An impressive run of hit singles and his visible Opry stardom gave him tremendous success as a singer, but it’s been Bill Anderson’s songwriting that’s kept him topping the country charts for decades longer than even his most successful contemporaries.
Today is Dolly Parton’s 67th birthday. What better time to revisit and relaunch our ongoing feature that reviews every single that she’s released in her illustrious career?
This post will look at her four singles from late 1975 through the end of 1976. Three were solo efforts, while the fourth was her final release of the decade that was a collaboration with Porter Wagoner.
“We Used To”
Written by Dolly Parton
It was clear by this point that Parton had designs on the pop market, but she hadn’t yet found the right way to make her style work in that format. So we get overlong pop ballads like this, which ramble on forever because Parton’s restraining her vocal trademarks that would make the record too identifiably country.
Known affectionately as the Thin Man from the West Plains, Porter Wagoner was a steadfast champion for the traditions of country music, even as he used forward-looking methods of delivering it to the masses.
Where to start? How do you begin a review of a song as seemingly universal as this one is? I could go on about what a massive success this song was in all the different versions that were recorded. But for now, I’ll just talk about what a fine record this 1974 original is on its own merits.
Nashville, Vol. 1: Tear the Woodpile Down
The casual listener may remember Marty Stuart for the string of country radio hits he enjoyed in the late eighties and early nineties. However, Stuart’s legacy was cemented by groundbreaking projects released after his commercial heyday had drawn to a close, particularly 1999’s landmark The Pilgrim as well as 2010’s career-best effort Ghost Train: The Studio B Sessions. Through such critically lauded work Stuart has built up a reputation as an elder statesman of country music, acting to preserve country music’s heritage and traditions, while simultaneously working to move the genre forward.