Tag Archives: Sarah Darling

Getting to Know Brandy Clark

Brandy ClarkAs a general rule, you can scan the credits of any new country album and assume that if Brandy Clark is a writer on one of the songs, it’s the best song on the album.  As Clark readies the release of 12 Stories, her debut album as an artist, it’s a great time for fans of that remarkable set to get caught up on Clark’s work to date.

Believe the hype.  Clark really is as good as everyone is saying she is.  Possibly even better, as these twenty tracks suggest.  Scroll down to the bottom, and you can listen to snippets from all of them as you read along.

The Singles

Even if you’re only a casual fan of country radio, you’ve probably already heard Clark’s distinctive brand of songwriting.  She’s penned huge hits for the Band Perry and Miranda Lambert in the past year, along with a should’ve-been hit for LeAnn Rimes and the upcoming release from frequent collaborator Kacey Musgraves.

Here’s a rundown of her radio releases so far.

The Band Perry Pioneer

“Better Dig Two”

written by Brandy Clark, Shane McAnally, and Trevor Rosen

from The Band Perry album, Pioneer

The production nearly overwhelms the sharpness of the lyric here, but after a few listens, it’s easier to get past the clutter and enjoy the wicked wordplay.

Leann Rimes Lady & Gentlemen

“Crazy Women”

written by Brandy Clark, Jessie Jo Dillon, and Shane McAnally

from the LeAnn Rimes album, Lady & Gentlemen

That Aqua Net reference at the beginning was flagged by us upon release as “the best opening line in recent memory.”   It still holds up well today, sounding just as fresh and clever on Clark’s debut album.

Kacey-Musgraves-Same-Trailer-Different-Park

“Follow Your Arrow”

written by Brandy Clark, Shane McAnally, and Kacey Musgraves

from the Kacey Musgraves album, Same Trailer Different Park

Arguably the strongest song on Musgraves’ remarkable debut set, “Follow Your Arrow” is a remarkably progressive anthem of tolerance and individual expression.  It is slated to be the third single and in a perfect world, Musgraves will use that as a reason to perform it on the CMA Awards next month.

Miranda Lambert Four the Record

“Mama’s Broken Heart”

written by Brandy Clark, Shane McAnally, and Kacey Musgraves

from the Miranda Lambert album, Four the Record

Easily the best thing Lambert’s done in years, “Mama’s Broken Heart” is a whole lotta crazy without feeling even a little bit forced.  It manages to slip in some sly feminist commentary, too.

Mica Roberts Days You Live For

“Things a Mama Don’t Know” (with Toby Keith)

written by Brandy Clark, Mark Narmore, and Liz Rose

from the Mica Roberts EP, Days You Live For

The debut single from Mica Roberts featured her Show Dog label head, Toby Keith.  It’s a potent song about a woman who follows the wrong man across the country and doesn’t want to let her mother know how much she’s suffering as a result of this poor choice.  It’s always nice to hear Keith’s voice, but his presence gets in the way of the lyric, making for an odd switch between third and first person during the second verse.

The Album Cuts

Many of Clark’s best songs have never been sent to radio.  Here are some of her lesser-known tracks.

Sarah Darling Angels & Devils

“The Boy Never Stays”

written by Brandy Clark, Sarah Darling, and Josh Osborne

from the Sarah Darling album, Angels & Devils

Clark’s songs reel you in early, usually with an opening line that immediately grabs your attention.  “He’s the first taste of something you shouldn’t have.  He’s the first lie you tell to your mom and dad.”  Her masterful use of pathos is what sets Clark apart from most of her peers.

Nashville Boys and Buses

“Boys and Buses”

written by Brandy Clark, Shane McAnally, and Josh Osborne

digital download track from Season One of Nashville

There’s an incredible irony to the fact that Hayden Panettiere’s character on Nashville is supposed to be a flashy pop singer making disposable music for tweens.  The songs she actually sings on the show are often top-notch, better than much of what’s on the radio today.  “Boys and Buses” may have a chorus that would make Julie Roberts swoon, but it’s chock full of clever details and turns of phrase that are Clark’s hallmarks.

Kacey-Musgraves-Same-Trailer-Different-Park

“Dandelion”

written by Brandy Clark, Shane McAnally, and Kacey Musgraves

from the Kacey Musgraves album, Same Trailer Different Park

A sweetly mournful song about love gone wrong, built around the false hope of wishing on a weed.

Reba McEntire All the Women I Am

“The Day She Got Divorced”

written by Brandy Clark, Shane McAnally, and Mark D. Sanders

from the Reba McEntire album, All the Women I Am

When we reviewed this album three years ago, this track was noted as among the strongest.  We called it “vivid and real, with lyrical imagery that would make Jeannie C. Riley proud.”   One of the few great McEntire performances this century, it’s especially impressive that Clark’s own reading on her debut album is even better than McEntire’s reading of this dark and dreary divorce number.

Gretchen Wilson Right on Time

“Get Outta My Yard”

written by Brandy Clark, Shane McAnally, and Kacey Musgraves

from the Gretchen Wilson album, Right on Time

Wilson’s latest album opens with this cut.  It practically screams for a more aggressive performance, the latest reminder what Wilson’s outlaw image never really shows up at the mic.  If Lambert’s looking for another rave-up, she might want to anchor her next set with this one.

Kacey-Musgraves-Same-Trailer-Different-Park

“It is What it is”

written by Brandy Clark, Luke Laird, and Kacey Musgraves

from the Kacey Musgraves album, Same Trailer Different Park

The late night phone call concept has been done well before, but never quite this emotion-free.  She doesn’t need him now and isn’t likely to hate herself in the morning for loving him tonight.  “Maybe I love you,” she wonders, or “maybe I’m just kinda bored.”   This is the best track on Musgraves’ album that hasn’t been flagged as a single yet.

Pam-Tillis-Lorrie-Morgan-2013-Cover

“Last Night’s Make Up”

written by Brandy Clark, Jessie Jo Dillon, and Shane McAnally

from the Lorrie Morgan and Pam Tillis album, Dos Divas

You know that a writer is capturing universal truth when a song can be as convincing by a voice weathered by time as it would be if sung by someone as young as the writer herself.  This tale of morning after regret is one of Morgan’s finest moments, on par with her signature ballads from the nineties.

Darius Rucker True Believer

“Love Without You” (featuring Sheryl Cr0w)

written by Brandy Clark and Shane McAnally

from the Darius Rucker album, True Believers

The Crow backing vocal is easy to miss until she starts singing some of the lines in the end, but Rucker hasn’t had his own talent showcased this well too often, so it helps that she stays out of the way for most of the track.  The subtlety of the lyric and the quiet production allow him to shine as an interpreter.

Guy Penrod Breathe Deep

“The Maker of Them All”

written by Brandy Clark and Billy Montana

from the Guy Penrod album, Breathe Deep

A stunning and uplifting celebration of how all of us are creations of God, using sharp contrasts to make the point of how many diverse and seemingly contradictory things are part of a greater plan designed by one maker.  “The hands that have to fight.  The hands that pray for peace at night. The Lord is the maker of them all.”

Jill King Rain on Fire

“Something Worth Stealing”

written by Brandy Clark and Jill King

from the Jill King album, Rain on Fire

“There’s love,” King sings, “and then there’s runaway desire.”   There are a lot of songs about the actual cheating, but they usually document the heat of the moment.  This indiscretion is coldly calculated, no matter how hot the flames of passion underlying it might be.

David Nail the sound of a million dreams

“That’s How I’ll Remember You”

written by Brandy Clark, Shane McAnally, and Madeleine Slate

from the David Nail album, The Sound of a Million Dreams

“Summertime in Brooklyn, mustard on your lip. I knew I loved you by the bottom of the fifth.”   Not too many country songs capture moments that perfectly detailed, and this has got to be the only one where the moment takes place at a Brooklyn Cyclones game.

Ashton Shepherd Where Country Grows

“Tryin’ to Go to Church”

written by Brandy Clark, Shane McAnally, and Ashton Shepherd

from the Ashton Shepherd album, Where Country Grows

One of the most charming tracks from Shepherd’s second set, she rattles off the reasons she can’t quite make it to church in her exaggerated twang.  My personal favorite: “Here comes that husband-stealin’ heifer and I reckon I’m gonna have to fight.”

Buffy Lawson I'm Leaving You For Me

“Waitin’ on a Train”

written by Brandy Clark, Jessie Jo Dillon, and Shane McAnally

from the Buffy Lawson album, I’m Leaving You For Me

The debut solo album from former Bomshel Buffy Lawson features this gem that compares waiting for a man to love her in return to “standing in an airport, waiting on a train.”

Trent Jeffcoat When I Find Me That Mountain

“When I Find Me That Mountain”

written by Brandy Clark and Trent Jeffcoat

from the Trent Jeffcoat album, When I Find Me That Mountain

Clark doesn’t engage her faith much on her debut album, but if this and “The Maker of Them All” are any indication, she’s got a great country gospel album waiting inside of her.

Craig Campbell Never Regret

“You Can Come Over”

written by Brandy Clark, Jessie Jo Dillon, and Mark Narmore

from the Craig Campbell album, Never Regret

A true hidden gem, this one tells the heartbreaker in question, “You can come over but you can’t come in.”  A talk on the front porch, a ride in the truck.  Those are just fine.  But walking through his front door will just lead to her leaving again.

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Single Review: Sarah Darling, "Home to Me"

One of the things that frustrates me the most about today’s mainstream country music is the way so many of the songs just seem to be screaming ‘Like me!  Like me!  Like me!’

Sarah Darling has a beautiful voice, and has made some absolutely delightful records in the past, although radio hasn’t bitten on any thus far.  But everything about her current single just sounds a little too calculated, too spit-and-shine polished, too obviously crafted with the goal of appealing to a mass audience.

The hook “You feel like home to me” simply falls flat.  The figurative language doesn’t make sense (“Look like Georgia”?  “Talk like Kansas”?  Huh?)  The production sounds recycled from just about any recent country radio hit, and the melody has no real pull to it.

Even at its very best, “Home to Me” feels like little more than the musical equivalent of nice wallpaper – pretty enough, but hardly

anything to get excited about.

Written by Caitlyn Smith and Bobby Hamrick

Grade:  C

Listen:  Home to Me

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2009’s Remaining Release Schedule Comes into Focus

2009Thus far, 2009’s releases have done little to fire up the charts,

with most of this year’s strongest-selling albums being holdovers from 2008. While Rascal Flatts, Jason Aldean, and Keith Urban have sold strongly, the chart remains dominated by last year’s releases from Taylor Swift, Sugarland, Zac Brown Band, Lady Antebellum, Darius Rucker, and Jamey Johnson.

So what’s left for 2009? Here’s what we know so far:

New Releases

  • Carrie Underwood will release her third studio album on November 3, with a lead single going to radio this fall. Her previous set, Carnival Ride, is nearing sales of 3 million, and produced four #1 singles and a #2 single, all five of which were certified gold in their own right.
  • George Strait will release Twang on August 11. It’s the follow-up to his 33rd platinum album Troubadour, a set which produced his 43rd #1 single and earned him the first Grammy of his career, along with a pair of CMA trophies (Single and Album)
  • Miranda Lambert is readying Revolution for September 29. Lead single “Dead Flowers” is struggling at radio, but that’s never slowed her down at retail anyway.
  • Reba McEntire’s Valory debut Keep on Lovin’ You arrives August 18. Lead single “Strange” is approaching the top ten.
  • Willie Nelson releases another standards collection called American Classic on August 25.
  • Rosanne Cash will release The List, a covers album, on October 6.
  • Sarah Darling releases Every Monday Morning on July 28.
  • Mac McAnally’s Show Dog debut – Down By the River – comes out on August 4. McAnally recently scored a big hit teaming up with Kenny Chesney on “Down the Road”, and was the co-writer on several classic Sawyer Brown singles like “All These Years” and “Thank God For You.”
  • Mindy Smith releases Stupid Love on August 11.
  • Radney Foster and The Confessions release Revival on September 1, with guest appearances by Dierks Bentley and Darius Rucker.
  • Chris Young releases The Man I Want to Be on September 1.

Reissues and Compilations

  • Brooks & Dunn release the 30-track #1 Hits…and Then Some on September 8. Track listing here. The set is preceded by lead single “Indian Summer.” The duo’s previous set, Cowboy Town, was their first to fall short of gold certification. The new hits compilation is similar in set up to top-selling collections by George Strait, Toby Keith and Reba McEntire in recent years.
  • Wounded Bird just released 2-albums-on-1-CD collections for Kris Kristofferson on July 7. Eight albums are included from his 1972-1981 output
  • A pair of Tommy Cash’s albums from 1970 will combine on one CD on July 21; Tommy is the younger brother of Johnny Cash
  • Hank Snow’s 1958 album When Tragedy Struck is being remastered and reissued on August 11.

I’ll be picking up many of the above releases, but I have to say that I’m most looking forward to picking up all of the remastered Beatles albums and the Madonna anthology this fall.

What releases are you most looking forward to in the second half of 2009?

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