Tag Archives: Sheryl Crow

Single Review: Sheryl Crow, “Shotgun”

Sheryl Crow ShotgunOf all the rock artists who’ve parked themselves into the country genre to jump start their careers, Sheryl Crow is the most frustrating.

I love the return to her nineties sound, and “Shotgun” sounds like it could be an outtake from Sheryl Crow, the kind that would end up as a “Non-LP” track on the CD single for “If it Makes You Happy” or “Everyday is a Winding Road.”

But that highlights the two problems with Crow’s detour into country music.  For one, her sound hasn’t changed much.  It’s the boundaries of what’s considered country that have done all the moving.  And two, her songwriting is as tepid as ever, with a radio single from 2014 that wouldn’t have been good enough to make the actual album eighteen years ago.  Honestly, she hasn’t written a great song since The Globe Sessions.

Country radio would be better served by skipping this one and adding “Home” or “Members Only” instead.   They’d sound no less out of place than “Shotgun” and would be better than most of what’s currently on the dial anyway.

Written by Sheryl Crow, Chris DuBois, Kelley Lovelace, and John Shanks

Grade: C

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2014 ACM Awards: Staff Picks & Predictions

And they’re back: The 2014 ACM Awards air live on Sunday at 7 p.m. CST, hosted by Blake Shelton and Luke Bryan. They’re sure to be enraging or amusing, depending on your bro-country meter. In the meantime, we’ve picked and predicted the awards below – chime in with your thoughts!

Entertainer of the Year

Luke Bryan

Should Win

  • Luke Bryan 
  • Miranda Lambert
  • Blake Shelton
  • George Strait – KJC, TS, BF
  • Taylor Swift

Will Win

  • Luke Bryan – KJC, TS, BF, JK
  • Miranda Lambert
  • Blake Shelton
  • George Strait
  • Taylor Swift

Ben: No, Strait didn’t have the biggest year, but he’s still the only nominee whom I can truly endorse as the face of country music in 2014. At this point the Carrie Underwood snubs have ceased to surprise me.

Jonathan: If his fans’ votes were enough to give him the surprise win last year, there’s no reason to think Bryan won’t repeat, given that his profile only seems to have grown throughout 2013. All five of the nominees are equally sort-of deserving of a win based on relative metrics of commercial stats and quality of their output, while the most obvious, most deserving winner of this award was yet again left off the ballot.

Tara: Strait’s putting on a heck of a farewell tour, and I appreciate the CMA voters for recognizing that last year. I’m doubtful he’ll have that effect on the ACM voter demographic, though; this one’s Bryan’s to lose … but really, truly, belongs to Underwood.

Kevin: Strait’s victory at last year’s CMA Awards was the highlight of the night. But I agree with the consensus. Fan votes have this thing locked up for Bryan.

Male Vocalist of the YearBlake Shelton2

Should Win

  • Jason Aldean – TS
  • Lee Brice
  • Luke Bryan – KJC
  • Blake Shelton
  • Keith Urban

Will Win

  • Jason Aldean
  • Lee Brice
  • Luke Bryan – KJC, TS, BF, JK
  • Blake Shelton
  • Keith Urban

Ben: Bryan seems to have had the biggest year, but I’m not personally invested in any of these choices.

Jonathan: I’d be more excited about seeing new blood in this line-up if I were in any way impressed with Brice. Just looking at mainstream stars who had hits during the eligibility period, a superior slate of nominees could be culled from Gary Allan, Dierks Bentley, Eric Church, Easton Corbin, Brad Paisley, Darius Rucker, and Chris Young.

Tara: I’ll be damned if Aldean hasn’t grown on me over the past few years. His material is still too uneven for me to get behind, but I’ve come to begrudgingly respect his appeal. My guess is his crown will go to Bryan, though.

Kevin: I like the fact that after the endless streak from Paisley, we’ve gotten different winners in the past two years. The only two who haven’t won yet are Brice and Bryan. The latter is the only one at the level to warrant a win at this time.

Female Vocalist of the Year

Kacey Musgraves

Should Win

  • Sheryl Crow
  • Miranda Lambert
  • Kacey Musgraves – KJC, BF
  • Taylor Swift
  • Carrie Underwood – TS

Will Win

  • Sheryl Crow
  • Miranda Lambert – TS, BF, JK
  • Kacey Musgraves – KJC
  • Taylor Swift
  • Carrie Underwood

Ben: Lambert’s status as one of this year’s leading nominees indicates that voters still have the hots for her. Her reign will end eventually, but I won’t bet on it happening this time around.

Jonathan: Brandy Clark LeAnn Rimes Ashley Monroe Kellie Pickler Julie Roberts Holly Williams No? On the brightside, Crow managed to snag the fifth slot instead of either of Blake Shelton’s overpraised “The Voice” winners, but that’s really where the good news ends. It seems premature for Musgraves to win this award, and I’m honestly still not all that enamored of her beyond “Follow Your Arrow.” I’ve been pulling for Underwood of late, but both she and Swift ended this eligibility period with two of their worst singles, so I’d have reservations about seeing either of them win. Lambert seems poised to repeat based on her haul of nominations; as fun as “Mama’s Broken Heart” is, I’d feel better about this streak of hers had it spanned her far superior Crazy Ex-Girlfriend and Revolution eras.

Tara: I’m sticking with Underwood for one more cycle, mostly because Musgraves’ charming “Follow Your Arrow” didn’t really make its (relatively small) impact until after the eligibility period. It’s hard to swallow how many of these awards Lambert is racking up between the ACM’s and the CMA’s, but I suspect the trend will continue.

Kevin: Go big or go home. Musgraves is the ACM’s opportunity to definitively position itself as the more substantive country awards show, a status they’ve been flirting with as the CMA’s have moved in the opposite direction. I think she’ll pull it off, and I’ll be happy to see her do it.

Vocal Duo of the YearFGL

Should Win

  • Big & Rich
  • Dan + Shay
  • Florida Georgia Line - KJC
  • Love and Theft
  • Thompson Square – TS, JK

Will Win

  • Big & Rich
  • Dan + Shay
  • Florida Georgia Line – KJC, TS, BF, JK
  • Love and Theft
  • Thompson Square

Ben: This category remains lame and pointless as ever, but at least I can give credit for the fact that they finally stopped shoehorning in Sugarland.

Jonathan: Thompson Square is the only one of these five acts who released a single that I didn’t absolutely hate during the past year. While that’s an accomplishment of sorts, it’s hardly one that should keep this category from being combined with the Vocal Group race.

Tara: I don’t mind Thompson Square. That’s the best thing I can say about this line-up.

Kevin: I’m not really a fan of any of these acts, so again, I’ll root for variety. Thompson Square has two wins already. Florida Georgia Line had a great year. Give them their due, and then perhaps we can forget they ever happened.

Vocal Group of the YearLittle Big Town

Should Win

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town – TS, JK
  • The Band Perry
  • Zac Brown Band – KJC

Will Win

  • Eli Young Band
  • Lady Antebellum
  • Little Big Town
  • The Band Perry – KJC, TS, JK, BJF
  • Zac Brown Band

Jonathan: I couldn’t vote against Little Big Town during a year when they released “Sober,” but Zac Brown Band continues to release solid material and remains overdue for recognition. The Band Perry have a run of huge hit singles– the first two of which were as clever and progressive as anything country radio has touched in a minute– to their credit during the eligibility period. Momentum seems to be on their side at the moment, and I think they’ll score the night’s only real upset.

Tara: The Band Perry are walking a skillful line between commercial and creative, and I think they’ll be rewarded. As for me, I’m clinging to Little Big Town at least until the exquisite “Sober” becomes old news.

Kevin: I think that The Band Perry is best positioned to win, but Zac Brown Band is the most overdue.

Ben: I’m torn between picking The Band Perry for having had such a strong year, and picking Little Big Town for releasing one of my favorite singles of 2013. But despite Little Big Town’s recent hot streak, I expect The Band Perry’s commercial stats will net them their first win in this category.

New Artist of the Year2012 CMT Music Awards Rehearsals - Day 1

Should Win

  • Brett Eldredge
  • Justin Moore
  • Kip Moore – KJC, TS, BF

Will Win

  • Brett Eldredge
  • Justin Moore – TS, JK, BF
  • Kip Moore

Jonathan: Of these three, Justin Moore has been building his fanbase for the longest period of time, so it seems logical that he’ll win based on the fan vote.

Tara: I’ve been in Kip Moore’s corner for a few years now, but doubt he’ll take this. True story: Sometimes I think Justin Moore and Brice are the same person.

Album of the Year

Same Trailer

Should Win

  • Blake Shelton, Based on a True Story…
  • Luke Bryan, Crash My Party
  • Florida Georgia Line, Here’s to the Good Times
  • Kacey Musgraves, Same Trailer Different Park – KJC, TS, BF, JK
  • Tim McGraw, Two Lanes of Freedom

Will Win

  • Blake Shelton, Based on a True Story… JK
  • Luke Bryan, Crash My Party
  • Florida Georgia Line, Here’s to the Good Times
  • Kacey Musgraves, Same Trailer Different Park – TS, KJC, BF
  • Tim McGraw, Two Lanes of Freedom

Ben: Musgraves is the only one deserving of a nomination, let alone a win.

Jonathan: 2013 was an extraordinary year for country music, and that is in no way reflected in this appalling slate of nominees. Musgraves’ album is the only one that belongs in any conversation about the best of contemporary country. But there seems to be some growing consensus that Shelton is owed something more than his own celebrity status, so he’s the most likely winner.

Tara: A  part of me thinks the voters will ride the 2013 Musgraves fan train and use this as an opportunity to show some relevance. But that’s a gamble of a guess, considering the atrocious other nominees.

Kevin: They’ve been more supportive of good art in this category than the CMA’s lately, so I’m thinking Musgraves has this wrapped up, and the ACM will be the tiebreaker between the Grammys and the CMA’s.

Single Record of the YearMama's Broken Heart

Should Win

  • Florida Georgia Line, “Cruise”
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart” – KJC, BF, TS, JK
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

Will Win

  • Florida Georgia Line, “Cruise” – TS, BF, JK
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – KJC
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart”
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

Jonathan: A case could be made for any of these five singles actually winning, but I’ll let my pessimism about the overall nominations carry the most weight here and say that “Cruise” will win. “Mama’s Broken Heart” is only Lambert’s fifth-or-sixth-best single, but it’s easily the class of this field.

Tara: “Cruise” is too big for the voters to ignore, and that’s both depressing and funny. I wouldn’t be disappointed if the Rucker or Brice singles won, but Lambert’s “Mama’s Broken Heart” is clearly a cut above the rest with its sharp songwriting and spitting, bullet of a performance.

Kevin: Love the Lambert track, but the star power of McGraw/Swift/Urban seems hard to deny.

Song of the Year

WagonWheel

Should Win

  • “Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves – KJC, TS, BF
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan
  • “Wagon Wheel” – Bob Dylan, Ketch Secor – JK

Will Win

  • “Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren
  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary – TS, JK
  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves – KJC, BF
  • “Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan
  • “Wagon Wheel” – Bob Dylan, Ketch Secor

Jonathan: “Wagon Wheel” has become as close to a standard as any song in recent memory, and that generally doesn’t happen just by accident. This is one of the few times when Brandy Clark would be my second choice for a winner. The success of “I Drive Your Truck” propelled Brice to a surprising haul of nominations this year, though, and it’s clear that the song has resonated with a sizable bloc of voters.

Tara: This isn’t an awful line-up. I personally get the most kicks out of “Mama’s Broken Heart,” but I could make a case for all five songs, even the somewhat underrated “Mine Would Be You.” I have a gut feeling “I Drive Your Truck” will win on emotional heft, though.

Kevin: Perhaps it’s overly wishful thinking, but with “Merry Go Round” not in the running, voters have a clear path to rewarding both Musgraves and Clark, along with sending some more hardware Lambert’s way.

Video of the YearTwo Black Cadillacs

Should Win

  • The Band Perry, “Better Dig Two”
  • Kacey Musgraves, “Blowin’ Smoke”
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart”
  • Carrie Underwood, “Two Black Cadillacs” – KJC, TS, BF, JK

Will Win

  • The Band Perry, “Better Dig Two”
  • Kacey Musgraves, “Blowin’ Smoke”
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – BF
  • Lee Brice, “I Drive Your Truck”
  • Miranda Lambert, “Mama’s Broken Heart” – JK, TS
  • Carrie Underwood, “Two Black Cadillacs” – KJC

Jonathan: The video for “Blowin’ Smoke” looks like a reel of B-roll footage from Rob Zombie’s The Devil’s Rejects, which was an interesting aesthetic choice but was still nowhere near as fun as the Christine homage in “Two Black Cadillacs.”

Tara: I dig the tongue-in-cheek realism of Musgraves’ video and the whimsy of Lambert’s, but Underwood makes the most unexpected, imaginative choice.

Kevin: They’ve got to give Underwood something, right?  I’m not a huge fan of the video, really. The song is awfully suggestive, but doesn’t come right out and say that the two ladies killed the guy. So the video takes that opening and decides, “The car did it!” But at least it’s a video. The others are just YouTube fodder.

Vocal Event of the YearHighway Don't Care

Should Win

  • Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”
  • Florida Georgia Line featuring Nelly, “Cruise” (Remix)
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – KJC, JK, BF
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel” – TS
  • Keith Urban and Miranda Lambert, “We Were Us

Will Win

  • Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”
  • Florida Georgia Line featuring Nelly, “Cruise” (Remix)
  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care” – KJC, BF
  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”
  • Keith Urban and Miranda Lambert, “We Were Us – TS, JK

Jonathan: Hillary Scott’s shrill attempts at singing harmony are the worst part of Rucker’s cover of “Wagon Wheel,” and hopefully the two hip-hop-circa-2003-inspired singles will split votes. “We Were Us” is the worst sounding track of the five– which is really saying something about how we’ve forever lost the Loudness War– but it seems like Lambert is going to have a big night.

Tara: I’ll go with “Wagon Wheel” by default, though its collaboration does it absolutely no favors, as Jonathan said. Even still, it’s far above these other middling to obnoxious (so loud!) singles.

Kevin: Fair warning. If Florida Georgia Line/Nelly win, I’m out. Done. No live blog for me after that!

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Country Universe’s Best Albums of 2013, Part One: #40-#21

For the second year, Country Universe is publishing a 40-deep list of the year’s best albums.  Part One includes releases from talented newcomers, genre legends, and quite a few entries from the outskirts of country music.  As usual, that’s where most of the cool stuff can be found.

Country Universe will close out our year with the conclusion of this list tomorrow.  As always, share your thoughts and opinions in the comments!

Dan Grimm Ventucky

#40
Ventucky

Dan Grimm

Individual rankings:  #12 – Jonathan

The EP format doesn’t leave much margin for error, but with a knack for unconventional imagery and a style that blends vintage SoCal rock with authentic honky-tonk, Dan Grimm ensures that every track on his freewheeling, endlessly likable Ventucky is a standout. - Jonathan Keefe

Recommended Tracks:  “Skeletor,” “300 Beers”

Avett Brothers Magpie and the Dandelion

#39
Magpie and the Dandelion
The Avett Brothers

Individual rankings:  #12 – Sam

Since moving up to a major label, the Avetts’ album releases have strayed further and further away from their ragged-but-right indie albums. There aren’t as many reckless moments, though “Another Is Waiting” and “Open Ended Life” come close. The trade is that their slower, introspective songs are increasingly sophisticated. “Good to You” is beautifully written, and Bob Crawford’s rare vocals are a dagger to the heart for any dads who spend too much time traveling. - Sam Gazdziak

Recommended Tracks: “Good to You”, “Another is Waiting”, “Morning Song”

Matraca Berg Loves Truck Stop

#38
Love’s Truck Stop

Matraca Berg

Individual rankings:  #11 – Kevin

Originally released in Europe last year, Matraca Berg’s latest collection builds on the strength of 2011’s Dreaming Fields. She embodies the characters of her song so fully that she allows you to walk as easily in the shoes of a truck stop waitress as those of a grieving, abused daughter clutching flowers at her father’s graveside. Her vulnerable vocals shine best on “My Heart Will Never Break This Way Again”, which was sung by Patty Loveless many years ago. - Kevin Coyne

Recommended Tracks:  “Her Name is Mary”, “Fistful of Roses”, “My Heart Will Never Break This Way Again”

Sheryl Crow Feels Like Home

#37
Feels Like Home
Sheryl Crow

Individual rankings:  #11 – Leeann

It was inevitable that Sheryl Crow would eventually make a country album, since she’s dabbled in it over the years on various tribute projects and has collaborated with country stalwarts like Willie Nelson and Vince Gill, not to mention that even her pop albums have had elements of country in them. So, Feels Like Home seems appropriate for the title of her first official country record.
While certainly not a traditional country record, as I had personally hoped it would be, Crow is instead authentic to her way of doing things, while also being able to draw from the good parts of the modern sounds and styles of country music. - Leeann Ward

Recommended Tracks:  “We Oughta Be Drinkin'”, “Stay at Home Mother”

Gibson Brothers They Called it Music

#36
They Called it Music
The Gibson Brothers

Individual rankings:  #11 – Ben

On the title track of They Called it Music, IBMA Entertainers of the Year Leigh and Eric Gibson pine for the days when music was honest, simple, and “helped the hard times heal” – when it was a medium of art and self-expression rather than a mere moneymaker. Whether lighthearted (“Buy a Ring, Find a Preacher”), melancholy (“Dying for Someone to Live For”) or introspective (“Something Coming to Me”), the entire album is a beautiful realization of that very standard. - Ben Foster

Recommended Tracks:  “Buy a Ring, Find a Preacher,” “They Called It Music,” “Something Coming to Me”

Mando Saenz Studebaker

#35
Studebaker

Mando Saenz

Individual rankings:  Sam – #11

The third album from Texas-raised, Nashville resident Saenz is the most eclectic and best of his career. While the focus is still on his sharp songwriting skills, the mood varies from introspective to rocking to, on “Tall Grass,” downright playful. Saenz collaborated with an A-list batch of co-writers, including Kim Richey for “Break Away Speed” and Wade Bowen for “Bottle into Gold,” and the mix of songs with Saenz’s pleasant vocals and a hot band is a winning combination. - Sam Gazdziak

Recommended Tracks:  “Break Away Speed”, “Bottle into Gold”, “Pocket Change”

Sarah Jarosz Build Me Up From Bones

#34
Build Me Up from Bones
Sarah Jarosz

Individual rankings:  #17 – Jonathan; #19 – Ben

On her third album, Build Me Up from Bones, Sarah Jarosz found her voice as both a singer and a songwriter. Her sense of phrasing draws from both her expansive knowledge of contemporary folk and her conservatory training in improvisation, and sharply observed original songs like “Gone Too Soon” and “1000 Things” more than hold their own alongside Joanna Newsom and Bob Dylan covers. - Jonathan Keefe

Recommended Tracks: “Over the Edge,” “Build Me Up from Bones,” “1000 Things”

Peter Cooper Opening Day

#33
Opening Day
Peter Cooper

Individual rankings: #16 – Leeann; #18 – Sam

eter Cooper’s second album was entitled after the great pedal steel guitar player, Lloyd Green. While Opening Day is not named after him, Green is still the other star player on Cooper’s third stellar solo album. Along with Green’s prominent steel and cooper’s own emotionally conversational voice, Cooper once again proves that he is as an adept songwriter as he is a journalist. Themes of living life well, baseball (Of course!), and even drone strikes. Each of these songs with its various themes are all presented with either insight or witty humor and sometimes both. - Leeann Ward

Recommended Tracks:  “Much Better Now”, “Quiet Little War”

Whiskey Gentry Holly Grove

#32
Holly Grove
The Whiskey Gentry

Individual rankings: #8 – Sam

It’s hard to say if The Whiskey Gentry will be the next big thing to come out of Georgia, but they have the talent to spare. The band mixes in bluegrass, country, a bit of Celtic and a dash of punk rock, resulting in a high-energy, hard-to-classify sound. “I Ain’t Nothing” and “Dixie” wouldn’t sound out of place in a honky tonk, while “Colly Davis” is a bluegrass-on-amphetamines winner. The title track is a four-and-a-half minute epic that was one of the most moving songs of the year. - Sam Gazdziak

Recommended Tracks:  “Holly Grove”, “Particles”, “I Ain’t Nothing”

Rebecca Frazier When We Fall

#31
When We Fall

Rebecca Frazier
Individual rankings: Ben – #7

Rebecca Frazier is a genuine triple threat – a great picker, a great singer, and a great songwriter. She shows that she can throw it down with the best of them on “Ain’t Gonna Work Tomorrow” as well as a trio of stellar instrumental tracks, while her delivery of ballads such as the deeply personal “Babe in Arms” resounds with humanity and vulnerability, the result being one of the year’s finest bluegrass albums. - Ben Foster

Recommended Tracks: “When We Fall,” “Ain’t Gonna Work Tomorrow,” “Babe in Arms”

4PAN1T

#30
Not Cool
Tim Easton

Individual rankings:  #7 – Jonathan

Even if its self-deprecating title isn’t at all accurate, singer-songwriter Tim Easton’s Not Cool proves that, despite the glut of counter-evidence 2013 presented, it’s still possible to incorporate a heavy rock influence into folk and country styles without sacrificing wit, craft, or genre know-how. Spirited, ramshackle cuts like “Lickety Split” and “Crazy Motherfucker from Shelby, OH” make the underrated Easton’s seventh outing one of the year’s most raucous and, yes, coolest albums. - Jonathan Keefe

Recommended Tracks:  “Troubled Times,” “Lickety Split,” “They Will Bury You”

Brad Paisley Wheelhouse

#29
Wheelhouse
Brad Paisley

Individual rankings:  Sam – #7

Did you know that Brad Paisley released one of the best albums of his career this year? The humorous songs, like “Harvey Bodine” and “Death of a Single Man,” stayed humorous after multiple listenings, and unlike most other country singers, Paisley blended in pop elements, like sampling Roger Miller in “Outstanding in Our Field,” and did it without turning them into pop or rock songs with token country elements. “Southern Comfort Zone” and “Those Crazy Christians” showed more depth than their titles would suggest. And all anyone wanted to talk about was that damn “Accidental Racist” song.  - Sam Gazdziak

Recommended Tracks:  “Southern Comfort Zone”, “Beat This Summer”, “Death of a Single Man”

John Moreland In the Throes

#28
In the Throes
John Moreland

Individual rankings: #6 – Jonathan

A difficult meditation on what happens when one has experienced losses of love and faith, John Moreland’s In the Throes is a testament to the redemptive power of music. He may sing, “Nobody Gives a Damn About Songs Anymore,” on the album’s most keenly observed song, but Moreland’s spectacular songwriting is something everyone should hear. - Jonathan Keefe

Recommended Tracks: “Nobody Gives a Damn About Songs Anymore,” “Break My Heart Sweetly,” “Blues & Kudzu”

Lorrie Morgan and Pam Tillis Dos Divas

#27
Dos Divas
Lorrie Morgan & Pam Tillis

Individual rankings: #13 – Kevin; #16 – Ben

A lively and entertaining collaboration between two nineties, second-generation country stars. The album features six full collaborations, along with four solo tracks from each artist. The pairings are funny and loose, recalling the best of those old-school duet albums from the sixties and seventies. But the biggest surprise is in the solo turns by Lorrie Morgan, who turns in some of her strongest moments ever put down to tape. - Kevin Coyne

Recommended Tracks:  “Last Night’s Makeup”, “Next Time it Rains”, “I Know What You Did Last Night”

Julie Roberts Good Wine and Bad Decisions

#26
Good Wine and Bad Decisions
Julie Roberts

Individual rankings: #13 – Ben; #16 – Tara

Roberts’ comeback album is best approached with an aching heart and a glass of something smooth – all the better to absorb its combo of earthy blues and provoking, damn-that’s-depressing stories. But don’t mistake Good Wine and Bad Decisions for a downer; Roberts lures you into her dark places with such emotional gusto and groovy, engaging vibes that you somehow end up celebrating in misery. - Tara Seetharam

Recommended Tracks:  “Arms of Jesus,” “He Made a Woman Out of Me,” “Bones,” “Old Strings”

Blue Sky Riders Finally Home

#25
Finally Home
Blue Sky Riders

Individual rankings:  #4 – Dan

With their considerable powers combined, Georgia Middleman, Gary Burr, and Kenny Loggins (Kenny Loggins!) produce the year’s most relentlessly positive LP. No time for cynics here; this is distilled country-poptimism, a set of songs that could easily soundtrack a self-help seminar (“Just Say Yes”! “How About Now”!) and like it that way, thanks. And are you gonna complain? The songs are so catchy, you will help yourself. - Dan Milliken

Recommended Tracks:  “Little Victories”, “Just Say Yes”, “How About Now”

Willie Nelson To All The Girls

#24
To All the Girls…
Willie Nelson

Individual rankings:  #12 – Tara; #15 – Leeann

Only Nelson could create an album akin to a mug of hot chocolate on a lazy Sunday afternoon that still feels elegant and impeccably thought-out. There’s no doubt he was tickled to record with all 18 female acts, from current stars to genre darlings to his own family, and it shows. He plays to each of her strengths with grace – stepping back in “Grandma’s Hands” to let Mavis Staples take it to church, standing quietly still in “Always On My Mind” so Carrie Underwood can inhabit the classic, waltzing right alongside Norah Jones in “Walkin.” It’s all comfort food, to be sure, but comfort food of the classiest, most tasteful order. - Tara Seetharam

Recommended Tracks:  “Far Away Places,” “Please Don’t Tell Me How the Story Ends,” “Grandma’s Hands,” “Have You Ever Seen the Rain?”

Kim Richey Thorn in My Heart

#23
Thorn in My Heart
Kim Richey

Individual rankings: #15 – Kevin; #18 – Ben; #19 – Tara

Built around full-bodied melodies, subtle yet evocative arrangements, and authoritative vocal performances, Thorn in My Heart is another excellent collection of mature, compelling roots country songs by one of the genre’s most underrated singer-songwriters.  - Ben Foster

Recommended Tracks:  “Thorn in My Heart,” “London Town,” “Breakaway Speed”

Lori McKenna Massachusetts

#22
Massachusetts
Lori McKenna
Individual rankings: #3 – Kevin

Whereas the previous, excellent Lorraine dealt heavily in the themes of loss and grief, the finest moments on McKenna’s latest collection surround matters of the heart. McKenna captures the quiet desperation just under the surface of life’s mundanity better than any writer today.  - Kevin Coyne

Recommended Tracks: “Shake”, “Salt”, “Smaller and Smaller”

Caitlin Rose The Stand-In

#21
The Stand-In
Caitlin Rose

Individual rankings: #10 – Dan; #11 – Jonathan

Liz Rose’s daughter once again proves her family can school yours all day long, with a sophomore set of songs every bit as sharp as her debut. Her soft, demure singing style belies her ability to slip powerful blows—whether aimed at others or herself—into a song. Call her Nashville’s ninja. - Dan Milliken

Recommended Tracks:  “I Was Cruel”, “Silver Sings”, “Menagerie”

Country Universe’s Best of 2013:

 

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Single Review: Parmalee, “Carolina”

Parmalee CarolinaI think I’ve discovered a virtue of rock bands that choose to go country.  They feel a need to dial it back a bit, so we end up with a less cluttered, more straightforward performance.

There’s nothing distinguishingly country about “Carolina”, which makes it stand out among a lot of what’s on country radio right now.  But here’s the rub. It stands out because it’s not as garishly loud as the rock wannabes up and down the radio dial right now.   They don’t try as hard as Darius Rucker or even Sheryl Crow to make it at least sound like they’re seriously attempting country music, but maybe less loud rock music is the best we can hope for these days.

So, in case you’re pining for the days of Third Eye Blind and such, here you go.  They’re called Parmalee.

Written by Rick Beato, Barry Knox, Joshua McSwain, Matt Thomas, and Scott Thomas

Grade: C

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Single Review: Kelly Clarkson, “Tie it Up”

Kelly Clarkson Tie it UpThere’s such an obvious trend of genre-hopping between pop, rock, and country right now that I can totally understand the enthusiasm surrounding Kelly Clarkson dabbling with a switch to country music.

After all, if we’re going to have pop and rock stars crossing over anyway, we might as well get one of the best ones, right?  She’s got a strong knowledge of and affinity for, at the very least, the past two generations of country music.   Her pipes are pretty darn good, too.  I prefer the purity of Carrie Underwood’s voice, but there are many who feel the first Idol is still the best.

There’s only one problem, and it’s a big one.  “Tie it Up” is not a country song.  Not by any stretch of the imagination, and my imagination is pretty stretched out at this point.  It sounds like some Globe Sessions-era Sheryl Crow album filler, honestly.  There’s some banjo, but come on.  You can find that on a Kid Rock record.

I know, I know.  Kid Rock had a country hit, too.   It wasn’t country either.  We’ve reached a point where there’s so much distance between the country music radio format and country music itself that the former has very little to do with the latter.  It doesn’t even matter if the country format is the home base.  Lady Antebellum is an Adult Contemporary band that happened to get its start on country radio.   Jason Aldean is a southern rocker who was born thirty years too late for rock radio, so we’ll just call him country.

I have no doubt that Kelly Clarkson could do an actual country record, but this isn’t one.  It’s a pretty bland song anyway, notable only for the fact that it’s her first solo single being sent primarily to country radio.  It’d be pretty unremarkable if not for that fact, which is destined to be little more than a piece of trivia anyway.

So, welcome to country radio, Kelly. You’ll find it’s not that different from the Adult Top 40 stations you’re used to dominating and you won’t have to change a thing to fit in.

Written by Ashley Arrison, Shane McAnally, and Josh Osborne

 Grade:  (not) C (ountry)

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Single Review: Sheryl Crow, "Easy"

EasySherylCrowIt’s not very country, nor does it sound far removed from the music

she’s been making for two decades now, but the lead single from Sheryl Crow’s first full-fledged country album gets several things right.

“Easy” is a laid-back summer song that’s meant to go down… well… easy.  Its aim is not to offer a deep compelling set of lyrics, but rather it’s mainly about creating the right feeling – channeling the ideal escapist vibe through the right set of hooks and melodies.

Crow herself describes “Easy” as “a song about ‘staycation’ — about staying home when you can’t afford to go to the Caribbean or wherever or on your yacht.  And making your home feel like you’re getting away.”  To that end, the smooth, lazy melody and tasteful production are a perfect fit.  Crow’s delivery of the chorus conveys a subtle sense of excitement that quietly pulls the listener in, lending an organic feel to the track as a whole.

Unfortunately, Crow’s limited vocal range begins working against her as the song near its end, and her performance becomes shaky and strained as she reaches for notes that seem somewhat beyond her capabilities.  It’s not quite enough to sink the record entirely, but it does give a rough, choppy ending to what is mostly smooth sailing up to that point.

Written by Sheryl Crow, Chris DuBois, and Jeff Trott

Grade:  B

Listen:  Easy

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2011 CMA Awards: Staff Picks and Predictions

It’s that time of year again!  The time when we all dutifully tune in to the CMA Awards show, raise our eyebrows at the “What the heck are they doing here?” award presenters, and afterwards complain about how totally un-country the whole show was.  I don’t know about the rest of you, but I can’t wait.

We’re pleased to share the Country Universe staff picks for this year’s CMA Awards, as well as our predictions of who the winners will be.  This year we have some highly competitive categories in which predicting the winners is quite difficult, leading to some significantly divergent picks among our writing staff.  Agree?  Disagree?  Join in the discussion in the comment thread below, and let us know.

The CMA Awards telecast will air on Wednesday, November 9, 8pm Eastern on ABC-TV.  We will be live blogging the show here at Country Universe, so do be sure to drop by and join in the fun!

Entertainer of the Year

Should Win:

  • Jason Aldean – Kevin
  • Brad Paisley
  • Blake Shelton
  • Taylor Swift - Dan, Ben, Leeann, Jonathan, Tara
  • Keith Urban

Will Win:

  • Jason Aldean
  • Brad Paisley
  • Blake Shelton - Dan, Leeann, Jonathan
  • Taylor Swift – Ben, Kevin, Tara
  • Keith Urban

Dan: I can imagine anyone but Urban taking it, but I like Jonathan’s logic.

Ben:  It’s hard to bet on the Entertainer award going to a female artist, but it seems Swift has undoubtedly had the biggest year of all the nominees.  Her album sold like hotcakes, and produced a trio of killer radio singles, while she topped that off with her Speak Now tour.  That combination should bag her this year’s top prize.

Leeann: Paisley could take it again, but my money’s on the CMA wanting to give it to fresh blood this year. Taylor Swift is who probably actually deserves it, however.

Jonathan:   Paisley is probably the most logical pick, but he didn’t figure as heavily into the nominations this year as he could have, so I’m wondering if the voters have cooled on him as much as the crew here at CU have of late. Swift’s live show should be a factor in this category, but she has a whole lot of gender bias to overcome, and there seems to be at least something of a backlash against her in the country community post-Fearless. Which leaves the ubiquitous Shelton, who has been something of a new “Everywhere Man” for the genre over the past year.

Kevin:  I think Swift will win because she had the highest profile year.  But I think Aldean defines the genre in 2011, for better or for worse.  Mostly worse.

Tara: As I’ve said before, this is the most appropriate way for the voters to reward Swift’s monster success, and for the first time at the CMAs, I truly feel she deserves this award. I’m particularly impressed with the way she continues to cultivate her relationship with her fans. I just hope the voters don’t pair this award with the FVOTY award.

Male Vocalist of the Year

Should Win:

  • Jason Aldean - Dan, Ben
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton
  • Keith Urban - Leeann, Jonathan, Kevin, Tara

Will Win:

  • Jason Aldean – Dan, Ben
  • Kenny Chesney
  • Brad Paisley
  • Blake Shelton - Leeann, Jonathan, Kevin, Tara
  • Keith Urban

Dan:  Aldean’s not my thing, but he’s the biggest guy in the field by an unignorable margin. More than anything, I think the indie Broken Bow Records deserves props for building their flagship artist so well.

Ben:  I’m largely indifferent to this particular field of nominees (save possibly Keith Urban), but Aldean’s massive success should most likely nab him his first Male Vocalist trophy.

Leeann: Again, I think it’s Shelton’s night to sweep in order to shake things up this year. He and Urban have the strongest voices in the category anyway.

Jonathan:  Urban’s the only one of the lot who has released even one single I’ve liked in the past year, so he’d get my vote. Aldean has the commercial clout, sure, but quality has to count for something, right? Voters have looked at the word “Vocalist” in the category name and have passed over Chesney for years, and I wonder if they’ll do the same to Aldean here. I’m thinking yes.

Kevin: Urban’s the one who I can stand to listen to. But if Shelton was able to win last year, I don’t see how he loses this year. Not post-Voice and “Honey Bee.”

Tara: It makes me sad that I can’t find a solid reason to support Urban or Paisley, both of whom I used to feel passionately about. And in all honesty, I can’t find a solid reason to support any of these guys, based on their output during the eligibility period. I’m going to blindly back Urban –who, despite being “Urban-lite” these days, is at least consistent– and predict that Shelton’s amped public profile will give him the edge with voters.

Female Vocalist of the Year

Should Win:

  • Sara Evans – Kevin
  • Miranda Lambert
  • Martina McBride
  • Taylor Swift – Dan, Ben, Leeann, Jonathan
  • Carrie Underwood – Tara

Will Win:

  • Sara Evans
  • Miranda Lambert – Dan, Leeann, Jonathan, Kevin, Tara
  • Martina McBride
  • Taylor Swift - Ben
  • Carrie Underwood

Dan:  Come ACM season, I’ll be all for Lambert; Pistol Annies and Four The Record prove she’s using her new commercial powers nobly. But I like Swift’s performances on Speak Now, and that album just applies more to this awards cycle.

Ben:  Swift is the overall strongest contender, but I could see voters seizing the opportunity to recognize Evans, who released a new album and had a number one single during the eligibility period.  I wouldn’t rule Lambert out either, though she didn’t have as strong a year as she did in 2010.  But I doubt this will be Underwood’s year, and McBride’s was essentially a filler nomination, so I’d say it’s down to Swift, Evans, and Lambert. (But, like Dan, I will totally be Team Miranda when the ACMs roll around)

Leeann: I reflexively say Lambert should win, but Swift has had the best year and will likely win as a result. I won’t be heart broken if Lambert takes it though.

Jonathan:  There’s a part of me that would vote for Lambert on principle and out of loyalty, but I can’t argue with a simple mathematical inequality: “Back to December,” “Mean,” and “Sparks Fly” > “Only Prettier,” “Heart Like Mine” and “Baggage Claim.” Had her label been campaigning harder that she’s never won this award, Evans could’ve been a bigger threat here, but Lambert’s ongoing momentum should carry her to a repeat win.

Kevin: Can this power couple nonsense be derailed?  Probably not, so while I’d rather see Swift get it over Lambert, I’m doubtful it would happen. My real fantasy would be for the only non-winner, Sara Evans, to take it.  For prosperity’s sake, and for actually putting out a great single that I failed to realize was great until it was already a hit.

Tara: This is a tough one for me. Lambert’s worked the genre like no other female has this past year and a half, but the singles she’s released in the eligibility period have been so-so. Swift’s put out some solid material, but I’m not sure I’ll ever be able to support her winning a vocalist award. And then there’s Underwood, who’s been relatively quiet on the radio front, but whose stunning performance of “How Great Thou Art” back in April went viral and serves as a reminder of what I firmly believe is one of the finest voices in the genre. I’m going with my gut and backing Underwood, but I think the voters will reward Lambert again, which is fine with me.

Vocal Duo of the Year

Should Win:

  • The Civil Wars – Dan, Ben, Leeann, Jonathan, Kevin, Tara
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland
  • Thompson Square

Will Win:

  • The Civil Wars
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland - Dan, Ben, Leeann, Jonathan, Kevin, Tara
  • Thompson Square

Dan:  Seriously, why not the Civil Wars? They’ve sold about as many albums (200,000-ish) as everyone besides Sugarland without the support of a major label. Not to mention they just made the most interesting music.

Ben:  I’m supporting the Civil Wars on principle, but it’s a no-brainer that Sugarland’s hot streak is not over yet.

Leeann: I love The Civil Wars. The end.

Jonathan:  Yet more evidence that this category should be merged with Vocal Group of the Year to cut the deadweight. Though the Civil Wars getting in instead of the JaneDear Girls is a nice testament to the fact that the CMAs, every so often, can exercise good taste and discretion.

Kevin:  Sugarland’s album was atrocious.  The Civil Wars are in the running for my favorite set of the year.  Easy call for me.

Tara: Can Sugarland hurry up and release a new, redeeming album, please?

Vocal Group of the Year

Should Win:

  • The Band Perry
  • Lady Antebellum
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band – Dan, Ben, Leeann, Jonathan, Kevin, Tara

Will Win:

  • The Band Perry
  • Lady Antebellum – Tara
  • Little Big Town
  • Rascal Flatts
  • Zac Brown Band - Dan, Ben, Leeann, Jonathan, Kevin

Dan:  Lady A were between albums. Some variety this year, please.

Ben:  It’ hard to bet against Lady Antebellum, but the Zac Brown band gave us a strong album and two of the year’s most memorable hit singles (“As She’s Walking Away” and “Colder Weather”), and I predict that they will be rewarded justly.

Leeann: Zac Brown Band has a good chance with the best music in the category, but Lady A just might not be out yet.

Jonathan:  Little Big Town’s brilliant “Little White Church” should’ve put them back in the mix for good, but they really botched the single releases from their album and are right back to being also-rans. The Band Perry will settle for the “New Artist” award as a consolation prize this year, which leaves Lady A and Zac Brown Band to duke it out. In terms of the quality of their output, Zac Brown Band has Lady A dead to rights, but is that enough to stop the trio’s awards-show juggernaut? Let’s hope so.

Kevin:  Zac Brown Band is the only option both realistic and palatable.

Tara: This is the first of these categories that I feel strongly about this year. Based on the strength of You Get What You Give, Zac Brown Band deserves to nab this award, hands down. But I’ll go against my co-bloggers here and guess that Lady Antebellum still has the industry wrapped around its finger.

New Artist of the Year

Should Win:

  • The Band Perry - Ben
  • Luke Bryan
  • Eric Church - Leeann, Jonathan
  • Thompson Square
  • Chris Young – Dan, Kevin, Tara

Will Win:

  • The Band Perry – Ben, Jonathan, Tara
  • Luke Bryan
  • Eric Church – Dan, Leeann, Kevin
  • Thompson Square
  • Chris Young

Dan: Church seems the most likely to have a long, interesting career and probably deserves the win. I just don’t want to encourage “Homeboy,” I guess.

Ben:  Thompson Square and The Band Perry are the only two nominees whom I would still consider “new” artists, and I think The Band Perry beats Thompson Square any day.  Bryan, however, did reach a new level of stardom over the past year, so he stands a good chance at wining nonetheless.

Leeann: While it’s strange that with three albums Church is still in the New Artist category, it’s probably that same reason that he should win the award, not to mention that he had the strongest album of the nominees in the past year.

Jonathan:  Young’s the best singer in the field, but his material is still too inconsistent in quality for me to get on board with him. Church, on the other hand, finally made good on his early promise and his considerable hype with Chief and would be a deserving winner, as would the uneven but still pretty good The Band Perry. As the only nominee with any other nominations, they have to be considered the slight favorites over Crest WhiteStrips.

Kevin:  I think Church’s big breakthrough happened close enough to the voting window to give him a slight edge.  I’d like to see Chris Young get the boost from a win.

Tara: Of all the nominees, I’m the most excited for Chris Young’s future in country music – his vocal talent is tremendous, and even though it falls right outside of the eligibility period, Neon is one of my favorite releases of this year. Based on their other major nominations, though, I think The Band Perry will take this.

Album of the Year

Should Win:

  • Blake Shelton, All About Tonight
  • Jason Aldean, My Kinda Party
  • Taylor Swift, Speak Now - Ben, Kevin
  • Brad Paisley, This Is Country Music
  • Zac Brown Band, You Get What You Give - Dan, Leeann, Jonathan, Tara

Will Win:

  • Blake Shelton, All About Tonight
  • Jason Aldean, My Kinda Party – Dan, Leeann, Jonathan, Tara
  • Taylor Swift, Speak Now – Ben, Kevin
  • Brad Paisley, This Is Country Music
  • Zac Brown Band, You Get What You Give

Dan: Here’s a logical place to acknowledge Aldean, though I hope voters think twice about it.

Ben:  In my book, Swift and the Zac Brown Band are the only truly worthy winners (and I’m still scratching my head over why a Blake Shelton “Six Pak” was even nominated in the first place).  To me, the most intriguing thing about Swift is that she really does seem to get a little better and a little deeper with each album.  Speak Now is her crowning achievement to date, and in my opinion, the best album on this ballot.

Leeann: It hurts my heart to think it, but Jason Aldean’s big year will likely earn him the award for best album, even though numbers isn’t how such an award should be selected.

Jonathan:  Speak Now is Swift’s strongest album, but, “Mean” notwithstanding, it’s also her most unabashedly pop album. And song-for-song, I still think You Get What You Give is slightly better. But Aldean has been a steady seller, and he’s big enough that he has to win one of the major awards, and this one’s his best bet.

Kevin:  “All songs composed by Taylor Swift” impressed the heck out of me, not the least of which because the songs were far better than her earlier work.  Zac Brown Band’s a close second for me.

Tara: Speak Now is solid, but You Get What You Give is the better example of how to move this genre forward, with its delicious yet reverent mishmash of influences. But I think this is where the voters will recognize the often overlooked commercial success of Jason Aldean.

Single of the Year

Should Win:

  • Sara Evans, “A Little Bit Stronger”
  • Zac Brown Band, “Colder Weather”- Leeann, Tara
  • Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay”
  • Blake Shelton, “Honey Bee”
  • The Band Perry, “If I Die Young” – Dan, Ben, Jonathan, Kevin

Will Win:

  • Sara Evans, “A Little Bit Stronger”
  • Zac Brown Band, “Colder Weather”
  • Jason Aldean with Kelly Clarkson, “Don’t You Wanna Stay” - Jonathan, Tara
  • Blake Shelton, “Honey Bee” – Kevin
  • The Band Perry, “If I Die Young” - Dan, Ben, Leeann

Dan: It’d be heartening to see The Band Perry’s risky, rootsy release get its due. Plus: the single alone is 3x Platinum, better than any of its competitors can claim.

Ben:  “Colder Weather” and “If I Die Young” are the two strongest competitors, but for me, a cool folksy arrangement puts the latter over the edge.

Leeann: This is tough. I can actually see any of these singles winning, but I have a good feeling about “If I Die Young”, though I’d love to see “Colder Weather” prove me wrong.

Jonathan:  This one’s actually a tough call, since all five of the singles are big radio hits and everyone here has multiple nominations. “If I Die Young” is the best-produced single of the lot, but I’m predicting that Kelly Clarkson’s endless likability gives the edge to her duet with Aldean.

Kevin:  Love the Band Perry record most, followed by Sara Evans.  But this is the CMA awards, and Shelton managed to be both completely vanilla and namedrop Conway Twitty and Loretta Lynn.

Tara: If I better understood the story in “If I Die Young,” I might be able to get behind it, but I think “Colder Weather” is the more memorable single. It’s my favorite kind of country ballad – killer vocals, gripping melody and palpable emotion. I see the fiery Aldean / Clarkson collaboration taking this one, though. (By the way, dude, “Honey Bee” – really CMA?)

Song of the Year

Should Win:

  • “Colder Weather” – Zac Brown, Wyatt Durrette, Levi Lowrey & Coy Bowles
  • “Dirt Road Anthem” – Brantley Gilbert & Colt Ford
  • “If I Die Young” – Kimberly Perry – Dan, Tara
  • “Mean” – Taylor Swift - Jonathan, Kevin
  • “You and Tequila” – Matraca Berg & Deana Carter - Ben, Leeann

Will Win:

  • “Colder Weather” – Zac Brown, Wyatt Durrette, Levi Lowrey & Coy Bowles
  • “Dirt Road Anthem” – Brantley Gilbert & Colt Ford
  • “If I Die Young” – Kimberly Perry – Dan, Ben, Jonathan, Tara
  • “Mean” – Taylor Swift - Kevin
  • “You and Tequila” – Matraca Berg & Deana Carter – Leann

Dan:  “If I Die Young” is a flawed composition, but it’s still the most striking and strange one here, and that’s worth something.

Ben:  I never though I’d see a CMA Song of the Year field in which Matraca Berg and Deana Carter would compete against Colt Ford and Brantley Gilbert.  I would so love to see Berg and Carter win the award.  I might tend to be slightly biased when it comes to Matraca Berg, but I think “Tequila” is a fine composition on its own merits, and a worthy winner indeed.  Still, my gut predicion is that Perry will grab the trophy instead.

Leeann: “Mean” is probably my favorite song in terms of production and melody, but “You and Tequila” is the best song of the nominees.

Jonathan:  Berg is a treasure and I like Carter well enough, so it’s nice to see their names on the ballot again, but “You and Tequila” isn’t either of their best compositions. Here’s the thing about “Mean”: What doesn’t work about the song has everything to do with the fact that it shows the extent to which Swift still hasn’t fully figured out her artistic persona. But in terms of melody and overall construction as a stand-alone song? It’s the class of the field. As Dan said, “If I Die Young” is flawed, but it also has a lot going for it and will be a fine, worthy winner when it inevitably takes this.

Kevin: I love “You and Tequila”, but it’s an old song.  I’m glad Chesney rediscovered it, but I can’t see it as this year’s Song of the Year.  I think “Mean” is the best of the bunch, with the music as clever as the lyrics.

Tara: I’m with Jonathan and Leann re: “Mean” in that I agree its melody and overall construction are terrific; unfortunately its flaw –the bridge, which undermines the premise of the song– is too big for me to overlook. And as much as I love it, I don’t feel right backing “Colder Weather,” either, as it’s really Brown’s vocal performance that elevates the composition to a memorable song. So I’ll go with the quirky and unique “If I Die Young” and guess the voters will, too.

Musical Event of the Year

Should Win:

  • “As She’s Walking Away” – Zac Brown Band featuring Alan Jackson – Dan, Ben, Leeann, Jonathan, Kevin, Tara
  • “Coal Miner’s Daughter” – Loretta Lynn, Sheryl Crow & Miranda Lambert
  • “Don’t You Wanna Stay” – Jason Aldean with Kelly Clarkson
  • “Old Alabama” – Brad Paisley with Alabama
  • “You and Tequila” – Kenny Chesney featuring Grace Potter

Will Win:

  • “As She’s Walking Away” – Zac Brown Band featuring Alan Jackson – Kevin, Tara
  • “Coal Miner’s Daughter” – Loretta Lynn, Sheryl Crow & Miranda Lambert
  • “Don’t You Wanna Stay” – Jason Aldean with Kelly Clarkson – Dan, Ben, Leeann, Jonathan
  • “Old Alabama” – Brad Paisley with Alabama
  • “You and Tequila” – Kenny Chesney featuring Grace Potter

Dan:  The Single nod for Jason and Kelly suggests they have the edge here. But my heart echoes a resounding “Go on, son.”

Ben:  “As She’s Walking Away” is just so effortlessly charming that it would easily be my first pick, but the cross-genre appeal – and bonus Clarkson star power – of “Don’t You Wanna Stay” make it the most likely winner.  The fact that “Don’t You Wanna Stay” is also nominated for Single (which “As She’s Walking Away” sadly isn’t) suggests a likely victory in this category.

Leeann: How can I not pull for the Zac Brown Band and Alan Jackson when I have a chance? I’m pretty confident that the drama, cross genre appeal, and, yup, the drama again, make “Don’t You Want to Stay” the sure bet though.

Jonathan:  “As She’s Walking Away” is one of the purest and truest duets in years, and it could pull some votes from the more traditionalist voters, but the Aldean and Clarkson single just has too much firepower to lose here.

Kevin:  If this doesn’t go to Zac Brown Band and Alan Jackson, then I no longer understand how CMA voters think.

Tara: No question here, “As She’s Walking Away” is head and shoulders above the rest of the collaborations in this category, one of the most quietly charming singles we’ve heard on country radio in quite some time. I’ll go out on a limb and predict that voters will have trouble ignoring the warm fuzzies they get when Jackson starts singing.

Music Video of the Year

Should Win:

  • Blake Shelton, “Honey Bee”
  • The Band Perry, “If I Die Young” – Dan
  • Taylor Swift, “Mean” – Ben, Kevin, Tara
  • Brad Paisley featuring Alabama, “Old Alabama”
  • Kenny Chesney featuring Grace Potter, “You and Tequila”

Will Win:

  • Blake Shelton, “Honey Bee” - Ben
  • The Band Perry, “If I Die Young”
  • Taylor Swift, “Mean”
  • Brad Paisley featuring Alabama, “Old Alabama” - Dan, Jonathan, Kevin, Tara
  • Kenny Chesney featuring Grace Potter, “You and Tequila”

Dan: It’s my least favorite Paisley video ever, though.

Ben:  Swift’s “Mean” is my personal favorite among these nominees, but I’m expecting that voters will show some Shelton love instead.

Jonathan:  Paisley has to win something, right? And this also gives the voters a chance to honor some beloved genre vets.

Kevin: I think the video splicing tricks will give Paisley and Alabama an additional edge.  Of the five clips, “Mean” is the one I like the most.

Tara: I love the whimsical video for “Mean” but think (and actually kind of hope) the voters will use this category to award the show co-host and his buddies.

Musician of the Year

Should Win:

  • Paul Franklin (steel guitar) - Dan, Ben, Leeann, Jonathan, Kevin, Tara
  • Dann Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar)
  • Randy Scruggs (guitar)

Will Win:

  • Paul Franklin (steel guitar) - Leeann, Jonathan
  • Dann Huff (guitar)
  • Brent Mason (guitar)
  • Mac McAnally (guitar) – Dan, Ben, Kevin, Tara
  • Randy Scruggs (guitar)

Dan: Default underdog support.

Ben:  I would love to see this go to the steel guitar man (and preferably not to Dann Huff), but Mac McAnally tends to be the favorite here.

Leeann: I want the steel guitar to represent this year. So, I’ll will it to happen.

Jonathan:  Franklin’s the only nominee who hasn’t won previously, and being regarded as long overdue eventually helped McAnally score his first win, leading to his current three-year hot streak.

Kevin:  I’ll be rooting for Paul Franklin until he finally wins, but I won’t believe that he’ll win until he finally does.

Tara: What Ben and Kevin said.


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So Hey…Feel Like Prejudging The Loretta Lynn Tribute Album?

Info about the forthcoming RCA-helmed tribute to Lo-Lynn has been trickling out for a month or something, and now, thanks to our resourceful friends around the mighty internets, we have access to the track list and audio of the first single. Let’s gripe! Continue reading

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Album Review: Court Yard Hounds, Court Yard Hounds

Court Yard Hounds
Court Yard Hounds


I suppose this puts the “Natalie Maines dragged the other two Chicks away from their roots” theory to rest.

The debut album from Court Yard Hounds, the duo comprised of sisters Martie Maguire and Emily Robison, is an adult pop affair.  This isn’t disappointing in its own right, being only a few degrees less country than the excellent Chicks album that preceded it, but what’s absent is both the urgency of that album’s material and Maines’ powerhouse delivery of it.

As on Taking the Long Way, the songwriting is done in-house, and the two sisters prove they are still quite adept with a pen. Some of the songs are as good as anything the Chicks have written or recorded. “Then Again” gets into the psyche of a self-destructive woman, while the stunning “Ain’t No Son” plays out like the prequel to “Top of the World”, with the narrator wreaking the havoc that he’d later rue upon his death.

But the album is hampered by playing down their strengths in favor of their weaknesses.  Where Maguire and Robison have always shined is on their instruments, and there simply isn’t much of a showcase of their virtuoso talents.  Long Way proved that they can stretch beyond their country and bluegrass roots, with the fierce fiddle on “Lubbock or Leave It” bordering on punk.   There’s no such adventuring here.

This wouldn’t matter as much if they were able to compensate at the mic, but they make the strange choice of downplaying their sisterly harmonies for a warmed-over variation of post-Globe Sessions Sheryl Crow. The songwriting is strong enough to make this an interesting listen, with genuine gems like “See You in the Spring”, “Gracefully”, and “It Didn’t Make a Sound”, and I’d love to see them do these songs in a live setting that’s less restrained.  But as it is, Court Yard Hounds plays more like a collection of lost demos than a cohesive album in its own right.

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The 201 Greatest Singles of the Decade, Part 9: #40-#21

The 201 Greatest Singles of the Decade, Part 9: #40-#21

#40
“This Is Me You’re Talking To”
Trisha Yearwood
2008
Peak: #25

Flawless. Proof positive that the nineties formula at its best is better than anything on naughties radio. Perhaps they can’t play it too much for that reason. It’s not good for business to park a new Lexus in a used car lot of Ford Pintos. – Kevin Coyne

#39
“Famous in a Small Town”
Miranda Lambert
2007
Peak: #14

This is one of those slice-of-life songs that anyone from a small town can easily relate to. What sets it above the pack of songs of that ilk is the witty nugget of truth that “everybody dies famous in a small town.” The Springsteen-esque vibe of the production is pretty cool, too. – Leeann Ward Continue reading

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Filed under Decade in Review