The most obvious points of comparison for singer-songwriter Maren Morris and her single “My Church” are to Sheryl Crow’s self-titled masterpiece and its follow-up, The Globe Sessions. Though Crow spent the 1990s as a pop star, her ties to the country genre were clear. “If It Makes You Happy” was always a honky-tonk anthem waiting to happen, while “The Difficult Kind,” “Home,” and “Mississippi” all sound more recognizably country than do current chart-topping hits by Sam Hunt, Kelsea Ballerini, and Thomas Rhett.
She was one of those artists that my parents listened to in the car. The CD was always Hits: 1979-1989. My dad loved “My Baby Thinks He’s a Train” and my mom, “Tennessee Flat-Top Box.” They both loved “Seven Year Ache.”
But by the time I was listening to country music independently, with CMT as my primary conduit for new music, Cash had already left country music behind. Given that she was never big on making music videos in the first place, I saw the clip for “The Wheel” a few times, and that was it.
Today, we kick off our Best of 1993 feature with the first part of our album retrospective. Included in this list are the debut albums of two underrated singer-songwriters, confident projects from the genre’s leading ladies, and highlights from legends of both the mainstream and alternative country landscapes. When our writers wax rhapsodic about the glory days of the nineties, one reason why is that albums as great as this aren’t even among the top ten albums of the year. Look for the conclusion of the albums list tomorrow and the singles list next weekend! #20 Lari White Lead Me Not #9 – JK | #19 – KJC Rather than establishing a clear identity for Lari White as an artist, Lead Me Not made for an eclectic debut, as White and producer Rodney Crowell explored styles ranging from traditional country and jazzy torch ballads to torrid Southern gospel and even Read More
The third most prestigious country music industry award nominations – but the most important ones handed out in the spring – have been announced. Here’s a rundown of all the major categories, along with some back-of-the-envelope analysis: Entertainer Jason Aldean Garth Brooks Luke Bryan Florida Georgia Line Miranda Lambert Who’s In: Jason Aldean, Garth Brooks, Florida Georgia Line Who’s Out: Blake Shelton, George Strait, Taylor Swift Last year’s winner, George Strait, didn’t get a return invitation, but Garth Brooks, who has won this award six times before, returns to the competition. Much like Strait’s farewell tour was a reminder of his extensive popularity, Garth’s ability to sell out several dates per city overshadows the lukewarm reception to his new material at radio and retail. Taylor Swift’s exit is directly tied to her cutting ties with the genre. Jason Aldean’s return makes logical sense, but it’s quite the mystery to see Read More
And they’re back: The 2014 ACM Awards air live on Sunday at 7 p.m. CST, hosted by Blake Shelton and Luke Bryan. They’re sure to be enraging or amusing, depending on your bro-country meter. In the meantime, we’ve picked and predicted the awards below – chime in with your thoughts!
Entertainer of the Year
- Luke Bryan
- Miranda Lambert
- Blake Shelton
- George Strait – KJC, TS, BF
- Taylor Swift
- Luke Bryan – KJC, TS, BF, JK
- Miranda Lambert
- Blake Shelton
- George Strait
- Taylor Swift
For the second year, Country Universe is publishing a 40-deep list of the year’s best albums. Part One includes releases from talented newcomers, genre legends, and quite a few entries from the outskirts of country music. As usual, that’s where most of the cool stuff can be found.
Country Universe will close out our year with the conclusion of this list tomorrow. As always, share your thoughts and opinions in the comments!
Individual rankings: #12 – Jonathan
The EP format doesn’t leave much margin for error, but with a knack for unconventional imagery and a style that blends vintage SoCal rock with authentic honky-tonk, Dan Grimm ensures that every track on his freewheeling, endlessly likable Ventucky is a standout. – Jonathan Keefe
Recommended Tracks: “Skeletor,” “300 Beers”
There’s such an obvious trend of genre-hopping between pop, rock, and country right now that I can totally understand the enthusiasm surrounding Kelly Clarkson dabbling with a switch to country music.
After all, if we’re going to have pop and rock stars crossing over anyway, we might as well get one of the best ones, right? She’s got a strong knowledge of and affinity for, at the very least, the past two generations of country music. Her pipes are pretty darn good, too. I prefer the purity of Carrie Underwood’s voice, but there are many who feel the first Idol is still the best.