Some of the most interesting country covers are ones where the artist doing the cover is of a different gender than the artist that recorded the original. What are your five favorite “gender swap” covers? Here’s my list: Merle Haggard & Willie Nelson, “Pancho & Lefty” (Original Artist: Emmylou Harris) Sammi Smith, “Help Me Make it Through the Night” (Kris Kristofferson) Patty Loveless, “When the Fallen Angels Fly” (Billy Joe Shaver) Merle Haggard, “No Time to Cry” (Iris Dement) Reba McEntire, “Ring on Her Finger, Time on Her Hands” (Lee Greenwood)
“Lonely Tonight” Blake Shelton & Ashley Monroe Written by Brent Anderson and Ryan Hurd It’s billed as a duet, but it’s about as much as an equal pairing as Eddie Rabbitt and Crystal Gayle back in the day. Monroe essentially plays a harmony role, singing an answer line from time to time. Not the best use of her talent, though it seems the only way to get her on the radio is in a feature spot, which is better than nothing. “Lonely Tonight” is a decent spin on the classic “just one more night” theme.
Though his Hall of Fame career has now stretched several decades, Kris Kristofferson will forever be defined by his legendary songwriting in the late sixties and early seventies.
As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.
As always, we start with a look at this year’s nominees and work our way back to 1968.
- Zac Brown Band, “Toes”
- Billy Currington, “People Are Crazy”
- Lady Antebellum, “Need You Now”
- Miranda Lambert, “White Liar”
- David Nail, “Red Light”
There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.
- Trace Adkins, “You’re Gonna Miss This”
- Jamey Johnson, “In Color”
- Miranda Lambert, “Gunpowder & Lead”
- Heidi Newfield, “Johnny and June”
- Brad Paisley, “Waitin’ On a Woman”
Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.
Revised and Updated for 2009 While the Grammys have honored country music from the very first ceremony in 1959, they did not begin honoring by gender until 1965, when the country categories were expanded along with the other genre categories. This is a look back at the Best Female Country Vocal Performance category. It was first awarded in 1965, an included single competing with albums until the Best Country Album category was added in 1995. When an album is nominated, it is in italics, and a single track is in quotation marks. I’ve often made the case that female artists were making the best music in the 1990s, and the Grammys did a great job nominating songs and albums that were ignored at the CMA and ACM awards, which is not surprising, given that those shows have so few categories that are actually for songs and albums. As usual, we Read More
Updated for 2009 While the Grammys have honored country music from the very first ceremony in 1959, they did not begin honoring by gender until 1965, when the country categories were expanded along with the other genre categories. This year, the 45th trophy for Best Male Country Vocal Performance will be awarded. In a continuation of our Grammy Flashback series, here is a rundown of the Best Country Vocal Performance, Male category. It was first awarded in 1965, and included singles competing with albums until the Best Country Album category was added in 1995. When an album is nominated, it is in italics, and a single track is in quotation marks. As usual, we start with a look at this year’s nominees and work our way back. Be sure to vote in My Kind of Country’s Best Male Country Vocal Performance poll and let your preference for this year’s race be known! Read More
On his tombstone, Kris Kristofferson has requested the first three lines of Leonard Cohen’s “Bird on the Wire” to be engraved: Like a bird on a wire/Like a drunk in a midnight choir/I have tried in my way to be free. The words speak to the free-spirited nature of the singer-songwriter. As a hillbilly poet, few can match his intelligence, his eloquence and his ability to capture a mood and a moment with each verse. He has created a legend as a songwriter, but also gained fame and acclaim as a singer, actor and musician. Born in Brownsville, Texas, Kristofferson’s parents were Mary Ann and Lars Henry Kristofferson, a U.S. Air Force major general. During his childhood, his father pushed his Kristofferson toward a military career, and he would join the U.S. Army (and later rise to the status of captain) in the early 1960s. Throughout his younger years, Kristofferson’s family Read More
100 Greatest Women< /em> #70 Sammi Smith She may not have been part of the legendary Outlaws album, but long before the Outlaw movement was a media craze, Smith was the living embodiment of it. Her country was tougher-edged and more forward than anything that country music had seen before, and while today she is best known for one hit, it’s a classic that not only stands the test of time, but knocked down topical barriers at country radio. Smith’s journey to Music City was hardly a fairytale. She dropped out of school at the age of eleven, and started singing in nightclubs the following year. She was married at fifteen, and had four kids in short order. She paid her dues in small joints for two decades, and when she finally moved to Nashville, she was a divorced mother of four, already in her mid-thirties. Still, her talent couldn’t Read More