Porter Wagoner

Daily Double Top Five: Best Duets and Harmony Vocals

April 28, 2015 // 13 Comments

Once again, technical difficulties derailed yesterday’s Daily Top Five.  So we’re doubling down today. Ever notice how the Vocal Event categories at country award shows honor harmony vocals as much as they do real, full-fledged duets?  The spiritual godfather of all of this is “You and I”, the not quite duet by Eddie Rabbitt and Crystal Gayle, “You and I.”  But the modern trend goes back to the award-sweeping “It’s Your Love”, the not quite duet by Tim McGraw and Faith Hill. So for today’s Daily Double Top Fives, we’re asking you to make the distinction that the award shows don’t.  What are your favorite five duets, which feature two artists actually trading off lines, and what are your favorite five “all-star” harmony vocals? Here are mine: Top Five Duets Porter Wagoner & Dolly Parton, “The Last Thing on My Mind” Loretta Lynn & Conway Twitty, “After the Fire is Read More

In Memoriam: Little Jimmy Dickens (1920-2015)

January 3, 2015 // 7 Comments

2015 is off to a sad start for country music as a whole, and the Grand Ole Opry in particular. From the Tennessean: Country Music Hall of Famer Jimmy Dickens, the Grand Ole Opry’s most beloved and diminutive ambassador, died Friday at a Nashville area hospital. He was 94. Mr. Dickens starred for decades on the “Opry,” where he was a vital part of the scene both onstage and backstage. His dressing room was an essential stop for performers on the show, and it was there that he held court for a variety of artists, some of whom came to the Opry more than a half century after Mr. Dickens’ 1948 debut. He remained a vital performer throughout his life, last playing the “Opry” on Dec. 20, a day after his 94th birthday and five days before he would be admitted to the hospital after suffering a stroke on Christmas Read More

2014 CMA Nominations

September 6, 2014 // 50 Comments

This year’s CMA nominees are the best in years, with multiple nominations for Miranda Lambert, Kacey Musgraves, and Brandy Clark.  Country radio may still be shunning women, but their embrace by CMA voters suggests that the industry knows who is really leading the way in the genre these days. Entertainer of the Year Luke Bryan Miranda Lambert Blake Shelton George Strait Keith Urban Who’s In:  Miranda Lambert, Keith Urban Who’s Out: Jason Aldean, Taylor Swift George Strait, a surprise winner last year, is nominated again in a year that includes his record-shattering final concert.   Miranda Lambert’s domination of this year’s nominations extends to the big category, where she competes for the first time since 2010.

100 Greatest Men: #19. Webb Pierce

August 12, 2014 // 2 Comments

100 Greatest Men: The Complete List Rocketing to stardom in the aftermath of Hank Williams’ death, Webb Pierce became country music’s biggest superstar in the 1950’s, dominating the charts and establishing a flamboyant style that would become forever associated with traditional, honky-tonk country music. Pierce grew up in Louisiana, cutting his teeth on Jimmie Rodgers records and already developing his own sound by his teenage years.  At age fifteen, he already had a weekly radio show, performing his combination of the Cajun sounds of his home state and the Western Swing that was dominating country music at the time.

Retro Single Reviews: Dolly Parton, 1975-1976

January 19, 2013 // 5 Comments

Today is Dolly Parton’s 67th birthday. What better time to revisit and relaunch our ongoing feature that reviews every single that she’s released in her illustrious career?

This post will look at her four singles from late 1975 through the end of 1976. Three were solo efforts, while the fourth was her final release of the decade that was a collaboration with Porter Wagoner.

Dolly Parton The Seeker and We Used To

“We Used To”
1975
Peak: #9

Written by Dolly Parton

It was clear by this point that Parton had designs on the pop market, but she hadn’t yet found the right way to make her style work in that format. So we get overlong pop ballads like this, which ramble on forever because Parton’s restraining her vocal trademarks that would make the record too identifiably country.

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