A brilliant bluegrass musician that became the unlikeliest of superstars, Ricky Skaggs moved seamlessly into mainstream country music and popularized bluegrass among a wide and willing audience.
He spent most of the eighties struggling for recognition, but thanks to his smooth ballads and country’s suddenly expanded audience, Vince Gill emerged as one of the biggest superstars of the nineties.
Last Tuesday (September 7), Rounder Records released The SteelDrivers’ second album, Reckless (which is pretty spectacular, by the way) and this week, they will be releasing Robert Plant’s follow up to his 2007 collaborative album with Alison Krauss, which was also released on Rounder. From the streaming preview that can be heard on NPR’s website until release day, the album is a wonderfully rootsy project helmed by Plant and Buddy Miller and includes guitar work from Darrell Scott. October will finally see the release of Joe Diffie’s bluegrass album, which is also to be released on the label.
As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.
As always, we start with a look at this year’s nominees and work our way back to 1968.
- Zac Brown Band, “Toes”
- Billy Currington, “People Are Crazy”
- Lady Antebellum, “Need You Now”
- Miranda Lambert, “White Liar”
- David Nail, “Red Light”
There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.
- Trace Adkins, “You’re Gonna Miss This”
- Jamey Johnson, “In Color”
- Miranda Lambert, “Gunpowder & Lead”
- Heidi Newfield, “Johnny and June”
- Brad Paisley, “Waitin’ On a Woman”
Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.
The CMA Awards are upon us again, and I must say that this is the most underwhelming lineup I’ve ever seen, and I started watching the show back in 1991. We’ll be back to live blog the festivities on Wednesday night. In the meantime, enjoy our personal picks in each category, along with who we think will actually win.
- Kenny Chesney
- Brad Paisley – Leeann, Tara
- George Strait
- Taylor Swift – Kevin, Dan
- Keith Urban
- Kenny Chesney
- Brad Paisley – Kevin, Leeann, Tara
- George Strait
- Taylor Swift – Dan
- Keith Urban
Leeann: I won’t be shocked (or really even disappointed) if Taylor Swift picks it up, but I really feel it’s finally Brad’s year.
Dan: Swift is the face of the genre right now, and she’s putting out better-written material than many of the veterans in this category. It looks like a race between her and Paisley, and I think she may actually get it.
Tara: It wouldn’t be inappropriate for Swift to take this award, and I would much (understatement) prefer her to win this over the vocalist award. But to me, Paisley is the all-around entertainer, and I think it’s his year to be recognized.
When Rodney Crowell had his gold-selling commercial breakthrough with the album Diamonds & Dirt, his previous label was quick to capitalize on his success. Usually, pre-hit cash-in CDs are little more than a curiosity, but Crowell’s is the exception.
There is a smorgasbord of great material here, including early versions of songs that Crowell would see other artists have success with the same songs.
I have to start with a disclaimer: I attended my first CMA Music Festival in Nashville, Tennessee, as a fan –a crazy, passionate, kid-in-a-candy-store fan– and nothing more. So rather than offer you a full review of the festival, which I don’t think I can adequately do, I instead present you with a narrow but meaningful sampling of my favorite memories from the week.
Dierks Bentley and Brad Paisley rock rain-soaked stadium until 2 a.m.
After a three-hour rain delay at LP Field Thursday night, Darius Rucker, Dierks Bentley and Brad Paisley played well into the morning to make up for the lost time. Despite the delay being somewhat poorly handled by management, an impressively large crowd of dedicated fans, draped in ponchos and drenched in humidity, waited around until after midnight for the concert to resume.