Tag Archives: The Lost Trailers

2010 ACM Nominations

You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.

Entertainer of the Year

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band

Who’s In: Who isn’t?

Who’s Out: No one.

Snap Judgment: My best guess about the surprise expansion of this category is that ACM thinks the Oscars are onto something. They’re not. But while the Oscars risk having a Best Picture nomination lose some of its prestige, I don’t think the same quite holds true for ACM Entertainer, since an artist can already be nominated multiple times throughout a career anyway (and most are). So this could actually work, I guess. If nothing else, it’ll be interesting.

Top Male Vocalist of the Year

  • Kenny Chesney
  • Brad Paisley
  • Darius Rucker
  • George Strait
  • Keith Urban

Who’s In: Darius Rucker

Who’s Out: Toby Keith

Snap Judgment: No surprises here; it’s the same pool the CMA picked this past fall.

Top Female Vocalist of the Year

  • Miranda Lambert
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood
  • Lee Ann Womack

Who’s In: Reba McEntire

Who’s Out: Martina McBride

Snap Judgment: Martina shaft! Drama drama!

Top Vocal Group of the Year

  • Lady Antebellum
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band

Who’s In: Zac Brown Band

Who’s Out: The Lost Trailers

Snap Judgment: I imagine Love And Theft’s and Gloriana’s managers will be spending the morning trying to figure out who the hell Randy Rogers Band is. Seriously, I don’t know how RRB keeps squeezing into this race. Not complaining, though!

Top Vocal Duo of the Year

  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland

Who’s In: Steel Magnolia

Who’s Out: Big & Rich

Snap Judgment: What’s this? Five duos who actually did something in the last year? Get outta here.

Top New Solo Vocalist of the Year

  • Luke Bryan
  • Jamey Johnson
  • Chris Young

Who’s In: Chris Young, Luke Bryan (both re-entries from previous years)

Who’s Out: Jake Owen (won last year), James Otto

Snap Judgment: I’m just pretending this is the Top New Male category, since ACM’s annual changing around of award names and criteria can be kind of silly. This is going to be an interesting race to watch, especially since all three of these guys are nominated their second time here. It’s the last chance any of them will have to win it.

Top New Vocal Duo of the Year

  • Bomshel
  • Joey + Rory
  • Steel Magnolia

Who’s In: This category was merged with New Vocal Group last year, so none of these duos (being duos) were there.

Snap Judgment: Seriously, doesn’t this whole “actually having semi-active vocal duos” thing kind of weird you out at this point? (P.S. Vote for Joey + Rory!)

Top New Vocal Group of the Year

  • Eli Young Band
  • Gloriana
  • The Lost Trailers

Who’s In: Gloriana

Who’s Out: Zac Brown Band (won last year)

Snap Judgment: Love And Theft HQ must be a grim, grim place today.

Album of the Year

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Snap Judgment: Not a bad lineup, but the ACM’s lenience in the Album category never ceases to amaze. Lady Antebellum came out two full years ago.

Single Record of the Year

  • Lady Antebellum, “Need You Now”
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes”
  • Miranda Lambert, “White Liar”

Snap Judgment: I’m used to scratching my head in this category. Whatever.

Song of the Year

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift

Snap Judgment: …It’s like, do people even pay attention to lyrics anymore?

Video of the Year

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar”
  • Taylor Swift, “You Belong With Me”

Snap Judgment: Actually not a bad pool. The Lady A video is pretty boring, though.

Vocal Event of the Year

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone”
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So”
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Snap Judgment: Eh.

- – -

What are y’all’s thoughts?

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The Worst Singles of the Decade, Part 4: #20-#11

homer_the_screamTime’s running short. If your personal least favorite wasn’t in Part 1, Part 2 , or Part 3, perhaps it will turn up now.

The Worst Singles of the Decade, Part 4: #20-#11

#20
The Lost Trailers, “Holler Back”

If your response to hearing “Holler Back” is to brag that you’ve got a holler back in the woods, I suggest that you and your music stay there.

#19
Trailer Choir, “Rockin’ the Beer Gut”

I appreciate the sincerity, but it can’t overcome the fact that he’s rockin’ the Autotune and singin’ the most ridiculous lyric of the year.

#18
Bucky Covington, “A Different World”

Bucky and I are roughly the same age, and I know for a fact that we grew up with seat belts, video games, and remote controls.  What’s next, Taylor Swift singing about growing up without the internet?

#17
Toby Keith featuring Krystal, “Mockingbird”

As endearing as it is that Toby Keith wanted to help his daughter on to country radio, I have to ask the question: Why is one of country music’s greatest all-time vocalists aping James Taylor’s far less capable vocal stylings? Did we really need to hear Toby Keith sing, “Yes indeed-o?”

#16
Billy Ray Cyrus featuring Miley Cyrus, “Ready, Set, Don’t Go”

Then again, trying to help your daughter is a heck of a lot more sympathetic than riding on her coattails. I’d give this a pass if it was the original recording, but slapping Miley on to the track when the solo version is struggling at radio is just sad.

#15
Blake Shelton, “The Baby”

Or as he sings it, “The Bay-ay-bee.”

#14
Neal McCoy, “Billy’s Got His Beer Goggles On”

Of all of the nineties stars to make a one-off comeback, did it have to be the man who brought us “The Shake?”

#13
Gretchen Wilson, “All Jacked Up”

In which Wilson sees both her front tooth and her pickup truck damaged, and pundits are left debating which one best symbolizes what she’s done to her career.

#12
Brad Paisley, “Ticks”

A warning to all the ladies: If a stranger starts talking to you like this at a bar, please don’t follow him into the woods. It won’t end well.

#11
Trace Adkins, “Swing”

The strikes are called after you swing, not before them. Stupid songwriters.

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ACM Awards: Predicted Winners

As we gear up for the 2009 Academy of Country Music Awards, the writing staff of Country Universe have prepared our predicted winners among this year’s nominees. Check out our Personal Picks as well, and share your own predictions in the comments. As always, we’ll be live-blogging the festivities this Sunday, starting at 8 EST.

ACM 2009: Country Universe Predicts the Winners

Entertainer of the Year

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Carrie Underwood – Kevin, Leeann, Dan, Lynn
  • Keith Urban

Kevin: For as much as the industry favors male acts, it’s the female acts who really post the big numbers.  I think that the fans having a say will put Underwood over the top, though the industry is certainly behind her, too.  The depth and breadth of her appeal warrants the win.

Leeann: I know how zealous Carrie Underwood fans are.  So, I’d be shocked if she doesn’t win it.  I like the way Lynn said it though.

Dan: You know, I really have no idea. It’s not going to be George Strait, and I probably wouldn’t anticipate a win for Keith Urban this year. At first I was going with Chesney by default, but the arguments for Underwood’s win are too good to ignore, so I’m changing to her.

Lynn: If the fans are truly allowed to have their say…Ms. Underwood, please watch your step on the way up to receive your first Entertainer of the Year award.

Top Male Vocalist

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley – Leeann, Dan, Lynn, Kevin
  • George Strait
  • Keith Urban

Leeann: I can’t decide between Chesney or Paisley.  If I had to choose, I’d guess Paisley, since he’s gotten used to winning this one.

Dan: Tough call. I’ll put it between Paisley and Chesney, and I’ll give Paisley the edge.

Lynn: Paisley by default. Yes, his last album was an instrumental, but he was easily the most visible of these artists over the past year.

Kevin: I could see Strait sneaking in there, but I don’t see how things have shifted in a meaningful enough way to end Paisley’s run.

Top Female Vocalist

  • Miranda Lambert
  • Heidi Newfield
  • Taylor Swift
  • Carrie Underwood – Dan, Lynn, Kevin, Leeann
  • Lee Ann Womack

Dan: There’s always that chance of a Miranda or Taylor upset, but I think Carrie’s still got this.

Lynn: Given a choice among these ladies over the course of the past year, I can’t imagine this award not going to Underwood.

Kevin: It’s a race between Taylor Swift and Carrie Underwood, and it’s hard for me to imagine Underwood losing a vocalist race to Swift.

Leeann: I’d be an idiot to predict anyone other than Underwood.

Top Vocal Group

  • Lady Antebellum – Lynn, Kevin
  • Little Big Town
  • Rascal Flatts – Leeann, Dan
  • Randy Rogers Band
  • The Lost Trailers

Lynn: With previous ACM and CMA wins under their belts, and a big Grammy nod earlier this year, I wouldn’t bet against Lady A for the win. I could be wrong, but I think Nashville is dying to hand this award to a band other than Rascal Flatts, and Lady A is visible, popular and photogenic.

Kevin:
I think that voters have finally found an alternative to Rascal Flatts, who have dominated this race for so many years.

Leeann: Lady A could take this one.  However, if I want to be safe, I should just predict Rascal Flatts.

Dan: If Lady A hadn’t released such a sluggish second single, they could be posing a serious threat by now. They’ve definitely got a shot, but I’d guess the Flatts still have it.

Top Vocal Duo

  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Sugarland – Kevin, Leeann, Dan, Lynn


Kevin:
This must finally be the year that Brooks & Dunn loses, right? Sugarland is long overdue.

Leeann: Sugarland.  They’re clearly the hottest duo right now.

Dan: Sugarland, although Brooks & Dunn could still keep it.

Lynn: Sugarland has the momentum.

Top New Artist

  • Julianne Hough- Leeann, Lynn, Kevin
  • Jake Owen
  • Zac Brown Band - Dan

Leeann: Hough will get this one, because I have a feeling she’s got the strongest and most organized fan base, thanks to a popular television show.

Dan: Fan voting = I have no idea. But just for the sake of having a bet, I’ll say Zac Brown Band. They’re well-liked by audiences; maybe their grassroots support will push them over.

Lynn: Fan voting = Julianne Hough (= Dancing With the Stars = 20 million viewers per week = Lots of Free Publicity).

Kevin: I also think Hough will win because of the nature of her fan base.

Album of the Year

  • Back When I Knew It All – Montgomery Gentry
  • Carnival Ride – Carrie Underwood
  • Fearless – Taylor Swift – Leeann
  • That Lonesome Song – Jamey Johnson
  • Troubadour – George Strait  – Dan, Lynn, Kevin
Dan: I can kind of see anyone but Montgomery Gentry winning here, but at the end of the day, Strait is probably the best all-around bet.

Lynn: Ditto Dan.

Kevin:
The Single/Album races just seem to be going Strait’s way lately.

Leeann:
I’ll go out on a limb and predict Taylor Swift.  I’m sure the industry wants to give her an award and this is the most plausible way to do it.

Single Record of the Year

  • “Gunpowder & Lead” – Miranda Lambert
  • “In Color” – Jamey Johnson
  • “Johnny And June” – Heidi Newfield
  • “Waitin’ On A Woman” – Brad Paisley – Dan
  • “You’re Gonna Miss This” – Trace Adkins – Lynn, Kevin, Leeann

Lynn: I might have to go with Trace Adkins’ “You’re Gonna Miss This.” Admittedly, I have a poor track record when it comes to predicting country music awards shows, but I’d be willing to wager at least…nope, can’t do it, I really am bad at this. Second choice is “Gunpowder & Lead” (although it came out 1 single and a year ago!)

Kevin: I’m torn between Paisley and Adkins. The ACM likes to go with the biggest hit, and I guess that’s “You’re Gonna Miss This.”

Leeann: I guess I predict Trace Adkins.  It’s the dullest song of the choices, but the one that seems to tug the hardest on the heartstrings of the assumed average country music listener.

Dan: Paisley’s sentimental hit seems like the strongest bet to me, although I feel a little sheepish with everyone else pulling for Adkins.

Song of the Year

  • I Saw God Today – Leeann, Dan, Lynn
    George Strait
    Composers:  Rodney Clawson, Monty Criswell, Wade Kirby
  • In Color – Kevin
    Jamey Johnson
    Composers:  Jamey Johnson, Lee Thomas Miller, James Otto
  • Johnny And June
    Heidi Newfield
    Composers:  Deanna Bryant, Heidi Newfield, Stephony Smith
  • Waitin’ On A Woman
    Brad Paisley
    Composers:  Don Sampson, Wynn Varble
  • You’re Gonna Miss This
    Trace Adkins
    Composers:  Ashley Gorley and Lee Thomas Miller

Kevin: I’m guessing “In Color” or “I Saw God Today.” It doesn’t help that when Strait won this award, he shared it with Johnson for “Give it Away.” I’ll say “In Color”, though it might result in my defeat in the final tally.

Leeann:
I can’t see why “I Saw God Today” won’t win, even if it makes me cringe a little.

Dan: If I had to guess, it’s a race between “Waitin’ on a Woman” and “I Saw God Today,” with “In Color” playing dark horse. I guess I’ll say “I Saw God Today.”

Lynn: I think Strait will pick up an ACM trophy to go with his CMA one for “I Saw God Today.”

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ACM Awards: Personal Picks

As we gear up for the 2009 Academy of Country Music Awards, the writing staff of Country Universe have prepared our personal picks among this year’s nominees. Check out our Predicted Winners as well, and share your own personal picks in the comments. As always, we’ll be live-blogging the festivities this Sunday, starting at 8 EST.

ACM 2009: Country Universe’s Personal Picks

Entertainer of the Year

  • Kenny Chesney
  • Brad Paisley – Leeann
  • George Strait – Lynn
  • Carrie Underwood – Kevin, Dan
  • Keith Urban

Kevin: I haven’t been as happy with the standard-bearing superstar of country music since the heyday of the Dixie Chicks, so I’m definitely pulling for Carrie Underwood. She strikes the perfect balance of contemporary relevance and reverence for tradition.

Leeann: I’m always pulling for Paisley to win an Entertainer award, but I’d be happy to see a female win it as well, especially since Underwood’s not undeserving at this point.

Dan: None of these artists has impressed me recently from an artistic standpoint, although Strait has been less grating than the rest. But I think I’m going to say Carrie Underwood, simply because it’d be cool to see a woman win, and I think it might give her the freedom to take more artistic risks (if she chooses).

Lynn: I’m pulling for Strait to win this year. The ACMs put out a promo the other day that was essentially a glamour magazine photo shoot with three cute blonde singers. I’ll be honest…I didn’t want to watch the show after seeing that. Maybe I’m the odd one out, but I’d be more interested in watching the show if the promo had Strait sitting in a chair singing one of his classic tunes. I’m tired of the promotion of style over substance. Paisley, Underwood and Urban aren’t necessarily guilty of this, but I hope Strait wins just to remind everyone to keep it real.

Top Male Vocalist

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley – Leeann
  • George Strait – Dan, Lynn, Kevin
  • Keith Urban

Leeann: This is a tough one.  I have not been impressed with any of these artists in the last year.  So, I’m going to have to choose by voice alone, which gives Paisley the slight edge over the others as far as my taste runs.

Dan: The big-hitters have had a lame year. Strait was the only one who didn’t let me down too bad, although I can’t say I’m a big fan of “River of Love”, either.

Lynn: I noted in a discussion the other day that Strait’s album is no longer on my iPod. But…it at least made it to my iPod. Which is more than I can say for Urban, Paisley, Keith and Chesney’s most recent outings.

Kevin: There’s a cyclical process I go through that includes taking George Strait for granted and then suddenly realizing just how good he is again. I’m in the latter part of the cycle again.

Top Female Vocalist

  • Miranda Lambert – Dan, Lynn, Leeann
  • Heidi Newfield
  • Taylor Swift
  • Carrie Underwood
  • Lee Ann Womack – Kevin

Dan: Miranda Lambert released arguably the two riskiest singles of the past year (“Gunpowder & Lead” and “More Like Her”), and she somehow got radio to play them both. There isn’t a more inspiring mainstream artist out there right now, at least for my money.

Lynn: M I R A N D A   L A M B E R T ! ! (Was that subtle enough? :P )

Kevin: I’d be happy to see Underwood or Lambert win, but since Womack has never won before, she’s my personal pick this year.

Leeann: I hate to be so predictable, but Miranda Lambert is my clear pick.  I choose her with Lynn’s exuberance and Dan’s reasoning.

Top Vocal Group

  • Lady Antebellum
  • Little Big Town – Lynn, Dan
  • Rascal Flatts
  • Randy Rogers Band- Kevin, Leeann
  • The Lost Trailers

Lynn: If those are my only choices, I’m pulling for Little Big Town. It’s too bad we can’t write-in nominations…

Kevin:
I’m with Leeann on this one.

Leeann: My personal vote goes to the Randy Rogers Band.  I love Rogers’ voice and dig their music in general.

Dan: I love me some Randy Rogers Band and am thrilled to see them nominated, but I like Little Big Town’s current album better than theirs, so I’ll side with LBT.

Top Vocal Duo

  • Big & Rich
  • Brooks & Dunn
  • Joey + Rory – Leeann, Lynn
  • Montgomery Gentry
  • Sugarland – Kevin, Dan


Kevin:
I don’t understand why Sugarland isn’t all over this ballot. They’re one of the best acts in country music today.

Leeann: Out of all of the nominations in all of the categories for the ACMs, I’m rooting for Joey + Rory most enthusiastically this year.

Dan: Sugarland is injecting pop-country with some much-needed personality, plus they don’t concern themselves with trivial things like “postmodern Appalachia,” right, Kristian Bush? :) On a side note, it’s great to see Joey + Rory here. They’re a bit too new for me to pick them right now, but I hope they become regular contenders for this award.

Lynn: Joey + Rory are my favorites to win here simply because they stepped into the Nashville limelight with class and character, bringing a certain genuine spirit, candor and down home realness along with good music.

Top New Artist

  • Julianne Hough
  • Jake Owen
  • Zac Brown Band – Leeann, Dan, Lynn, Kevin

Leeann: Zac Brown Band has a cool vibe about them that is hard to ignore.  While I’m not personally sold on them yet, they are clearly the most unique act out of the nominees here.

Dan: I still don’t care for “Chicken Fried,” but Zac Brown Band is one of the freshest acts to break at radio in recent memory. They’ve been playing around forever (it shows), have a number of solid songs on their current album, and seem like genuinely nice guys, too. Mainstream country needs more acts like them.

Lynn: I’m at a loss here. I listened to Zac Brown Band’s album for the first time the other day. It was part hokey and part cool. I truly didn’t know what to make of it, but I am curious to see where they head next, and that has to be worth something.

Kevin: I was going to go with Jake Owen, but then I realized I had him confused with Luke Bryan, who made the “Country Boy” video I like so much. So I’ll go with Zac Brown Band instead.

Album of the Year

  • Back When I Knew It All – Montgomery Gentry
  • Carnival Ride – Carrie Underwood
  • Fearless – Taylor Swift
  • That Lonesome Song – Jamey Johnson  – Dan, Lynn, Leeann
  • Troubadour – George Strait – Kevin
Dan: As it happens, I really like both Johnson’s and Swift’s. Despite their vast differences, both albums are fully-realized artistic expressions that convey a believable sense of who their creators are and how they view the world, even if we as listeners can’t always relate to the particular subject matter (hard drugs, divorce, Joe Jonas, etc.). That said, I think Music Row needs more Johnson than Swift right now. So I’m pulling for That Lonesome Song.
.
Lynn: Ditto Dan (although I’m not quite as enamored with Swift’s album).
.
Kevin: Underwood’s album has grown on me with time, but the only album of these five that I really enjoy from start to finish is George Strait’s Troubadour.
.
Leeann: Jamey Johnson clearly has the most interesting album here, though I’ll give Swift some credit too.  It’s odd that any of us would put Johnson and Swift in the same category, but one thing I can say about their efforts as opposed to the others is that it’s obvious that their albums were labors of love for them while the other albums seemed more thrown together.

Single Record of the Year

  • “Gunpowder & Lead” – Miranda Lambert – Lynn, Kevin, Leeann, Dan
  • “In Color” – Jamey Johnson
  • “Johnny And June” – Heidi Newfield
  • “Waitin’ On A Woman” – Brad Paisley
  • “You’re Gonna Miss This” – Trace Adkins

Lynn: I was impressed with “In Color,” but this is an easy call: “Gunpowder & Lead” kicked arse!

Kevin: I’m splitting my vote between Single and Song, with the edge going to Miranda Lambert here.

Leeann: I just enjoy “Gunpowder And Lead” the most out of these choices.  I like “In Color”, but the appeal really hasn’t stuck with me over time. I still crank “Gunpowder And Lead” when given the chance, however.

Dan: Catch me on another day and I might say “In Color,” but I think “Gunpowder & Lead” is destined to become a classic, even if it’s more southern rock than country.

Song of the Year

  • I Saw God Today
    George Strait
    Composers:  Rodney Clawson, Monty Criswell, Wade Kirby
  • In Color – Leeann, Dan, Lynn
    Jamey Johnson
    Composers:  Jamey Johnson, Lee Thomas Miller, James Otto
  • Johnny And June
    Heidi Newfield
    Composers:  Deanna Bryant, Heidi Newfield, Stephony Smith
  • Waitin’ On A Woman – Kevin
    Brad Paisley
    Composers:  Don Sampson, Wynn Varble
  • You’re Gonna Miss This
    Trace Adkins
    Composers:  Ashley Gorley and Lee Thomas Miller

Kevin: The final verse of “Waitin’ on a Woman” gets me every time. It’s easily my favorite Paisley song since “Whiskey Lullaby.”

Leeann:
“In Color” is the best and most intricately written song out of the bunch.

Dan: “In Color” is the only one of the bunch that really engrossed me the first time I heard it, which is kind of my litmus test for song quality.

Lynn: “In Color” is the most interesting song of the group (with “Johnny and June” actually being one of my least favorite big singles in recent years).

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ACM Top New Artist Winners

header_acm-awards1The winners have been announced for three of the Top New Artist categories at this year’s ACM Awards:

  • Top New Male Vocalist: Jake Owen
  • Top New Female Vocalist: Julianne Hough
  • Top New Vocal Duo or Group: Zac Brown Band

Jake Owen’s victory is something of an upset, as he was nominated against James Otto and Jamey Johnson, two men who received multiple Grammy nominations. Johnson still has a shot at some ACM awards this year, as he’s nominated in three other categories: Single, Song and Album of the Year. Owen is nominated for Vocal Event for his part in Sugarland’s multi-artist “Life in a Northern Town.”

Julianne Hough was chosen over Sarah Buxton and Ashton Shepherd, while Zac Brown Band won over the Eli Young Band and the Lost Trailers.

Owen, Hough and Zac Brown Band will compete for the Top New Artist award during the three-hour telecast on Sunday, April 5. We’ll be live-blogging, of course. Look for our predictions and personal picks later this week.

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The 44th Annual ACM Awards Reaction, Part Two (Fail Blog)

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In honor of FAIL Blog (the perfect workday distraction), here’s my take on the Academy of Country Music Awards nominations. Opinions expressed belong solely to the author, and do not represent the views of other contributors to Country Universe.

WIN- Carrie Underwood, Entertainer of the Year

A Grand Ole Opry induction, four No. 1 singles and best-seller status on the concert trail. Serious credentials for the reigning female vocalist, ensuring her a well-deserved Entertainer nod.

WIN- Miranda Lambert, Single of the Year (“Gunpowder and Lead”)

Lambert’s vengeful stand against domestic violence is amply rewarded with an appearance in the Single category. Her spicy snarl is an intimidating match for a clever, caustic lyric.

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44th Annual ACM Awards Nominations Announcement

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The Academy of Country Music announced nominees for their 44th annual awards ceremony this morning at the Country Music Hall of Fame in Nashville. Julianne Hough, Kellie Pickler, Leann Rimes and Jessica Simpson were on hand to present this year’s nominees. More analysis to follow.

Entertainer of the Year

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Carrie Underwood
  • Keith Urban

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Review: The Lost Trailers, “How ‘Bout You Don’t”

lost-trailers“How about you don’t”, as in “how about you don’t leave me” seems like an arrogantly feeble argument to try to get someone to stay, don’t you think?

Well, that’s the point of The Lost Trailer’s latest single.The couple is fighting too much, the woman makes the proactive steps to leave and the man, somehow, thinks that saying “How about you don’t…” will diffuse the situation. He says: “But how about you don’t slam that door/Call it quits, throw your suitcase in that old Ford/Back the car out, make that right, hit the highway/Say goodbye, how about you don’t.”

That hardly seems like a sincere plea for reconciliation. Instead, it feels more like a half-hearted attempt at best. Moreover, it’s just not going to work on anyone with a shred of self confidence. In fact, it’s likely an attitude similar to this that landed him in this trouble in the first place. Instead of trying to display contrition, he violates a crucial rule of attempted reconciliation by unwisely pointing out: “I know I lose my temper/That’s when everything goes south/You do too, you know that it’s true…”

That’s right, Buddy, start another fight!

Considering the senseless lyrics (including the unoriginal “There ain’t no good in saying goodbye”), uninspired melody and bland production, this song serves no greater purpose than to be album filler. However, it, somehow, has been released under the guise of a viable single instead.

Written by Jeremy Stover, Stokes Nielson, Vicky McGehee

Grade: C

Listen: How ‘Bout You Don’t

Buy:

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The Lost Trailers, Holler Back

The Lost Trailers
Holler Back

In retrospect, the news that The Lost Trailers had recorded their own version of “Chicken Fried” should have been a warning. It turns out that the group’s fifth studio album is chock-full of banal odes to small-town life that would have fit just perfectly alongside that Zac Brown Band number – or maybe made it look better. Truly, Holler Back is the rare sort of musical work that manages to say almost nothing unique or interesting about any one of its well-worn subjects. It’s a collection of songs which seem to serve no individual purposes except to check another country music cliche off the list, whether it’s the pleasures of youthful rebellion (“Blacktop Road,” “Hey Baby”), the nostalgic value of lost innocence and love gone by (“Summer of Love”), or, of course, the merits of simple, rural living (“Country Folks (Livin’ Loud),” “Things You Don’t Grow Out Of”, the title track).

But the themes are not what kills this album. Any theme can be rendered fresh given a fresh angle; the problem here is that there are no angles. Country music will probably never tire of songs about lovers leavin’, but what need does anyone have for a song in which the man’s only objection to his addressee’s departure is “How ‘Bout You Don’t”? You can certainly appreciate the idea behind considering those “Things You Don’t Grow Out Of,” but what’s the point of writing a song simply to state that those things do, in fact, exist? When a song’s titular line is all you really have to say about the subject, why write it? And if you must write it, why force it? Why not just be forthright with the fact that you have nothing substantial to express?

Consider the lead single and title track, “Holler Back.” It’s a shamelessly contrived piece that knowingly caricatures every person it features: we have the Ebonics-loving “city-folk” friend, the “country folks” who “got it good” (’nuff said), the cowgirls who exist only to “[shake] their sassafras.” There is talk of wild seeds being sewn and much “hey!” and “ho!” shouting-along. It’s the kind of mindless single that’s designed to serve as the soundtrack to your rowdy, drunken festivities – and in that sense, it is very well-written. The details are charming and creative in their utter inanity, the production is tight, the chorus is strong. It’s dumb, but that’s the idea. And for what it is, it works.

The same approach also scores on closing track “Gravy,” a port from the previous album (there are three others, by the way) which recounts a young man’s decision to sell marijuana in order to “save the family farm.” Once again, the character’s situation and personal psychology are reduced to fun Cliffs Notes like, “my mama cried, my grandma cried; my grandpa would have cried, but he done died,” but after the eight tracks of indiscriminate, mid-tempo filler following “Holler Back,” it’s just nice to hear anything at all that sounds like a band inching toward a personality.

But of course, those eight mid-tempo tracks are there – and each with a moderately rocking production (they all bleed together), a singalong chorus (ditto), and any number of lyrics championing or otherwise making extensive (but never in-depth) mention of such hallowed practices as slamming the door, hitting the highway, wanting to be a changed man, beholding the wide open sky, finding out where the road goes, being a wild horse that’s ready to run, chasing the wind, taking a ride on Saturday night (or, alternatively, tearing down a gravel road on Saturday night), playing music loudly in pick-up trucks, loving the cooking at Mama’s house, singing the Star-Spangled Banner proudly, and learning lessons from your Grandpa (though presumably not the same one who taught you about growing weed in “Gravy”). Listeners who are relatively unfamiliar with country radio and have thus not heard such practices espoused in a multitude of recent hits may very well enjoy these eight songs, but the stereotyping will be hard to ignore for most followers of the genre’s mainstream output.

Ultimately, The Lost Trailers’ considerable promise as a vocal group gets all but completely lost within this sea of forgettable, recycled compositions. The success of “Holler Back” may net these boys a few album sales, but it’s doubtful that many fans will be won by the remainder of the material here. If there is any lesson to be learned from Holler Back, it’s that no amount of talent or slick production can overcome a fundamentally flawed sense of song.

Click to hear The Lost Trailers, Holler Back.

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