Sunday, April 11th, 2010
Written by Music & More blogger Bob Losche.
Connecticut born songwriter Gary Burr got his first break when he broke his leg in a high school soccer game. With time on his hands, he taught himself to play the guitar and began writing songs. His second break came in 1982 when, without a co-writer, he penned Juice Newton’s “Love’s Been a Little Bit Hard on Me”. That same year, he became the lead singer for Pure Prairie League after Vince Gill left the group to pursue a solo career. Gary remained with PPL until 1985 and headed to Nashville in the late 1980′s. He has since been awarded ‘Songwriter of the Year’ on three separate occasions by three different organizations: Billboard, Nashville Songwriter’s Association International, and ASCAP. He has also received over twenty of ASCAP’s recognition awards for radio play activity, and cds featuring his songs have sold more than 50 million units world-wide. He’s currently affiliated with SESAC. Most recently, he was Carole King’s guitarist on her “Living Room Tour”, performing some of his own songs as well.
If you go to Gary’s website and click on Discography you’ll see a Short List of 35 of his best known songs, in alphabetical order by recording artist. If you click on Full List, you see the names of about 170 songs. You’ll find hits and albums track (“hidden treasures” to some) by country artists such as Hal Ketchum, Patty Loveless, Randy Travis, Reba McEntire, Garth Brooks, Tanya Tucker, Ty Herndon, Faith Hill, Leann Rimes, Mary Chapin Carpenter, Gary Allan, Andy Griggs, Kathy Mattea, Lorrie Morgan, Terri Clark, Collin Raye, Doug Stone, Ricky Van Shelton, Diamond Rio, Conway Twitty, Chely Wright and many others plus pop artists Kelly Clarkson, Clay Aiken, etc . The website list does not include the current Sarah Buxton hit “Outside My Window”.
Gary appears quite frequently at Nashville’s famous Bluebird Cafe, appearing in the round with singer/songwriters like Mike Reid, Georgia Middleman, J.D. Souther and others. In addition, he performs as part of the group MelDiBurPho which is composed of songwriters Vince Melamed, Bob DiPiero, Gary and Jim Photoglo.These shows are performed on the Bluebird’s small stage and, unlike the shows in the round, includes a drummer in addition to the usual guitars and a keyboard. Gary and the Guys have been doing these great shows for about 12 years. They call themselves the oldest boy band in America and the best band you can see for $12. They really seem to be having a great time together and they can be very funny, much of the humor either self-deprecating or at the expense of one of the other guys. For the February show, the guys performed in their pj’s, an annual event closely coinciding with three of their birthdays. Supposedly Faith Hill once showed up in pj’s and bunny slippers. She was discovered while singing back-up for Gary at the Bluebird.
After seeing Mr. Burr perform twice at the Bluebird, I purchased his two cd’s from the Bluebird on-line store. Stop Me If You’ve Heard This One Before …, released in 1997, includes 18 of his best songs performed and recorded live at the Bluebird. Mariane’s includes 11 songs and was released in 2004. The list of my favorite Gary Burr written songs that follows indicates the artist and cd it appeared on and his co-writer. Many of these favorites are from his Stop Me … cd and a few from Marianne’s. (Songs that can also be found on Gary’s cds have an asterisk next to the title.)
Should you already have or decide to purchase these cds, you may find, as I did, that you prefer Gary’s version for quite a few of them. A lot of his songs are about lost love, some because the guy was clueless, others about love that just didn’t work out and the difficulty in leaving memories behind. At his shows, Gary refers to himself as the “sensitive one” when he sings one of his ballads. Check out the songs listed on Gary’s website and let us know your favorites. Obviously, differing tastes will result in a very different list by many readers.
#25
“I Wear Your Love” – Kathy Mattea
Time Passes By, 1991
co-writer – None
An album track for Kathy Mattea from a cd chock full of great songs in addition to the three chosen for release as singles. The chorus concludes, “on the chillest night though I travel light, it is always enough for I wear your love”. Mattea is still one of the best female vocalists in country music.
#24
“A Man Ain’t Made of Stone” – Randy Travis
A Man Ain’t Made of Stone, 1999
co-writers – Frannie Golde and Robin Lerner
About this song, Leeann wrote, “I love Travis’ vulnerable, yet passionate, vocal delivery in this song. This man thought it was important to seem strong and unflappable, but realizes that she needed to see the softer side of him at times. Unfortunately, he reached this conclusion too late. Her leaving unearths his emotions and he abruptly learns that ‘a man ain’t made of stone/A man ain’t made of steel.’” The song peaked at #16.
#23
“What’s In It For Me” – John Berry
John Berry, 1993
co-writer – John Jarrard
This up tempo song is about a guy asking a girl who dumped him but has changed her mind and wants him back, ” What’s in it for me?” He’s glad she’s back and wants her but are things going to be different this time? “If it’s only more tears, then I’ll have to pass.” The song reached #5 on the charts for John Berry.
#22
“Love’s Been a Little Bit Hard On Me” – Juice Newton
Quiet Lies, 1982
co-writer – None
The young lady is a bit skittish about love after being burned in this up tempo tune. Calls to her inner romantic self can’t convince her to try again yet. “I’ll be back when I calm my fears … See you around in a thousand years.” This did better on the pop charts (# 7) than country (#30).
#21
“A Thousand Times a Day” – Patty Loveless (1995); George Jones (1993)
The Trouble With The Truth, 1995; High Tech Redneck, 1993
co-writer – Gary Nicholson
Another song about trying to forget someone. Giving up booze and smokes was difficult but “Forgetting you is not that hard to do, I’ve done it a thousand times a day”. The song reached #13 for Patty and was an album track for George. I prefer Patty’s version.
#20
“In a Week or Two” – Diamond Rio
Close To The Edge, 1992
co-writer – James House
A song of warning for procrastinators from a group known for their great harmony. “These words in my heart never had a chance to be heard”. The guy waited too long to tell her he loved her so he came out second. The song nearly reached the top of the charts but, as Trent Summar once reminded us, “close only counts in horseshoes and hand grenades.”
#19
“I Try to Think About Elvis” – Patty Loveless
When Fallen Angels Fly, 1994
co-writer – None
I recall seeing Patty sing this in a concert about 10 years ago. I would think that “list songs” like this would present a challenge remembering all the lyrics but she nailed it. A fun song that made it to #3.
#18
“Heart Half Empty” – Ty Herndon with Stephanie Bentley
What Mattered Most, 1995
co-writer – Desmond Child
“Is my heart half full of the love you gave me, or my heart half empty ’cause your love is gone?” While the half full, half empty metaphor is obviously not new and the song is a bit schmaltzy, I still love it. I add a star for true duets – equal contributions by the duet partners. Although Ty’s recent comeback attempt appears to have come up short, he still has a great voice and was well complemented here by Stephanie Bentley.
#17
“Blue Sky” – Emily West
Emily West, 2007 (EP)
co-writer – Emily West
The original version was from her EP. The current single includes background vocals by Keith Urban and online reviews have been very favorable but it hasn’t cracked the top 40 yet. The girl is saddened by her lover’s behavior but resolved not to be hurt by him again. “So you made a list of shoulders that you’d be needing, well mine aren’t yours anymore, come on show me your temper, be the man I remember, so I won’t forget what you’ve done.”
#16
“Out of My Bones” – Randy Travis
You and You Alone 1998
co-writers – Sharon Vaughn and Robin Lerner
Randy sings “I’m in need of a remedy, to cure me from loving you”. His remedy is walking in the first verse and talking in the second til she’s “out of my bones”. While his 1986 song “Diggin’ Up Bones” made it to the top, “Out of My Bones” stalled at #2. The album also included the late Patrick Swayze singing background on one of the tracks.
#15
“Rockin’ the Rock” – Larry Stewart (Restless Heart)
Heart Like a Hurricane, 1994
co-writer – None
A rollicking song about a girl who rocks his world but didn’t rock the charts peaking at #56. “I had a wonderful sense of balance, everything under control, til the day she came along and started rockin’ the rock that I’m standing on.” If you have a multiple tissues tune on your playlist, play this next. Larry Stewart’s solo career after leaving Restless Heart was not a huge success. He’s been back with them since 2004.
#14
“That’s My Job” – Conway Twitty
Borderline, 1987
co-writer – None
The relationship between a son and his father is portrayed in three vignettes. In the first, the father comforts his young son, calming his fears. Conflict and doubts occur in the second while the final scene finds the son, who makes his living with words and rhyme, trying to deal with the death of his father, asking himself how can I come up with a song to say I love you. The song made it to #6. (I remember liking “It’s Only Make Believe” as a kid but shortly after Conway disappeared from the pop charts. I didn’t know til much later that he had become a country star.)
#13
“The One You Love” – Terri Clark with Vince Gill
The Long Way Home, 2009; Pain to Kill, 2003
co-writer – Terri Clark
While Terri’s new cd did not include lyrics, they can be found with comments for each song on her website. She said that she hesitated to re-cut this song but her mother’s recent bout with cancer inspired her because it put the lyrics in a whole different light. “when someone’s slippin’ away, right before your eyes, how useless we are is a painful surprise”. Although Vince Gill singing harmony is always a plus, the original version on Pain to Kill was still excellent.
#12
“West of Crazy” – Lisa Brokop
Lisa Brokop, 1996
co-writer – Vince Melamed
An up tempo tune which reflects a woman’s state of mind after a breakup. “Just a few miles west of crazy, a stone’s throw away from tears, oh, so close to normal, but I can’t get there from here”. Love the song although it didn’t even chart in Canada. Lisa Brokop has become one of my favorite country music singers.
#11
“One Night a Day” – Garth Brooks
In Pieces, 1993
co-writer – Pete Wasner
The piano is the star in this song about a guy trying to leave a girl’s memory behind. He tells of the things he’s doing to get through the breakup, including “calling every friend I had, wake ‘em up, make ‘em mad, to let them know I’m okay”. Garth’s version, which reached #7 on the charts, also features a sax while in Gary’s, a steel guitar complements the piano.
#10
“Time Machine” – Collin Raye
I Think About You, 1995
co-writer – None
Although it was never a single, it’s one of my favorite Collin Raye songs. The songs tells of a lonely man who knows things won’t be any better tomorrow so he wants to go back in time. “To the casual eye it’s a barstool, but it’s really much more than it seems, a few drinks and then, she’ll be with him again, as he sits on the time machine”.
#9
“Up and Flying” – Reba McEntire
If You See Him, 1998
co-writer – Patty Griffin
Her ex-love is doing fine but she’s still doing time. “You make it look so easy, it doesn’t seem quite fair, baby I’m still tryin’, to get up and flying”. An album track for Reba. Should this song have been a single? Love Gary’s take on it.
#8
“You Tell Me” – Terri Clark with Johnnie Reed
The Long Way Home, 2009
co-writer – Terri Clark
As noted above, I love duets and on this album track, Terri is joined by Scotland born, Canadian country music artist, Johnny Reid. On her website, she describes it as a grown up song about a relationship in trouble that she wrote with Gary about 10 years ago. The conversational quality of the lyrics made it feel as a natural duet.
#7
“Sure Love” – Hal Ketchum
Sure Love, 1992
co-writer – Hal Ketchum
Hal sings of what he would do to find “Sure Love”. “I would chase all ghosts and watch them scatter, drop old dreams and watch them shatter, lose myself and all I own, to find sure love.” This up tempo song reached #3.
#6
“Silence Is King” – Tanya Tucker
Soon, 1993
co-writer – Jim Photoglo
This sad tune is about a couple who have reached the point where they don’t communicate any more. The chorus begins “We live in a land where silence is king, whispers have all disappeared”. In the last verse, there’s no let-up, “desperate measures come from desperate times, I don’t regret what I’ve done, if my actions made you speak your mind, angry words are better than none”. An album track for Tanya. On the live “Stop Me …” cd you hear Gary saying “so depressing” after he finishes singing. Probably too serious for country radio.
#5
“I Will Not Be a Mistake” – Cliff Richard
Something’s Goin’ On, 2004
co-writers – Helen Darling and Will Robinson
While Cliff is not a country singer, I could easily see someone like Collin Raye covering this song. It’s about a guy who assures the girl he’s about to get together with that while it may not come to anything it won’t be something she’ll regret. “I’ll be a chance you had to take, a heart you had to break, but I will not be a mistake”.
#4
“Can’t Be Really Gone” – Tim McGraw
All I Want, 1995
co-writer – None
A man tries to convince himself that his girl must be coming back when he mends his ways because “so much of her remains”. “The shoes she bought on Christmas day, she laughed and said they called her name”. “Her book is lying on the bed, the two of hearts to mark the page, now who would ever walk away at chapter twenty-one.” Just missed the top peaking at #2.
#3
“Station on the Line”
Stop Me If You’ve Heard This One Before …
co-writer – None
A haunting melody about a guy who falls for a girl who can’t commit. The chorus goes “and her type never does linger, she leaves all could and might-have-beens behind, she rode from New York to California, and I was just a station on that line”. As far as I can tell, no one else has covered this song.
#2
“What Mattered Most” – Ty Herndon
What Mattered Most, 1995
co-writer – Vince Melamed
A lament by a clueless guy who knew all the trivial stuff but missed what mattered most. “I never asked…she never said,and when she cried I turned my head, she dreamed her dreams behind closed doors, and that made them easy to ignore”. A #1 song for Ty in his successful stretch during the 90′s.
#1
“In Front of the Alamo” – Hal Ketchum with LeAnn Rimes
One More Midnight (no U.S. release)
co-writer – None
Allusions to one of the most famous battles in American history are combined with the story of a woman’s love gone bad because of her husband’s infidelity. The couple met as tourists in front of the Alamo. The second verse ends “she wanted trust, she wanted truth, the two things he found hard to do. So forever was shorter than she planned”. (The lives of the defenders of the Alamo were shorter than they planned.) She returns to the Alamo so that she can move on. The bridge begins “she didn’t come for inspiration or to breathe the mighty dust of heroes lost” and concludes “She just felt the time was right, at this random traffic light, to say ‘enough is enough’ and move on”. The third verse ends “maybe something in the air makes the timid braver there, to cross the line that they’ve drawn in the sand”. The tag chorus completes the analogy “they held on she lets go” (they were brave by holding on she by letting go) and concludes “in front of the Alamo, that’s a pretty good place to make a stand”.
While I do recall hearing the song on the radio, it failed to crack the top 40.
Kevin Coyne wrote here in 2007, “… a beautifully sympathetic portrait of a woman leaving a bad relationship behind. After all, what better a place to make a stand than in front of the Alamo? Before you worry that this is one of those over-the-top country numbers with a tortured metaphor, it’s actually wonderfully understated. The character is so believable that it seems just a happy accident that she makes a tough choice in front of a historical landmark.”
Also in 2007, Jim Malec of the 9513 wrote about the Ketchum song, “if you ask me, his latest, “In Front Of The Alamo,” is the best single I’ve heard so far this year. Featuring a brilliant support vocal from LeAnn Rimes, this song does everything right. Lyrically, it is a lesson in excellence, accomplishing in just over three minutes what most songs never do. On the production side it’s damn near perfect, even down to the mix (the short but fitting instrumental parts are well-played and perfectly placed).
It just doesn’t get much better than this.”
I agree.
8 Comments
Category Favorite Songs by Favorite Songwriters, Features
Tags: Andy Griggs, Chely Wright, Collin Raye, Conway Twitty, Diamond Rio, Doug Stone, Faith Hill, Garth Brooks, Gary Allan, Gary Burr, Hal Ketchum, Kathy Mattea, LeAnn Rimes, Lorrie Morgan, Mary Chapin Carpenter, Patty Loveless, Randy Travis, Reba McEntire, Ricky Van Shelton, Tanya Tucker, Terri Clark, Tim McGraw, Ty Herndon
Sunday, November 29th, 2009
Ah, the naughties. The decade began and ended with pop crossover queens, with Shania Twain and Faith Hill at the top of their game in 2000 much like Taylor Swift and Carrie Underwood reign supreme today. In between, we had the roots music boom, best exemplified by O Brother and the platinum-selling Nickel Creek and Alison Krauss & Union Station; the post-9/11 patriotic explosion, which brought Toby Keith and Darryl Worley to the top of the charts; the near-total banishment of women from the country radio dial for a good part of the decade, which started to fade as redneck pride ascended, thanks to a certain woman trying to make Pocahontas proud; and far too many tributes to country living and island-flavored beach bum songs to count.
All of this made for a fascinating decade to be a country fan. As radio worked its way through all of the above (with the notable exception of roots music), the internet made it far easier for acts to be discovered without ever getting a single spin of traditional radio play. With MySpace, YouTube, Facebook, and the explosion of country music blogs, the barriers have been torn down between artist and audience in a way that was never possible before.
The motley crew of Country Universe has a diversity of tastes that fit within the widest boundaries of country music, as reflected our collaborative list of the 100 best albums of the decade. Five of our writers contributed to the list, with all writer’s selections being weighed equally. We’ll reveal ten entries a day until the list is complete. A look back at the greatest singles of the decade will then follow.
The 100 Greatest Albums of the Decade, Part 1
#100
Abigail Washburn, Song of the Traveling Daughter
Song of the Traveling Daughter is the debut album from Uncle Earl claw hammer banjo player Abigail Washburn. Produced by Béla Fleck and featuring Ben Sollee, it is a subdued album filled with intriguing instrumentation and influences. Standout songs include “Nobody’s Fault but Mine,” with its interesting Civil War period influence; the upbeat “Coffee’s Cold,” originally performed by Uncle Earl; and “Song of the Traveling Daughter,” based on the classical Chinese poem “Song of the Traveling Son.” – William Ward
Recommended Tracks: “Nobody’s Fault but Mine”, “Coffee’s Cold”
#99
Kim Richey, Rise
Her ambitious swan song for Mercury Records was perhaps her least accessible record, with an emphasis on eclectic arrangements instead of hook-laden melodies. It’s also her most deeply rewarding record, one that is remarkably introspective and fully delves into themes of faith and mortality that her earlier work had only hinted at before. – Kevin Coyne
Recommended Tracks: “A Place Called Home”, “No Judges”
#98
Little Big Town, The Road to Here
The quartet’s second album catapulted them to the forefront thanks to the swampy anthem, “Boondocks,” and was a breath of fresh, earthy air to mainstream country music. Packed with tight harmonies and songs ranging in style from bluegrass-leaning to Fleetwood Mac-inspired, the album served as a window into the raw talent and potential of one of the best groups to hit country music in quite some time. – Tara Seetharam
Recommended Tracks: “Boondocks”, “Live With Lonesome”
#97
Dolly Parton, Halos & Horns
A gorgeous, gospel-heavy album, with tasteful bluegrass elements. Parton is effervescent as usual, and rid of any self-consciousness, which makes “Hello God” overwhelmingly stirring. A response to the September 11 tragedies, the song has Parton pleading and philosophically wrestling with God, in the sincerest of ways. – TS
Recommended Tracks: “Hello God”, “John Daniel”
#96
Brad Paisley, Part II
Sometime back before the Future, before the smirking social commentary and the endless odes to his wife, Brad Paisley was just a silly little neotraditionalist writing silly little neotraditional songs about the twists of everyday life and love. Part II captures him at his most unassuming and tuneful, waxing breezily about courtships and feeling out his new place as a neotrad spokesperson with a few classic roots songs, plus a cute Bill Anderson/Chuck Cannon co-write (“Too Country”). – Dan Milliken
Recommended Tracks: “Wrapped Around”, “Come On Over Tonight”
#95
Patty Loveless, Strong Heart
More so than any Loveless album since leaving MCA, Strong Heart draws on her pop and rock influences, with a healthy dose of Ronstadt thrown in for good measure. The contrast between her hillbilly wail and the pop-leaning arrangements of several songs manages to make her sound even more rural than she normally does. Arguably her last mainstream project, she proved that she can sound just as good chasing radio as she does ignoring it. – KC
Recommended Tracks: “The Last Thing On My Mind”, “My Heart Will Never Break This Way Again”
#94
Sara Evans, Real Fine Place
One of the finer female vocalists in the genre, Evans is a fantastic interpreter on her fifth album, carefully treading both traditional and pop country waters. The warmth and purity to her tone is prominent on this album, and this is particularly true of the songs with more traditional arrangements, on which she shines the brightest. – TS
Recommended Tracks: “Cheatin’”, “These Four Walls”
#93
Sarah Jarosz, Song Up in Her Head
Sarah Jarosz’ much hyped debut with Sugar Hill Records features Darrell Scott, Tim O’Brien, Jerry Douglas, Aofie O’Donavan, and Abigail Washburn. Notable tracks include “Shankill Butchers,” a Decemberists cover that outperforms the original; the progressive acoustic “Song up in Her Head,” reminiscent of Nickel Creek; and “Come on Up to the House,” an impressive Tom Waits cover. – WW
Recommended Tracks: “Shankill Butchers”, “Come On Up to the House”
#92
Terri Clark, Pain to Kill
This album made Clark a serious contender for Female Vocalist, the only time in her career that she reached that level of success. It’s as radio-friendly as her first two albums, but the material is substantive. This is the best collection of songs that she ever assembled, and by a healthy margin. When Trisha Yearwood finds something to cover from a record, you’ve done a great job picking songs. – KC
Recommended Tracks: “I Just Called to Say Goodbye”, “Not a Bad Thing”
#91
Dwight Yoakam, Population: Me
Genre superhero Yoakam stretched his habit of excellence into a third decade, beginning with the quirky South of Heaven, West of Hell soundtrack and continuing with this solid set. The album is notable for distilling a wide assortment of Yoakam’s mastered sounds into about half an hour, from the Eaglesy (“The Late Great Golden State”) to the Owensy (“No Such Thing”) to the Elvisy (“I’d Avoid Me Too”), all united by the singer’s uniquely buoyant brand of fatalism. – DM
Recommended Tracks: “I’d Avoid Me Too”, “The Back Of Your Hand”
- – -
20 Comments
Category Decade in Review
Tags: Abigail Washburn, Alison Krauss & Union Station, Bela Fleck, Bill Anderson, Brad Paisley, Carrie Underwood, Chuck Cannon, Darrell Scott, Darryl Worley, Dolly Parton, Dwight Yoakam, Faith Hill, Fleetwood Mac, Jerry Douglas, Kim Richey, Linda Ronstadt, Nickel Creek, Patty Loveless, Sara Evans, Sarah Jarosz, Shania Twain, Taylor Swift, Terri Clark, Tim O'Brien, Toby Keith, Trisha Yearwood
Terri Clark’s new release “The One” retains many of the familiar features that have made Clark’s music so enjoyable. It has a pleasant restrained production arrangement, and a nuanced, sincere vocal performance, along with an interesting lyrical scenario with some clever turns of phrase.
