RIP Leon Russell.
Modern bluegrass legend Rhonda Vincent shows off two sides of her musical repertoire with her delightful new album Only Me, which is split across two six-track discs. The first disc is a collection of bluegrass songs, while the second showcases Vincent’s prowess in performing traditional country music.
For the second year in a row, our seven writers – Kevin Coyne, Leeann Ward, Dan Milliken, Tara Seetharam, Ben Foster, Jonathan Keefe, and Sam Gazdziak – individually listed our twenty favorite albums and singles of the year. It’s a diverse crop of singles, some of which dominated country radio, while others were primarily heard in the Americana, bluegrass, and alternative country worlds. Today, we present the first half of our singles list, with the conclusion to follow tomorrow. Share your favorites in the comments!
“Someone Somewhere Tonight”
Individual rankings: #16 – Ben; #19 – Tara
A sweeping power ballad anchored by an intimate chorus and Pickler’s pleading sincerity. – Tara Seetharam
Written by Henry L. Carrigan, Jr. of Engine 145
From the moment Hunter Berry’s tearful-sounding fiddle plaintively whines the first four bars of Rhonda Vincent’s new single, we know we’re in for a sad country shuffle. In fact, the notes he strikes on the fiddle anticipate almost note-for-note Vincent’s emphatic, but mournful, tone in her first lines and the song’s chorus. Vincent’s soaring vocals, backed by those doleful fiddles and the pleading resophonic guitar of Brent Burke, deliver a sorrowful breakup song with a twist.
Of course, it’s not just the Americana acts that can’t get radio play these days. Even top-selling albums by Scotty McCreery and Alison Krauss & Union Station weren’t embraced.
Country Universe editors and contributors each submitted a list of their ten favorite albums of 2011. 31 different albums were included on our lists, and over the next two days, we’ll share with you our collective top twenty.
Top Twenty Albums of 2011, Part One: #20-#11
Beat the Devil and Carry a Rail
His tenure with the Punch Brothers and his winning of the first annual “Steve Martin Prize for Excellence in Banjo and Bluegrass” in 2010 both earned Noam Pikelny the clout to release Beat the Devil and Carry a Rail, his second solo album and first since 2004. Joined by an all-star roster of fellow pickers, Pikelny’s mostly instrumental set is a showcase both for its lead artist’s extraordinary technical skills and for the banjo’s wide-ranging potential. – Jonathan Keefe
Born and raised in Texas, he grew up fully immersed in Western swing, southern blues, and gospel music. By age twelve, he’d made his first public performance. Never liking school, he dropped out in ninth grade. He chose auto body repair as his career, but did music on the side at night, more as a hobby than anything else.