I’ll pick different artists this time around:
- Patty Loveless, “Here I am”
- John Anderson, “Straight Tequila Night”
- Carlene Carter, “Come on Back”
- Lee Roy Parnell, “I’m Holdin’ My Own”
- Emerson Drive, “Moments”
I’ll pick different artists this time around:
What are your five favorite “gender swap” covers?
Here’s my list:
In a long, fascinating interview with the Houston Press, Vince Gill was asked about the recent controversy involving female artists and country radio.
Here’s what he had to say:
“That’s one of the greatest tragedies in this stretch of life for me,” Gill says. “Because I’ve been inspired as much or more by women artists, equally, than I have as men. So if there’s only a couple that are getting the opportunity to really knock it out of the park at radio, then you just go, “What about Patsy Cline/Kitty Wells/Tammy Wynette/Loretta Lynn?’
“I could go on and on and on and on and name you about 50 great female artists,” Gill continues. “And I don’t know why that is. To me, they’re making much more…interesting records. They’re saying more things I’d prefer to hear, lyrically and song-wise, and that’s compelling. This Ashley Monroe kid, she writes songs like she’s 80 years old. It’s remarkable, and it’s not dumbing it down. It’s not going for the lowest common denominator. It’s so refreshing, you know?”
We know, Vince. We definitely know!
Bonus quote on his duet partners Dolly Parton, Alison Krauss, and Patty Loveless:
Dolly would be a great one; getting to do “I Will Always Love You” with her. Anything I’ve ever done with Alison Krauss has been pretty magical. To me one of the most seamless-sounding partners has been Patty Loveless. I think we only maybe did one “real” duet together over all these years, but we both sang on each other’s first hit records.
I’ve been singing with her since, gosh, the mid-’80s, when she made her first record and we sang together. There’s something magical about our voices together that I was always drawn to. She sang on “When I Call Your Name,” “Pocket Full of Gold,” and I sang on a bunch of her hits — “If My Heart Had Windows” and then backgrounds on probably 15 or 20 of her records over the years.
I remember an ill-informed journalist reviewing a Patty Loveless album in the mid-nineties and suggesting Loveless get Gill to sing on some of her songs as payback for the harmony she did on his, completely oblivious to the fact that it was Loveless returning the favor for Gill’s work on her eighties hits.
That guy’s probably a radio consultant now.
Kentucky is well known as the home of bluegrass music, but our state’s rich musical heritage spans multiple genres. A wide variety of music legends hail from the bluegrass state, while its unique natural beauty and varied culture has served as inspiration for many a songwriter.
Jonathan and I have put our heads together for a Country Universe Top Five that covers two topics in one. I’ve chosen my top five favorite artists from Kentucky, while he has chosen his top five favorite songs about Kentucky. Since there are plenty of eligible inclusions for both topics, this leaves plenty of room for reader discussion, so be sure to share your own choices in the comments.
Ben’s Top Five Artists from Kentucky:
1. Patty Loveless
2. Loretta Lynn
3. Wynonna/ The Judds
4. Dwight Yoakam
5. Crystal Gayle
Jonathan’s Top Five Songs About Kentucky:
1. Patty Loveless, “You’ll Never Leave Harlan Alive”
2. John Prine, “Paradise”
3. Bill Monroe, “Blue Moon of Kentucky”
4. Neko Case, “Bowling Green”
5. Dierks Bentley, “Bourbon in Kentucky”
How could you ever tell them apart?
Thank goodness we have the diversity and variety of male voices in country music to keep things fresh.
With deep gratitude to country music programmers for knowing what we really want. Thanks to your leadership, the genre is so much richer with talent today than it was in 1993.
This One’s Not For The Girls: Finally, Hill cautions against playing too many females. And playing them back to back, he says, is a no-no. “If you want to make ratings in Country radio, take females out,” he asserts. “The reason is mainstream Country radio generates more quarter hours from female listeners at the rate of 70 to 75%, and women like male artists. I’m basing that not only on music tests from over the years, but more than 300 client radio stations. The expectation is we’re principally a male format with a smaller female component. I’ve got about 40 music databases in front of me and the percentage of females in the one with the most is 19%. Trust me, I play great female records and we’ve got some right now; they’re just not the lettuce in our salad. The lettuce is Luke Bryan and Blake Shelton, Keith Urban and artists like that. The tomatoes of our salad are the females.”
Tossed salad imagery aside, in what other professional setting would such blatant gender discrimination be openly advocated? The breathtaking condescension toward female listeners in country music is nothing new, but it’s been more than twenty years since any such case could be supported by sales numbers.
What are the five most essential albums in your collection?
I love this question!
Here’s my list:
Was going to try to do some equal opportunity attempt and squeeze in an album by a male act. But even without repeating artists, the next seven or eight would still be female artists.
So here are my five most essential albums by male artists, for the record
What are your favorite pre-fame releases? You can pick singles and/or albums. Whatever works for you.
Here’s my Top Five:
We haven’t done a Daily Top Five for a few days, so the original post is going to be lengthier than usual.
You don’t have to to pick five artists in the comments, of course. But for the artists you pick, try to avoid singles!
I’m cheating and using my iPod play counts to help me out here.
Here are my five favorite fan favorites from five of my favorite artists:
Ever notice how the Vocal Event categories at country award shows honor harmony vocals as much as they do real, full-fledged duets? The spiritual godfather of all of this is “You and I”, the not quite duet by Eddie Rabbitt and Crystal Gayle, “You and I.” But the modern trend goes back to the award-sweeping “It’s Your Love”, the not quite duet by Tim McGraw and Faith Hill.
So for today’s Daily Double Top Fives, we’re asking you to make the distinction that the award shows don’t. What are your favorite five duets, which feature two artists actually trading off lines, and what are your favorite five “all-star” harmony vocals?
Here are mine:
Top Five Duets
Top Five Harmony Vocals