Tag Archives: Rodney Crowell

The 201 Greatest Singles of the Decade, Part 6: #100-81

The 201 Greatest Singles of the Decade, Part 6: #100-81

100 Alison Krauss Lonely
#100

“Restless”
Alison Krauss & Union Station
2004
Peak: #36

A shimmering moment of infatuation chased with unease. Krauss is entangled in thoughts of her beloved but at a distance, and temptation lurks for both of them. – Dan Milliken

99 Shania Come On Over

#99
I’m Holdin’ On to Love (To Save My Life)
Shania Twain
2000
Peak: #4

A terribly catchy slice of country-pop that, true to Twain, doesn’t sacrifice authenticity for appeal – Twain simply embodies the snappy energy that pulses through the song. – Tara Seetharam Continue reading

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The 201 Greatest Singles of the Decade, Part 4: #140-#121

The 201 Greatest Singles of the Decade, Part 4: #140-#121

140 Bon Jovi Nice Day

#140
“Who Says You Can’t Go Home”
Bon Jovi featuring Jennifer Nettles
2005
Peak: #1

Packed as country music has been lately with rocked-up little singalongs, perhaps it was only natural that one of the leading bands in rocked-up little singalongs should cross over for a bit to show everybody how it’s done. It was newcomer Nettles, though, who stole this show, driving Bon Jovi’s ditty home with an infectiously joyful performance. – Dan Milliken

139 Johnny Cash V

#139
“God’s Gonna Cut You Down”
Johnny Cash
2006
Peak: Did not chart

The arrangement is cool enough, but it’s Cash’s stoic, slicing vocal performance that makes his version of this song so memorable. – Tara Seetharam Continue reading

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The 201 Greatest Singles of the Decade, Part 3: #160-#141

The 201 Greatest Singles of the Decade, Part 3: #160-#141

lee-ann-womack-call-me-crazy

#160
“Last Call”
Lee Ann Womack
2008
Peak: #14

Womack’s second-best Aughts song about late-night temptations is still better than a lot of people’s first-best songs about anything. Even in avoiding her drunken ex’s advances, she sounds positively heartbroken, suggesting she’d gladly make the other decision if she didn’t know better. – Dan Milliken

159 Shania Up

#159
“She’s Not Just a Pretty Face”
Shania Twain
2003
Peak: #9

Her motivation for her music has always been escapism, but I love the personal touch she slips into this one. Her late mother is the one who she’s referring to when she sings “at night, she pumps gasoline.” – Kevin Coyne

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The 100 Greatest Albums of the Decade, Part 6: #50-#41

The 100 Greatest Albums of the Decade, Part 6

    50 Mattea

    #50
    Kathy Mattea, Right Out of Nowhere

    Kathy Mattea has rarely sounded more open and warm than on this set of innovative folk-tinged songs. Topics of peace, love, resignation and heartache are sensitively explored in songs both written by Mattea and other well-known names, including captivating interpretations of The Rolling Stones’ “Gimme Me Shelter” and Creedence Clearwater Revival’s “Down on the Corner.” It’s a rich album with a decisively vibrant feel. – Leeann Ward

    Recommended Tracks: “Gimme Shelter”, “Down on the Corner”, “Give It Away”

    49 Cash

    #49
    Johnny Cash, American IV: The Man Comes Around

    American IV: The Man Comes Around was the last Cash album released in his lifetime; the bulk of its tracks are covers performed by the then ailing singer. Amazingly enough, the album seems almost biographical despite the limited material written by Cash. Still, American IV is not limited to “Hurt” (written by Trent Reznor of Nine Inch Nails), as other well-interpreted covers and Cash’s own “The Man Comes Around” help cement the depth of the album. – William Ward

    Recommended Tracks: “The Man Comes Around”, “Hurt”, “Sam Hall”

    48 Johnson

    #48
    Jamey Johnson, That Lonesome Song

    The media hype machine had a field day with Johnson’s breakthrough sophomore album, showering it with the kind of superlatives usually reserved for miracle cures and immaculate conceptions (see also: Crazy Ex-Girlfriend). Most of the attention went to the album’s counterculturism within the increasingly safe and watered-down Music Row, with numerous nods to its Outlaw aesthetic and “cocaine and a whore” business. But That Lonesome Song‘s greatness was always more than contextual, and certainly more than attitudinal; this is an album with a genuine story to tell, filled with a slow-burning sorrow that pervades every track and doesn’t rest until the wife finally walks away and the husband resigns himself to playing seedy bars and trying to convince you he’s worthy of comparison to the greats. – Dan Milliken

    Recommended Tracks: “High Cost Of Living”, “Angel”, “Dreaming My Dreams With You”

    *Credit for linked parody cover: Farce the Music.

    47 Hill

    #47
    Faith Hill, Fireflies

    For all of the attention given to her power ballads and catchy pop numbers, Faith Hill has always included more offbeat material from lesser known songwriters. This album had some great power ballads and catchy pop numbers, but its heart and soul comes from the trio of Lori McKenna songs that make up its core. “Stealing Kisses” just might be Hill’s finest moment to date, and the other two McKenna songs – “If You Ask” and the title track – are nearly as good.  – Kevin Coyne

    Recommended Tracks: “Dearly Beloved”, “Stealing Kisses”, “Wish For You”

    46 Gill

    #46
    Vince Gill, Next Big Thing

    Gill dips into a wider range of styles and subjects on his first self-produced album, but it all seems to thoughtfully tie back to his classically sweet sound – a tricky thing to do in country music. Next Big Thing is mature, clever and vocally spot-on, and features some killer guest vocals from Emmylou Harris, Lee Ann Womack and others. – TS

    Recommended Tracks: “Without You”, “Two Hearts”, “These Broken Hearts”

    45 Underwood

    #45
    Carrie Underwood, Play On

    Easily one of the most versatile artists in country music, Underwood is capable of tackling almost any musical style, and she makes a solid case for this on her third album. The kicker, though, is that rather than signaling a lack of identity, each style feels like a natural extension of herself as an artist. She’s mournful on a haunting country standard in one breath, and commanding on a rock-charged up-tempo in the next – all without compromising her authenticity. Most significantly, Underwood finally digs a little deeper on Play On, marrying her extraordinary vocal proficiency with a higher level of tangible, sincere conviction than ever before. – TS

    Recommended Tracks: “Someday When I Stop Loving You”, “Songs Like This”, “What Can I Say”

    44 Crowell

    #44
    Rodney Crowell, The Outsider

    Crowell’s take on mid-decade politics avoids heavy-handedness, perhaps because what he’s appealing to is not so much partisanship as patriotism in its purest form: “Democracy won’t work if we’re asleep. That kind of freedom is a vigil you must keep.”  Bonus points for not one, but two guest turns from Emmylou Harris, the highlight being their stunning duet of Bob Dylan’s “Shelter From the Storm.” – KC

    Recommended Tracks: “Dancin’ Circles ‘Round the Sun (Epictetus Speaks)”, “Don’t Get Me Started”, “Shelter From the Storm”

    43 Little

    #43
    The Little Willies, The Little Willies

    Norah Jones pet country side project with four of her New York City friends, including former boyfriend bassist Lee Alexander, results inn an inextricably fun album named after Willie Nelson who is covered twice on the project (“Gotta Get Drunk” and “Night Life”). The productions, including jaunty piano and prominent bass, along with Jones’ atypically loose vocals, make this disc a thrilling listening experience. While The Little Willie’s self titled album is not tight in technical terms, the album is all the better for it. – LW

    Recommended Tracks: “Roll On”, “Gotta Get Drunk”, “Tennessee Stud”

    42 Yearwood

    #42
    Trisha Yearwood, Real Live Woman

    Upon its release, the artist declared that she’d finally made her dream album. It’s easy to understand why, as Real Live Woman is Trisha Yearwood’s most cohesive album to date. It has a warmth and depth that makes it more than just reminiscent of Linda Ronstadt’s classic L.A. country albums from the mid-seventies. It’s actually on par with them. – KC

    Recommended Tracks: “Where Are You Now”, “Try Me Again”, “When a Love Song Sings the Blues”

    41 Kristofferson

    #41
    Kris Kristofferson, Broken Freedom Song: Live From San Francisco

    For each unequivocal success like At Folsom Prison and Nirvana Unplugged, there are a dozen uninspired live albums that simply exist to capitalize on old material. Kris Kristofferson’s Broken Freedom Songs, with his extended introductions and banter, is an unequivocal success. Along with its friendly and almost conversational tone, Broken Freedom Songs focuses on unexpected compositions and makes a nice addition to other historically strong live albums. – WW

    Recommended Tracks: “The Circle”, “Here Comes that Rainbow Again”, “Moment of Forever”

    - – -

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    The 100 Greatest Albums of the Decade, Part 4: #70-#61

      The 100 Greatest Albums of the Decade, Part 4

      70 Tillis

      #70
      Pam Tillis, It’s All Relative: Tillis Sings Tillis

      By the time she released a tribute to her father Mel, she’d become something of a legend in her own right. So it’s no surprise that she approached Mel’s stellar songwriting catalog as if she was recording any other studio album, taking the best of the bunch and making them her own. Bonus points for preserving the original fiddle breakdown from “Heart Over Mind” while making that classic shuffle a forlorn ballad, and a few more for hitting the archives of the Country Music Hall of Fame until she found a forgotten gem that should’ve been a hit back in the day (“Not Like it Was With You.”) – Kevin Coyne

      Recommended Tracks: “Mental Revenge”, “Detroit City”

      69 Dwight

      #69
      Dwight Yoakam, dwightyoakamacoustic.net

      Yoakam takes a new, inspired spin on the greatest hits album concept, presenting us with a hearty sampling (over 20 songs) of his catalog served acoustic style. It simply works for the country legend. He introduces some delightful new twists and turns to his old classics, and as it should go with acoustic music, the album is driven by unadulterated, raw vocals, coupled with honest storytelling – the purest form of country music. – Tara Seetharam

      Recommended Tracks: “A Thousand Miles From Nowhere”, “Things Change”

      68 Gillian

      #68
      Gillian Welch, Time (The Revelator)

      Time (The Revelator) is Gillian Welch and David Rawlings with much of their typical production stripped away. Accompanied by acoustic guitar and banjo, Gillian sings with emotions as much as she sings notes that create a surprisingly full sound. – William Ward

      Recommended Tracks: “I Want to Sing That Rock and Roll”, “Red Clay Halo”

      67 Reba

      #67
      Reba McEntire, Reba Duets

      That McEntire is able to smoothly and effortlessly wrap her voice around eleven other distinctive voices is a tribute to her sheer talent as an artist. With duet partners stretching from Justin Timberlake to Ronnie Dunn, McEntire presents a stunning, layered mix of sounds and styles, demonstrating that when gifted artists come together, no perceived boundaries can stop them from making good music. – TS

      Recommended Tracks: “The Only Promise That Remains”, “When You Love Someone Like That”

      law call me

      #66
      Lee Ann Womack, Call Me Crazy

      Very few country artists can express pain more poignantly than Womack, who taps into a place of tender desperation with her highly-acclaimed 2008 album. The stories are deep and reflective, the sorrow palpable, and the production adeptly sparse – a potent combination. – TS

      Recommended Tracks: “Solitary Thinkin’”, “Either Way”

      65 Nickel

      #65
      Nickel Creek, Nickel Creek

      Nickel Creek has been nominated for Best Bluegrass Album and Best Country Instrumental Performance Grammys and won Best Contemporary Folk Album, yet the group does not easily fit into any of those categories. Produced by Alison Krauss, Nickel Creek’s self-titled album is their most bluegrass-influenced album. – WW

      Recommended Tracks: “The Fox”, “The Hand Song”

      64 Watkins

      #64
      Sara Watkins, Sara Watkins

      Sara Watkins’ self-titled debut holds more than a few surprises, including more country influence than you will hear from any of her former Nickel Creek bandmates’ solo work. Produced by John Paul Jones, pedal steel is prominent on Jimmie Rodgers’ “Any Old Time,” performed as western swing, “All this Time,” and Tom Waits’ “Pony.” – WW

      Recommended Tracks: “All This Time”, “Give Me Jesus”

      63 Dierks

      #63
      Dierks Bentley, Modern Day Drifter

      Rife with accessible melodies, solid lyrics and a penchant for traditional sounds, Dierks Bentley’s sophomore project, Modern Day Drifter, confirmed the promise that was only hinted at on his first album. The title of the album rightly suggests that Bentley will explore the components of breaking the chains of domesticity, which include the freedom (“Lotta Leavin’ Left to Do”, “Modern Day Drifter”, “Domestic Light and Cold”, “the Cab of My Truck”) and the ultimate consequences (“Settle for a Slowdown”, “Down on Easy Street”). Nevertheless, Bentley does not stop with those themes. He also finds room for common themes as love and loss, as demonstrated in the pretty “Good Things Happen”, the smoldering “Come A Little Closer” and heartbreaking “Gonna Get There Someday.” – Leeann Ward

      Recommended Tracks:

      62 Todd

      #62
      Todd Snider, The Devil You Know

      An explosion of righteous anger over poverty with an undercurrent of joyous celebration of America’s underclass. You can never tell for sure if he sees himself as their advocate or their peer, but the songs are so powerful, it doesn’t really matter. – KC

      Recommended Tracks: “Just Like Old Times”, “The Devil You Know”

      61 Rodney

      #61
      Rodney Crowell, The Houston Kid

      After a string of somewhat underwhelming major-label releases in the 90′s, Rodney Crowell rebounded in a big way with this remarkably deep set on celebrated indie label Sugar Hill. Childhood joys and adult insights stand side-by-side in The Houston Kid, producing an emotionally rich and complicated survey of the album’s world. Such is the detail and soul of Crowell’s writing that every second comes across as autobiographical, even the ones that probably aren’t. – Dan Milliken

      Recommended Tracks: “The Rock Of My Soul”, “I Walk The Line (Revisited)”

      - – -

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      100 Greatest Albums of the Decade, Part 2: #90-#81

        The 100 Greatest Albums of the Decade, Part 2

        90 Miranda

        #90
        Miranda Lambert, Kerosene

        On her first major-label album, Lambert reveals herself as a fiery, spirited artist with a lot to say, and a clever voice with which to speak. Her sharp songwriting skills, though a work in progress as we’d later learn, take her naturally from aggression to desolation and back again. But most notably, through Kerosene, Lambert got the traditionalists to pay a little more attention to mainstream country music and its more promising artists. – Tara Seetharam

        Recommended Tracks: “Kerosene”, “I Can’t Be Bothered”

        89 Kris

        #89
        Kris Kristofferson, This Old Road
        This Old Road has not have received as much mainstream attention as Kristofferson’s recent appearance in Ethan Hawke’s Rolling Stone article; an unfortunate fact, given it was the legendary writer’s first album of new material in 11 years. With This Old Road, Kristofferson shines a spotlight on the world much in the same his earlier writing shined a spotlight on himself. The result is an overtly political album with more depth than most modern attempts have been able to produce. – William Ward

        Recommended Tracks: “The Last Thing to Go”, “Pilgrim’s Progress”

        88 Guy

        #88
        Guy Clark, Workbench Songs

        The recordings  of the songs that Guy Clark, one of country music’s most respected modern songwriters, has written for the most popular artists in country music are typically polished by the best Nashville musicians and slick producers. But Clark’s own albums tend to be more organic, with spare instrumentation that somehow manages to avoid sounding anemic as a result. His well worn voice sings these eleven melodically and lyrically strong songs with warmth and the kind of emotion that easily captures the listener. It’s one of the best albums of his deep catalog that spans over thirty years. – Leeann Ward

        Recommended Tracks: “Walkin’ Man”, “Expose”

        87 Wynonna

        #87
        Wynonna, What the World Needs Now is Love

        It’s hard to believe that it’s been six years since Wynonna’s last proper studio album. This collection is easily one of her best, with effective covers like “I Want to Know What Love Is” and “Flies On the Butter”, along with socially conscious material that provokes thought instead of pandering to already held beliefs (“It All Comes Down to Love”). – Kevin Coyne

        Recommended Tracks: “Sometimes I Feel Like Elvis”, “Rescue Me”

        86 Lee Ann

        #86
        Lee Ann Womack, I Hope You Dance

        The massively successful title track powered this album to triple platinum, but it also overshadowed the excellent songs surrounding it. For those who explored the album beyond track two, there were some of Womack’s finest moments on record, as she had the good taste to plunder the catalogs of Bruce Robison (“Lonely Too”), Bobbie Cryner (“Stronger Than I Am”), Julie Miller (“I Know Why the River Runs”), and Rodney Crowell (“Ashes By Now”). – KC

        Recommended Tracks: “Lonely Too”, “Does My Ring Burn Your Finger”

        85 Chris

        #85
        Chris Thile, How to Grow a Woman From the Ground

        This is the first album from the band that would eventually become Punch Brothers. Garnering a Grammy Award Nomination in 2006, How to Grow a Woman From the Ground is a solid bluegrass album with classical sensibilities and extraordinary instrumentation. – WW

        Recommended Tracks: “Wayside (Back in Time)”, “Dead Leaves and the Dirty Ground”

        84 Ralph

        #84
        Ralph Stanley II, This One Is Two

        Hyperbole alert, but it’s hard to think of a more beautiful-sounding traditional country album from this decade, or one which more comfortably merges old school aesthetics with modern production polish. Stanley corralled a number of meaty story songs here, but it’s the combination of his warm baritone and the lush instrumentation that gives this gem its quiet strength. – Dan Milliken

        Recommended Tracks: “Cold Shoulder”, “They Say I’ll Never Go Home”

        83 Louvin

        #83
        Various Artists, Livin’ Lovin’ Losin’: Songs of the Louvin Brothers

        Tribute albums too often feel redundant, as well-meaning artists deliver nice but forgettable imitations of classic records. Not so with the Louvins’, which sticks veteran and current artists alike on the Bros’ close harmonies and sees each intriguing combination (Pam Tillis and Johnny Cash? Why not!) triumph. I daresay it’s as good an introduction to the duo’s work as any compilation of their own recordings. – DM

        Recommended Tracks: “How’s the World Treating You?”, “Are You Teasing Me”

        82 Todd

        #82
        Todd Snider, The Excitement Plan

        Snider mostly avoids both political themes and complex arrangements on his latest record, emphasizing his greatest strength as a writer instead: his uncanny ability to make the most specifically personal have universal resonance. Listen out for a wonderful cameo from Loretta Lynn on “Don’t Tempt Me.” – KC

        Recommended Tracks: “Barefoot Champagne”, “Money, Compliments, Publicity (Song Number 10)”

        81 O'Connor

        #81
        Mark O’Connor, Thirty-Year Retrospective (Live)

        Mark O’Connor’s Thirty Year Retrospective is a double instrumental album of his live performance with Chris Thile, Bryan Sutton and Byron House.  The album covers a wide range of Mark O’Connor’s career, presenting a range of instrumental country, bluegrass, new grass and jazz with the detail and care often only applied to classical music. – WW

        Recommended Tracks: “Caprice No. 4 in D Major”, “Macedonia”

        - – -

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        Bargain Hunter: The Rodney Crowell Collection

        RC CollectionWhen Rodney Crowell had his gold-selling commercial breakthrough with the album Diamonds & Dirt, his previous label was quick to capitalize on his success. Usually, pre-hit cash-in CDs are little more than a curiosity, but Crowell’s is the exception.

        There is a smorgasbord of great material here, including early versions of songs that Crowell would see other artists have success with the same songs.

        Some of Crowell’s strongest compositions are here, such as:

        • “‘Til I Gain Control Again”, a #1 hit for Crystal Gayle that was recorded earlier by Emmylou Harris
        • “I Ain’t Living Long Like This”, a #1 hit for Waylon Jennings that was recorded earlier by Emmylou Harris
        • “Leaving Louisiana in the Broad Daylight”, a #1 hit for the Oak Ridge Boys that was recorded earlier by Emmylou Harris
        • “Ashes By Now”, a top five hit for Lee Ann Womack that was recorded earlier by Emmylou Harris
        • “I Don’t Have to Crawl”, a minor hit for Emmylou Harris that was later recorded by Rosanne Cash
        • “Shame on the Moon”, a top fifteen country hit for Bob Seeger
        • “Victim or a Fool”, a top forty hit for Crowell that was also recorded by Crystal Gayle
        • “Stars on the Water”, later covered by George Strait and Jimmy Buffett

        How good was this guy’s ear? Even the songs he didn’t write went on to become hits, with Ricky Skaggs taking “Heartbroke” to #1 and Juice Newton scoring a massive pop hit with “Queen of Hearts.”  The only thing missing here is “Elvira”, which Crowell also recorded first.

        This has always been a budget collection, but now it’s incredibly affordable – twelve tracks for $5.49.  Given that Warner is asking for $9.90 for the far inferior Pam Tillis Collection, which includes only ten tracks, this one’s a steal.


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        iPod Check: Recommend Ten Songs Redux

        ipod2It’s time for another iPod (or any other music player) check. Last time, I asked you to put your music device on shuffle and then tell us the first ten songs that you would recommend. This time, I want you to do the same thing, but then jot down your initial thoughts on the songs as your ten recommended songs play. Then share your informal thoughts in the comments.

        I’ll play along too, but I’ll spare you the Christmas songs that will inevitably come up in my shuffle, which I’d heartily recommend if I wasn’t keenly aware that it’s still only September.

        John Anderson, “I’d Love You Again”

        Nice, sweet song from the rough voice guy who’s still able to sing a tender song with the best of them.

        Todd Snider, “Alright Guy”

        I love how Snider really seems to be pondering this question: “I’m an alright guy? Right? Right?”

        Ashley Monroe, “Can’t Let Go”

        Peppy…reminds me of a Garth Brooks type song.

        Patty Loveless, “What’s A Broken Heart”

        Melancholy…something Patty Loveless does the best.

        Rodney Crowell, “Earthbound”

        A celebration of life that doesn’t happen to be sappy.

        Kathy Mattea, “Junkyard”

        I can relate to this song. My motto has always been “Life’s depressing enough. Why would I want to watch things that would only contribute to the darkness?” That’s why I don’t watch dark films, though it so happens that I don’t have the same philosophy about music.

        The Judds, “Flies on the Butter (You Can’t Go Home Again)”

        There’s just something wistful about this song. Obviously, the theme, but also how it’s performed. Perhaps I’m just imagining it, because I’m wistfully wishing there was a duo on radio like The Judds today…probably why I love Joey + Rory

        Trent Summar and the New Row Mob, “Louisville Nashville Line”

        It’s just imperative to turn Trent Summar and the New Row Mob up when they come up on the iPod.

        Vince Gill, “Don’t Pretend with Me”

        I really like the guitar on this song. It’s cool. In reality, this whole box set is awesome.

        Keith Anderson, “Pickin’ Wild Flowers”

        Guilty pleasure.

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        Create A Super Group

        highwaymenIn 1985, four country music rebels/icons came together to form a larger-than-life group that people wouldn’t have even dared dream about before their actual union. Johnny Cash, Kris Kristofferson, Waylon Jennings and Willie Nelson formed the country super group, The Highwaymen. The four highly revered friends recorded three albums worth of material, much to the delight of the astonished public. While all of the members were extremely successful in their own rights, their potential egos were set aside to make music as a cohesive unit. They sounded like a polished group, not just some people thrown together as a marketing gimmick.

        Then, in 1988, the rock world hit the jackpot when superstars George Harrison, Tom Petty, Roy Orbison, Bob Dylan and Jeff Lynne formed The Traveling Wilburys. Again, these immensely famous, talented and respected people formed a super group that still seems too good to be true to this day. Their unbelievable union created two albums that were repackaged in 2007 with bonus material, which sold surprisingly well for a reissue. Like The Highwaymen, their voices blended amazingly well together as if they were meant to be a group.

        Dolly Parton has been a part of two dynamic trios: one with Linda Rhonstadt and Emmylou Harris and the other with Loretta Lynn and Tammy Wynette. Both trios consisted of women equally as talented as the super groups previously discussed, which also provided us with excellent albums as a result.

        And of course, anyone who has read anything that I’ve written in the past year or so should instinctively know that my pet super group is The Notorious Cherry Bombs, which was comprised of Rodney Crowell, Vince Gill, Tony Brown, Hank Devito, Richard Bennett, Michael Rhodes, John Hobbs and Eddie Bayers.

        As I think of the competitive climate of the music industry today, I’m discouraged to think that such super groups would be next to impossible to unite anymore. Record label disputes prevented Tracy Lawrence’s collaboration with Kenny Chesney and Tim McGraw to be officially released to radio. Likewise, Reba McEntire had to replace Kenny Chesney’s vocals with lesser known artist, Skip Ewing, in order to release “Every Other Weekend” to radio. And these were only disputes over single songs, not even an entire album.

        In true essay style form: Without considering record company politics, if you were able to create your own super group who could make at least one album, who would be the members? What would you name the group? Explain.

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        2009 Americana Music Association Awards Nominees Announced

        The nominations for the 8th Annual Americana Music Association Awards have  been announced:

        ALBUM OF THE YEAR
        Real Animal, by ALEJANDRO ESCOVEDO
        Written in Chalk, by BUDDY & JULIE MILLER
        Jason Isbell & The 40 Unit, by JASON ISBELL & THE 40 UNIT
        Midnight At The Movies, by JUSTIN TOWNES EARLE

        ARTIST OF THE YEAR
        ALEJANDRO ESCOVEDO
        BUDDY MILLER
        JUSTIN TOWNES EARLE
        RAUL MALO

        INSTRUMENTALIST OF THE YEAR
        BUDDY MILLER
        GURF MORLIX
        JERRY DOUGLAS
        SAM BUSH

        NEW & EMERGING ARTIST
        BAND OF HEATHENS
        BELLEVILLE OUTFIT
        JUSTIN TOWNES EARLE
        SARAH BORGES

        SONG OF THE YEAR
        “Chalk,” written by JULIE MILLER, performed by BUDDY MILLER & PATTY GRIFFIN
        “Country Love” by the GOURDS
        “Homeland Refugee,” by JOE ELY, JIMMIE DALE GILMORE, and BUTCH HANCOCK, performed by the FLATLANDERS
        “Rattlin’ Bones” by KASEY CHAMBERS & SHANE NICHOLSON, performed by KASEY CHAMBERS & SHANE NICHOLSON
        “Sex And Gasoline,” by RODNEY CROWELL, performed by RODNEY CROWELL

        DUO GROUP OF THE YEAR
        BUDDY & JULIE MILLER
        FLATLANDERS
        KASEY CHAMBERS & SHANE NICHOLSON
        RECKLESS KELLY

        The awards will be given out at the Ryman Auditorium in Nashville on September 17. Buddy Miller and Jim Lauderdale will serve as hosts.

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