A Song That Describes You.
Here are the staff picks:
Leeann Ward: “Lord, I Hope This Day is Good” – Don Williams
There might be a song that technically describes me better than this one, but this is the song that perfectly describes how I feel each morning before I start my day. I don’t know why, but I relate to it on a guttural level.
“Staying’s Worse Than Leaving” is an awesome song. As good as anything I’ve heard lately in terms of lyrics. Mature, realistic, insightful. It’s good stuff.
The production is effective in that “stay out of the way of the song” kind of way, as it is on so many great country records.
Sara Evans was one of the most successful female artists from the earlier part of the last decade, which was not a particularly good era for women as a whole. Her ease with both pop-flavored and purely traditional country allowed her to adapt to quickly changing trends in the genre.
This makes her catalog a fascinating one to sample. In compiling this Starter Kit, it would be easy to just list the hits. But I’ve left off some of her more overexposed tracks in favor of some gems that either didn’t quite dominate the charts or wasn’t sent to radio at all. I think her crossover numbers haven’t aged that well, anyway.
Be sure to let me know what I missed in the comment threads!
The title track got all of the love, and the most airplay of the three low-charting singles from Evans’ debut album. But I think that this is the coolest little record, with Evans sounding like the female heir to Buck Owens as she can’t even feign sympathy for the ex who is now regretting his departure.
Perhaps it could have been, with a stronger melody and a more refined concept. The song itself is pretty good, but Evans turns in a listless performance, delegating all of the “oomph” to the background vocalists and studio musicians. And they’re pretty listless in their own right.
To continue Country Universe’s celebration of the nineties, I’m throwing in a nineties edition of iPod Check. The rules are simple: put your iPod on shuffle and list the first ten songs to pop up that were released in the nineties. They don’t have to be singles, and they don’t have to be country.
I’ve listed my ten songs below. Share yours in the comments, and check your shame at the door! (I’ve got 1994’s “Hakuna Matata” on my iPod, but sadly, it did not come up in shuffle.)
Proving that the airplay charts don’t tell all of the story, this part of the countdown features several singles by nineties stars that didn’t reach the top but have stood the test of time.
400 Greatest Singles of the Nineties: #175-#151
I Wish I Could Have Been There
1994 | Peak: #4
This is the country equivalent to “Cats in the Cradle”, but more tender and less selfish. – Leeann Ward
Sometimes She Forgets
1995 | Peak: #7
Tritt gives a surprisingly but fittingly subdued performance on this cover of a Steve Earle song, telling the story of a woman who sometimes forgets that she’s sworn off men. I can never get enough of the incredibly cool arrangement. – Tara Seetharam
I’ve always been something of a chart junkie. While I don’t pay as close attention as I used to, I still have a pretty good handle on historical trends. One artist I’ve been keeping an eye on is Carrie Underwood. When each official country single from her first two albums peaked at #1 or #2, it caught my attention.
But I never expected the trend to continue, with three more #1 hits from the new album. The source of that belief was the history of women on country radio, especially in the twenty most recent years that were based on actual monitored airplay instead of radio playlists. Since that change, far less records have gone #1 or #2.
It’s hard to believe that twenty years have passed since the nineties first began. Perhaps that’s because so many of the artists who broke through during that decade remain relevant on the music scene today, whether they’re still getting major spins at radio or not.
For many of us, it was the nineties when we discovered and fell in love with country music, and it’s the music and artists from that decade that represent the pinnacle of the genre. It may be debatable whether the nineties were the most artistically significant decade in the history of country music, but there’s no debating that country music never had more commercial success or cultural impact than it did in that decade.
It was a time that when the C-list artists could sell gold or platinum on the strength of one or two hits, and that 24-hour video outlets could give wide exposure to songs and artists that radio playlists could not. When the four writers of this feature got together and combined our favorite singles from the decade, it was clear that this retrospective had to run far deeper than the one we recently completed for the first decade of the 21st century. There were simply far more good singles to choose from.