There’s a cool Guy Clark documentary Kickstarter campaign happening right now that I encourage country music lovers to check out and, perhaps, make a pledge toward. Long time publicist, biographer and Guy Clark champion, Tamara Saviano, is in the process of producing and directing a documentary on Clark, a revered songwriter in country music. The campaign is already almost fully funded, which is a testament to the wide and strong impact of Clark. However, while they’ve almost raised the initial funds, any extra money on top of that modest goal will only allow the documentary to be even better than it already promises to be, not to mention the opportunities for various perks that are offered to backers of the project. After reading about and pledging to this campaign, I’ve been going down a Guy Clark Rabbit hole for the last couple of days, which has included listening to songs Read More
Ralph Stanley & Friends Man of Constant Sorrow Perhaps the uninitiated may have “discovered” Ralph Stanley through his participation in the O Brother Where Art Thou? soundtrack, For those who have spent their lives appreciating the man and his music, Ralph Stanley is a certified living legend — not to mention one of the last remaining links to that first generation of bluegrass musicians who blazed the trail for newgrassers and traditionalists alike. Even though he threatened retirement not long ago, the 87-year-old singer is back with a new duets album, available through Cracker Barrel stores.
Eight years ago, we posted our second edition of Hall Worthy, a list of significant country music figures who we felt were most deserving of being in the Country Music Hall of Fame.
Since then, a lot has changed. First and foremost, more than half of the list is now in the Hall of Fame (or, at least, headed there later this year.) An additional entry, Wanda Jackson, is now in the Rock and Roll Hall of Fame.
A bigger change came in 2009, when new categories were introduced to ensure that two artist inductees would be represented from different eras: The Modern Era (20-44 years of national prominence), and the Veterans Era (45+ years of national prominence.) There are also three more categories that rotate, meaning one from each category gets in every third year: Non-Performer, Songwriter, and Recording and/or Touring Musician.
Finally, since that list was published, our readership has grown tremendously and is incredibly well-versed on country music, past and present. So in this new and now annual edition of Hall Worthy, we are going to run down the list of the most successful artists that are eligible but have yet to make it into the Hall of Fame, in the order of “Hall Worthiness.”
The Modern Era:
Scoring his first hit in 1990 with “Here in the Real World”, Alan Jackson is the most successful country artist that isn’t currently in the Hall of Fame. His storied career has included 25 #1 hits and 49 visits to the top ten. He’s won a slew of awards over the years, including many for his songwriting. He is the most traditionalist of all of the nineties superstars, but has managed to stay relevant regardless of how pop the genre went over the past quarter century, selling more than forty million albums in the U.S. alone. He should be the next inductee for the Modern Era.
Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year. Originally a revolving door of winners, the winner in early years was often not even nominated the following year. In 1981, Barbara Mandrell became the first artist to win the award twice. Alabama succeeded her with a three year run from 1982-1984. Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.
Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.
- Bill Anderson
- Eddy Arnold
- Merle Haggard
- Sonny James
- Buck Owens
One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.” He remains the only member of the Hall of Fame to win this award after being inducted.
In a year that has already brought the deaths of immortal talents like George Jones, Slim Whitman, Patti Page, and Jack Greene, not to mention the untimely loss of Mindy McCready, it is understandable that the recent news regarding Randy Travis is having the country music fans collectively holding their breath with nervousness and dread.
There is something distinctly different about how I am processing the news about Randy Travis. The thought of losing him is inextricably linked with a feeling that we’d be losing an essential core of the country music that I fell in love with more than two decades ago. Now, I remember Randy Travis from when I was a child. What little kid wouldn’t be in love with a catchy song like “Forever and Ever, Amen”?
A comedic flair, a speech impediment, and a famous daughter have often overshadowed the fact that Mel Tillis is one of the finest songwriters and performers in the history of country music.
A brilliant bluegrass musician that became the unlikeliest of superstars, Ricky Skaggs moved seamlessly into mainstream country music and popularized bluegrass among a wide and willing audience.
He spent most of the eighties struggling for recognition, but thanks to his smooth ballads and country’s suddenly expanded audience, Vince Gill emerged as one of the biggest superstars of the nineties.
Some of the greatest artists in country music left the scene just as they reached staggering artistic heights, leaving fans to forever wonder what might have been.
Last Tuesday (September 7), Rounder Records released The SteelDrivers’ second album, Reckless (which is pretty spectacular, by the way) and this week, they will be releasing Robert Plant’s follow up to his 2007 collaborative album with Alison Krauss, which was also released on Rounder. From the streaming preview that can be heard on NPR’s website until release day, the album is a wonderfully rootsy project helmed by Plant and Buddy Miller and includes guitar work from Darrell Scott. October will finally see the release of Joe Diffie’s bluegrass album, which is also to be released on the label.