Tag Archives: Ray Price

2014 Country Music Hall of Fame Inductees: Hank Cochran, Ronnie Milsap, and Mac Wiseman

Ronnie MilsapGood news for three legends of the genre, one of whom we lost to cancer only four years ago:

Ronnie Milsap, Mac Wiseman and the late Hank Cochran are the newest members of the Country Music Hall of Fame.

Wiseman got his start in music after contracting polio as a child, which kept him out of the fields in his native Virginia. He was an original member of Lester Flatt and Earl Scruggs’ Foggy Mountain Boys, made his Grand Ole Opry debut with Bill Monroe, was an executive with the influential Nashville independent label Dot Records and a founding board member of the Country Music Association.Milsap, inducted in the modern era category, was an established talent by the time he arrived in Nashville in the 1970s. He’d played in J.J. Cale’s band in the early 1960s and moved to Memphis to work with Chips Moman at the hit-making American Studios, where he worked with Elvis Presley, among others, before accepting an invitation to go to Nashville to record for RCA Records.

It was something of an experiment for Milsap, known as an R&B and rock singer, but he made sure he had a regular gig before he hit town, playing nightly at Roger Miller’s King of the Road Hotel.

He found country fans were open to his style, and he went on to win several Grammy Awards, the CMA’s entertainer of the year award in 1977 and four album of the year awards between 1975 and 1986.

Cochran, who is being inducted posthumously in the songwriter category, probably secured his place in country music history when he got Willie Nelson a songwriting job at Pamper Music by forgoing his own raise.

He wrote the Ray Price standard “Make the World Go Away” and Patsy Cline’s second most-memorable song, “I Fall to Pieces” (following Nelson’s own “Crazy”), among many others.

He died in 2010 of pancreatic cancer shortly after a touching bedside singalong that included friends Jamey Johnson, Buddy Cannon and Billy Ray Cyrus.

Source: Associated Press via CBS News

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100 Greatest Men: #27. Bill Anderson

Bill Anderson100 Greatest Men: The Complete List

An impressive run of hit singles and his visible Opry stardom gave him tremendous success as a singer, but it’s been Bill Anderson’s songwriting that’s kept him topping the country charts for decades longer than even his most successful contemporaries.

The man who’d become known as Whisperin’ Bill Anderson had always wanted to be a professional writer, but it was sports journalism that was his original goal.  But as he was working his way through college as a radio disc jockey, he was inspired to try his hand at songwriting.  An early attempt was “City Lights”, which ended up a smash hit for Ray Price and began a songwriting career that is still going strong 55 years later.

Soon, he was writing hits for himself as well as others.  He earned his Whisperin’ moniker from his soft, conversational singing style, which found him speaking as often as singing.   The sixties brought classic recordings like “The Tips of My Fingers”, which didn’t include the plural of tip when he recorded it, but was added when other artists like Roy Clark and Steve Wariner also had hits with it.   He launched Connie Smith’s career with “Once a Day”, just a year after he released a country classic of his own, the #1 smash hit, “Still.”

In addition to his solo hits like “Po’ Folks” and “I Get the Feeling”, he had a series of successful duets with Jan Howard and with Mary Lou Turner.  A collaboration with the latter, “Sometimes”, was his final #1 hit in 1975, after which his hits as an artists became fewer and far between.   From this point on, his popularity as a performer would be limited to his Opry appearances, and when those shows became televised in the eighties, his colorful personality reached an entire new audience.

While he had plenty of songs recorded in the eighties and nineties, it’s been in the new century that Anderson had his most prolific songwriting renaissance.  He’s co-written songs for contemporary artists such as Sara Evans and Sugarland.  Amazingly, in his fifth decade of writing, he earned his first Song of the Year trophy for the Brad Paisley and Alison Krauss hit, “Whiskey Lullaby.”  Just a couple of years later, he won a companion piece for his mantle, taking home honors for the George Strait hit, “Give it Away.”

Amazingly, these awards came after he was already inducted into the Country Music Hall of Fame, an honor he received in 2001.  In addition to remaining a current songwriter on the charts, Anderson continues to document the incredibly legacy of country music, hosting popular concert reunions for country singers and songwriters of days gone by.  He has also written successful memoirs and reflections on life, and can still be found on the Opry stage sharing some of those stories in between performances of the songs that have kept him on the stage for more than five decades.

Essential Singles:

  • The Tip of My Fingers, 1960
  • Po’ Folks, 1961
  • Mama Sang a Song, 1962
  • Still, 1963
  • For Loving You (with Jan Howard), 1967
  • My Life (Throw it Away if I Want to), 1969
  • Sometimes (with Mary Lou Turner), 1975

Essential Singles by Other Artists:

  • City Lights (Ray Price), 1958
  • Once a Day (Connie Smith), 1964
  • The Cold Hard Facts of Life (Porter Wagoner), 1967
  • The Lord Knows I’m Drinking (Cal Smith), 1973
  • Whiskey Lullaby (Brad Paisley and Alison Krauss), 2004
  • Give it Away (George Strait), 2006

Essential Albums:

  • Sings Country Heart Songs, 1962
  • Still, 1963
  • Bright Lights and Country Music, 1965
  • I Love You Drops, 1966
  • For Loving You (with Jan Howard), 1968
  • Wild Weekend, 1968

Next: #26. Roy Acuff

Previous: #28. Hank Williams Jr.

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Concert Review: Pam Tillis & Lorrie Morgan

Pam Tillis & Lorrie Morgan
Grits & Glamour Tour
Southern Kentucky Performing Arts Center
Bowling Green, Kentucky
October 13, 2012

This past Saturday night, I had the immense pleasure of seeing two favorite artists of mine – contemporary country legends Pam Tillis and Lorrie Morgan – perform live in concert at the newly completed Southern Kentucky Performing Arts Center (SKyPAC) in Bowling Green, Kentucky.  The SKyPAC is a beautifully decorated 1800-seat venue with excellent acoustics, thus providing an ideal atmosphere for Tillis and Morgan’s fantastic Grits & Glamour show.

The Grits & Glamour tour is all about the fans, and all about great music.  No unnecessary gimmicks, bells, or whistles – just Tillis and Morgan singing their hearts out, joined by a small four-piece band.  Both ladies were in fine voice, boasting some absolutely gorgeous harmonies, as they performed together backed by fiddle, bass, guitar, and keyboard.  Such simplicity created a warm, laid-back, almost familial environment as Tillis and Morgan treated the eager crowd to a selection of best-loved tunes, all the while cutting up like one would expect from a couple of longtime girlfriends, and sharing often-humorous personal anecdotes – such as Tillis’ account of being mistaken for Patty Loveless at a Waffle House, by a fan from Knockemstiff, Ohio. (Google it – It’s a real place)

The bulk of the concert set list consisted of

a selection of well-known hits from both artists, finished off with covers of classic songs that are close to their hearts, as well as some more recent cuts.  The two opened the show with a lovely duet version of Joni Mitchell’s “Both Sides Now.”  From that point onward, they alternated between performing Morgan’s hits and Tillis’ hits, beginning with Morgan’s “Watch Me” (performed in a fierce fiddle-laden arrangement quite different from the relative slickness of the 1992 hit version) and Tillis’ “Shake the Sugar Tree.”  Obviously, both ladies have had more than enough hits to fill up an entire set list (Tillis has had 13 Top 10 country hits; Morgan has had 14), but Tillis and Morgan did a fine job covering the main highlights of their careers, such that virtually any audience member could enjoy the thrill of hearing something familiar.  Though the hits dominated the set list, Tillis and Morgan also performed standout cuts from each of their most recent albums.  Tillis performed “Train Without a Whistle” from her 2007 career-best effort Rhinestoned, while Morgan gave a heartrending performance of “How Does It Feel” from 2010’s I Walk Alone

A major facet of what makes Grits & Glamour such a broadly enjoyable show is the way its two headliners simply exude genuine love for great country music new and old.  They commented on the increased scarcity of “real” country music in modern times, but Tillis nonetheless assured the audience that “We got it all – fiddles, steel guitar, mandolins – and we ain’t ever lettin’ go of it!”  Both ladies shared a common experience of growing up with the musical heritage of a famous parent – an experience they recollected with fond enthusiasm - being the daughters of singer-songwriter legend Mel Tillis, and of late Opry star George Morgan, respectively.   One of the night’s most memorable moments was a heartfelt tribute to Tillis and Morgan’s famous fathers, as they eased into a medley of George Morgan’s 1949 signature “Candy Kisses” and Mel Tillis’ classic composition “Burning Memories,” a hit first for Ray Price in 1964, and then for Mel Tillis himself in 1977.  In addition, the ladies also lovingly covered classics such as Skeeter Davis’ “The End of the World” and Roger Miller’s “King of the Road.”

As the show neared its end, Tillis and Morgan were met with the loudest applause of the night as they treated the audience to performances of their respective signature classics – Tillis’ “Maybe It Was Memphis,” and Morgan’s “Something In Red.”  They then rose to their feet for an inspired performance of gospel song “Jesus On the Line.”  After an encore, they returned to the stage to perform brief snippets of Morgan’s 1993 number one “What Part of No” and Tillis’ 1990 debut hit “Don’t Tell Me What to Do.”  Then came one of the biggest highlights of the evening as the two closed out the show by tearing into the rousing up-tempo number “I Know What You Did Last Night” – a new song which is to appear on Pam Tillis and Lorrie Morgan’s forthcoming Grits & Glamour duets record.  After the show ended, Tillis and Morgan headed out to the atrium to sign autographs for a crowd of enthusiastic concertgoers.

Needless to say, the Grits & Glamour concert experience was more than enough to whet one’s appetite for the ladies’ soon-to-be-completed duet effort.  The unique chemistry shared between the two outstanding talents was on full display throughout the evening.  If you have the opportunity to catch any of Pam Tillis and Lorrie Morgan’s future shows on the Grits & Glamour tour, you will be in for a real country music treat.

Set list:

“Both Sides Now”
“Watch Me”
“Shake the Sugar Tree”
“Except for Monday”
“Cleopatra, Queen of Denial”
“A Picture of Me (Without You)”
“Train Without a Whistle”
Medley:  “Candy Kisses”/ “Burning Memories”
“The End of the World”
“Mi Vida Loca (My Crazy Life)”
“How Does It Feel”
“Spilled Perfume”
“King of the Road”
“I Guess You Had to Be There”
“Maybe It Was Memphis”
“Something In Red”
“Jesus On the Line”

Encore:

“What Part of No”
“Don’t Tell Me What to Do”
“I Know What You Did Last Night”

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100 Greatest Men: #33. Mel Tillis

100 Greatest Men: The Complete List

A comedic flair, a speech impediment, and a famous daughter have often overshadowed the fact that Mel Tillis is one of the finest songwriters and performers in the history of country music.

Tillis hailed from Tampa, Florida, and he discovered music at a young age, playing guitar and singing songs at local talent shows.  Though he had a severe stutter from age three, the impediment disappeared when he sang.  Tillis entered the military, and while stationed in Japan, formed a band called the Westerners.  Once back stateside, he moved to Nashville to jump-start his songwriting career, alternating between Tennessee and Florida until the hits started coming in.

From 1957 to the end of the sixties, Tillis would record for major labels and score a handful of hits, but he had a far bigger impact as a songwriter.  He wrote hits that are now standards, recorded by legends like Webb Pierce (“I Ain’t Never, “No Love Have I”), Bobby Bare (“Detroit City”), Ray Price (“Heart Over Mind”, “Burning Memories”) and Kenny Rogers and the First Edition (“Ruby, Don’t Take Your Love to Town.”)

However, once the seventies arrived, Tillis became a major presence on country radio, scoring dozens of hits, many of which were his own recordings of his compositions that had been hits for other artists in the sixties.   In 1976, he was named CMA’s Entertainer of the Year, the same year he was inducted into the Nashville Songwriters Hall of Fame.  Tillis’ comedic talents made him an in-demand performer, and he was a fixture on both network and syndicated television shows during the peak years of his career.   He also appeared in several movies, with Smokey and the Bandit II and Cannonball Run being the most successful.

As with many of his contemporaries, the hits slowed down

in the eighties, even though other artists continued to score hits with his material, most notably Ricky Skaggs’ chart-topping  recording of “Honey (Open That Door)” in 1984.   He purchased radio stations that he later sold for a big profit, and he became one of the most popular draws in Branson, Missouri, where his theater was a cornerstone for tourist entertainment.

In recent years, Tillis has frequently collaborated with his daughter Pam Tillis, making appearances on her albums and co-headlining a popular Christmas show at Opryland.   Tillis was inducted into the Grand Ole Opry in 2007, and elected to the Country Music Hall of Fame that same year.  In 2010, he released his first comedy album, You Ain’t Gonna Believe This…, on Show Dog Records.

Essential Singles:

  • Heart Over Mind, 1970
  • I Ain’t Never, 1972
  • Good Woman Blues, 1976
  • Heart Healer, 1977
  • I Believe in You, 1978
  • Send Me Down to Tuscon, 1979
  • Coca Cola Cowboy, 1979
  • Southern Rains, 1980

Essential Albums:

  • Life’s That Way, 1967
  • Sawmill, 1973
  • M-M-Mel, 1975
  • Love Revival, 1976
  • Heart Healer, 1977
  • Mr. Entertainer, 1979
  • Your Body is an Outlaw, 1980

Next: #32. ?

Previous: #34. Charlie Rich

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100 Greatest Men: #43. Roger Miller

100 Greatest Men: The Complete List

He became widely hailed for his lightning-fast wit and charming novelty songs, but Roger Miller’s talents ran far deeper than just the moments of comedic brilliance that made him a legend.

Miller took a long and winding route to country stardom.  His brother-in-law, Sheb Wooley, encouraged his fiddle playing as a boy, and he sang and played guitar, but he was more interested in working as a ranch hand.  But after a stint in the army led to a chance meeting with industry insiders, he made the jump and moved to Nashville.

An audition for Chet Atkins at RCA went poorly, but Miller persevered, focusing on his songwriting.  He wrote the classic Ray Price hit “Invitation to the Blues”, along with hits for Jim Reeves, Ernest Tubb, and Faron Young.   He also co-wrote with George Jones, and although it wasn’t a hit at the time, their collaboration “Tall, Tall Trees” would become a #1 hit for Alan Jackson three decades later.

Miller’s success as a writer garnered him new attention from Nashville labels, and he had a handful of minor hits on RCA during a short stint on the label.   While he was known as a hardcore country singer up until this point, he tried a new approach, moving to California and appearing on network variety shows as a more comedic country singer.

The new image was a big success, and when he began releasing singles and albums on the Smash Records label, he became a superstar.   Over the course of just three years, he released several major hits, won eleven Grammy awards, and earned several gold albums, along with the million-selling single, “King of the Road.”

After those peak years, he continued to chart, and often brought attention to material from newer songwriters like Bobby Russell (“Little Green Apples”) and Kris Kristofferson (“Me and Bobby McGee”).   His own songwriting led to additional hits for other artists, most notably Eddy Arnold, who had a #2 hit with “The Last Word in Lonesome is Me.”

Miller’s storytelling skills led him to pen several songs for the Disney animated film Robin Hood in 1973, which foreshadowed his next and final major signature success.  In 1985, he became the toast of Broadway for his score to the show Big River, which won him two Tony awards.   Though Miller continued to work after this incredible achievement, he was soon sidelined by throat cancer, which claimed his life in 1991.

Essential Singles:

  • Dang Me, 1964
  • Chug-a-Lug, 1964
  • Do-Wacka-Do, 1964
  • King of the Road, 1965
  • England Swings, 1965
  • Husbands and Wives, 1966
  • Little Green Apples, 1968
  • Me and Bobby McGee, 1969

Essential Albums:

  • Roger and Out, 1964
  • The Return of Roger Miller, 1965
  • Third Time Around, 1965
  • Words and Music,  1966
  • Walkin’ in the Sunshine, 1967
  • A Tender Look at Love, 1968

Next:

#42. Porter Wagoner

Previous: #44. Glen Campbell

100 Greatest Men: The Complete List

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100 Greatest Men: #48. Kris Kristofferson

100 Greatest Men: The Complete List

Though his Hall of Fame career has now stretched several decades, Kris Kristofferson will forever be defined by his legendary songwriting in the late sixties and early seventies.

An intellectual of Swedish descent, Kristofferson’s father was in the U.S. military, and as a result, he moved around quite a bit while growing up.   His twin passions were writing and rugby, and he pursued both vigorously while completing his undergraduate studies in California.   He earned a Rhodes Scholarship to Oxford University, and while studying there, he gained distinction in boxing, and more importantly, he began writing songs.

He briefly pursued a performing career while in England, with hopes that success could help him toward his real goal of publishing a novel.   When this was unsuccessful, he succumbed to family pressure and joined the army in 1960.   Five years later, he left the army, which resulted in estrangement from his family, and he arrived in Nashville to pursue his songwriting craft full time.

The cuts came slowly, but after having a few chart hits by artists like Dave Dudley and Roger Miller, he became established around town.   As the sixties turned into the seventies, Kristofferson’s pen became legendary, thanks to a string of hits for other artists.   Sammi Smith’s recording of “Help Me  Make it Through the Night” won him a Grammy for Song of the Year, while he earned the CMA trophy for “Sunday Morning Coming Down” (Johnny Cash) and the ACM trophy for “For the Good Times” (Ray Price.)  Janis Joplin, who Kristofferson had dated for some time, found her greatest success after her death, as her recording of Kristofferson’s “Me and Bobby McGee” topped the pop singles chart for several weeks.

Kristofferson’s notoriety as a writer piqued enough interest in him to lead to a successful singing career of his own.  He had several well-received albums for Monument, two of which sold gold.   Radio was mostly indifferent to the projects, with the glaring exception of his stunning #1 hit, “Why Me”, in 1973.

While he continued to sing and write songs, Kristofferson’s career took a surprising turn toward Hollywood, and he became a legitimate film star, winning a Golden Globe for Best Actor starring opposite Barbra Streisand in A Star is Born.   He also had successful musical collaborations with his wife, Rita Coolidge.   Meanwhile, Nashville stars continued to record his songs, with friend Willie Nelson even recording a platinum-selling tribute album in 1979.

His last major success as a recording artist came in 1985 as part of the supergroup The Highwaymen with Johnny Cash, Waylon Jennings, and Willie Nelson.   That same year, he was inducted into the Songwriters Hall of Fame, while the Country Music Hall of Fame elected him in 2004.

Over the past two decades, he has continued to release albums of self-written material, while continuing to tour and appear in various films, including a prominent role in the Blade trilogy.
Essential Singles:

  • For the Good Times (Ray Price), 1970
  • Sunday Morning Coming Down (Johnny Cash), 1970
  • Me and Bobby McGee (Janis Joplin), 1971
  • Help Me Make it Through the Night (Sammi Smith), 1971
  • Please Don’t Tell Me How the Story Ends (Bobby Bare), 1971
  • Why Me, 1973
  • The Highwayman (with Johnny Cash, Waylon Jennings, and Willie Nelson), 1985

Essential Albums:

  • Kristofferson, 1970
  • Me and Bobby McGee, 1971
  • The Silver Tongued Devil and I, 1971
  • Jesus Was a Capricorn, 1972
  • To the Bone, 1981
  • Broken Freedom Song: Live From San Francisco, 2003

Next: #47. Rodney Crowell

Previous: #49. Toby Keith

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100 Greatest Men: #71. Johnny Paycheck

100 Greatest Men: The Complete List

For casual fans of country music, Johnny Paycheck was a one-hit wonder who spent a good chunk of his life in jail.  For those who know better, he was the greatest of the Outlaw singers and the definitive honky-tonk voice of his time.

Born Donald Lytle in Ohio, he performed from age nine, and after a stint in the Navy, he pursued music full-time.  He quickly became known as a songwriter of high caliber and an in-demand tenor singer.   He toured with Ray Price and Willie Nelson, and was a major influence on George Jones as he was developing his signature style.

After scoring a minor hit under the name Danny Young, he adopted the stage name Johnny Paycheck.   Recording for Little Darlin’ in the late sixties, he made a series of crucial, hardcore country albums that stood in sharp contrast to the slicker Nashville sound recordings of the day.  While this wasn’t his most commercially successful work, the Little Darlin’ sessions are arguably the most significant traditional country recordings of the sixties, and laid the groundwork for the Outlaw movement that would follow the next decade.

Switching over to Epic, Paycheck found success at both radio and retail throughout the seventies.  While not a chart-topper, he regularly sent records to the top forty.  In the latter half of the decade, he broke through in a huge way, thanks to his signature song and only #1 hit: “Take This Job and Shove it.”   It became a working man’s anthem, and much like Bruce Springsteen’s “Born in the U.S.A.”, its anthemic chorus led people to miss the actual content of the verses, as Paycheck never actually says the title to his boss.  It’s the inner rage of a man trapped at a job he’d like to quit.

Paycheck recorded a few more great albums and a handful of hit singles until 1985, when he was convicted of shooting and killing a man in a bar.  The subsequent appeals process distracted from his music, and he ended up serving a 22-month jail term.  He was later pardoned by the governor of Ohio.

Though he performed throughout the nineties, chronic illness limited his appearances by the turn of the century.  Paycheck died in 2003, and his friend and colleague George Jones absorbed the costs of his funeral and burial.

Essential Singles:

  • Motel Time Again, 1966
  • She’s All I Got, 1971
  • Someone to Give My Love To, 1972
  • Slide Off Your Satin Sheets, 1977
  • Take This Job and Shove It, 1977
  • Friend, Lover, Wife, 1978

Essential Albums:

  • The Lovin’ Machine, 1966
  • She’s All I Got, 1971
  • 11 Months and 29 Days, 1976
  • Slide Off Your Satin Sheets, 1977
  • Mr. Hag Told My Story, 1981
  • Modern Times, 1987

Next: #70. Ferlin Husky

Previous: #72. Vern Gosdin

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Hank Cochran: 1935-2010

Rest in Peace, Hank Cochran.

Enjoy some of the legendary songwriter’s greatest hits:

Patsy Cline, “I Fall to Pieces”

Eddy Arnold, “Make the World Go Away”

Patsy Cline, “She’s Got You”

George Strait, “Ocean Front Property”

Jeannie Seely, “Don’t Touch Me”

Ray Price, “Don’t You Ever Get Tired of Hurting Me”

Merle Haggard, “It’s Not Love (But It’s Not Bad)”

Vern Gosdin, “Is it Raining at Your House”

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ACM Flashback: Single Record of the Year

As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year.  There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.

As always, we start with a look at this year’s nominees and work our way back to 1968.

2010

  • Zac Brown Band, “Toes”
  • Billy Currington, “People Are Crazy”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “White Liar”
  • David Nail, “Red Light”

There’s usually a “Huh?” nominee among the ACM list in recent years.  This year, it’s David Nail.  Good for him!  Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it.  With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.

2009

  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • Miranda Lambert, “Gunpowder & Lead”
  • Heidi Newfield, “Johnny and June”
  • Brad Paisley, “Waitin’ On a Woman”

Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award.  He also won the ACM for Top New Male Vocalist in 1997.

2008

  • Gary Allan, “Watching Airplanes”
  • Big & Rich, “Lost in This Moment”
  • Kenny Chesney, “Don’t Blink”
  • Miranda Lambert, “Famous in a Small Town”
  • Sugarland, “Stay”

“Stay” swept the Song of the Year categories at all three industry shows, along with winning the ACM for Single Record.  Allan’s presence here shows that being a little West Coast can still help a guy at the ACMs.

2007

  • Heartland, “I Loved Her First”
  • Rascal Flatts, “What Hurts the Most”
  • George Strait, “Give it Away”
  • Josh Turner, “Would You Go With Me”
  • Carrie Underwood, “Before He Cheats”

George Strait earned his second ACM Single Record award a decade after his first (“Check Yes or No”) and two and a half decades after having his first radio hit.  Underwood won at the CMAs later that year.  “Give it Away” is one of a small group of ACM winners to not receive a nomination at the CMA ceremony.

2006

  • Gary Allan, “Best I Ever Had”
  • Brooks & Dunn, “Believe”
  • Brad Paisley, “Alcohol”
  • Sugarland, “Baby Girl”
  • Carrie Underwood, “Jesus, Take the Wheel”

In the battle of biblical hits, the CMA picked Brooks & Dunn but the ACM picked Carrie Underwood.  Much like George Strait would later win a CMA trophy for a different single (“I Saw God Today”), Underwood later triumphed at the CMA with “Before He Cheats.”

2005

  • Tim McGraw, “Live Like You Were Dying”
  • Brad Paisley with Alison Krauss, “Whiskey Lullaby”
  • Rascal Flatts, “Bless the Broken Road”
  • Keith Urban, “Days Go By”
  • Gretchen Wilson, “Redneck Woman”
  • Lee Ann Womack, “I May Hate Myself in the Morning”

Because McGraw picked up the trophy at the CMAs in 2004, the field was cleared for Womack to win the CMA later in 2005.  McGraw had won the ACM before for “It’s Your Love.”

2004

  • Brooks & Dunn, “Red Dirt Road”
  • Alan Jackson with Jimmy Buffett, “It’s Five O’ Clock Somewhere”
  • Alan Jackson, “Remember When”
  • Toby Keith, “American Soldier”
  • Randy Travis, “Three Wooden Crosses”

Among all the lead nominees, only Toby Keith wasn’t a previous winner. Still, the award went to the new alcoholic’s creed, winning over a more pensive Jackson track and a big comeback hit for Randy Travis.

2003

  • Kenny Chesney, “The Good Stuff”
  • Toby Keith, “Courtesy of the Red, White, and Blue (The Angry American)”
  • Trick Pony, “Just What I Do”
  • Keith Urban, “Somebody Like You”
  • Mark Wills, “19 Somethin’”

Chesney spent nearly two months at #1 with this hit, perhaps giving him the edge over the other mega-hits at radio from Keith, Urban, and Wills. As for the Trick Pony nomination, somebody really should find out what Heidi Newfield has on those ACM voters.

2002

  • Brooks & Dunn, “Ain’t Nothin’ ‘Bout You”
  • Diamond Rio, “One More Day”
  • Alan Jackson, “Where Were You (When the World Stopped Turning)”
  • Toby Keith, “I Wanna Talk About Me”
  • Travis Tritt, “It’s a Great Day to Be Alive”

Jackson’s powerful 9/11 reflection stands out as the only ballad among his four ACM Single Record victories.

2001

  • Toby Keith, “How Do You Like Me Now?!”
  • John Michael Montgomery, “The Little Girl”
  • Jamie O’Neal, “There is No Arizona”
  • Aaron Tippin, “Kiss This”
  • Lee Ann Womack with Sons of the Desert, “I Hope You Dance”

Toby Keith’s run of four consecutive nominations began this year. His album of the same name proved victorious that evening.  Womack’s massive hit became an instant standard, and is incidentally the most recent winner to also be a genuine crossover hit.

2000

  • Dixie Chicks, “Ready to Run”
  • Lonestar, “Amazed”
  • Tim McGraw, “Please Remember Me”
  • Brad Paisley, “He Didn’t Have to Be”
  • George Strait, “Write This Down”

As pop hits go, this one was a monster. “Amazed” even topped the Hot 100, the first country single to do so since “Islands in the Stream.”

1999

  • Faith Hill, “This Kiss”
  • Martina McBride, “A Broken Wing”
  • Shania Twain, “You’re Still the One”
  • Steve Wariner, “Holes in the Floor of Heaven”
  • The Wilkinsons, “26 Cents”

Hill and hubby Tim McGraw each have two ACM trophies in this category, one solo and one shared.

1998

  • Diamond Rio, “How Your Love Makes Me Feel”
  • Tim McGraw with Faith Hill, “It’s Your Love”
  • LeAnn Rimes, “How Do I Live”
  • George Strait, “Carrying Your Love With Me”
  • Trisha Yearwood, “How Do I Live (from “Con Air”)”

While Yearwood had won over Rimes at the Grammys a few weeks earlier, the ACM sidestepped the big controversy of the year and gave the trophy to the biggest hit in the bunch.

1997

  • Brooks & Dunn, “My Maria”
  • Deana Carter, “Strawberry Wine”
  • Tracy Lawrence, “Time Marches On”
  • LeAnn Rimes, “Blue”
  • George Strait, “Carried Away”

It’s rare that the ACM goes with the song that was least successful at radio, but don’t let that #10 peak of “Blue” fool you.  That hit was responsible for millions of record sales.

1996

  • Brooks & Dunn, “You’re Gonna Miss Me When I’m Gone”
  • Faith Hill, “It Matters to Me”
  • Tim McGraw, “I Like It, I Love It”
  • George Strait, “Check Yes or No”
  • Shania Twain, “Any Man of Mine”

It was a stroke of marketing brilliance: add two singles to a box set of a genre superstar. When the first single became one of his biggest hits, the box set quickly became the top selling in country music history.

1995

  • Joe Diffie, “Third Rock From the Sun”
  • Vince Gill, “Tryin’ to Get Over You”
  • Alan Jackson, “Livin’ On Love”
  • Tim McGraw, “Don’t Take the Girl”
  • John Michael Montgomery, “I Swear”

There have been a few wedding standards to win this award, though Montgomery’s hit didn’t cross over in its original form.

1994

  • Clint Black with Wynonna, “A Bad Goodbye”
  • Garth Brooks, “Ain’t Goin’ Down (‘Til the Sun Comes Up)”
  • Alan Jackson, “Chattahoochee”
  • Reba McEntire with Linda Davis, “Does He Love You”
  • Dwight Yoakam, “Ain’t That Lonely Yet”

Jackson won the ACM with his massive hit, but the McEntire/Davis duet and the Yoakam track were Grammy winners.

1993

  • John Anderson, “Straight Tequila Night”
  • Brooks & Dunn, “Boot Scootin’ Boogie”
  • Billy Ray Cyrus, “Achy Breaky Heart”
  • Collin Raye, “Love, Me”
  • Tanya Tucker, “Two Sparrows in a Hurricane”

Brooks & Dunn are among the most nominated artists in this category’s history, but this is their only victory.

1992

  • Clint Black, “Where Are You Now”
  • Garth Brooks, “Shameless”
  • Alan Jackson, “Don’t Rock the Jukebox”
  • Travis Tritt, “Here’s a Quarter (Call Someone Who Cares)”
  • Trisha Yearwood, “She’s in Love With the Boy”

This was Jackson’s first major industry award.

1991

  • Alabama, “Jukebox in My Mind”
  • Garth Brooks, “Friends in Low Places”
  • Vince Gill, “When I Call Your Name”
  • Alan Jackson, “Here in the Real World”
  • Shenandoah, “Next to You, Next to Me”

Garth-mania was beginning to peak in 1991. He swept the ACMs that  year.

1990

  • Clint Black, “Better Man”
  • Garth Brooks, “If Tomorrow Never Comes”
  • Patty Loveless, “Timber I’m Falling in Love”
  • Keith Whitley, “I’m No Stranger to the Rain”
  • Hank Williams & Hank Williams Jr., “There’s a Tear in My Beer”

Clint Black is one of only three artists in the last twenty years to win for their first proper single, with Carrie Underwood and LeAnn Rimes being the other two.

1989

  • Kathy Mattea, “Eighteen Wheels and a Dozen Roses”
  • K.T. Oslin, “I’ll Always Come Back”
  • Ricky Van Shelton, “I’ll Leave This World Loving You”
  • Randy Travis, “I Told You So”
  • Keith Whitley, “Don’t Close Your Eyes”

Mattea’s award-winning hit had such a high profile that it was even referenced in the dialog of the hit movie Rain Man.

1988

  • Restless Heart, “I’ll Still Be Loving You”
  • Ricky Van Shelton, “Somebody Lied”
  • George Strait, “All My Ex’s Live in Texas”
  • Randy Travis, “Forever and Ever, Amen”
  • Hank Williams Jr., “Born to Boogie”

Travis won for the second year in a row with what would become his signature hit.

1987

  • Alabama, “Touch Me When We’re Dancing”
  • Janie Fricke, “Always Have, Always Will”
  • The Judds, “Rockin’ With the Rhythm of the Rain”
  • Reba McEntire, “Whoever’s in New England”
  • Randy Travis, “On the Other Hand”

This was technically his first single, but when released under the name Randy Traywick, it bombed. Warner Bros. then released “1982″ under Randy Travis, and it went top ten. They then re-released this song, and it became his first #1 hit.

1986

  • Lee Greenwood, “Dixie Road”
  • Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson, “Highwayman”
  • The Judds, “Love is Alive”
  • Mel McDaniel, “Baby’s Got Her Blue Jeans On”
  • Hank Williams Jr., “I’m For Love”

So successful was this winning single that the four legends would go on to release future collaborations as the Highwaymen.

1985

  • Alabama, “When We Make Love”
  • Julio Iglesias & Willie Nelson, “To All the Girls I’ve Loved Before”
  • The Judds, “Why Not Me”
  • John Schneider, “I’ve Been Around Enough to Know”
  • Conway Twitty, “I Don’t Know a Thing About Love (The Moon Song)”

Say what you want about this winner, but it was popular enough to sell two million 45s.

1984

  • John Anderson, “Swingin’”
  • Anne Murray, “A Little Good News”
  • Willie Nelson & Merle Haggard, “Pancho  and Lefty”
  • Kenny Rogers & Dolly Parton, “Islands in the Stream”
  • Shelly West, “José Cuervo”

Another pop smash that moved two million 45s. Is there anybody over 30 who can’t sing along to the chorus?

1983

  • David Frizzell, “I’m Gonna Hire a Wino to Decorate Our Home”
  • Willie Nelson, “Always on My Mind”
  • Kenny Rogers, “Love Will Turn You Around”
  • Ricky Skaggs, “Crying My Heart Out Over You”
  • Sylvia, “Nobody”

Nelson’s had quite a few signature hits, but none bigger than this one.

1982

  • Rosanne Cash, “Seven Year Ache”
  • David Frizzell & Shelly West, “You’re the Reason God Made Oklahoma”
  • Barbara Mandrell, “I Was Country When Country Wasn’t Cool”
  • Ronnie Milsap, “(There’s) No Gettin’ Over Me”
  • Oak Ridge Boys, “Elvira”

This might be the most pop-flavored lineup in category’s history. Even the Mandrell hit doth protest too much.

1981

  • George Jones, “He Stopped Loving Her Today”
  • Johnny Lee, “Lookin’ For Love”
  • Dolly Parton, “9 to 5″
  • Eddie Rabbitt, “Drivin’ My Life Away”
  • Don Williams, “I Believe in You”

Jones capped his biggest comeback in a career defined by them with several awards for this classic hit.

1980

  • Charlie Daniels Band, “Devil Went Down to Georgia”
  • Larry Gatlin & The Gatlin Brothers Band, “All the Gold in California”
  • Crystal Gayle, “Half the Way”
  • Waylon Jennings, “Amanda”
  • Kenny Rogers, “Coward of the County”

West Coast represent!

1979

  • Crystal Gayle, “Talking in Your Sleep”
  • Loretta Lynn, “Out of My Head and Back in My Bed”
  • Willie Nelson, “Georgia On My Mind”
  • Waylon & Willie, “Mammas Don’t Let Your Babies Grow Up to be Cowboys”
  • Don Williams, “Tulsa Time”

In a category of superstars, the Gentle Giant of Country Music was the victor.

1978

  • Debby Boone, “You Light Up My Life”
  • Crystal Gayle, “Don’t it Make My Brown Eyes Blue”
  • Waylon Jennings, “Luckenbach, Texas (Back to the Basics of Love)”
  • Kenny Rogers, “Lucille”
  • Linda Ronstadt, “Blue Bayou”

All of these records made a big impact on both the country and the pop chart.

1977

  • Mickey Gilley, “Bring it On Home to Me”
  • Loretta Lynn, “Somebody Somewhere (Don’t Know What He’s Missin’ Tonight)”
  • Marty Robbins, “El Paso City”
  • Red Sovine, “Teddy Bear”
  • Waylon & Willie, “Good Hearted Woman”

A surprising win, perhaps fueled by the momentum of Gilley’s previous single, “Don’t the Girls All Get Prettier at Closing Time.”

1976

  • Glen Campbell, “Rhinestone Cowboy”
  • Freddie Fender, “Before the Next Teardrop Falls”
  • Mickey Gilley, “Overnight Sensation”
  • Willie Nelson, “Blue Eyes Crying in the Rain”
  • Kenny Starr, “The Blind Man in the Bleachers”

Campbell made quite the comeback with this one, and it later inspired the Dolly Parton film vehicle Rhinestone, which earned an ACM nomination of its own for the Tex Ritter Award.

1975

  • John Denver, “Back Home Again”
  • Merle Haggard, “Things Aren’t Funny Anymore”
  • Ronnie Milsap, “(I’d Be) A Legend in My Time”
  • Cal Smith, “Country Bumpkin”
  • Billy Swan, “I Can Help”

Smith may not have gotten all the recognition that his talent warranted, but he made two undeniable classics: “The Lord Knows I’m Drinking”, and his winner here.

1974

  • Merle Haggard, “If We Make it Through December”
  • Byron MacGregor, “The Americans”
  • Jeanne Pruett, “Satin Sheets”
  • Charlie Rich, “Behind Closed Doors”
  • Charlie Rich, “The Most Beautiful Girl”

Rich’s two hits were so big that even with vote-splitting, he still emerged the winner.

1973

  • Donna Fargo, “The Happiest Girl in the Whole U.S.A.”
  • Merle Haggard, “It’s Not Love (But It’s Not Bad)”
  • Johnny Rodriguez, “Pass Me By (If You’re Only Passing Through)”
  • Jerry Wallace, “If You Leave Me Tonight I’ll Cry”
  • Faron Young, “Four in the Morning”

Fargo was a local star on the West Coast before she broke through nationwide with this hit, dominating the 1973 ACM Awards as a result.

1972

  • Merle Haggard, “Carolyn”
  • Freddie Hart, “Easy Loving”
  • Loretta Lynn and Conway Twitty, “Lead Me On”
  • Loretta Lynn, “One’s On the Way”
  • Charley Pride, “Kiss an Angel Good Morning”

This gold-selling classic helped Hart triumph over the superstars of his day.

1971

  • Lynn Anderson, “Rose Garden”
  • Merle Haggard, “The Fightin’ Side of Me”
  • Anne Murray, “Snowbird”
  • Ray Price, “For the Good Times”
  • Sammi Smith, “Help Me Make it Through the Night”

Each one of these is a classic in its own right. In a battle of Kristofferson-penned hits, Price emerged victorious, though Smith won the CMA later that year.

1970

  • Glen Campbell, “Try a Little Kindness”
  • Johnny Cash, “A Boy Named Sue”
  • Merle Haggard, “Okie From Muskogee”
  • Billy Mize, “Make it Rain”
  • Elvis Presley, “Don’t Cry Daddy”
  • Freddy Weller, “Games People Play”
  • Tammy Wynette, “Stand By Your Man”

Haggard’s only victory in this category came on a night where he also won Album of the Year for the only time in several nominations.

1969

  • Glen Campbell, “Wichita Lineman”
  • Merle Haggard, “I Take a Lot of Pride in What I Am”
  • Merle Haggard, “The Legend of Bonnie and Clyde”
  • Merle Haggard, “Mama Tried”
  • Roger Miller, “Little Green Apples”

Miller’s known for his legendary songwriting, but his winning hit here was penned by Bobby Russell.

1968

  • Glen Campbell, “Burning Bridges”
  • Glen Campbell, “Gentle on My Mind”
  • The Gosdin Bros., “Hangin’ On”
  • Bobbie Gentry, “Ode to Billy Joe”
  • Merle Haggard, “Branded Man”
  • Merle Haggard, “I’m a Lonesome Fugitive”

A young Vern Gosdin made up half of the nominated Gosdin Bros., a nice historical footnote to the first year of this category. Glen Campbell’s victory was appropriately West Coast for the ACMs first attempt at honoring the national country music scene.

Facts & Feats:

Most Wins

  • (4) – Alan Jackson
  • (3) – Willie Nelson
  • (2) – Glen Campbell, Faith Hill, Tim McGraw, Kenny Rogers, George Strait, Randy Travis

Most Nominations

  • (12) – Merle Haggard
  • (8) – Willie Nelson
  • (6) – Brooks & Dunn, Alan Jackson, George Strait
  • (5) – Glen Campbell, Waylon Jennings, Tim McGraw
  • (4) – Garth Brooks, Toby Keith, Loretta Lynn, Brad Paisley, Kenny Rogers, Randy Travis

Most Nominations Without a Win

  • (4) – Toby Keith, Loretta Lynn, Brad Paisley
  • (3) – Alabama, Crystal Gayle, The Judds, Miranda Lambert, Hank Williams Jr.

Singles that Won Both the ACM and CMA Award:

  • Merle Haggard, “Okie From Muskogee”
  • Donna Fargo, “The Happiest Girl in the Whole U.S.A.”
  • Charlie Rich, “Behind Closed Doors”
  • Cal Smith, ‘Country Bumpkin”
  • Kenny Rogers, “Lucille”
  • George Jones, “He Stopped Loving Her Today”
  • Oak Ridge Boys, “Elvira”
  • Willie Nelson, “Always On My Mind”
  • Randy Travis, “Forever and Ever, Amen”
  • Kathy Mattea, “Eighteen Wheels and a Dozen Roses”
  • Garth Brooks, “Friends in Low Places”
  • Alan Jackson, “Chattahoochee”
  • John Michael Montgomery, “I Swear”
  • George Strait, “Check Yes or No”
  • Lee Ann Womack with Sons of the Desert, “I Hope You Dance”
  • Alan Jackson, “Where Were You (When the World Stopped Turning)”
  • Tim McGraw, “Live Like You Were Dying”

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Age Ain’t Nothin’ But a Number

george-strait1While Taylor Swift mania continues to grow, there’s another impressive accomplishment being achieved by two veterans of country music on the opposite end of the age spectrum.

Contrary to what is commonly believed, there has always been a ceiling on how old you could be and still get country airplay. This year, both George Strait and Reba McEntire have been working steadily to shatter that ceiling.

Take a look at the age of country legends when they earned their most recent top ten solo hit:

  1. Eddy Arnold, 62
  2. Kenny Rogers, 61*
  3. Conway Twitty, 58
  4. George Strait, 57
  5. George Jones, 57**
  6. Marty Robbins, 57
  7. Willie Nelson, 56**
  8. Ray Price, 56
  9. Reba McEntire, 54
  10. Waylon Jennings, 53
  11. Merle Haggard, 52
  12. Alan Jackson, 50
  13. Charley Pride, 50
  14. Johnny Cash, 49
  15. Ernest Tubb, 49
  16. Ronnie Milsap, 48
  17. Loretta Lynn, 47
  18. Webb Pierce, 46
  19. Garth Brooks, 45
  20. Dolly Parton, 43**
  21. Hank Williams Jr., 41
  22. Tammy Wynette, 40

* Kenny Rogers was the lead singer for his final top ten hit “Buy Me a Rose”, with harmony vocalists Billy Dean and Alison Krauss credited on the single

** George Jones, Willie Nelson, and Dolly Parton returned to the top ten in later years through duets with younger artists

It’s also worth noting that Alan Jackson, at 50, isn’t too far away from passing several legends on the list.

So George Strait remains in heavy rotation at the age of 57, outpacing all but three stars in country music history. Among the ladies, McEntire is a full seven years older than her nearest competitor Loretta Lynn was when she enjoyed her last top ten hit.

Thoughts?

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Filed under Conversations, Crunching the Numbers