Posts Tagged ‘Roy Clark’

CMA Awards: Entertainer of the Year (1967-2013)

Sunday, November 3rd, 2013

Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year.   Originally a revolving door of winners, the winner in early years was often not even nominated the following year.  In 1981, Barbara Mandrell became the first artist to win the award twice.   Alabama succeeded her with a three year run from 1982-1984.   Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.

Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.

Eddy Arnold1967

  • Bill Anderson
  • Eddy Arnold
  • Merle Haggard
  • Sonny James
  • Buck Owens

One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.”  He remains the only member of the Hall of Fame to win this award after being inducted.

Glen Campbell1968

  • Eddy Arnold
  • Glen Campbell
  • Johnny Cash
  • Merle Haggard
  • Charley Pride

Glen Campbell was a big awards favorite in 1968, with “By the Time I Get to Phoenix” and “Gentle On My Mind” both dominating the Grammy awards earlier that year.   His win in this category foreshadowed bigger things, as he soon became a network variety star, while also scoring major country and pop hits with “Wichita Lineman” and “Galveston.”

 johnny-cash1969

  • Glen Campbell
  • Johnny Cash
  • Roy Clark
  • Merle Haggard
  • Charley Pride

Johnny Cash’s career was rejuvenated on the strength of two live prison albums, the latter of which produced the massive Shel Silverstein-penned smash, “A Boy Named Sue.”   His victory came in a year that marked the beginning of his network variety show and had him dominating the country singles charts, spending ten combined weeks at #1 with “Sue” and “Daddy Sang Bass.”

Merle Haggard1970

  • Glen Campbell
  • Johnny Cash
  • Roy Clark
  • Merle Haggard
  • Charley Pride

Merle Haggard was a mainstay in this category from the beginning, nominated in each of the first seven years of the CMA Awards.  His victory in 1970 coincided with his commercial peak, with signature hits “The Fightin’ Side of Me” and “Okie From Muskogee” helping him secure his only win in this category.

Charley Pride1971

  • Merle Haggard
  • Loretta Lynn
  • Charley Pride
  • Jerry Reed
  • Conway Twitty

The last of four consecutive years where the Male Vocalist winner matched the Entertainer winner, Charley Pride went home with both awards in 1971.   A winner on his fourth nomination, his popularity skyrocketed upon the release of “Kiss an Angel Good Morning,” which was climbing the charts at the time of the awards ceremony.

Loretta Lynn1972

  • Merle Haggard
  • Freddie Hart
  • Loretta Lynn
  • Charley Pride
  • Jerry Reed

Instead of attending the awards show, Loretta Lynn’s husband Mooney went hunting.  He didn’t want to watch her lose, but he missed watching history unfold as she became the first woman to win Entertainer of the Year.  Lynn’s victory came on the heels of both solo hits like “One’s on the Way” and her popular duets with Conway Twitty.

Roy Clark1973

  • Roy Clark
  • Merle Haggard
  • Tom T. Hall
  • Loretta Lynn
  • Charley Pride

Today he’s best known for Hee Haw, the country music variety show that he co-hosted, and it’s no coincidence that he won while the show was in its prime. Still, Clark is also one of country’s most admired legends, and his legacy goes far beyond the television show that showcased his extensive musical and comedic talents.

Rich_Charlie_002_c_MOA.jpg1974

  • Roy Clark
  • Mac Davis
  • Loretta Lynn
  • Olivia Newton-John
  • Charlie Rich

The massive success of “The Most Beautiful Girl” and “Behind Closed Doors” helped Charlie Rich win this award.  It was a long time coming, as Rich toiled in obscurity despite critical acclaim for his work.   He would continue to score big hits on the country and pop charts over the next couple of years, at one point charting hits on different labels at the same time.

John Denver1975

  • John Denver
  • Waylon Jennings
  • Loretta Lynn
  • Ronnie Milsap
  • Conway Twitty

John Denver’s victory in this race led to the most infamous moment in CMA history. Though he claimed it was due to medication later on, presenter Charlie Rich seemed to be making a furious statement against the pop crossover artists dominating country music when he opened the envelope, read it, and then lit a cigarette lighter and burned the envelope. The paper went up in flames as he derisively snarled the winner’s name, “My friend, Mister John Denver.” Poor John, accepting via satellite, was clueless to what was going on at the Opry house, and graciously accepted his award.

Mel Tillis1976

  • Waylon Jennings
  • Ronnie Milsap
  • Willie Nelson
  • Dolly Parton
  • Mel Tillis

This 2007 Hall of Fame inductee won this award just as he was changing labels.  Tillis first gained notoriety for his remarkable songwriting talent, but eventually he was scoring enough hits to earn a place in this category. He would go on to have several more big hits after winning this award, earning another nomination in this category two years later.

Ronnie Milsap1977

  • Merle Haggard
  • Waylon Jennings
  • Ronnie Milsap
  • Dolly Parton
  • Kenny Rogers

Ronnie Milsap dominated the CMA Awards, becoming one of its most frequently honored performers during the formative years of the awards show.  He finally won the big prize on his third try, powered by the success of his classic hit, “It was Almost like a Song.”

Dolly Parton1978

  • Crystal Gayle
  • Ronnie Milsap
  • Dolly Parton
  • Kenny Rogers
  • Mel Tillis

Her famous quote – “I’m not leaving country. I’m taking it with me” – must have held some water with the Nashville establishment, as Parton won this award at the height of her pop crossover success with “Here You Come Again,” the title track of her first platinum album.  The front of her dress popped open before she went up to receive the trophy, prompting her to quip, “That’s what I get for trying to put fifty pounds of mud in a five pound bag.”

Willie Nelson1979

  • Crystal Gayle
  • Barbara Mandrell
  • Willie Nelson
  • Kenny Rogers
  • Statler Brothers

He never won Male Vocalist of the Year, but superstar Willie Nelson was given his due by the CMA in 1979 when they awarded him Entertainer of the Year.   While it wasn’t his biggest year on the charts, residual goodwill from Stardust and his collaborations with Waylon Jennings helped carry him to victory.

Barbara Mandrell 21980

  • Charlie Daniels Band
  • Larry Gatlin & The Gatlin Brothers
  • Barbara Mandrell
  • Willie Nelson
  • Kenny Rogers

She had a few big hits in 1980, like “Crackers” and “The Best of Strangers.”  But it was her incredibly popular variety show with sisters Louise and Irlene that truly showcased her versatility as an entertainer, securing the first of two wins in this category.

Barbara Mandrell 11981

  • Alabama
  • George Jones
  • Barbara Mandrell
  • Oak Ridge Boys
  • Kenny Rogers

Despite sharing the category with four artists who had never won this award, Barbara Mandrell became the first artist in CMA history to win Entertainer of the Year for the second time.  Credit the continued popularity of her television show and the biggest hit of her career, “I Was Country When Country Wasn’t Cool”,  which featured a guest turn by fellow nominee George Jones.

Alabama 21982

  • Alabama
  • Barbara Mandrell
  • Willie Nelson
  • Oak Ridge Boys
  • Ricky Skaggs

The band that laid the groundwork for all other country bands that followed, Alabama set a new bar for commercial success in the early eighties.   The eligibility period included the release of their biggest-selling studio album, and also two of their signature hits: “Mountain Music” and “Love in the First Degree.”

Alabama 31983

  • Alabama
  • Merle Haggard
  • Barbara Mandrell
  • Willie Nelson
  • Ricky Skaggs

As their studio albums sold in the millions, every single Alabama released to radio was hitting #1, a stretch that would eventually include 21 consecutive chart-toppers.  They repeated in this category on the strength of hits like “Dixieland Delight” and “The Closer You Get.”

Alabama 11984

  • Alabama
  • Lee Greenwood
  • Barbara Mandrell
  • Ronnie Milsap
  • Oak Ridge Boys

A mere three years after Barbara Mandrell made history by being the first artist to win two Entertainer awards, Alabama went her one better and won three. They remain one of only two acts to win this award three years in a row, doing so as their hits “Roll On (Eighteen Wheeler)” and “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)” dominated the airwaves.

1Ricky Skaggs985

  • Alabama
  • Lee Greenwood
  • Reba McEntire
  • Ricky Skaggs
  • George Strait

Few country artists command as much respect as Ricky Skaggs, a consummate singer and musician. Skaggs’ victory in this category signaled the resurgence of traditional country music, as he was the first winner since 1976 to not have achieved crossover hits on pop radio.

Reba McEntire1986

  • The Judds
  • Reba McEntire
  • Willie Nelson
  • Ricky Skaggs
  • George Strait

One of the most popular new traditionalists of the mid-eighties, McEntire achieved her commercial breakthrough with “Whoever’s in New England”, which was aided in popularity by her first of many high-concept music video clips.  McEntire would eventually become the most nominated woman in history, scoring ten nominations over eleven years.

Hank Williams Jr 11987

  • The Judds
  • Reba McEntire
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

When Hank Williams, Jr. won the Music Video award the previous year, he reminded voters, “I make audio, too.”  They finally got around to acknowledging his meaningful contributions to the genre,  awarding him the first of two Entertainer trophies in 1987.

Hank Williams Jr 21988

  • The Judds
  • Reba McEntire
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

Hank Jr. may have waited a long time for some CMA love, but once it came, it was in droves. He won Album of the Year the same night he repeated in this category.  His biggest hit of the year, “Young Country”, featured guest appearances by up and comers like Highway 101 and Marty Stuart.

George Strait 11989

  • Reba McEntire
  • Ricky Van Shelton
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

Three years after his most recent Male Vocalist trophy, megastar George Strait was named Entertainer of the Year. He would go on to have one of his biggest years at radio, with two multi-week #1 singles in the twelve months that followed his victory.

George Strait 21990

  • Clint Black
  • Kathy Mattea
  • Ricky Van Shelton
  • George Strait
  • Randy Travis

While Randy Travis dominated the Male Vocalist race, George Strait was given his due again in the Entertainer category.   He wore an Entertainer of the Year cowboy belt on the cover of Livin’ it Up, perhaps giving him good luck toward his second victory.  He remains the most nominated in this category, and is only the second Hall of Famer to receive a nomination after being inducted into the Hall.

Garth Brooks 19911991

  • Clint Black
  • Garth Brooks
  • Vince Gill
  • Reba McEntire
  • George Strait

A mere year after winning the Horizon award, Garth Brooks was the Entertainer of the Year at the CMA Awards. He was breaking every sales record in the book by that point.  Shortly before the ceremony, he became the first country artist to enter the overall album chart at #1, leading to a media frenzy that gained unprecedented exposure for both Garth and the genre he represented.

Garth Brooks 21992

  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire
  • Travis Tritt

Given that he was already the biggest-selling country artist the world had ever seen, it was no surprise that Garth Brooks won his second Entertainer of the Year trophy in 1992.  His continued popularity was fueled by sold out live shows that soon led to network specials showcasing his unique brand of arena country.

Vince Gill 11993

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

Vince Gill capped off an amazing night at the 1993 CMA Awards with his first victory in this category. It was his fifth win of the night, as he also took home Male Vocalist, Song, Album and Vocal Event.   As he was also the show’s sole host, the collective exposure pushed him to multi-platinum sales.

Vince Gill 21994

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

The soft-spoken Gill won for a second year, which was no big surprise given his widespread popularity in Music City. He also went home with Album and Male Vocalist the same night, giving him a stunning fourteen trophies in only five years.

Alan Jackson 11995

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • Reba McEntire

As one of the evening’s top nominees, Alan Jackson brought his parents as his special guests.  After losing in every other category, he expressed relief that he finally won something, as going home empty handed would’ve been embarrassing.   Jackson would eventually become one of the organization’s most awarded artists.

Brooks and Dunn1996

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

They were already winners of five CMA awards, due solely to their domination of the Vocal Duo category. But in 1996,  they finally won another race, and it was a big one. Brooks & Dunn remain the only duo to win this award, with The Judds and Sugarland being the only other duos to receive nominations.

Garth Brooks 31997

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

In a year when all five nominees had won this award before, it was Garth Brooks who returned to the winner’s circle, tying Alabama’s long-standing record of three victories in this category.   Adding to the sense of déjà vu, this was the third year in a row where all five nominees were the same.

Garth Brooks 41998

  • Brooks & Dunn
  • Garth Brooks
  • Vince Gill
  • Tim McGraw
  • George Strait

As hard as it is to believe that there were any records left for him to break by 1998, Garth Brooks shattered another one, becoming the first artist in the history of the CMA to win four Entertainer of the Year awards. By this time, Garth had already sold more than 60 million albums, and while he has yet to win this award again, he remains the top-selling solo artist of all time in the United States.

Shania Twain1999

  • Garth Brooks
  • Dixie Chicks
  • Tim McGraw
  • George Strait
  • Shania Twain

The odds seemed against Shania Twain, as she had never won a CMA award before and the last woman to win was Reba McEntire thirteen years earlier.  Fittingly, McEntire was on hand to present the trophy to Twain, who won on the strength of Come On Over, which eventually became  top-selling country album of all time and the top selling album of the decade from any genre.

Dixie Chicks2000

  • Dixie Chicks
  • Faith Hill
  • Alan Jackson
  • Tim McGraw
  • George Strait

The Dixie Chicks capped off a stunning three-year run at the CMA Awards with this victory, one of nine that they racked up since 1998.   Within those three years, their first two albums each sold over ten million copies, and the band was widely credited for championing country radio and traditionalism while other top acts were crossing over to pop radio.

Tim McGraw2001

  • Brooks & Dunn
  • Dixie Chicks
  • Alan Jackson
  • Tim McGraw
  • George Strait

After winning two Male Vocalist and two Album of the Year honors in the previous three years, Tim McGraw finally won the CMA’s top award. It was a satisfying acknowledgment of an artist who’d had his talent underestimated in the first few years of his stardom, but built up a reputation for his stellar taste in choosing material.

Alan Jackson 22002

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • George Strait

Jackson’s win in 1995 came as he was reaching his commercial peak.  In the years that followed, Jackson remained a successful and well-respected artist that got less attention every year when it came time to hand out awards. Then came the one-two punch of “Where Were You (When the World Stopped Turning)” and “Drive (For Daddy Gene)”, both of which were viewed as the very embodiment of all that makes country music unique and essential.   This was one of five awards he was honored with that night.

Alan Jackson 32003

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Tim McGraw

Although the ACM had chosen Toby Keith as their standard bearer a few months earlier, the CMA stuck with the previous year’s winner Alan Jackson. By 2003, Jackson had evolved into an elder statesman for the genre, but still managed to stay relevant with hits both clever (“It’s Five O’Clock Somewhere”) and poignant (“Remember When.”)

Kenny Chesney2004

  • Brooks & Dunn
  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Tim McGraw

Chesney’s long dry spell at the CMA’s came to a satisfying end as the superstar collected both Entertainer and Album of the Year trophies. He had been charting for eleven years before finally winning his first CMA award.

keith-urban2005

  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Brad Paisley
  • Keith Urban

One of the most surprising and endearing wins in the history of this category, a shocked and humbled Urban accepted this award in New York City. He couldn’t have picked a better night to bring his Australian parents to the ceremony.

kenny-chesney2006

  • Brooks & Dunn
  • Kenny Chesney
  • Brad Paisley
  • Rascal Flatts
  • Keith Urban

It’s pretty rare to come back and win this award for a second time, as most multiple wins have been consecutive in this category. But Kenny Chesney joined Garth Brooks and Alan Jackson as the only other artists to pull it off when he won in 2006, a club that would later be joined by Taylor Swift.

kenny_chesney2007

  • Kenny Chesney
  • Brad Paisley
  • Rascal Flatts
  • George Strait
  • Keith Urban

Chesney entered the elite company of Garth Brooks, Alabama, and Alan Jackson with his third victory in this category. Rascal Flatts, meanwhile, became the first group since the Dixie Chicks to score back-to-back nominations, a feat also accomplished by Alabama and the Oak Ridge Boys.

Kenny Chesney2008

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Sugarland
  • Keith Urban

As Sugarland became only the third duo in history to receive a nomination and George Strait extended his record number of nominations to sixteen, Kenny Chesney tied Garth Brooks for the most wins in this category with his fourth victory.  His popularity at radio and retail was remarkable, but it was Chesney’s highly attended summer stadium tours that earned him these wins.

Taylor Swift CMA2009

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Keith Urban

Taylor Swift both made history and prevented it with her win in this category.  She simultaneously became the youngest artist ever and the first female solo artist in ten years to take home the prize. She also kept Kenny Chesney from becoming the sole all-time champion in this category, as he remains tied with Garth Brooks with four wins to date.

paisley2010

  • Lady Antebellum
  • Miranda Lambert
  • Brad Paisley
  • Keith Urban
  • Zac Brown Band

2010 shook up the category, with three first-time contenders in the running for the crown for the first time since 1981. Despite all the new blood, sixth time proved to be the charm for Brad Paisley, who finally won this award after five consecutive losses.  Paisley’s persistent popularity helped him earn the nod in a year where the two previous winners weren’t even nominated.

Taylor Swift Fearless Tour 2009 In New York City2011

  • Jason Aldean
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift
  • Keith Urban

Thirty years after Barbara Mandrell became the first woman to win this award twice, Swift became the second to do so.  She won the award on the strength of her third set, Speak Now, which showcased her growing maturity as a songwriter and her growing appeal beyond her teenage and young adult fan base.

Shelton2012

  • Jason Aldean
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift

One of the most surprising wins in CMA history, few saw Blake Shelton’s victory coming.  But it isn’t too surprising when you consider the number of artists who parlayed network television exposure into a win in this category.  Perhaps in this new era of media saturation and minimal album sales, television may once again become a deciding factor when choosing the genre’s top star every year.

question_mark2013

  • Jason Aldean
  • Luke Bryan
  • Blake Shelton
  • George Strait
  • Taylor Swift

George Strait’s farewell tour helped return him to the category for the first time since 2009, earning him a record-extending  eighteenth career nomination.  Strait joins previous winners Taylor Swift (2009, 2011) and Blake Shelton (2012) in attempting a return to the winner’s circle.   Luke Bryan earns his first nomination, just months after winning the ACM trophy.  Jason Aldean, meanwhile, is hoping to get lucky the third time around.

Facts & Feats

Multiple Wins:

  • (4) – Garth Brooks, Kenny Chesney
  • (3) – Alabama, Alan Jackson
  • (2) –Vince Gill, Barbara Mandrell, George Strait, Taylor Swift, Hank Williams, Jr.

Most Consecutive Wins:

  • (3) – Alabama (1982-1984), Kenny Chesney (2006-2008)
  • (2) – Garth Brooks (1991-1992, 1997-1998), Vince Gill (1993-1994), Barbara Mandrell (1980-1981), George Strait (1989-1990), Hank Williams, Jr. (1987-1988)

Most Nominations:

  • (18) – George Strait
  • (12) – Alan Jackson
  • (11) – Brooks & Dunn
  • (10) – Reba McEntire
  • (9) -  Garth Brooks, Kenny Chesney
  • (8) -  Vince Gill, Merle Haggard, Brad Paisley
  • (7) – Keith Urban
  • (6) – Barbara Mandrell, Tim McGraw, Willie Nelson, Brad Paisley, Charley Pride, Keith Urban
  • (5) – Alabama, Loretta Lynn, Ronnie Milsap, Kenny Rogers

Most Nominations Without a Win:

  • (5) – Kenny Rogers
  • (4) – Toby Keith, Randy Travis
  • (3) – Jason Aldean, Waylon Jennings, The Judds, Oak Ridge Boys

Winners in First Year of Nomination:
Eddy Arnold (1967), Garth Brooks (1991), Glen Campbell (1968), John Denver (1975), Charlie Rich (1974), Taylor Swift (2009), Mel Tillis (1976), Shania Twain (1999), Keith Urban (2004), Hank Williams, Jr. (1987)

CMA Entertainers of the Year Who Have Never Won the ACM Award:
Eddy Arnold, Johnny Cash, Glen Campbell, Roy Clark, John Denver, Vince Gill, Alan Jackson, Tim McGraw, Ronnie Milsap, Brad Paisley, Charlie Rich, Blake Shelton, Ricky Skaggs, Taylor Swift, Mel Tillis, Keith Urban

ACM Entertainers of the Year Who Have Never Won the CMA Award:
Luke Bryan, Mac Davis, Mickey Gilley, Freddie Hart, Toby Keith, Kenny Rogers, Carrie Underwood

100 Greatest Men: #55. Roy Clark

Sunday, June 3rd, 2012

100 Greatest Men: The Complete List

Thanks to a long-running syndicated television show, well-rounded entertainer Roy Clark was one of the most familiar country music personalities for more than two decades.

He grew up along the eastern coast of America, born in Virginia and living in both Staten Island, New York and Washington D.C.  Even in his youth, he refused to limit himself, pursuing boxing and baseball as passionately as the banjo.   Still, by age 17 he had performed on the Grand Ole Opry.   His stellar musicianship scored him a spot backing Jimmy Dean, and he made several appearances on Dean's D.C. television show.

After further stints backing Hank Penny and Wanda Jackson, his solo career took of in the sixties.  Though he was never a consistent hitmaker, he did record two signature songs during this decade: “The Tips of My Fingers” for Capitol in 1963, and “Yesterday, When I Was Young” in 1969.  He was better known for his appearances on variety shows and sitcoms like the Beverly Hillbillies.

His true legendary status came when he signed on as co-host of Hee Haw, the country knock-off of the very popular Laugh In.   The show was a ratings smash when it debuted in 1969, and after switching to syndication in 1971, it would remain a television staple until 1992.   Clark's combination of musicianship and humor made him an icon for the genre during an era where it still received  limited exposure on television.

The show's early run raised his profile on the radio as well, and he scored seven top ten hits between 1970 and 1976, including his only #1 single, “Come Live With Me.”   After winning the CMA award for Comedian in 1970, he was named the Entertainer of the Year in 1973.   With the advent of cable television, Clark received further exposure on televised episodes of the Grand Ole Opry, which finally made him a member in 1987.   He also helped establish Branson, Missouri as a mecca for country legends, opening his own theater there in 1983.

Clark was inducted into the Country Music Hall of Fame in 2009.

Essential Singles:

  • Tips of My Fingers, 1963
  • Yesterday, When I was Young, 1969
  • I Never Picked Cotton, 1970
  • Thank God and Greyhound, 1970
  • Come Live With Me, 1973
  • If I Had to Do it All Over Again, 1976

Essential Albums:

  • The Lightning Fingers of Roy Clark, 1962
  • Yesterday, When I was Young, 1969
  • Roy Clark Live!, 1972
  • Roy Clark's Family Album, 1973
  • The Entertainer, 1974
  • Roy Clark in Concert, 1976

Next: #54. Hank Thompson

Previous: #56. Bobby Bare

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Producing the CMAs

Wednesday, August 19th, 2009

This is a guest contribution by regular commenter, Michael Hawkins, who posts as Highwayman3.

CMAThe movies have the Oscars, the world of music has the Grammys, and that world subdivided into the country genre has the CM’s—the annual extravaganza that we fans look forward to every year. We see our favorites perform, win awards and lose with smiling gracious faces, or not [insert the inevitable Faith Hill reference here]. Everyone picks their favorites in each category as to who they’d like to win. But what about the show itself, the backdrop for which these prestigious awards are presented?

Recently, there have been posts at both The 9513 and on this site where people have been weighing in on their favorite moments from these awards. It occurred to me that none of those moments have happened in the last few years. The awards have slid into mediocrity, which is a fitting representation of the current state of country music. I understand producing these awards must be tough because you have to be everything to everyone, and acknowledge the traditional country, the Disney country, the old and new alike, and bring in people who don’t belong for the sake of ratings.

What’s wrong with the show?

The awards themselves seem like an after thought, filler in between all the endless performances. The main suspense isn’t who wins, but rather, how many performances the producers can fit in 3 hours. Also, it’s become an award show that is ashamed of its roots, barely mentioning who is inducted into the Hall of Fame. Any artist with the slightest sign of a wrinkle, regardless of their legend status is shunned and hidden in the audience next to seat fillers and radio contest winners. It’s an award show with self esteem issues, not cool enough to stand on its own. You can bet the main attraction used to promote this year’s show will be a non-country performer like Kid Rock, The Eagles of last year, and Jamie Foxx of two years ago.

What can be done?

Well, the first order of business would be for the Sommet Center to take out a one day restraining order from Miley Cyrus on November 11, 2009, or better yet, the whole Cyrus family, Billy Ray, Noah, aunts, uncles, cousins, etc. Yes, she’ll bring in ratings, but we’ve gotten along fine without her for 40 plus years.

The CMA’s need to take a cue from  the Grammy awards, or even the American Idol finale. There are so many surprises, legends, moving moments, coming at you, left right and center, you don’t know what’s coming next, all you know is you’re in for the ride, you’re loving every second and you’re talking about it the next day. Last year, the biggest surprise was Shania Twain presenting Entertainer of the Year, which she has done at least 3 times before, and to those who keep up on country news, it was hardly a surprise at all.

What can possibly be done to make the night more entertaining?

How about taking a cue from this yearis Academy Awards and only announce a handful of performers, leaving the rest a mystery? Don’t tell us who and what everyone’s performing, which leaves more room for surprises. Also, like the Oscars, don’t announce who is presenting, and before each award have a mini-montage of past winners. Then at the end, the curtain opens and a surprise past winner comes out and shares insights on their winning experience. Instead of the otherwise cheesy dialogue or weird presenter pairings, it would make more sense if they just brought out Trisha Yearwood for Female Vocalist, Vince for Male, The Judds for Duo, Alabama forGroup, and hand it off to the winner like an Olympic torch or rite of passage. This way of thinking would work out great for the Entertainer of the Year category, in bringing out past winners, Roy Clark, and Barbara Mandrell, who also happen to be this year’s Hall of Fame inductees.

Speaking of the Hall of Fame, I would prefer it if it went back to how it used to be with a taped bio and artists performing a medley of hits. But even that is too much to ask. If they are going to cut it out entirely, the least they could do is show 3 separate 30-60 second bios of each of the inductees at different times as they are going to commercial and have them wave from the audience. Or, from the paragraph above, show a taped piece just before Barbara and Roy present Entertainer.

The most boring parts of the show are seeing full performances from all the mundane hits of the past year. Was it necessary for Darius Rucker to perform “Don’t Think I Don’t Think About It” last year when he wasn’t nominated? Yes, it’s necessary for the biggest hits to be performed, but does every top 5 hit of the past year have to be sung? Instead, encourage them to sing unique songs, like Alan Jackson in 2005 performing, “Wonderful Tonight”, songs you’ll actually remember more than 5 minutes after they are performed. Another idea, which the Grammys have down pat, is pairing people up. Think of the Al Green, Keith Urban, Justin Timberlake and Boys 2 Men grouping of earlier this year. For the CMA’s, this would be a perfect year to acknowledge the 20th anniversary of the hat act boom of 89. Why not bring out Alan Jackson, Clint Black, Garth Brooks, and Travis Tritt for a small medley?

Instead of each of the new artist nominees performing their full songs – do we really want to see Julianne Hough performing a full version of her song this year? -  it would be great if they stole from the ACM’s all-star opener this year, and did the same thing with the 5 nominees. Lady Antebellum can be the ring leader like Brooks & Dunn were at the ACMs, and they all can perform a small portion of their hits. To wrap it up, Lady Antebellum can present the award. This will allow more time for the Collaboration and Video of the year awards to be back on the telecast.

If you ran the CMAs, thinking creatively but realistically, which special moments would you create that could go down in history and make country’s biggest night more fun to watch? How would you make George Strait’s performance less predictable? And how would you measure that Miley restraining order? In inches, feet, yards, or miles?

Hall of Fame, By the Numbers

Monday, March 16th, 2009

hall-of-fameMy good friend and favorite sports blogger Charles Geier, of The Widening Geier fame, has long used statistics-based reasoning when making the case for the best in sports, whether for the current season or throughout the history of a given sport.

He recently launched an in-depth site called Sports Statistics – By the Numbers, which details the crucial importance of statistics, and of course, it got me thinking about country music.

Music statistics are difficult to use in the same way, if only because chart success is but one measure of an artist’s impact. However, with country music being such a commercial genre, it’s interesting to see how the most successful chart acts have fared among Country Music Hall of Fame inductees.

Looking through Joel Whitburn’s Hot Country Songs 1944-2008 and Hot Country Albums 1964-2007, it’s immediately clear that the charts are important. All of the top ten country singles artists are in the Hall of Fame, as are eight of the top ten country albums artists.

But what about those not in the Hall of Fame who are ranked high in either measure? Should they be next in line, or should they still wait? What follows are the top ten singles artists and album artists that have yet to be inducted or announced as inductees of the Hall of Fame. Their rank overall is included after their name.

Top Country Singles Artists Not in the Hall of Fame

  1. Reba McEntire (Overall Rank: #11)
  2. Hank Williams, Jr. (#15)
  3. Alan Jackson (#18)
  4. Garth Brooks (#23)
  5. Ronnie Milsap (#26)
  6. Kenny Rogers (#27)
  7. Tim McGraw (#29)
  8. Brooks & Dunn (#33)
  9. Tanya Tucker (#34)
  10. Don Williams (#37)

Top Country Albums Artists Not in the Hall of Fame

  1. Hank Williams, Jr. (Overall Rank: #5)
  2. Kenny Rogers (#10)
  3. Garth Brooks (#12)
  4. Reba McEntire (#13)
  5. Alan Jackson (#18)
  6. Randy Travis (#19)
  7. Tim McGraw (#22)
  8. Anne Murray (#23)
  9. Toby Keith (#24)
  10. Ronnie Milsap (#27)

This year’s artist inductees to the Hall of Fame are Barbara Mandrell and Roy Clark. Mandrell ranks #55 on the singles list and #64 on the albums list. Clark comes in at #118 on the singles list and #63 on the albums list. Both artists, however, were very successful on television, so they also reveal how limiting such lists can be.

Thoughts?

Country Music Hall of Fame Names Three New Members

Wednesday, February 4th, 2009

hof_logo1Roy Clark, Barbara Mandrell and legendary session musician Charlie McCoy are the newest inductees into the Country Music Hall of Fame, as announced this morning in a press conference at the Country Music Hall of Fame and Museum in Nashville.  

Roy Clark, one of country music’s greatest ambassadors, served as the co-host of the popular syndicated show, Hee Haw and regularly appeared on Johnny Carson’s The Tonight Show and numerous other television programs.  The 1973 CMA Entertainer of the Year and a 1987 Grand Ole Opry inductee, Clark’s hits include “I Never Picked Cotton,” “Tips of My Fingers” and “Yesterday When I Was Young.” In 1983, he opened the first theatre in Branson, Mo., firmly establishing the Midwest town as an entertainment mecca.

Barbara Mandrell also starred on the small screen with her early-80s variety show Barbara Mandrell and the Mandrell Sisters, a showcase for her glitzy, glamorous performing style.  A two-time CMA female vocalist of the year, Mandrell was only the third female artist to win the CMA’s Entertainer of the Year award (1980). Her hits include “Sleeping Single in a Double Bed,” “I Was Country When Country Wasn’t Cool” and “(If Loving You Is Wrong) I Don’t Want To Be Right.”

A member of Nashville’s “A Team” of studio musicians, Grammy-winning Charlie McCoy is Music City’s most-recorded harmonica player, with credits including Tom T. Hall’s “Old Dogs, Children and Watermelon Wine,” Simon and Garfunkel’s “The Boxer,” George Jones’ “He Stopped Loving Her Today” and Mandrell’s “I Was Country When Country Wasn’t Cool.” He served as a musical producer on Hee Haw and a studio musician for Bob Dylan and Johnny Cash.

Grammy Flashback: Best Male Country Vocal Performance

Monday, January 19th, 2009

Updated for 2009

While the Grammys have honored country music from the very first ceremony in 1959, they did not begin honoring by gender until 1965, when the country categories were expanded along with the other genre categories. This year, the 45th trophy for Best Male Country Vocal Performance will be awarded.

In a continuation of our Grammy Flashback series, here is a rundown of the Best Country Vocal Performance, Male category. It was first awarded in 1965, and included singles competing with albums until the Best Country Album category was added in 1995. When an album is nominated, it is in italics, and a single track is in quotation marks.

As usual, we start with a look at this year’s nominees and work our way back. Be sure to vote in My Kind of Country’s Best Male Country Vocal Performance poll and let your preference for this year’s race be known!

jamey-johnson-lonesome2009

  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • James Otto, “Just Got Started Lovin’ You”
  • Brad Paisley, “Letter to Me”
  • George Strait, “Troubadour”

As with the album race, this year’s contenders for Best Male Country Vocal Performance are a combination of unrecognized veterans and promising newcomers. In fact, none of this year’s nominees have won in this category, and only one of them – Brad Paisley – has a Grammy at all.

First, the veterans. Paisley has numerous ACM and CMA victories to his credit, including two each for Male Vocalist.  Although he’s been nominated for this award twice before, this is the first time he’s contended with a cut that can’t be dismissed as a novelty number. The touching self-penned “Letter to Me” is his best shot yet at taking this home.

Trace Adkins has been at this a bit longer than Paisley, but this is his first Grammy nomination. His crossover exposure from Celebrity Apprentice might help him out here, along with the fact that the song was considered strong enough by voters to earn a nomination of its own.

But the real veteran to watch out for is George Strait. After being nominated only twice for this category in the first 25 years of his career, voters have now given him three consecutive nominations. This is one of four nods he’s earned for the 2009 ceremony, and “Troubadour” is essentially the story of his epic career distilled into a radio-length song. It would be the perfect way to honor the man and his music in one fell swoop.

However, there’s a newcomer that might be a Grammy favorite already.  We just haven’t found out yet. Not James Otto, of course, who is nominated for his charming romantic romp “Just Got Started Lovin’ You”, but rather, Jamey Johnson. The recent Nashville Scene critics’ poll further confirmed the depth of his support among tastemakers, and his nominations for Best Country Song and Best Country Album indicate that he’s very much on the academy’s radar. It helps that he has the most substantial track of the five, and it’s the obvious choice for traditionalists, who have little reason to split their votes in this category. If voters aren’t considering legacy when making their selections, he has a great shot at this.

2008

  • Dierks Bentley, “Long Trip Alone”
  • Alan Jackson, “A Woman’s Love”
  • Tim McGraw, “If You’re Reading This”
  • George Strait, “Give it Away”
  • Keith Urban, “Stupid Boy”

The often offbeat Grammy voters have been surprisingly mainstream in this category for the past three years, a trend best exemplified by this lineup, which was the first in more than a decade to feature only top ten radio hits. Tim McGraw and Keith Urban were the only two who had won this before, and it was Urban who emerged victorious. “Stupid Boy” was a highlight of his fourth studio album, and this was the only major award that the impressive collection would win.

2007

  • Dierks Bentley, “Every Mile a Memory”
  • Vince Gill, “The Reason Why”
  • George Strait, “The Seashores of Old Mexico”
  • Josh Turner, “Would You Go With Me”
  • Keith Urban, “Once in a Lifetime”

Vince Gill returned to win in this category for a ninth time with “The Reason Why.” Not only is he, by far, the most honored artist in this category, his wins here account for nine of the nineteen Grammys currently on his mantle.

2006

  • George Jones, “Funny How Time Slips Away”
  • Toby Keith, “As Good As I Once Was”
  • Delbert McClinton, “Midnight Communion”
  • Willie Nelson, “Good Ol’ Boys”
  • Brad Paisley, “Alcohol”
  • Keith Urban, “You’ll Think of Me”

Urban’s biggest and probably best hit launched his second album to triple platinum and established him as a crossover artist. He gave a killer performance of the song on the show. Toby Keith was a first-time nominee here, and while he publicly groused that the Grammys put too little emphasis on commercial success in picking their nominations, he lost to the only track that was a bigger hit than his own.

(more…)

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