But the fact is that country music was changed as well. Here are the four biggest ways that it did, for better and for worse.
1. Alan Jackson Becomes a Legend
He was still getting solid radio airplay and record sales in 2001, but it seemed like his glory days were behind him. Then, he stepped on to the CMA Awards stage and debuted “Where Were You (When the World Stopped Turning)” to a stunned industry crowd on national television.
A Song That Reminds You of a Certain Event.
The staff picks are:
Tara Seetharam: “I Will…But” – SHeDaisy
My freshmen girls choir performed this song at our high school spring show ten years ago. The photos of me in a tacky red bandana halter top are painful, but the memories of my first taste of high school choir are precious.
In the modern era of country music, you have to move a lot of units to be considered a legitimate superstar. The first act to do so on a regular basis was Alabama, who had eight consecutive multi-platinum albums in a row in the first half of the eighties.
Since then, there have been a multitude of country artists who’ve accomplished the same feat, but despite the fact that it was a band that broke down the barrier, only one male band since Alabama has achieved similar success: Rascal Flatts.
Family connections helped this power trio get their start. Lead singer Gary LeVox and his cousin, Jay DeMarcus, each had a desire to be country musicians, but it was DeMarcus who went to Nashville first. After a stint in Christian band East Meets West, DeMarcus convinced LeVox to join him in Nashville.
Some of these covers became big hits, like Billy Dean’s “We Just Disagree” and Brooks & Dunn’s “My Maria.” Various album cuts and tribute projects demonstrated Lorrie Morgan’s fondness for Bonnie Tyler (“It’s a Heartache”), Garth Brooks’ love for Kiss (“Hard Luck Woman”), and more than a dozen artists’ affinity for the Eagles.
It’s just a matter of time before today’s country stars start remaking pop and rock hits from the nineties. Here’s a few that I think would work well:
It’s hard to believe that twenty years have passed since the nineties first began. Perhaps that’s because so many of the artists who broke through during that decade remain relevant on the music scene today, whether they’re still getting major spins at radio or not.
For many of us, it was the nineties when we discovered and fell in love with country music, and it’s the music and artists from that decade that represent the pinnacle of the genre. It may be debatable whether the nineties were the most artistically significant decade in the history of country music, but there’s no debating that country music never had more commercial success or cultural impact than it did in that decade.
It was a time that when the C-list artists could sell gold or platinum on the strength of one or two hits, and that 24-hour video outlets could give wide exposure to songs and artists that radio playlists could not. When the four writers of this feature got together and combined our favorite singles from the decade, it was clear that this retrospective had to run far deeper than the one we recently completed for the first decade of the 21st century. There were simply far more good singles to choose from.
Last year, I counted down my twenty-five favorite Christmas songs. This year, it’s time to do the same with my favorite country Christmas albums. Feel free to add your own favorites in the comment section.
SHeDaisy, Brand New Year
This is not a typical, conservative country Christmas album. SHeDaisy spices things up by not only including originals, but rearranges the classics to make an unpredictable, unique Christmas album that stands out from the pack.
Dolly Parton, Home for Christmas
This is an incredibly cheesy Christmas album. As only Dolly can do, however, it’s at least delightfully cheesy.
This was the decade that brought back the single. Not that it ever fully went away, as radio still played the promotional ones and video outlets the filmed ones. But actual commercial singles had gone the way of the dodo, until the digital revolution suddenly made them practical again. Why buy the whole album when you can just get the song that you want?
The devastation this has brought to record company bottom lines was probably unavoidable anyway, given the realities of post-Napster society. But technology has its perks. Now you can buy the songs on this list with a click of our mouse!
And what a list it is: 201 singles that run the gamut, from genuine hits that topped the charts to songs spun only by renegade DJs working the night shift. Here’s how we compiled it: four Country Universe writers ranked their personal favorite 100 singles, with an inverted point system applied (#1 on a list meant 100 points, while #100 on the list meant 1 point.) The songs were then ranked by number of total points, greatest to least. Ties were broken by the number of lists the song appeared on, then by highest individual ranking.
There was more consensus than usual for CU, and we all agreed on one thing: this list was a heck of a lot of fun to compile. We hope you enjoy it, too!
The 201 Greatest Singles of the Decade, Part 1: #201-#181
“I Run To You”
There’s a palpable intensity to this song that grips me every time I listen to it. Love isn’t always characterized by peacefulness, and the song’s pulsing production perfectly conveys the urgency, desperation and passion that often accompanies it. – Tara Seetharam
“The Last Thing on My Mind”
Given her allegiance to country music’s history and personal association with both Porter Wagoner and Dolly Parton, you might think this was a cover of that duo’s first top ten hit. Instead, it’s a very modern-sounding song with a modern-day woman who never thinks about the guy she’s left behind until right before she goes to sleep, when “something in my broken heart rewinds” as she lies in an “empty bed as big as Arkansas.” – Kevin Coyne
SHeDaisy The Best of SHeDaisy Few acts in modern country music have been as unfairly maligned as SHeDaisy. This trio of sisters are are often villified for their pop-drenched country, but what’s overlooked is just how well-crafted it is. Their innovative production and cleverly layered harmonies aside, what has made SHeDaisy truly distinctive is excellent songwriting, anchored by one of the sisters themselves, Kristyn Osborn. This year’s collection The Best of SHeDaisy offers a solid introduction to the underrated vocal group. Included are all but one of their hits to date, including four from their double platinum debut, The Whole SHeBang. The hits from that set remain their biggest, if not necessarily their best. They earned a Grammy nomination for their first release, “Little Good-Byes”, and also scored high on the charts with “This Woman Needs” and “I Will…But.” But the collection gets a lot more interesting when it moves Read More
For a look back at the other major categories, visit our CMA Awards page. 2010 Luke Bryan Easton Corbin Jerrod Neimann Chris Young Zac Brown Band Usually there isn’t this much turnover in this race unless most of last year’s nominees are ineligible. This year, only one of the four eligible nominees from last year – Zac Brown Band – earns a nomination. With their massive success and their multiple nominations, they’ve got an excellent shot at winning. Then again, Easton Corbin is elsewhere on the ballot, too. It could be a horse race. 2009 Randy Houser Jamey Johnson Jake Owen Darius Rucker Zac Brown Band Thirteen years after winning the Best New Artist Grammy as part of Hootie & The Blowfish, Darius Rucker won the country music equivalent, adding an exclamation point to the most successful pop-to-country crossover in a generation. 2008 Jason Aldean Rodney Atkins Lady Antebellum James Read More