Kristian Bush of Sugarland released his debut solo album this year, and the buzz on it has been good. Good enough, in fact, to inspire its own Daily Top Five! What are your favorite solo singles by artists famous for being in a duo or group? For my list, I stuck to singles from their first solo projects, but feel free to break that rule! Radney Foster, “Nobody Wins” (Foster & Lloyd) Wynonna, “She is His Only Need” (The Judds) Larry Stewart, “Alright Already” (Restless Heart) Ronnie Dunn, “Bleed Red” (Brooks & Dunn) Heidi Newfield, “What am I Waiting For?” (Trick Pony)
“Trailer Hitch” Kristian Bush Written by Brandon Bush, Kristian Bush, and Tim Owen It’s not entirely without precedent. When Diana Ross left the Supremes, their first single without her did better than her first solo release. Ringo Starr managed to score two #1 pop hits before John Lennon reached the top as a solo act. Peter Gabriel was supposed to be the indispensable talent of Genesis, but they did better when they gave Phil Collins the mic. Even country acts like Highway 101 and Restless Heart have seen the same phenomenon occur.
A few should’ve been hits are mixed in with genuine smashes as the countdown continues.
400 Greatest Singles of the Nineties: #350-#326
How Do I Live
1997 | Peak: #2
When Yearwood and LeAnn Rimes released dueling versions of this song in 1997, it was apparently a wake up call to country listeners: “Hey, wait a minute. Trisha Yearwood is an amazing singer!” She elevates “How Do I Live” beyond its movie theme nature by adding layers of subtlety and nuance to the typical Diane Warren template. – Kevin Coyne
Boot Scootin’ Boogie
Brooks & Dunn
1992 | Peak: #1
I don’t claim to have any real knowledge of what it’s like to spend a night at the liveliest of honky-tonks, but I’ll be darned if this song doesn’t make me feel like I do. Because “Boot Scootin’ Boogie” isn’t really about a specific place where people go, and it isn’t even about the boogie itself; it’s about the universal thrill of busting out of the work week, kicking back and dancing your troubles away. From start to finish, Brooks & Dunn’s performance is a twangy blast of exhilaration, and that’s a feeling we can all relate to – outlaws, in-laws, crooks and straights alike. – Tara Seetharam
New fans of country music in the nineties were hit over the head with the assertion that country music was one big family. Nothing demonstrated this mythos better than the all star jams that cropped up during the boom years.
There were some variants of this approach. A popular one found a veteran star teaming up with one or more of the boom artists to increase their chances of radio airplay. George Jones was big on this approach, with the most high profile attempt being “I Don’t Need Your Rockin’ Chair.” Seventeen years later, it’s amazing to see how young everyone looks – even Jones himself!
As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.
As always, we start with a look at this year’s nominees and work our way back to 1968.
- Zac Brown Band, “Toes”
- Billy Currington, “People Are Crazy”
- Lady Antebellum, “Need You Now”
- Miranda Lambert, “White Liar”
- David Nail, “Red Light”
There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.
- Trace Adkins, “You’re Gonna Miss This”
- Jamey Johnson, “In Color”
- Miranda Lambert, “Gunpowder & Lead”
- Heidi Newfield, “Johnny and June”
- Brad Paisley, “Waitin’ On a Woman”
Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.
This afternoon, it took me seventy minutes to get to my final and fifteen minutes to actually take it. It was the traffic jam to end all traffic jams, requiring navigations of Brooklyn and Queens that were mind-numbingly convoluted. What kept me from losing my temper? My iPod. Nothing quite like Todd Snider and Rodney Carrington to lighten the mood. We haven’t had an iPod Check in a long time, so given that it was my sanity-saving device today, it’s as good a night as any. No funny rules or complicated instructions here. Just turn on your iPod/mp3 player and hit shuffle. My first ten songs: The Offspring, “Why Don’t You Get a Job?” Restless Heart, “You Can Depend on Me” Whitney Houston, “Exhale (Shoop Shoop)” Johnny Cash, “Sunday Morning Coming Down” Madonna, “Act of Contrition” Iris Dement, “Childhood Memories” M.C. Hammer, “Pumps and a Bump” New Radicals, “Jehovah Made Read More
For a look back at the other major categories, visit our CMA Awards page. 2010 Luke Bryan Easton Corbin Jerrod Neimann Chris Young Zac Brown Band Usually there isn’t this much turnover in this race unless most of last year’s nominees are ineligible. This year, only one of the four eligible nominees from last year – Zac Brown Band – earns a nomination. With their massive success and their multiple nominations, they’ve got an excellent shot at winning. Then again, Easton Corbin is elsewhere on the ballot, too. It could be a horse race. 2009 Randy Houser Jamey Johnson Jake Owen Darius Rucker Zac Brown Band Thirteen years after winning the Best New Artist Grammy as part of Hootie & The Blowfish, Darius Rucker won the country music equivalent, adding an exclamation point to the most successful pop-to-country crossover in a generation. 2008 Jason Aldean Rodney Atkins Lady Antebellum James Read More