A brilliant bluegrass musician that became the unlikeliest of superstars, Ricky Skaggs moved seamlessly into mainstream country music and popularized bluegrass among a wide and willing audience.
The 54th annual GrammyAdele Awards air this Sunday at 8 p.m. Eastern. Look for appearances by Miranda Lambert, Dierks Bentley and Lady Antebellum as well as country-ish performances by Jason Aldean, Glen Campbell (with the Band Perry and Blake Shelton), Taylor Swift and Carrie Underwood. We’ve picked and predicted the awards below – share your thoughts, and be sure to drop by on Sunday night for our live blog!
The 201 Greatest Singles of the Decade, Part 3: #160-#141
Lee Ann Womack
Womack’s second-best Aughts song about late-night temptations is still better than a lot of people’s first-best songs about anything. Even in avoiding her drunken ex’s advances, she sounds positively heartbroken, suggesting she’d gladly make the other decision if she didn’t know better. – Dan Milliken
“She’s Not Just a Pretty Face”
Her motivation for her music has always been escapism, but I love the personal touch she slips into this one. Her late mother is the one who she’s referring to when she sings “at night, she pumps gasoline.” – Kevin Coyne
With four CMA and two ACM Awards and five Gold and two Platinum albums, Diamond Rio was the premier country group of the nineties. They were one of the few groups in country music to serve as the exclusive vocalists and instrumentalists on their studio albums while most other groups in country music utilized professional studio musicians and even singers to fill out their records.
Their sound was a mix of multiple influences, but Diamond Rio’s music was not mistaken as anything other than country, which was particularly a result of the six vital member’s distinct and tight harmonies and organic productions that all gelled together to form a tight vocal group in every sense.
Ten Essential Tracks
“Meet in the Middle”
from the 1991 album Diamond Rio
“Meet in the Middle” is famous for being the first debut single to reach the top of the country charts by a band. This song of commitment and compromise is both singable and relationally instructive. It also appropriately introduces Diamond Rio as a group with a unique sound that will soon be instantly recognizable on nineties country radio.
Country Universe is a site where timeless artists like Patty Loveless are not merely acknowledged, but embraced and celebrated. So when Leeann invited me to review my favorite artist’s Brownfield Maine concert as a guest contributor, I jumped at the chance. Thank you so much Leeann, Kevin and Country Universe for giving me this opportunity. And Leeann and Bill, it was a joy and an honor to join you folks for dinner and watch the concert with you. You both made this already memorable concert experience even more unforgettable for me, along with patty-loveless.net associates Nicole, Richard and Patti, and the following day Bob and Barbara, Kevin. And also, Marcia Ramirez from Patty’s band. Many, many thanks to all.
Patty Loveless at the Stone Mountain Arts Center, Brownfield Maine
July 3, 2009
Nestled in the northern reaches of the Appalachian Mountains, Brownfield Maine’s Stone Mountain Arts Center is a beautiful and intimate 200 seat converted barn turned listening room. It has a warm and rustic ambiance, and a very helpful staff. The wood beam framed building makes for a rich acoustical setting, almost like a giant, wooden resonator box. It is a hard place to find out there in the Maine wilderness, but well worth the effort, especially to enjoy artists and legends like Patty Loveless, Ralph Stanley, Marty Stuart, Suzy Boggus and Kathy Mattea. Think of it as a quest.