As we enter the top half of the list, signature hits by some of the era’s biggest stars rub elbows with a pair of breakthrough singles and an overlooked release by a future superstar. You’ll also find out, in case you’ve been wondering for the past 22 years, just what Dwight Yoakam sneers at the end of one of his classic records. #20 “Soon” Tanya Tucker Written by Casey Kelly and Bob Regan Peak: #2 #13 – LW | #22 – JK | #28 – KJC | #30 – BF Cheating songs that successfully make us feel compassion for the other woman are a rarity, but “Soon” manages to make us root for the woman who finds herself in a losing cycle, one that she finally finds the strength to stop. Tanya Tucker’s sympathetic performance and the song’s soothing melody invite us to feel compassion for the woman in Read More
Own the Night
Lady Antebellum’s “Need You Now” is a once in a career kind of hit. That drunk-dialer ballad became a such a huge cross-genre smash hit that is was virtually inescapable no matter which radio format you tuned into. The Grammy-winning hit pushed Lady Antebellum to instant add status on country radio, which is where they stayed even as their single releases gradually slid downhill in quality.
The downward slide continues on the trio’s third album Own the Night – an uninspired effort that savors strongly of an act coasting along on their superstar status, while resting on their laurels artistically. One could present the easy-out criticism that the album is not country, and indeed it makes little effort to sonically resemble country, but the real issue is not simply that these are pop songs. The issue is that, pop or country, they’re just flat-out not good songs.