Patty Griffin

2010 ACM Nominations

March 2, 2010 // 38 Comments

You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.

Grammy 2010 Staff Picks & Predictions

January 31, 2010 // 7 Comments

Even in Grammy’s darkest hours, CU brings its picking powers!

– Superhero television show about our blog from the 50’s.

Share your own picks and predictions in the comments, and be sure to check back for our live blog! The awards telecast starts at 8 pm Eastern, and I imagine there will be some red carpet action in the hour prior.

Record of the Year

Picks

  • Beyonce, “Halo” – Kevin
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Tara
  • Lady GaGa, “Poker Face” – Dan
  • Taylor Swift, “You Belong with Me”

Predictions

  • Beyonce, “Halo”
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Kevin, Dan, Tara
  • Lady GaGa, “Poker Face”
  • Taylor Swift, “You Belong with Me”

Kevin: Am I wrong for preferring Eric Cartman’s rendition of “Poker Face” over the original? This is a pretty lightweight slate of contenders. I really like “Halo”, but I suspect Kings of Leon will win, simply because it’s the only rock song in a lineup of pop hits.

Dan: “Poker Face” just feels very representative of popular music in 2009. I wouldn’t whine if it got passed over so that “Bad Romance” could take this award next year, though.

Tara: I would’ve pulled for “Single Ladies” in a heartbeat had it been submitted, but “Use Somebody” is just as deserving of this award. It’s a fantastic song even outside the context of its moment in pop culture, and it’s the kind of larger-than-life song that the voters have picked to win in the past.

My Grammy Wish List: 2010 Edition

January 28, 2010 // 24 Comments

Since this was a solo blog, doing a Grammy Wish List has been an annual tradition. I’m not too excited about this year’s Grammys, to be honest. 2009 was a weak year in my opinion, and the shortened 11-month eligibility period didn’t help matters. But a tradition is a tradition, so here are my picks in the eleven categories that I care about this year:

* denotes my personal wish:

Record of the Year

  • Beyoncé, “Halo” *
  • The Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody”
  • Lady Gaga, “Poker Face”
  • Taylor Swift, “You Belong With Me”

It’s always nice to see a country radio hit in there, but I honestly can’t stand “You Belong With Me.” I dig the Kings of Leon song, but the record that I enjoy the most here is “Halo.” Some pundits have suggested that Beyoncé threw her chances at this trophy by submitting “Halo” instead of “Single Ladies”, but I like that song even less than “You Belong With Me.” Love “Halo”, though.

Song of the Year

  • Lady Gaga & RedOne, “Poker Face”
  • Hod David & Musze, “Pretty Wings”
  • Thaddis Harrell, Beyoncé Knowles, Terius Nash & Christopher Stewart, “Single Ladies (Put a Ring On It)”
  • Caleb Followill, Jared Followill, Matthew Followill & Nathan Followill, “Use Somebody” *
  • Liz Rose & Taylor Swift, “You Belong With Me”

Great to see Liz Rose in there, too, but I still can’t stand the song. I think “Use Somebody” is a great composition that could easily be a hit in other formats if the right artist covered it. Are you listening, Sugarland?

Review: Jack Ingram featuring Patty Griffin, “Seeing Stars”

November 24, 2009 // 2 Comments

Jack Ingram wistfulIt’s taken a long time to put words together for this review, mostly because the prospect of Patty Griffin being billed on a mainstream single is too exciting not to cloud critical judgments a little. I mean, seriously – “featuring Patty Griffin.” From the same label that just won Taylor Swift a Female Vocalist award. It’s far too much cool for a body to digest in one sitting.

Miranda Lambert, Revolution

September 30, 2009 // 19 Comments

miranda revolutionMiranda Lambert
Revolution
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Miranda Lambert is a rare and fascinating case study of an artist who is able to push a significant number of records out the door, but is hard-pressed to receive equally significant radio airplay in return. While her first album, Kerosene, was certified Platinum and the follow up project, Crazy Ex Girlfriend, fared similarly well with Gold certification, she has only managed to squeak into radio’s top ten once with “Gunpowder And Lead.” On her third album, Revolution, it is entirely possible that Lambert has finally found a way to strike the tenuous balance of pleasing both critics and the general country music listening public with her album consisting of everything from sensitive ballads to rocked up, punk-flavored songs and a lot in between.

2009 Americana Music Association Awards Nominees Announced

May 21, 2009 // 2 Comments

The nominations for the 8th Annual Americana Music Association Awards have been announced:

ALBUM OF THE YEAR
Real Animal, by ALEJANDRO ESCOVEDO
Written in Chalk, by BUDDY & JULIE MILLER
Jason Isbell & The 40 Unit, by JASON ISBELL & THE 40 UNIT
Midnight At The Movies, by JUSTIN TOWNES EARLE

ARTIST OF THE YEAR
ALEJANDRO ESCOVEDO
BUDDY MILLER
JUSTIN TOWNES EARLE
RAUL MALO

INSTRUMENTALIST OF THE YEAR
BUDDY MILLER
GURF MORLIX
JERRY DOUGLAS
SAM BUSH

NEW & EMERGING ARTIST
BAND OF HEATHENS
BELLEVILLE OUTFIT
JUSTIN TOWNES EARLE
SARAH BORGES

The Future Ain’t What It Used To Be

May 15, 2009 // 27 Comments

As I was scouring the neighborhood around 9pm last night after work looking for an open pet store, I flipped through the local radio stations looking for something new and interesting. I really didn’t expect to find much, but after awhile, I finally hit something with an interesting beat and lyrics. Something that I hadn’t heard before and sounded different. I kinda liked it, but couldn’t place it.

It turns out that the station was previewing the new Green Day album, 21st Century Breakdown, (due out in stores and online today). I consider myself somewhat of a Green Day fan, despite the fact I only own Dookie and American Idiot. (And there’s a good, somewhat funny concert story related to the band mixed in there as well.) As such, I’ve been cautiously optimistic about their new album.

From what I heard in between futile stops at closed pet stores, I decided to buy it today. But as I made that decision, I realized that, while maybe I’m just uninformed, there are very few albums coming out that I’m genuinely looking forward to with anticipation and excitement. And I was truly surprised about how ambivalent I really felt about this release by a band that I know I like. Maybe that’s because as we get older, we become more picky and more frugal. Or perhaps we just haven’t heard anything awesome in such a long time, we figure it might be best to wait and see if we hear a buzz before we cautiously download a song, much less an entire album.

Themed Albums

February 13, 2009 // 7 Comments

Kathy Mattea’s brilliant album released last year, Coal, reminded me of how much I love themed albums.  There is something unique and special about an album that addresses a single topic from varied angles or transports the listener on a purposeful ride.  It’s not just a random collection of singles with little to coalesce them together.  Rather, like great movies, themed albums demand that you listen from the first note to the last, lest you miss something important in between. Willie Nelson’s Red Headed Stranger is one of the most famous themed albums in country music history.  The entire album is based on the conceptual story of a preacher who shoots his cheating wife and her lover before going on the run. However, the theme doesn’t have to be as concrete as the one in Red Headed Stranger or as narrow as the one in Coal, which endeavors to shine Read More

Dierks Bentley, Feel That Fire

February 2, 2009 // 24 Comments

Dierks Bentley Feel That Fire In his iconic 1985 hit, “Who’s Gonna Fill Their Shoes,” George Jones echoed the concerns of many when he wondered (or more honestly, worried) how the next generation of country singers would compare to the likes of Waylon and Willie. “Who’s gonna give their heart and soul to get to me and you?” he asked, with the sound of a lonesome whistle serving as his only answer. Soon, the neotrad movement remodeled Music Row, allaying the fears of country’s elders momentarily. The prevailing narrative in Nashville usually centers around how the new country crop treats the town’s long-held customs. In the grand Southern tradition, the young’uns are expected to be faithful: to their mamas, to their Maker and to the music that laid the legacy for the format. Dierks Bentley’s debut, then, was cool comfort for traditionalists, who reveled in his back-to-basics approach. Even as Read More

Concert Review: Patty Griffin, Belly Up Tavern – August 28, 2008

August 31, 2008 // 0 Comments

Patty Griffin Belly Up Tavern Solana Beach, California August 28, 2008 At some point, every dedicated fan should have the opportunity to watch their favorite artist(s)—no matter how big or famous—perform from five feet away. Particularly in a small, intimate venue that captures every stray guitar lick and nuance in the voice. There’s nothing quite like it. I had that opportunity Thursday night as I dragged an unsuspecting friend (and new fan) to see the luminous and beautiful Patty Griffin perform at a sold-out Belly Up Tavern in Solana Beach, California. Before a couple hundred adoring fans, she put on a show I will not soon forget. On the way to the show my friend asked me “What kind of music does Patty sing?” My first response was “Well, she’s labeled Americana.” Blank stare. But really, how does one define Patty’s style? I read this definition of Americana or roots Read More

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