Tag Archives: Rodney Clawson

2015 Grammy Awards: Predictions & Personal Picks

57th Grammy AwardsThis year’s Grammy Awards air on Sunday, February 8, and country music will be represented with performances Eric Church, Miranda Lambert, and the tantalizing pairing of Brandy Clark and Dwight Yoakam.   Most of the awards will be handed out before the show, and we will post the relevant winners here, as part of a Grammy Open Thread where CU readers and writers can share their thoughts on this year’s awards.

Four CU writers, including myself, have shared our predictions and personal picks for the general and country-related categories below.  Of course, one of the coolest things about the Grammys is that it celebrates a wide range of music from the past year, and as you’ll see by our varying levels of participation, our tastes here at CU run the gamut.

This year, I’m as excited about the performances by Madonna, Kanye West (twice!), and that Hozier and Annie Lennox duet as I am about any of the country performers, and I’ll be rooting for West and Childish Gambino to sweep the Rap and Hip-Hop categories.

Who do you think will be the big winners on Sunday night, and who are you hoping will win and looking forward to seeing perform?  As always, share your thoughts in the comments!

Meghan Trainor All About That BassRecord of the Year

Will Win:

  • Iggy Azalea featuring Charli XCX, “Fancy”
  • Sia, “Chandelier”
  • Sam Smith, “Stay With Me” (Darkchild Version) - Kevin, Leeann, Jonathan, Ben
  • Taylor Swift, “Shake it Off”
  • Meghan Trainor, “All About That Bass”

Should Win:

  • Iggy Azalea featuring Charli XCX, “Fancy”
  • Sia, “Chandelier” – Jonathan
  • Sam Smith, “Stay With Me” (Darkchild Version)
  • Taylor Swift, “Shake it Off”
  • Meghan Trainor, “All About That Bass” – Kevin, Leeann

Kevin: In a decent year for pop music, any one of these records could credibly represent the year.  I think Sam Smith is Grammy catnip, so I expect him to win big.  I think “All About That Bass” was the most creative and interesting record of the five.

Leeann: I’m a fan of the Sam Smith song, but I agree with Kevin that “All About That Bass” is the most creative and interesting, not to mention the catchiest.

Jonathan: I actually thought it was a weak year for mainstream pop, as reflected by this fairly poor slate of nominees. Smith is right in that Adele / Norah Jones adult-pop wheelhouse that Grammy voters love, so he’s the most likely winner.  Sia’s “Chandelier” is the most progressive take on pop music among the five, though, if “Shake it Off” were to win anything, this would probably be the least egregious place to recognize Swift’s hit. I would have gladly rooted for the mash-up between Iggy Azalea’s and Reba’s respective takes on “Fancy.”

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2015 ACM Awards: Nominations & Analysis

The third most prestigious country music industry award nominations – but the most important ones handed out in the spring – have been announced.  Here’s a rundown of all the major categories, along with some back-of-the-envelope analysis:

Garth Brooks 3Entertainer

  • Jason Aldean
  • Garth Brooks
  • Luke Bryan
  • Florida Georgia Line
  • Miranda Lambert

Who’s In: Jason Aldean, Garth Brooks, Florida Georgia Line

Who’s Out: Blake Shelton, George Strait, Taylor Swift

Last year’s winner, George Strait, didn’t get a return invitation, but Garth Brooks, who has won this award six times before, returns to the competition.  Much like Strait’s farewell tour was a reminder of his extensive popularity, Garth’s ability to sell out several dates per city overshadows the lukewarm reception to his new material at radio and retail.   Taylor Swift’s exit is directly tied to her cutting ties with the genre. Jason Aldean’s return makes logical sense, but it’s quite the mystery to see Blake Shelton gone and Florida Georgia Line in.

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2015 Grammy Nominations

Updated:

Little Big TownBest Country Duo/Group Performance

  • The Band Perry, “Gentle on My Mind”
  • Miranda Lambert and Carrie Underwood, “Somethin’ Bad”
  • Little Big Town, “Day Drinking”
  • Tim McGraw featuring Faith Hill, “Meanwhile Back at Mama’s”
  • Keith Urban featuring Eric Church, “Raise ‘Em Up”

Nickel Creek DestinationBest American Roots Performance

  • Greg Allman & Taj Mahal, “Statesboro Blues”
  • Rosanne Cash, “A Feather’s not a Bird”
  • Billy Childs featuring Alison Krauss and Jerry Douglas, “And When I Die”
  • Keb’ Mo’ featuring the California Feet Warmers, “The Old Me Better”
  • Nickel Creek, “Destination”

carrie-underwood-something-in-the-waterBest Country Solo Performance

  • Eric Church, “Give Me Back My Hometown”
  • Hunter Hayes, “Invisible”
  • Miranda Lambert, “Automatic”
  • Carrie Underwood, “Something in the Water”
  • Keith Urban, “Cop Car”

 

Brandy Clark StripesBest New Artist includes last year’s actual best new artist!

  • Iggy Azalea
  • Bastille
  • Brandy Clark  (!!!!)
  • HAIM
  • Sam Smith

rosanne-cash_12Best Americana Album

  • Rosanne Cash, The River & The Thread
  • John Haitt, Terms of My Surrender
  • Keb’ Mo’, Bluesamericana
  • Nickel Creek, A Dotted Line
  • Sturgill Simpson, Metamodern Sounds in Country Music

glencampbellBest Country Song

  • “American Kids” – Rodney Clawson, Luke Laird, and Shane McAnally
  • “Automatic” – Nicolle Galyon, Natalie Hemby, and Miranda Lambert
  • “Give Me Back My Hometown” – Eric Church and Luke Laird
  • “I’m Not Gonna Miss You” -Glen Campbell and Julian Raymond
  • “Meanwhile Back at Mama’s” – Tom Douglas, Jaren Johnston, and Jeffrey Steele

The best lineup for Best Country Album that we can remember:

Best Country Album

  • Dierks Bentley, Riser
  • Eric Church, The Outsiders
  • Brandy Clark, 12 Stories
  • Miranda Lambert, Platinum
  • Lee Ann Womack, The Way I’m Livin’

Record of the Year includes a former country artist and a CMA Awards duet partner:

Record of the Year

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Single Review: Kenny Chesney, “Til it’s Gone”

Kenny Chesney Til it's gone“‘Til it’s Gone”

Kenny Chesney

Written by Rodney Clawson, David Lee Murphy, and Jimmy Yeary

There were a lot of great singer-songwriters that didn’t quite make it to stardom in the nineties, especially once the market was saturated.  It’s good to see that some of the best ones are having success as writers, like David Lee Murphy, who has a hand in the latest Kenny Chesney single.

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Single Review: Jason Aldean, “Burnin’ It Down”

Jason-Aldean-Burnin-It-Down“Burnin’ it Down”

Jason Aldean

Written by Rodney Clawson, Tyler Hubbard, Brian Kelley,  and Chris Tompkins

Country music isn’t historically prudish. It covers the topical gambit of love, drinking, cheating, murder and, yes, even passion. Conway Twitty, Alabama, Charlie Rich, even Alan Jackson ,as well as many others,  haven’t shied away from memorably singing about sexual intimacy. But their songs maintained a respect for the intimacy, which Jason Aldean’s “Burnin” it Down” grossly fails to do. Instead, the song is high octane graphic with no sense of real intimacy and nothing left up to the imagination.

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Single Review: Kenny Chesney, “American Kids”

Kenny Chesney American KidsIf you’re going to keep revisiting the same themes, you might as well take some risks with your delivery.

Kenny Chesney’s new single sounds fresher and more engaging than anything he’s done in a very long time.  It’s easy to miss that he’s singing about what he always sings about: nostalgia for growing up in the country with American rock as the soundtrack.

 

What makes “American Kids” work more than a lot his attempts with this theme is that sounds like he learned something listening to those Mellencamp and Springsteen records.  This record oozes charm and mature authority, like he’s finally lived long enough to look back and say, “Hey. We were kinda crazy back then.  But we all turned out alright in the end.”

Written by Rodney Clawson, Luke Laird, and Shane McAnally

Grade: B+

 

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Single Review: Frankie Ballard, “Helluva Life”

Frankie Ballard Helluva LifeA surprisingly philosophical take on the “drinking in the country with a girl” theme that is apparently the only thing that new male artists are allowed to sing about.

I’m seriously thinking that it’s a contractual obligation now, along with the radio tours and the publishing partnerships.   Frankie Ballard’s “Helluva Life” is most interesting when he’s singing about what he’s thinking about while he’s doing the only things that guys his age are singing about.    There’s a potentially compelling  voice that’s trying to  shine through, one that is wondering more about tomorrow than where the party is tonight.

The conversational vocal style and tasteful arrangement create a nice groove, a sound that I could really get into if Ballard applies it to more mature material.

Written by Rodney Clawson, Josh Kear, and Chris Tompkins

Grade: B

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Album Review: Luke Bryan, Tailgates & Tanlines

Luke Bryan

Tailgates & Tanlines

Got a little boom in my big truck/Gonna open up the doors and turn it up. – “Country Girl (Shake It for Me)”

Girl you make my speakers go boom boom/Dancin’ on the tailgate in the full moon. – “Drunk on You”

Looking at those two lyrics from Luke Bryan’s new album, you can assume one of two things: Either Bryan was heavily influenced by hip-hop pioneers L’Trimm and their hit “Cars With the Boom,” or Tailgates & Tanlines falls victim to lazy songwriting. With all due respect to Tigra and Bunny, it looks like it’s the latter.

The country references are thrown about so fast and furiously here that duplicates inevitably pop up. There are multiple references to girls dancing on tailgates, squirrels and other assorted critters, moonshine, Dixie cups, dusty boots, old trucks, catfish and tractors. Sometimes the songs are about certain people or places, and sometimes they’re just about setting the RRPM (rural references per minute) record.

Occasionally, the country setting is put to good use. “Harvest Time,” for example, paints a vivid picture of a small town in the middle of its busiest season. “Tailgate Blues” takes many of the familiar references and turns them upside down, as even the usual comforts of quiet country hideaways can’t heal a broken heart.

All too often, though, the songs have no real meat underneath the catchphrases and references. They’re the same tired look at a vast hillbilly paradise – Val-holler, if you will – where the homemade wine is always flowing into Dixie cups, good ol’ boys are always ready to drive around in their trucks to find a good time after a hard day’s work on the farm, and the women are sexual props whose only purpose in life is to dance on tailgates on command.

When Alan Jackson sang “Chattahoochee,” there was so much detail that the listener felt certain that Jackson lived through all those experiences. Bryan’s “Muckalee Creek Water,” by comparison, has no such connection or personal attachment, even though there is a Muckalee Creek near Bryan’s hometown in south Georgia. That song, incidentally, references “a catfish line going bump bump bump,” so if you’re really into onomatopoeia, this is your album of the year.

The real shame is that those throw-away songs are a waste of some tremendous talent. Bryan has a strong voice that can make a good song sound even better.  “You Don’t Know Jack,” written by Erin Enderlin and Shane McAnally, gives a sympathetic portrayal to someone trapped by addiction. Sure, it won’t get a concert audience cheering and shouting, but it’s a standout track and one of the better songs of the year. While he is partly responsible for some of the album’s weakest tracks, Bryan also co-wrote some of its best, including “Harvest Time” and “Faded Away” (with Rodney Clawson and Michael Carter, respectively).

“Country Girl (Shake It for Me)” is turning into one of the biggest hits of Bryan’s career, which is bound to influence his future song choices. Good-time party anthems aren’t necessarily bad things, but too many of them on one album overwhelms the rest of the songs. Still, Kenny Chesney had to go through the “She Think My Tractor’s Sexy” phase before he got to covering Guy Clark, so there’s hope for Bryan.

Just leave the “booms” and “bumps” to fight sequences in the old Batman TV show, where they belong.

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