T-Bone Burnett

The Best Albums of 2015, Part Two: #10-#1

December 28, 2015 // 6 Comments

The upper half of our albums list reflects the revitalization of country music in 2015, courtesy of mostly younger artists with fresh perspectives in their lyrics and arrangements. There is still a legend or two in the mix, but if this year has proven anything, it’s that the genre’s future is in good hands.

Sunday Selections: December 20, 2015

December 20, 2015 // 1 Comment

The theme for this week’s Sunday Selections post is, “What year do you think it is?” One of the week’s few new releases has garish cover art that looks like something from the late 90s, while a host of writers made outdated and inexplicable references to “bro country” as a primary talking point in country music in 2015, which is simply wrong on merit. In the week’s more successful throwback efforts, Ashley Monroe, Chris Stapleton, Kacey Musgraves, and Tami Neilson all shared some old school cover tunes, and Netflix doubled-down on nostalgia with a promo video for an upcoming original series. Onward!

Album Review: Rhiannon Giddens, Tomorrow is My Turn

February 17, 2015 // 9 Comments

Rhiannon Giddens Tomorrow is My Turn Although Rhiannon Giddens has been a fixture on the Americana circuit as the frontwoman for the terrific Carolina Chocolate Drops, it’s on her solo debut, Tomorrow Is My Turn, that Giddens truly announces herself as an artist. On a shrewdly chosen collection of songs that draw from a diverse sample of American roots music, Giddens and producer T Bone Burnett showcase a fearless approach to genre that never once allows easy signifiers to interfere with her forceful and intuitive interpretations.

Single Review: Taylor Swift feat. The Civil Wars, “Safe & Sound”

February 24, 2012 // 14 Comments

Yeah, you’ve probably heard this track by now. But let’s just have a post where we talk about it anyway, y’know?

Because this kind of release begs some blog attention, simply for the fact of what it is: a meeting of highly buzzy but divergent artists, and the first soundtrack cut from a hotly anticipated movie (The Hunger Games, adapted from Book 1 of Suzanne Collins’s mega-popular young-adult series). On paper alone, it’s a reminder of why the award shows optimistically call the duet category “Vocal Event.”