret remaining. Bonus points if somebody dies.  Here are two that I think are tragic, one with death and one without:

Dixie Chicks/Patty Griffin, “Top of the World”

A man realizes after his death that he did nothing but hurt the woman he loved, and now it’s too late to go back and change it:

John Conlee, “Backside of Thirty”

Something similar, though the man is still alive. He had everything he ever wanted – a beautiful wife and son – and somehow messed it up. He’s now living alone in an apartment, drinking away his rent money, “back on the bottom with no will to climb.”

What do you think are the saddest country songs ever?

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Filed under Conversations

2010 ACM Awards: Staff Picks & Predictions

Nashville takes over Vegas this Sunday for the 45th Annual Academy of Country Music Awards, and it could actually be an interesting night. Eight acts are vying for Entertainer of the Year, one trio is poised to sweep the show, and a certain artist’s performance may solidify her as Music Row’s Lady Gaga. We’ll find out for sure Sunday at 8 pm Eastern, but in the meantime, we’ve picked ‘em and predicted ‘em. Sound off in the comments below.

Entertainer of the Year

Should Win:

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley – Tara
  • George Strait – Kevin
  • Taylor Swift
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band – Dan, Leeann

Will Win:

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley
  • George Strait
  • Taylor Swift – Dan, Tara, Kevin, Leeann
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band

Kevin: While I suspect that this will be the end of her impressive awards show victory lap, Swift should easily win this award. Does she deserve it? Probably. If I was an ACM voter (traditional member or willing to go vote online), I guess that I’d vote for George Strait, though my favorite among those with a real shot at this is Carrie Underwood.

Leeann: I predict Swift, though I don’t know if the backlash against her will thwart my prediction. Then again, the fan voting debacle will likely still work in her favor. I’ll throw my personal vote to Zac Brown Band, since I’ve really dug their live performances that I’ve seen on television. They seem like natural entertainers.

Dan: Fan-voted = Taylor Swift, with a possible Underwood repeat. But Swift hasn’t been as interesting post-Grammys. So I’ll also go with our resident grassroots heroes, ZBB.

Tara: One of the most rewarding aspects of being a five-year Underwood fan has been watching her stage presence gradually become as killer as her vocals, resulting in a powerful combination. I’d love for this to be properly recognized, and rationale seems pointless now that the EOTY race is a glorified internet fan war…but I can’t ignore that Underwood spent most of 2009 off stage. I’m going with Paisley.

Top Male Vocalist of the Year

Should Win:

  • Kenny Chesney
  • Brad Paisley – Tara, Dan, Leeann
  • Darius Rucker
  • George Strait
  • Keith Urban – Kevin

Will Win:

  • Kenny Chesney
  • Brad Paisley – Kevin, Leeann
  • Darius Rucker – Dan
  • George Strait – Tara
  • Keith Urban

Dan: It feels like Paisley’s winning streak may be just about up, which is a shame, since this year has actually been stronger material-wise for him than the years for which he’s won. Honestly, as much as I hate to say it, Jason Aldean had a bigger year than any of these guys.

Tara: Paisley and Strait were the only two who impressed me in 2009, and Paisley’s material feels fresher and more interesting. But I agree with Dan that his winning streak has probably run its course, so I’ll go out on a limb and say Strait will be the one to edge him out.

Kevin: I agree with Dan but suspect that there isn’t another nominee with enough momentum to upset the status quo in this race. If I’m wrong, I hope it’s because Urban or Strait pull it off.

Leeann: I think Paisley just might have another year of winning left in him.

Top Female Vocalist of the Year

Should Win:

  • Miranda Lambert – Dan, Leeann
  • Reba McEntire – Kevin
  • Taylor Swift
  • Carrie Underwood – Tara
  • Lee Ann Womack

Will Win:

  • Miranda Lambert – Kevin, Leeann
  • Reba McEntire
  • Taylor Swift – Dan
  • Carrie Underwood – Tara
  • Lee Ann Womack

Tara: It’s really a toss-up between Lambert and Underwood for me, with personal preference and investment swaying me towards the latter artist. I’m eerily optimistic that the ACM voters will stick to the truest sense of the award’s title – as I adamantly believe they should – and sidestep Swift.

Kevin: This is the first time in my twenty years as a country fan that I’m rooting for Reba McEntire to win Female Vocalist, though I wanted her to win Entertainer every year she was nominated in the nineties. Consider me smitten by “Consider Me Gone.” As always, I’d be happy with an Underwood victory and I wouldn’t mind Womack or Lambert, either. I’m guessing that Lambert will actually win, given her widespread appeal among ACM voters and the fact that she’s had a big radio and retail breakthrough during the voting period.

Leeann: The Academy seems to like Lambert pretty well. Since this has been her biggest year to date, it’s hard for me to imagine that she won’t be rewarded for it.

Dan: I’m going to cautiously predict that Swift’s CMA win will carry over to ACM, but Underwood has been reliably successful, and Lambert’s got stronger momentum than ever. The latter is also my favorite mainstream act at the moment, so it’s a no-brainer that I’m rooting for her to take it.

Top Vocal Group of the Year

Should Win:

  • Lady Antebellum
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band – Dan, Tara, Kevin, Leeann

Will Win:

  • Lady Antebellum – Dan, Tara, Kevin, Leeann
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band

Leeann: Lady A has the hype and momentum that makes it impossible for me to bet against them. I’d sure love to see ZBB prove me wrong ,though.

Dan: Little Big Town’s new single has me thinking I’ll probably be gunning for them again soon, but for now, I’m with Zac Brown Band.

Tara: I have a feeling the coming year(s) is going to be Lady Antebellum’s year o’ accolades, so I’d like to see the equally deserving Zac Brown Band pick this one up while they still have some momentum.

Kevin: This is becoming a habit. Predict LA, root for ZBB. This was so much easier when the Dixie Chicks were in the running.

Top Vocal Duo of the Year

Should Win:

  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland – Kevin, Tara, Leeann

Will Win:

  • Brooks & Dunn – Dan, Tara, Leeann
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland – Kevin

Kevin: A sympathy vote might give B&D one more trophy, but it seems that both the CMA and ACM see this award as one that is passed down from one duo to the next, and not very often at that. I wonder if they will be calling this “The Sugarland Award” like it was once called “The Judds Award” and “The Brooks & Dunn Award.”

Leeann: I’d love to see Joey + Rory win, but I know it wouldn’t actually be fair if they did. So, I’m not officially picking them here. I’m pretty sure this one will go to Brooks & Dunn as a parting gift, though they’d be totally undeserving at this point. Really, Sugarland is probably the duo that makes most sense. It’s just too bad I’m not more personally invested in them, though I’ve warmed up a bit.

Dan: Sugarland have been off the radar since “Joey” trailed off months ago, and I still remember how ACM stuck with Brooks & Dunn that one year even after CMA had passed the torch. So I see the veteran duo winning again in a shrug. I’m indifferent, personally.

Tara: I keep going back on forth on this one. I want Brooks & Dunn to win, but I can’t rationalize it. I think the ACM voters may feel the same.

Top New Artist of the Year

Should Win:

  • Luke Bryan
  • Joey + Rory - Kevin, Dan, Tara, Leeann
  • Gloriana

Will Win:

  • Luke Bryan - Kevin, Dan
  • Joey + Rory
  • Gloriana – Tara, Leeann

Kevin: It’s categories like this that make me feel out of touch with contemporary country music. I love Joey + Rory, but can’t see them winning. Who’s bigger now, Bryan or Gloriana? I’m taking a guess here.

Leeann: I’m like Kevin. I love Joey + Rory, but don’t imagine they’ll have enough votes to win. So, between Bryan and Gloriana, I’ll flip a coin and predict the latter.

Dan: Given the fan vote, I imagine this award will boil down to whether or not Taylor Swift has been urging her peoples to back Gloriana like she did with the AMAs. She hasn’t tweet-commanded it, and that’s as much research as I’m willing to do on the subject. So I’ll go with Bryan.

Tara: My best guess is that there’s enough fan overlap for Swift’s votes to lift Gloriana to victory.

Album of the Year

Should Win:

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, RevolutionTara, Dan, Leeann
  • Carrie Underwood, Play OnKevin
  • Zac Brown Band, The Foundation

Will Win:

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady AntebellumKevin, Dan, Leeann
  • Miranda Lambert, RevolutionTara
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Kevin: I’m expecting a Lady Antebellum sweep. They’re just ridiculously popular right now. But I could see any one of these five winning. I revisit the Underwood set more than any of the others.

Leeann: I can’t ignore Lady A’s popularity right now, but I’d love to see Lambert be recognized for one of my two favorite albums on this list, Paisley’s album being the other one.

Dan: Revolution doesn’t have the punch or consistency of Crazy Ex-Girlfriend, but it’s got some brains, and I like that. I’m expecting a Lady A sweep too, though.

Tara: If my co-bloggers are right about a Lady A sweep, I’ll be pleased to see the trio’s underrated debut album take this award. But frankly, every album in this line-up is substantial, authentic and layered. I’m backing Revolution because it’s the sharpest of them all, created by the artist who has the firmest grasp on her potential.

Single Record of the Year

Should Win:

  • Lady Antebellum, “Need You Now” – Tara, Kevin, Leeann
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes” – Dan
  • Miranda Lambert, “White Liar”

Will Win:

  • Lady Antebellum, “Need You Now” – Tara, Dan, Kevin, Leeann
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes”
  • Miranda Lambert, “White Liar”

Kevin: There’s only one career-changing single in the running here.

Leeann: Ditto to Kevin. But also, it’s my favorite in terms of melody.

Dan: I swear I’m not just being a spoilsport. I know “Need You Now” sounds great, and in many respects it was the single of the year. But I can’t get past how boring Lady A’s lyrics always are. There’s just not a single original phrase in that song, and it puts a damper on my experience listening to it.

Tara: It’s never been my personal favorite, but “Need You Now” finds the trio excelling at what it does best – honing in on specific, raw emotion and expressing it potently and believably. In a category as weak as this one, and with a performance as haunting as Scott’s, “Need You Now” is the clear winner.

Song of the Year

Should Win:

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott – Tara, Kevin, Leeann
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift – Dan

Will Win:

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott – Dan
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift – Tara, Kevin, Leeann

Kevin: I like the writing of “Need You Now” more than the performance, even if it’s just a college dorm knock-off of “I May Hate Myself in the Morning.” I range from indifference to active dislike for the rest of these entries.

Leeann: I think Lady A will sweep these awards, but I doubt that Swift will walk away with nothing. Since she’s most lauded for her songwriting skills, I predict that the Academy will continue the trend in this category.

Dan: “You Belong with Me” combines a memorable melody with telling details. Subject matter notwithstanding, it’s the only one of these songs I take seriously as a composition.

Tara: Unlike Kevin, I think “Need You Now” is better performed than written, but it’s still a great composition. I wouldn’t mind if Swift took this award, though.

Video of the Year

Should Win:

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar” - Kevin
  • Taylor Swift, “You Belong With Me” – Dan, Tara

Will Win:

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar”
  • Taylor Swift, “You Belong With Me” – Dan, Tara, Kevin

Tara: The “You Belong With Me” video is brilliant in that it embodies everything that makes Swift relevant and appealing. I just really wish Paisley’s video had been better directed, because its message is so compelling.

Dan: That Swift video is mega-charming. But Lambert’s is a close second.

Kevin: I’m rooting for the only video I don’t reflexively skip past while channel surfing.

Vocal Event of the Year

Should Win:

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone”
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So” – Tara, Kevin, Dan, Leeann
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Will Win:

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone” – Dan, Tara
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So” – Kevin, Leeann
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Kevin: Nice to see Griffin on the ballot, but “I Told You So” is among both my favorite Underwood and favorite Travis singles.

Leeann: Frankly, I’m not crazy about any of them, as long as the B&D collaboration doesn’t get the token vote.

Dan: Wish I liked “Seeing Stars” more. I’d actually probably go with presumptive favorite “Hillbilly Bone” if the song itself didn’t feel like such a Music Row toss-off. There’s charm in the idea and performances, but again, limp lyrics.

Tara: Underwood and Travis’ collaboration is the strongest and most exquisite of the bunch, but it feels a little like old news, with the news of the day being the inescapable (but nonetheless solid) “Hillbilly Bone.”

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2010 ACM Nominations

You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.

Entertainer of the Year

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band

Who’s In: Who isn’t?

Who’s Out: No one.

Snap Judgment: My best guess about the surprise expansion of this category is that ACM thinks the Oscars are onto something. They’re not. But while the Oscars risk having a Best Picture nomination lose some of its prestige, I don’t think the same quite holds true for ACM Entertainer, since an artist can already be nominated multiple times throughout a career anyway (and most are). So this could actually work, I guess. If nothing else, it’ll be interesting.

Top Male Vocalist of the Year

  • Kenny Chesney
  • Brad Paisley
  • Darius Rucker
  • George Strait
  • Keith Urban

Who’s In: Darius Rucker

Who’s Out: Toby Keith

Snap Judgment: No surprises here; it’s the same pool the CMA picked this past fall.

Top Female Vocalist of the Year

  • Miranda Lambert
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood
  • Lee Ann Womack

Who’s In: Reba McEntire

Who’s Out: Martina McBride

Snap Judgment: Martina shaft! Drama drama!

Top Vocal Group of the Year

  • Lady Antebellum
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band

Who’s In: Zac Brown Band

Who’s Out: The Lost Trailers

Snap Judgment: I imagine Love And Theft’s and Gloriana’s managers will be spending the morning trying to figure out who the hell Randy Rogers Band is. Seriously, I don’t know how RRB keeps squeezing into this race. Not complaining, though!

Top Vocal Duo of the Year

  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland

Who’s In: Steel Magnolia

Who’s Out: Big & Rich

Snap Judgment: What’s this? Five duos who actually did something in the last year? Get outta here.

Top New Solo Vocalist of the Year

  • Luke Bryan
  • Jamey Johnson
  • Chris Young

Who’s In: Chris Young, Luke Bryan (both re-entries from previous years)

Who’s Out: Jake Owen (won last year), James Otto

Snap Judgment: I’m just pretending this is the Top New Male category, since ACM’s annual changing around of award names and criteria can be kind of silly. This is going to be an interesting race to watch, especially since all three of these guys are nominated their second time here. It’s the last chance any of them will have to win it.

Top New Vocal Duo of the Year

  • Bomshel
  • Joey + Rory
  • Steel Magnolia

Who’s In: This category was merged with New Vocal Group last year, so none of these duos (being duos) were there.

Snap Judgment: Seriously, doesn’t this whole “actually having semi-active vocal duos” thing kind of weird you out at this point? (P.S. Vote for Joey + Rory!)

Top New Vocal Group of the Year

  • Eli Young Band
  • Gloriana
  • The Lost Trailers

Who’s In: Gloriana

Who’s Out: Zac Brown Band (won last year)

Snap Judgment: Love And Theft HQ must be a grim, grim place today.

Album of the Year

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Snap Judgment: Not a bad lineup, but the ACM’s lenience in the Album category never ceases to amaze. Lady Antebellum came out two full years ago.

Single Record of the Year

  • Lady Antebellum, “Need You Now”
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes”
  • Miranda Lambert, “White Liar”

Snap Judgment: I’m used to scratching my head in this category. Whatever.

Song of the Year

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift

Snap Judgment: …It’s like, do people even pay attention to lyrics anymore?

Video of the Year

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar”
  • Taylor Swift, “You Belong With Me”

Snap Judgment: Actually not a bad pool. The Lady A video is pretty boring, though.

Vocal Event of the Year

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone”
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So”
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Snap Judgment: Eh.

- – -

What are y’all’s thoughts?

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Grammy 2010 Staff Picks & Predictions

Even in Grammy’s darkest hours, CU brings its picking powers!

- Superhero television show about our blog from the 50′s.

We won’t be live-blogging this time around, but will be reacting to the show in a full post tomorrow, and welcome your reactions in comments on this post. The awards telecast starts at 8 pm Eastern, and I imagine there will be some red carpet action in the hour prior.

Record of the Year

Picks

  • Beyonce, “Halo” – Kevin
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” - Tara
  • Lady GaGa, “Poker Face” - Dan
  • Taylor Swift, “You Belong with Me”

Predictions

  • Beyonce, “Halo”
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Kevin, Dan, Tara
  • Lady GaGa, “Poker Face”
  • Taylor Swift, “You Belong with Me”

Kevin: Am I wrong for preferring Eric Cartman’s rendition of “Poker Face” over the original? This is a pretty lightweight slate of contenders. I really like “Halo”, but I suspect Kings of Leon will win, simply because it’s the only rock song in a lineup of pop hits.

Dan: “Poker Face” just feels very representative of popular music in 2009. I wouldn’t whine if it got passed over so that “Bad Romance” could take this award next year, though.

Tara: I would’ve pulled for “Single Ladies” in a heartbeat had it been submitted, but “Use Somebody” is just as deserving of this award. It’s a fantastic song even outside the context of its moment in pop culture, and it’s the kind of larger-than-life song that the voters have picked to win in the past.

Album of the Year

Picks

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame Kevin, Tara
  • Dave Matthews Band, Big Whiskey and the Groogrux King
  • Taylor Swift, Fearless - Dan

Predictions

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame
  • Dave Matthews Band, Big Whiskey and the Groogrux King - Kevin
  • Taylor Swift, Fearless - Dan, Tara

Kevin: I’d like to see dance music get some respect in the big category, even if there are a half-dozen Madonna albums at this point that would’ve been worthier winners than The Fame. Again, I think the Top 40 votes are going to be split, leaving Dave Matthews Band the winners.

Dan: In little over a year, Fearless has grown from success story to cultural artifact. It’s that rare pop album that seems to have a personality all its own, like Jagged Little Pill in a yellow sundress (and sung about as well). I could see anyone but the Peas taking this, but I think Swift’s support in both Nashville and the Top 40 crowd will take her to the top.

Tara: I have to say I was fairly shocked to see Swift’s truckload of Grammy nominations, so I’m having a little trouble wrapping my mind around the Academy’s thought process – but, I suppose a Swift win in this category is inevitable. However, I fully back Lady GaGa, who is the perfect storm of creativity, vision, swagger and raw vocal talent (remember that, pop world?). Continue reading

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My Grammy Wish List: 2010 Edition

Since this was a solo blog, doing a Grammy Wish List has been an annual tradition.  I’m not too excited about this year’s Grammys, to be honest. 2009 was a weak year in my opinion, and the shortened 11-month eligibility period didn’t help matters.  But a tradition is a tradition, so here are my picks in the eleven categories that I care about this year:

* denotes my personal wish:

Record of the Year

  • Beyoncé, “Halo”  *
  • The Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody”
  • Lady Gaga, “Poker Face”
  • Taylor Swift, “You Belong With Me”

It’s always nice to see a country radio hit in there, but I honestly can’t stand “You Belong With Me.”  I dig the Kings of Leon song, but the record that I enjoy the most here is “Halo.”  Some pundits have suggested that Beyoncé threw her chances at this trophy by submitting “Halo” instead of “Single Ladies”, but I like that song even less than “You Belong With Me.” Love “Halo”, though.

Song of the Year

  • Lady Gaga & RedOne, “Poker Face”
  • Hod David & Musze, “Pretty Wings”
  • Thaddis Harrell, Beyoncé Knowles, Terius Nash & Christopher Stewart, “Single Ladies (Put a Ring On It)”
  • Caleb Followill, Jared Followill, Matthew Followill & Nathan Followill, “Use Somebody”  *
  • Liz Rose & Taylor Swift, “You Belong With Me”

Great to see Liz Rose in there, too, but I still can’t stand the song.  I think “Use Somebody” is a great composition that could easily be a hit in other formats if the right artist covered it. Are you listening, Sugarland?

Best New Artist

  • Zac Brown Band *
  • Keri Hilson
  • MGMT
  • Silversun Pickups
  • The Ting Tings

Zac Brown Band don’t quite live up to the hype, but they come a lot closer than last year’s nominee, Lady Antebellum.

Best Country Album

  • Zac Brown Band, The Foundation
  • George Strait, Twang *
  • Taylor Swift, Fearless
  • Keith Urban, Defying Gravity
  • Lee Ann Womack, Call Me Crazy

There isn’t an album here that is built for more than cherry-picking. Strait’s set has the most cherries.

Best Female Country Vocal Performance

  • Miranda Lambert, “Dead Flowers”
  • Martina McBride, “I Just Call You Mine”
  • Taylor Swift, “White Horse”
  • Carrie Underwood, “Just a Dream” *
  • Lee Ann Womack, “Solitary Thinkin’”

The only women who brought their A-game to this category are Swift and Underwood.  “White Horse” might be the better song, but Underwood’s is the better vocal performance by a country mile.

Best Male Country Vocal Performance

  • Trace Adkins, “All I Ask For Anymore”
  • Billy Currington, “People Are Crazy”
  • Jamey Johnson, “High Cost of Living”
  • George Strait, “Living For the Night” *
  • Keith Urban, “Sweet Thing”

I love the Strait song, so it’s my pick, but this is one of the only strong categories this year and I wouldn’t mind seeing any of these five win.

Best Country Performance by a Duo or Group With Vocals

  • Brooks & Dunn, “Cowgirls Don’t Cry”
  • Zac Brown Band, “Chicken Fried”
  • Lady Antebellum, “I Run to You”
  • Rascal Flatts, “Here Comes Goodbye”
  • Sugarland, “It Happens” *

No A-game here, but Sugarland’s B-game is better than the rest.

Best Country Vocal Collaboration

  • Dierks Bentley & Patty Griffin, “Beautiful World”
  • Kenny Chesney & Mac McAnally, “Down the Road”
  • Brad Paisley & Keith Urban, “Start a Band”
  • Carrie Underwood & Randy Travis, “I Told You So” *
  • Lee Ann Womack & George Strait, “Everything But Quits”

Some amazing pairings here, but Underwood and Travis are the only ones with the material to match the talent.

Best Female Pop Vocal Performance

  • Adele, “Hometown Glory”
  • Beyoncé, “Halo”
  • Katy Perry, “Hot N Cold”
  • Pink, “Sober” *
  • Taylor Swift, “You Belong With Me”

Pink is an awesome songwriter, and easily the most substantial female pop star to come along in the last decade.  “Sober” is one of her best.

Best Pop Vocal Album

  • The Black Eyed Peas, The End
  • Colbie Caillat, The Breakthrough
  • Kelly Clarkson, All I Ever Wanted
  • The Fray, The Fray
  • Pink, Funhouse *

It’s not quite as good as I’m Not Dead, but it comes close.

Best Dance Recording

  • The Black Eyed Peas, “Boom Boom Pow”
  • David Guetta and Kelly Rowland, “When Love Takes Over”
  • Lady Gaga, “Poker Face”
  • Madonna, “Celebration” *
  • Britney Spears, “Womanizer”

Even her throwaway singles are built to last.

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