Combining the absolute worst lyrical tropes of peak bro-country with the faux R&B production Sam Hunt and Thomas Rhett have popularized, Chris Lane’s “Fix” is the harbinger of another dreadful year at country radio.
Today, a single could be any one of the following: a CD sent to radio for airplay; a digital download released in advance of an album; a music video released to online websites and dwindling television outlets; and in a lovely throwback, a seven inch vinyl single sold in the indie record stores that have managed to outlast the chain stores that once threatened their existence.
Countless albums were released in 2010, in mainstream country music, Americana, bluegrass, and all the other loosely associated sub-genres that make up the country universe. Of those albums, our writers particularly enjoyed the following twenty. All four writers submitted top ten lists for th year, and amazingly enough, there were exactly twenty different albums among them. So if you’re wondering if your favorite album just missed the list…it didn’t. But we’d love to hear why we were wrong in the comments.
Enjoy part one now, and look for the top ten on Friday.
Tomorrow’s hits today, should the current crop of hitmakers want something as good on the radio as “Long Time Gone” or “It’s a Great Day to Be Alive”, or just want to have an album cut for the ages like “You’ll Never Leave Harlan Alive.” Scott’s a singer’s songwriter, delivering his songs with enough personality to elevate them above demos but leaving enough room for improvisation, so that any singer can put their own spin on it.
There’s no denying Keith Urban’s immense talent, which was brightly showcased on his first three major label albums, particularly Golden Road and Be Here. The music sounded articulate and fresh while being extremely accessible.
Urban’s last couple of albums, however, have been heavily influenced by electronic production where electric keyboards and drum machines largely filled the spaces instead of his prior muscular, yet more organic, production choices. Of course, this isn’t to say that there still weren’t some really good moments on both of those albums, as should only be expected by such a talented force, but they just seemed to lack the heart that was displayed on the previous two records.
In the Amazon docket today is the last recorded album by a country legend and the long-awaited first by a promising upstart.
Johnny Cash’s American VI: Ain’t No Grave is going for $3.99. Upon first listen, his voice and the arrangements actually sound a bit more alive than on previous sets in the series. Plus he covers the Hawaiian classic, “Aloha Oe.” Represent.
Sarah Buxton’s much-delayed debut album – featuring current single “Outside My Window”, plus “Space”, “Stupid Boy”, “That Kind of Day”, and the bridge of “Strawberry Wine” “Innocence” – has been released in two different versions.