Tag Archives: Simon & Garfunkel

Daily Double Top Five: Best & Worst Cover Songs

Johnny Cash American RecordingsAgain, we play catch up with a daily double top five, and this one focuses on cover songs.

So many great songs have been re-recorded over time.  Sometimes the new versions are so good that you discover something new about the original.  Other times, the new takes are so bad that you just wish they’d left well enough alone.

So today we ask: What do you think are the best and the worst cover songs?

For my five best, I’m picking versions that I enjoyed so much more than the originals that I rarely listen to the first versions anymore.  But you don’t have to do that!

Original artists are in parentheses after each pick.

Five Best Cover Songs

  1. Emmylou Harris, “The Boxer” (Simon & Garfunkel)
  2. Johnny Cash, “Why Me Lord”  (Kris Kristofferson)
  3. Reba McEntire, “Sweet Music Man” (Kenny Rogers)
  4. Alison Krauss, “Ghost in This House” (Shenandoah)
  5. Dwight Yoakam, “Wichita Lineman” (Glen Campbell)

Five Worst Cover Songs

  1. David Kersh, “Wonderful Tonight” (Eric Clapton)
  2. Brooks & Dunn, “Missing You” (John Waite)
  3. Rascal Flatts, “Revolution” (The Beatles)
  4. Gretchen Peters, “Sunday Morning Coming Down” (Johnny Cash)
  5. Willie Nelson, “Time After Time” (Cyndi Lauper)

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100 Greatest Men: #53. Brooks & Dunn

100 Greatest Men: The Complete List

The very definition of the whole being greater than the sum of its parts, two struggling solo artists came together in the nineties and became the most c0mmercially successful duo in country music history.

Kix Brooks and Ronnie Dunn both released solo work in the eighties to little fanfare, though they had encountered some success in other areas.  Brooks earned many songwriting credits, including hits by John Conlee (“I'm Only in it For the Love”), Nitty Gritty Dirt Band (“Modern Day Romance”), and Highway 101 (“Who's Lonely Now.”)  Dunn had recorded a few sides for Churchill records that received little attention, and won a nationwide talent contest in 1988 that earned him another shot to record in Nashville.

Arista Nashville founder Tim DuBois thought the two would work well together as a duo, and despite reservations on both their parts, the chemistry was immediately there.   Upon release of their debut album Brand New Man in 1991, the duo instantly shot to the top of the charts.  Thanks to a string of four #1 singles, their first album sold more than six million copies, beginning a remarkable run of success at both radio and retail.

With Dunn usually handling lead vocals and Brooks providing the most energy in their live shows, the duo had a mostly uninterrupted run, with all but their final album selling at least gold, and most selling platinum.   They won dozens of industry awards, mostly in the Vocal Duo categories, but they were also named Entertainers of the Year twice at the ACM's and once at the CMA's.

As their career progressed, their critical acclaim largely dwindled, as their emphasis on rave-ups overshadowed their often remarkable ballads.  Still, by the time they had broken up in 2009, they had accumulated 26 #1 hits and record sales in excess of 27 million, making them the top-selling duo in country music and second only to Simon & Garfunkel among duos of all genres.    Both Brooks and Dunn are now pursuing solo careers, with Dunn already scoring a #1 country album and top ten single at radio.

Essential Singles:

  • Brand New Man, 1991
  • Neon Moon, 1992
  • Boot Scootin' Boogie, 1992
  • You're Gonna Miss Me When I'm Gone, 1995
  • My Maria, 1996
  • The Long Goodbye, 2001
  • Red Dirt Road, 2003
  • Believe, 2005

Essential Albums:

  • Brand New Man, 1991
  • Borderline, 1996
  • Steers & Stripes, 2001
  • Red Dirt Road, 2003

Next: #52. Keith Whitley

Previous: #54. Hank Thompson

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