The 54th annual GrammyAdele Awards air this Sunday at 8 p.m. Eastern. Look for appearances by Miranda Lambert, Dierks Bentley and Lady Antebellum as well as country-ish performances by Jason Aldean, Glen Campbell (with the Band Perry and Blake Shelton), Taylor Swift and Carrie Underwood. We’ve picked and predicted the awards below – share your thoughts, and be sure to drop by on Sunday night for our live blog!
My latest playlist is of covers. First, I have the original version (or the one that’s famous for being the original) followed by my favorite cover of it. My only rule is that I have to like both versions. So, songs where I like the cover but not the original won’t make the list.
Here are the winners in the country and country-related categories from the pre-telecast:
Best Country Song: Liz Rose & Taylor Swift, “White Horse”
Best Country Instrumental Performance: Steve Wariner, “Producer’s Medley”
Best Country Collaboration with Vocals: Carrie Underwood & Randy Travis, “I Told You So”
Best Country Vocal Performance by a Duo or Group with Vocals: Lady Antebellum, “I Run to You”
Best Female Country Vocal Performance: Taylor Swift, “White Horse”
Best Male Country Vocal Performance: Keith Urban, “Sweet Thing”
Best Contemporary Folk Album: Steve Earle, Townes
Best Bluegrass Album: Steve Martin, The Crow/New Songs for the Five-String Banjo
Best Americana Album: Levon Helm, Electric Dirt
Best Southern/Country/Bluegrass Gospel Album: Jason Crabb, Jason Crabb
Round 2 – FIGHT!
World: meet Underwood. She’s fiercely compassionate and endearingly idealistic (the riveting “Change”). She holds her beliefs with a firm but quiet conviction (“Temporary Home”). She’s as comfortable and convincing at tearing down a wrong-doer (the Dixie Chicks-esque “Songs Like This”) as she is nursing an irreparable heartache, whether it’s in the form of a haunting country standard (“Someday When I Stop Loving You”) or a rich pop ballad (“What Can I Say?”). And she’s one of the most gifted vocalists of this generation, possessing an instrument that, when colored and layered with emotion as she’s aptly learned to do on Play On, can have bone-chilling effects.
Like it or leave it, Play On is the most authentic encapsulation of Underwood’s artistry and persona to date, and serves as an exciting glimpse at how far a little growth can carry her. The best is yet to come, but in the meantime, the “good” is pretty damn good. – Tara Seetharam
As most people know by now, Sara Watkins is the female member of the now-disbanded (hopefully temporarily) New Grass trio, Nickel Creek. While Nickel Creek was difficult to classify in a certain genre (not bluegrass, not country), they were embraced by bluegrass and country music fans alike. Each member of the popular trio has released intriguing projects outside of Nickel Creek, but Watkins’ album has assumed the most decidedly country direction of them all. As a result, we are treated to a sublime album thanks to Watkins’ sweet voice and a set of impressively solid songs. – Leeann Ward
It’s time for an album sales update, our first since May 23. Brad Paisley is off to a strong start with American Saturday Night, selling 130k in its first week. That’s about 70k less than his previous two studio albums – Time Well Wasted and 5th Gear – opened with, but not a terrible drop-off, considering the state of the music market.
Meanwhile, the new studio albums by Rascal Flatts and Keith Urban are slowing down considerably, now being outpaced on a weekly basis by 2008 releases by Taylor Swift, Zac Brown Band, Darius Rucker and Lady Antebellum.
Among younger acts with a new album in 2009, the most impressive sales are coming from Jason Aldean, while 2008 releases from Kellie Pickler, Billy Currington, and Randy Houser are showing new signs of life.
Biggest disappointments? It’s hard not to look in the direction of Martina McBride, who has barely cleared the 100k mark on her new studio set. Lee Ann Womack’s 2008 set just made it over that mark, too. Then again, one only needs to have sold 455 copies to make the chart this week, with the anchor position going to Wynonna with that total. Her covers album Sing – Chapter 1 has sold 41k to date.
Here are the latest totals for albums released over the past three years that are still charting:
- Rascal Flatts, Unstoppable – 842,000
- Keith Urban, Defying Gravity – 452,000
- Jason Aldean, Wide Open – 384,000
- Kenny Chesney, Greatest Hits II – 281,000
- Dierks Bentley, Feel That Fire – 219,000
- Martina McBride, Shine – 104,000
- John Rich, Son of a Preacher Man – 103,000
- Eric Church, Carolina – 94,000
- Rodney Atkins, It’s America – 88,000
- Jake Owen, Easy Does It – 81,000
While I know it goes against the proper album listening experience, my favorite way to listen to my iPod is to put it on shuffle and see what pops up. It’s like my own personal radio station without the commercials, talking and music that I dislike. So, today I’m going to put my iPod on shuffle and list ten country songs that I would comfortably recommend to you. In the comments, you can do the same for us.
Justin Townes Earle, son of Steve Earle, has recently received considerable press regarding his beautiful and classy song that pays tribute to his mother. It’s been reported that before he sings the song at a show, he introduces it by saying that his father gets enough credit, but someone who does not is his mother. This is easily true about most spouses or ex spouses of famous people. So, it’s nice when an adult child takes advantage of his/her platform to rectify the oversight, which is something that Hank Williams Jr’s daughter has done as well.
Holly Williams sings a tribute to her selfless mother, simply titled “Mama.” While the song is as simple as the title, it is sweet and intriguingly revealing about her childhood. In “Mama”, Williams thanks her mom for shielding her from the emotional turmoil that undoubtedly plagued her as a result of a broken marriage to the famously rebel rousing, Hank Williams Jr.
Still available on Amazon (Tuesday)! Don’t miss this opportunity to add Steve Earle’s newest album, Townes, to your collection for only $2.99!
Although Earle has covered Townes Van Zandt’s material throughout his career, this is the first time he’s put together an album entirely dedicated to Van Zandt’s songs. A master covering a master can only yield brilliant results, right? I’ll be reviewing this album later on, but check it out and let me know what you think!
don’t know if I’ve mentioned it before, but I happen to be a huge Steve Earle fan. I find the Virginia-born, Texas-inspired, former drug addict, political activist, actor/radio personality, singer-songwriter, and country-rock star simply irresistible. He is gifted with an instinctive ear for music (which he has generously passed on to his son, Justin Townes Earle), a curious mind, a keen awareness of the world and an empathetic heart.
Given these qualities, one of Earle’s most indelible contributions to country music will be as a songwriter. His empathy, awareness of the world around him and curiosity have allowed him to musically explore the human soul. He is uniquely unafraid to step out of himself and into another’s shoes, to feel another’s joy and pain and to tell his or her story. In many ways, Earle is “the seeker” he sings of in his song of the same title: