The final week of January was a big one for Aubrie Sellers, who gave her first television performance, released her first album, and appears poised for an outstanding 2016. Elsewhere a fairly light news week which includes a short but solid list of new releases as well as troubles for Jamey Johnson, Tyler Farr and Katie Armiger.
This week’s round-up is a bit light on Chris Stapleton news… if only because we already have a post about the Grammy nominations, where he scored a total of 4 nods, including the all-genre Album Of The Year award. But there are some terrific reissues out this week– Johnny Cash! Dolly Parton! Connie Smith!!!– some pop crossover bids to dissect, an honor for a genre legend, and country music’s second-most impressive beard. Onward!
We can thank the shortsighted radio consultant Keith Hill for one thing: drawing attention to the women of country music in a year where so many of them are making outstanding music. As their mainstream counterparts cycle through a series of one-note styles and themes, female country artists are putting out diverse and decidedly more progressive music, even as they draw influence from previous generations. That they do so while supporting each other makes it all the more impressive.
As we enter the top half of the list, signature hits by some of the era’s biggest stars rub elbows with a pair of breakthrough singles and an overlooked release by a future superstar. You’ll also find out, in case you’ve been wondering for the past 22 years, just what Dwight Yoakam sneers at the end of one of his classic records. #20 “Soon” Tanya Tucker Written by Casey Kelly and Bob Regan Peak: #2 #13 – LW | #22 – JK | #28 – KJC | #30 – BF Cheating songs that successfully make us feel compassion for the other woman are a rarity, but “Soon” manages to make us root for the woman who finds herself in a losing cycle, one that she finally finds the strength to stop. Tanya Tucker’s sympathetic performance and the song’s soothing melody invite us to feel compassion for the woman in Read More
There are so many new concepts going on in country music reissues. Two disc deluxe editions of classic albums. Box sets of an entire artist’s catalog, with the CD’s in miniature LP replica sleeves. Digital issues of concert recordings. (Wolfgang’s Vault is a thing. Check it out.) Two albums on one CD, or carefully curated collections of singles. Bear Family box sets that give you everything. Even 180 gram vinyl records are coming out at a rapid clip. So I’m wondering what your wish list is. What reissues would you rush out to buy or download on day one? Here’s my top five list: Dolly Parton, The Complete RCA Albums Collection: 1968-1986 Willie Nelson, Deluxe Editions of Nineties Classics: Across the Borderline, Spirit, Teatro Shania Twain, The Complete International Remix Collection: 1995-2006 Kay T. Oslin, Clean Your Own Tables: The Early Years Trisha Yearwood, Rarities and Unreleased Tracks: 1992-2012
We’ve all heard of the Sophomore Slump. It’s the phenomenon where an artist’s second album isn’t as good as their first album. This presumably happens because they’ve had more time to choose or write songs for their first album than they do after their careers have taken off and/or because there was so much hype surrounding their first album that their second album had no chance of living up to anyone’s expectations. Many artists, however, are able to avoid that slump and their second album ends up turning out to be better or at least as good as their first album. What are some of your favorite sophomore successes? Here’s my list: Miranda Lambert, Crazy Ex-Girlfriend Martina McBride, The Way that I am Tracy Lawrence, Alibis Shania Twain, The Woman in Me Sara Watkins, Sun Midnight Sun
UPDATE: Check out the impeccably researched work of Deb B, also known as Windmills, over at MJ’s Big Blog: Country Radio & The Anti-Female Female Myth: A Data-Based Look ORIGINAL POST: Via Terri Clark’s Twitter, this gem from radio consultant Keith Hill: This One’s Not For The Girls: Finally, Hill cautions against playing too many females. And playing them back to back, he says, is a no-no. “If you want to make ratings in Country radio, take females out,” he asserts. “The reason is mainstream Country radio generates more quarter hours from female listeners at the rate of 70 to 75%, and women like male artists. I’m basing that not only on music tests from over the years, but more than 300 client radio stations. The expectation is we’re principally a male format with a smaller female component. I’ve got about 40 music databases in front of me and the Read More
From longtime reader Six String Richie. What are your favorite pre-fame releases? You can pick singles and/or albums. Whatever works for you. Here’s my Top Five: Patty Loveless, “I Did” Shania Twain, “Dance With the One That Brought You” Kenny Chesney, “Whatever it Takes” Carlene Carter, “Never Together but Close Sometimes” Martina McBride, “Cheap Whiskey”
Today’s Daily Top Five asks you to pick the five albums you would use to make a case for country music to the unconverted listener. Here are the five albums I would lend/rip/share in a .zip to someone willing to give country music a chance: Dixie Chicks, Home Tim McGraw, Live Like You Were Dying Reba McEntire, For My Broken Heart Alan Jackson, A Lot About Livin’ (and a Little ‘Bout Love) Shania Twain, The Woman in Me What are your Top Five Country Convert Albums?