Rhiannon Giddens goes Broadway, Kris Kristofferson gets boxed, and Beyoncé survives being Dixie Chicked, all in this week’s Sunday Selections!
Country music singer-songwriter Zane Williams had his first taste of mainstream success in 2006 when Jason Michael Carroll took his song “Hurry Home” into the Top 20. Having already made inroads in the regional country market of his home state of Texas, the Abilene native is currently attempting to break through to a national audience with his fourth album Overnight Success. Amid preparations to embark on his first nationwide radio tour (in an RV with his wife and two children along for the ride), Williams found the time to call Country Universe to chat about his current single and album.
Sam’s Pick: Peter Rowan
Admittedly, this is a much more recent song that some of the other songs we’ve covered. But this song, written by Tex Logan, has become a standard in the bluegrass and country world. I heard this version from Peter Rowan on a Sugar Hill Christmas sampler album many years ago, and it’s still my favorite. It’s a very relaxed, low-key version, but it still captures the joy of coming home for the holidays.
Many a star was launched in the nineties, a few of them right out of the gate. This section includes the debut singles from Toby Keith, Jo Dee Messina, LeAnn Rimes, and Doug Stone, along with Grammy-winning hits by Alison Krauss and Dwight Yoakam.
400 Greatest Singles of the Nineties: #100-#76
The Battle Hymn of Love
Kathy Mattea & Tim O’Brien
1990 | Peak: #9
Wedding songs are typically made of the same fiber, but this one is a little different: it’s energized by burning conviction and fierce pledges. – Tara Seetharam
1996 | Peak: #10
Sure, the novelty of thirteen year-old Rimes’ prodigious Patsy imitation helped things along. But that unshakable yodeled hook would have made “Blue” a classic in any era of country music. – Dan Milliken
The second segment of our countdown includes the first appearances by Garth Brooks and Reba McEntire, two of the biggest-selling stars of the decade.
How Do I Get There
1997 | Peak: #1
It’s always a gamble when friends decide to take their relationship to the next level. “How Do I Get There” explores the struggle of following one’s heart, even though it’s taking a big emotional risk to do so. – Leeann Ward
If I Could Make a Living
1994 | Peak: #1
This song is either ridiculously cheesy or irresistibly cheesy depending on your taste, but there’s no denying Walker sells the heck out of it with charm and enthusiasm. – Tara Seetharam
New fans of country music in the nineties were hit over the head with the assertion that country music was one big family. Nothing demonstrated this mythos better than the all star jams that cropped up during the boom years.
There were some variants of this approach. A popular one found a veteran star teaming up with one or more of the boom artists to increase their chances of radio airplay. George Jones was big on this approach, with the most high profile attempt being “I Don’t Need Your Rockin’ Chair.” Seventeen years later, it’s amazing to see how young everyone looks – even Jones himself!
Written by Larry Bastian and Dewayne Blackwell
Great country songs can find heartache in the most mundane places. For George Jones, it was “a lip print on a half-filled cup of coffee that you poured but didn’t drink.” For Sammy Kershaw, a nineties star heavily influenced by the Possum, it was a family picnic table of discounted items.
“They’re sorting through what’s left of you and me,” he sings, and like in the Jones classic “A Good Year For the Roses,” it’s the steady observation of sights and sounds that tell the story. As he notes that there must be half the town on the grass and on the sidewalk, he muses, “Ain’t it funny how a broken home can bring the prices down?”
As we begin our look back on the last ten years in country music, we’re starting with the bottom. Over the next few days, you’ll be reading about the worst that country music sent to radio in the 2000s, much of which they actually played.
But first, a disclaimer. This list makes no attempt to objectively list the worst singles of the decade. If that’s what I was going for here, I’d just post a collection of homemade tracks and twenty Rascal Flatts singles and call it a day. Instead, this list takes a broader view, including songs from accomplished artists that were just disappointing, copycat and fad-chasing numbers, and just plain old mediocre efforts.
This isn’t the type of thing we normally do, but I’m sure I’ll hear what I’m right about, what I’m wrong about, and what I forgot to include in the first place! Look for the best-of lists to follow as the year starts winding down.
The Worst Singles of the Decade, Part 1: #50-#41
Mark Wills, “19 Somethin'”
Pick a decade, man.
Toby Keith, “Who’s Your Daddy?”
The biggest casualty of Keith’s ascent to superstardom was his quality check. When your label lets you put out anything and radio goes ahead and plays it, the blame must be spread around for such silliness as this.
Halfway to Hazard, “Daisy”
In which a girl’s sole reasons for existing are to make a boy a man, lead him to God, and give him a child. After that, you can just kill her off in the final verse. This is why people hate country music.