2016 has claimed yet another icon in “Doctor” Ralph Stanley.
What would the Dixie Chicks’ first US tour in a decade be without at least a little bit of controversy?
It’s going down this week, and Keith Urban is the one yelling, “Timber,” with Pitbull.
After what seems like months of ever-louder hype, Sturgill Simpson’s latest album finally arrived.
With a steady job as executive music producer for ABC-TV’s Nashville, as well as a hectic schedule in his own studio, Buddy Miller does not often release a new album. When he finally does, it’s bound to be excellent. Buddy Miller & Friends: Cayamo Sessions at Sea features Miller supporting some of Americana’s top artists. It demonstrates not only his sublime artistry, but his talent of nudging great singers into even greater performances.
Since making her debut with 1997’s Alabama Song, Allison Moorer has been one of country music’s most consistent albums artists. The singer-songwriter has three unqualified masterpieces to her credit— the flawless stone-country heartbreak cycle of The Hardest Part, the politically charged The Duel, and the somber, heady Southern Gothic of Crows. Despite having those triumphs— and other excellent albums like Alabama Song and Good Fortune— to her credit, Moorer’s latest effort, Down to Believing, is perhaps the finest album of her career because it finds Moorer challenging both her singing and her songwriting voices to plumb truly difficult emotional depths.
Wrecking Ball: Deluxe Edition
Nonesuch has released an impressive deluxe edition of the landmark Emmylou Harris album, Wrecking Ball. For those who are new to the set, this is the edition you should buy. But it’s also worth the upgrade for those who already have this set in their collection.
Produced by Daniel Lanois, this album was a stunning departure for Harris, so much so that she personally requested that it not be eligible for the country charts. That’s funny in retrospect, given that alongside legends like Jimi Hendrix, Bob Dylan, and Neil Young, the album was anchored by compositions by up-and-coming songwriters like Gillian Welch, Lucinda Williams, and Julie Miller. With further cuts by writers like Anna McGarrigle, Steve Earle, and Rodney Crowell, Wrecking Ball helped set a template for what would become a vibrant Americana scene over the years that followed.