There’s such an obvious trend of genre-hopping between pop, rock, and country right now that I can totally understand the enthusiasm surrounding Kelly Clarkson dabbling with a switch to country music.
After all, if we’re going to have pop and rock stars crossing over anyway, we might as well get one of the best ones, right? She’s got a strong knowledge of and affinity for, at the very least, the past two generations of country music. Her pipes are pretty darn good, too. I prefer the purity of Carrie Underwood’s voice, but there are many who feel the first Idol is still the best.
It’s that time of year again! The time when we all dutifully tune in to the CMA Awards show, raise our eyebrows at the “What the heck are they doing here?” award presenters, and afterwards complain about how totally un-country the whole show was. I don’t know about the rest of you, but I can’t wait.
We’re pleased to share the Country Universe staff picks for this year’s CMA Awards, as well as our predictions of who the winners will be. This year we have some highly competitive categories in which predicting the winners is quite difficult, leading to some significantly divergent picks among our writing staff. Agree? Disagree? Join in the discussion in the comment thread below, and let us know.
I suppose this puts the “Natalie Maines dragged the other two Chicks away from their roots” theory to rest.
The debut album from Court Yard Hounds, the duo comprised of sisters Martie Maguire and Emily Robison, is an adult pop affair. This isn’t disappointing in its own right, being only a few degrees less country than the excellent Chicks album that preceded it, but what’s absent is both the urgency of that album’s material and Maines’ powerhouse delivery of it.
The 201 Greatest Singles of the Decade, Part 9: #40-#21
“This Is Me You’re Talking To”
Flawless. Proof positive that the nineties formula at its best is better than anything on naughties radio. Perhaps they can’t play it too much for that reason. It’s not good for business to park a new Lexus in a used car lot of Ford Pintos. – Kevin Coyne
“Famous in a Small Town”
This is one of those slice-of-life songs that anyone from a small town can easily relate to. What sets it above the pack of songs of that ilk is the witty nugget of truth that “everybody dies famous in a small town.” The Springsteen-esque vibe of the production is pretty cool, too. – Leeann Ward
The 201 Greatest Singles of the Decade, Part 4: #140-#121
“Who Says You Can’t Go Home”
Bon Jovi featuring Jennifer Nettles
Packed as country music has been lately with rocked-up little singalongs, perhaps it was only natural that one of the leading bands in rocked-up little singalongs should cross over for a bit to show everybody how it’s done. It was newcomer Nettles, though, who stole this show, driving Bon Jovi’s ditty home with an infectiously joyful performance. – Dan Milliken
“God’s Gonna Cut You Down”
Peak: Did not chart
The arrangement is cool enough, but it’s Cash’s stoic, slicing vocal performance that makes his version of this song so memorable. – Tara Seetharam