Again, we play catch up with a daily double top five, and this one focuses on cover songs.
So many great songs have been re-recorded over time. Sometimes the new versions are so good that you discover something new about the original. Other times, the new takes are so bad that you just wish they’d left well enough alone.
So today we ask: What do you think are the best and the worst cover songs?
For my five best, I’m picking versions that I enjoyed so much more than the originals that I rarely listen to the first versions anymore. But you don’t have to do that!
Original artists are in parentheses after each pick.
Five Best Cover Songs
- Emmylou Harris, “The Boxer” (Simon & Garfunkel)
- Johnny Cash, “Why Me Lord” (Kris Kristofferson)
- Reba McEntire, “Sweet Music Man” (Kenny Rogers)
- Alison Krauss, “Ghost in This House” (Shenandoah)
- Dwight Yoakam, “Wichita Lineman” (Glen Campbell)
Five Worst Cover Songs
- David Kersh, “Wonderful Tonight” (Eric Clapton)
- Brooks & Dunn, “Missing You” (John Waite)
- Rascal Flatts, “Revolution” (The Beatles)
- Gretchen Peters, “Sunday Morning Coming Down” (Johnny Cash)
- Willie Nelson, “Time After Time” (Cyndi Lauper)
100 Greatest Men: The Complete List
Arriving on the scene in 1989 with a great song sense and a strong background in marketing, Garth Brooks emerged as the poster boy for the nineties country boom, and along the way, became the biggest record-seller in America since the Beatles.
Brooks was born and raised in Oklahoma, the son of Capitol country recording artist Colleen Carroll. He grew up with music around the house, and learned to play the guitar and the banjo. His athletic prowess earned him a track scholarship at Oklahoma State University, but his interest soon turned to music. He began performing around Stillwater, becoming a major draw on the local talent circuit.
I caught this Kid Rock quote in the current Entertainment Weekly:
Like the Beatles, AC/DC, and Garth Brooks, Rock eschews today’s most popular digital-music portal, though he happily admits to owning major stock in Apple itself. ”I just don’t like being told what to do,” he explains. ”I don’t have a beef with Apple, or iTunes, or any of them. I do have a beef with that it seems kind of socialist of them to charge the same price for every song. What if every car cost $4,000, you know what I mean? A song from my neighbor’s garage band is not the same value as Bruce Springsteen’s ‘Born to Run.’ I just want to decide how my product gets sold with the people who sell it.”’
What do you think about music pricing? Is the 99 cent song/$9.99 album model of iTunes too inflexible? Would you pay more for your favorite artists, or buy more music if it was priced less? Discuss.