Sara Evans launches her seventh studio album with the Marv Green-penned “Slow Me Down,” in which a relationship is on the rocks, and Evans’ narrator is just about ready to walk out – but she looks back in hopes that her man will give her one good reason to stay. (Lorrie Morgan’s 1990 chart-topper “Five Minutes,” written by Beth Nielsen Chapman, is probably one of the song’s closest lyrical relatives.)
An impressive run of hit singles and his visible Opry stardom gave him tremendous success as a singer, but it’s been Bill Anderson’s songwriting that’s kept him topping the country charts for decades longer than even his most successful contemporaries.
How Country Feels
Randy Houser impressed the critics with 2010’s They Call Me Cadillac, but country radio yawned, and neither of the album’s two singles cracked the Top 30. Houser’s Stoney Creek Records debut thus comes across as a mea culpa of sorts, as Houser shrugs his shoulders in defeat, and gets ready to do some good old-fashioned pandering.
Playlist: The Very Best of Sara Evans
While Sara Evans is reportedly in the studio hard at work on her forthcoming seventh studio album, Sony Legacy has released a new fourteen track retrospective of her sixteen-year career – the latest installment in the label’s Playlist series. Coming nearly five and a half years after Evans’ 2007 Greatest Hits package, Playlist: The Very Best of Sara Evans intersperses several of her biggest hits with a few less expected inclusions. While there is some great material to be heard, there are a few missed opportunities as well.
The list of nominees for the 46th annual Country Music Association Awards has been released. Eric Church had a big breakthrough this past year, and such is reflected in the nominee list – Church leads the pack with five nominations. Current favorite power couple Blake Shelton and Miranda Lambert follow with four each, including a shared Song of the Year nod for their co-write “Over You.”
I’ve only recently discovered the Most Played feature on iTunes, since it never had any relevance until iPods were large enough in memory to sync all of my music. So going back to early 2011, I have a lengthy list of the songs I’ve played the most.
Nothing like a good country music driving song, right? I could make a whole road trip playlist full of them. Ostensibly, Sara Evans upcoming single “Anywhere” is seeking a spot on my road trip playlist. It’s a bit off-putting, unfortunately, that the lyric plays more like a watered-down knockoff of Jo Dee Messina’s “Heads Carolina, Tails California.”
At the very least, the single earns points for a committed vocal performance on Evans’ part, as well as a cool banjo-rocker of a production, which could have made for a pleasant little slice of pop-country. But the song structure is totally not there.
Throw on your bedazzled boots – the 47th annual Academy of Country Music Awards air live from Las Vegas this Sunday at 8 p.m. EST. The show promises to be a melting pot of performances, with oddball duets like Rascal Flatts and Steve Martin – and no, that’s not an April Fools joke. The CU staff picked and predicted the awards below. Tell us your thoughts, and check back for our live blog on Sunday night!
- Jason Aldean
- Kenny Chesney
- Brad Paisley
- Blake Shelton
- Taylor Swift – Jonathan, Dan, Tara, Leeann, Kevin, Ben, Sam
The countdown continues to continue. Scroll down to the bottom to hear samples of each song and to share your comments!
Top 40 Singles of 2011, Part Three: #20-#11
Joey + Rory
Individual Rankings: #6 – Sam; #15 – Leeann; #17 – Ben
Joey Feek is not a woman to be trifled with. Blow off a day with her to go fishing with your buddies, and be prepared for a holdout that would make the recent NBA lockout look like a bathroom break. Along with a steel guitar-centric, pure country sound, the song’s humor doesn’t wear thin after repeated listenings. (Are you paying attention, Brad “Camouflage” Paisley?) – Sam Gazdziak
Cover songs can be a hot topic at just about any given time. We recently got to hear a somewhat underwhelming OneRepublic cover by Faith Hill, which Kevin recently reviewed. Other recent attempts include Sara Evans’ pop-country reworking of Rod Stewart’s “My Heart Can’t Tell You No,” as well as last year’s polarizing Beyoncé cover by Reba McEntire.
Since cover songs are so much fun to talk about, I thought I’d weigh in on a few well-known cover songs from the past few years – the good ones, as well as a few that we would rather forget. My criteria is simple: A good cover song should bring something new to the table, and the song should be treated in a way that is well-suited to the artist as well as the genre. This list focuses specifically on country covers of non-country songs.