The theme for this week’s Sunday Selections post is, “What year do you think it is?” One of the week’s few new releases has garish cover art that looks like something from the late 90s, while a host of writers made outdated and inexplicable references to “bro country” as a primary talking point in country music in 2015, which is simply wrong on merit. In the week’s more successful throwback efforts, Ashley Monroe, Chris Stapleton, Kacey Musgraves, and Tami Neilson all shared some old school cover tunes, and Netflix doubled-down on nostalgia with a promo video for an upcoming original series. Onward!
The Avett Brothers
For the second year, Country Universe is publishing a 40-deep list of the year’s best albums. Part One includes releases from talented newcomers, genre legends, and quite a few entries from the outskirts of country music. As usual, that’s where most of the cool stuff can be found.
Country Universe will close out our year with the conclusion of this list tomorrow. As always, share your thoughts and opinions in the comments!
Individual rankings: #12 – Jonathan
The EP format doesn’t leave much margin for error, but with a knack for unconventional imagery and a style that blends vintage SoCal rock with authentic honky-tonk, Dan Grimm ensures that every track on his freewheeling, endlessly likable Ventucky is a standout. – Jonathan Keefe
Recommended Tracks: “Skeletor,” “300 Beers”
Something you probably already know about us here at Country Universe: We love country music. A lot. While truly great country music has become scarce on country radio, we are fortunate to live in an age in which modern technology has made great music more accessible than ever, regardless of whether Top 40 radio dares touch it.
At the close of each year we separate the grain from the chaff, and share the music we discovered over the past year that made us glad that we stuck with our genre of choice. We at Country Universe have put our heads together to create the following lists of favorite singles and albums of 2012.
Today, a single could be any one of the following: a CD sent to radio for airplay; a digital download released in advance of an album; a music video released to online websites and dwindling television outlets; and in a lovely throwback, a seven inch vinyl single sold in the indie record stores that have managed to outlast the chain stores that once threatened their existence.