If we’re honest with ourselves, we don’t like every single music choice that even our very favorite artists make, which is what inspired us to share our least favorite albums from our favorite artists. In that same spirit, there are also times when we catch ourselves enjoying a stray song or two from artists by whom we’re typically not impressed. So, what are five songs that you like from artists that you normally don’t enjoy? Here are mine. I should note that I actually enjoy more than one song from most of these artists, but will only list one for the purpose of this exercise. Jason Aldean, “Two Night Town” Rascal Flatts, “What Hurts the Most” Taylor Swift (feat. The Civil Wars), “Safe and Sound” Scotty McCreery, ” Carolina Moon” Thomas Rhett, “Beer with Jesus”
Lauren Alaina’s “American Idol” legacy can be summed up in one phrase: failure to meet potential. The Season 10 runner-up kicked off her “Idol” run with a fiery display of vocal talent, but she was never able to match that confidence or sense of identity in subsequent live performances. Worse yet, her “Idol” catalogue stood in stark contrast to that of winner and fellow country artist Scotty McCreery, whose best strength was his firm grasp of self.
Reviewing mainstream country singles can be mighty depressing these days. It often seems like we’re hearing the same song over and over again. Conversely, I often feel as if I’m writing the same review over and over again.
So how can I find a fresh angle from which to approach this new Scotty McCreery single?
Throw on your bedazzled boots – the 47th annual Academy of Country Music Awards air live from Las Vegas this Sunday at 8 p.m. EST. The show promises to be a melting pot of performances, with oddball duets like Rascal Flatts and Steve Martin – and no, that’s not an April Fools joke. The CU staff picked and predicted the awards below. Tell us your thoughts, and check back for our live blog on Sunday night!
- Jason Aldean
- Kenny Chesney
- Brad Paisley
- Blake Shelton
- Taylor Swift – Jonathan, Dan, Tara, Leeann, Kevin, Ben, Sam
Of course, it’s not just the Americana acts that can’t get radio play these days. Even top-selling albums by Scotty McCreery and Alison Krauss & Union Station weren’t embraced.
Country Universe editors and contributors each submitted a list of their ten favorite albums of 2011. 31 different albums were included on our lists, and over the next two days, we’ll share with you our collective top twenty.
Top Twenty Albums of 2011, Part One: #20-#11
Beat the Devil and Carry a Rail
His tenure with the Punch Brothers and his winning of the first annual “Steve Martin Prize for Excellence in Banjo and Bluegrass” in 2010 both earned Noam Pikelny the clout to release Beat the Devil and Carry a Rail, his second solo album and first since 2004. Joined by an all-star roster of fellow pickers, Pikelny’s mostly instrumental set is a showcase both for its lead artist’s extraordinary technical skills and for the banjo’s wide-ranging potential. – Jonathan Keefe
Clear as Day
In listening to American Idol winner Scotty McCreery’s debut album, it becomes all too clear that either McCreery is being carefully reared by the unabashedly commercial-minded execs of 19 Entertainment… or that he simply enjoys playing follow-the-leader. The former is most likely, but almost every track on Clear as Day sounds like an emulation of the style of one of country radio’s favorite hitmakers. We get to hear Scotty McCreery play Montgomery Gentry. We get to hear Scotty McCreery play Kenny Chesney. But there are precious few moments in which it sounds like Scotty McCreery is being Scotty McCreery.
Any review of this single anywhere is like begging for site traffic from impassioned fans/haters. I don’t do nearly enough favors for Country Universe most of the time, though – so allow me to greet you down on my knees, Scottyfolk.
A preface: I didn’t watch this past season of American Idol, so this single is basically my first exposure to its winner, and I feel no sour grapes that he beat out So-And-So or What’s-Her-Face, and I don’t care about his adorable TV backstory or any of that. The only metric I’m using is whether “I Love You This Big” sounds like something I’d want to hear on the radio between “Teenage Daughters” and “Amen.”