Tag Archives: Tim McGraw

Discussion: 2009 Singles

With little new music on the horizon, we can at least hope for some fresh songs on the radio and video outlets from current albums.   I miss the days when a label could work three or four singles a year from one project, but aside from the superstars, those days are gone.

I was a bit underwhelmed by the albums of 2008, but there are some tracks from this year’s and last year’s releases that are still waiting to be heard.    One that I’d really like to see in the new year is “I Know You Won’t”,  a track from Carrie Underwood’s 2007 set Carnival Ride.   It’s my favorite vocal performance of hers to date.

That’s one hit waiting to happen, but far from the only one.

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Discussion: SoundScan Sound Off

salesIn this era of rampant piracy and economic recession, things aren’t looking good for the music industry.   We don’t post too often about the business side of the music business here, as we tend to keep the focus on the music.   But the reality is that these numbers matter.  If Little Big Town’s second Equity album had performed as well as the first, the label might still be in business.

It’s not all doom and gloom, as many artists go on to make their best music once they leave major labels.   But this Christmas, you can guarantee that some artists and record executives will be bracing for the New Year, while others are embracing it.

Here’s a look at some totals for albums released in 2008, ranked by total sales (rounded to the nearest thousand):

  1. Taylor Swift, Fearless – 1,519,000
  2. Sugarland, Love on the Inside – 1,179,000
  3. George Strait, Troubadour – 693,000
  4. Alan Jackson, Good Time – 628,000
  5. Toby Keith, 35 Biggest Hits – 530,000
  6. Kenny Chesney, Lucky Old Sun – 479,000
  7. Faith Hill, Joy to the World – 341,000
  8. Lady Antebellum, Lady Antebellum – 337,000
  9. James Otto, Sunset Man – 332,000
  10. Rascal Flatts, Greatest Hits Volume 1 – 330,000
  11. Darius Rucker, Learn to Live – 284,000
  12. Julianne Hough, Julianne Hough – 260,000
  13. Toby Keith, That Don’t Make Me a Bad Guy – 224,000
  14. Jewel, Perfectly Clear – 203,000
  15. Dierks Bentley, Greatest Hits: Every Mile a Memory -  195,000
  16. Jamey Johnson, That Lonesome Song – 183,000
  17. Heidi Newfield, What Am I Waiting For – 162,000
  18. Jessica Simpson, Do You Know – 153,000
  19. Brad Paisley, Play – 137,000
  20. Kellie Pickler, Kellie Pickler – 129,000
  21. Montgomery Gentry, Back When I Knew it All – 127,000
  22. Tim McGraw, Greatest Hits Vol. 3 – 127,000
  23. Emmylou Harris, All I Intended to Be – 119,000
  24. Zac Brown Band, Foundation – 118,000
  25. Randy Travis, Around the Bend – 89,000
  26. Ashton Shepherd, Sounds So Good - 84,000
  27. Jimmy Wayne, Do You Believe Me Now – 81,000
  28. Trace Adkins, X – 72,000
  29. Billy Currington, Little Bit of Everything – 65,000
  30. Blake Shelton, Startin’ Fires – 60,000
  31. Hank III, Damn Right Rebel Proud – 47,000
  32. Lee Ann Womack, Call Me Crazy – 45,000
  33. Joey + Rory, Life of a Song – 44,000
  34. Patty Loveless, Sleepless Nights – 38,000
  35. Craig Morgan, Greatest Hits – 34,000
  36. Craig Morgan, That’s Why – 31,000
  37. Randy Owen, One on One – 22,000
  38. Randy Houser, Anything Goes – 17,000

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Various Artists, Ultimate Grammy Collection: Classic Country and Contemporary Country

Various Artists

Ultimate Grammy Collection:

Classic Country

Contemporary Country

stars-312

Earlier this year, the Grammys celebrated their fiftieth anniversary with a series of compilations focusing on winners in different fields.  Two of the best entries in this series focused on country music.  With five decades of winners to choose from, it’s no surprise that Ultimate Grammy Collection: Classic Country and Ultimate Grammy Collection: Contemporary Country are solid collections.

The Classic Country set is particularly strong, including a diverse selection of significant artists from the sixties and seventies.   Even better, most of them are represented with their signature tracks.    Roger Miller opens the set with “King of the Road”, easily his biggest hit.   Other superstars include Tammy Wynette (“Stand By Your Man”), Johnny Cash (“A Boy Named Sue”) and Waylon & Willie (“Mammas Don’t Let Your Babies Grow Up to Be Cowboys.”)

As the collection moves on to the seventies and eighties, there is a healthy portion of pop-country classics from the likes of Kenny Rogers (“The Gambler”), Dolly Parton (“9 to 5″), Crystal Gayle (“Don’t it Make My Brown Eyes Blue”) and Willie Nelson (“Always on My Mind”).   In the midst of that crossover sound, however, there’s  a healthy dose of traditional country, courtesy of George Jones  with “He Stopped Loving Her Today.”

That Jones track is the only one that wouldn’t be familiar to fans that buy the set because they remember those crossover hits, even though it’s a country classic.   They might also revel in the discovery of  Ray Price (“For the Good Times”) and Jerry Reed (“When You’re Hot, You’re Hot”), which were both AM radio staples back when top 40 regularly played country records.     The set also includes mega-hits from Charlie Daniels Band, Lynn Anderson, Donna Fargo and Jeannie C. Riley.   The only real misstep is the inclusion of Johnny Cash & June Carter’s “If I Were a Carpenter”,  an unnecessary inclusion that was no doubt shoehorned in because of lingering sentiment for all things Cash.   That slot would’ve been better represented with Conway Twitty and Loretta Lynn’s “After the Fire is Gone.”

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Discussion: Billboard’s 2008 Year-End Charts

Earlier this week, Billboard announced the year-end charts in all musical genres. Billboard’s chart year runs from the first week of December (2007) to the last week of November (2008), and the country albums list provides an interesting commentary on the current state of the genre.  Below is the list of the 25 best-selling country albums of the year.

1. Long Road Out Of Eden, Eagles
2. Taylor Swift, Taylor Swift
3. Carnival Ride, Carrie Underwood
4. The Ultimate Hits, Garth Brooks
5. Still Feels Good, Rascal Flatts
6. Love On The Inside, Sugarland
7. Enjoy The Ride, Sugarland
8. Raising Sand, Robert Plant / Alison Krauss
9. Just Who I Am: Poets & Pirates, Kenny Chesney
10. Reba Duets, Reba McEntire
11. Greatest Hits, Keith Urban
12. Troubadour, George Strait
13. Fearless, Taylor Swift
14. Good Time, Alan Jackson
15. American Man: Greatest Hits Volume II, Trace Adkins
16. 22 More Hits, George Strait
17. 5th Gear, Brad Paisley
18. 35 Biggest Hits, Toby Keith
19. Some Hearts, Carrie Underwood
20. Everything Is Fine, Josh Turner
21. Lucky Old Sun, Kenny Chesney
22. Crazy Ex-Girlfriend, Miranda Lambert
23. Sunset Man, James Otto
24. Living Hard, Gary Allan
25. Lady Antebellum, Lady Antebellum

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Single Review: Josh Gracin, “Telluride”

If you’re going to comb through an artist’s catalog looking for missed hits, Tim McGraw is a good guy to start with.    “Telluride” was on Tim’s Set This Circus Down album, which produced four #1 hits.    It’s easy to imagine this one lighting up the charts, though it’s quite a bit less effective in the less experienced hands of Josh Gracin.

There’s none of the wry humor or devilish charm of McGraw’s reading here.  If anything, Gracin’s overly earnest. McGraw gave a performance that connected with what the lyrics described – a one-night stand that was noteworthy for the action.  Gracin sounds like he’s swooning over a long lost love.    In case anyone out there’s still looking for proof of the difference between being a gifted singer and an effective one, here it is.

Written by Brett James and Troy Verges

Grade: C

Listen: Telluride

Buy: Telluride

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Discussion: Country Music Pet Peeves

A less cheery discussion tonight, just because I read something that annoyed me.   Here’s an article about songwriter Jeffrey Steele:

NASHVILLE (Billboard) – One could forgive Jeffrey Steele if he had an inferiority complex.

The writer of scores of hits, Steele is cursed with the same affliction that troubles songwriters worldwide: The public knows his songs, but not him. It comes with the territory, even for someone who has twice been named songwriter of the year by performing rights group BMI.

Artists ranging from Faith Hill to Rascal Flatts to Tim McGraw and Trace Adkins have topped the charts with Steele’s compositions, but as a solo artist the best he could do was a No. 33 finish on Billboard’s Hot Country Songs with “Somethin’ in the Water” in 2001.

“They were saying I was too rock’n’roll for country, blah, blah, blah,” Steele says. “I could never fit into that mold of being a traditional country artist.”

But Steele is doing just fine, thank you, and starting to draw attention. Along with Craig Wiseman, Bob DiPiero and Tony Mullins, he starred in the GAC reality show “The Hitmen of Music Row” in 2007. And after a Best Buy representative saw Steele last summer as a judge/mentor on NBC’s “Nashville Star,” the electronics retailer contacted him about selling his product in its stores. “I’ve been knocking on it all my life, but that show opened the door to finally get some product out there,” Steele says.

What’s annoying about this?  Lazy journalism.  Rather than buy into the “songwriter in the shadows” myth that Steele is selling here, the writer should’ve pointed out that Jeffrey Steele had several hits as an artist.   He was the lead singer of Boy Howdy, who had three hits in the mid-nineties, including the top five “She’d Give Anything” and “They Don’t Make ‘Em Like That Anymore.”   His first hits as a songwriter were sung by him!

I don’t blame Steele for pushing that angle, but a more conscientious writer would’ve been aware of the ruse and called him on it.  I haven’t forgotten “Bigger Fish to Fry”, Mr. Steele.  Your Howdywood days will follow you until the end.

What are some of your country music pet peeves?

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CMA Flashback: Horizon Award (New Artist)

For a look back at the other major categories, visit our CMA Awards page.

2010

  • Luke Bryan
  • Easton Corbin
  • Jerrod Neimann
  • Chris Young
  • Zac Brown Band

Usually there isn’t this much turnover in this race unless most of last year’s nominees are ineligible.  This year, only one of the four eligible nominees from last year – Zac Brown Band – earns a nomination.  With their massive success and their multiple nominations, they’ve got an excellent shot at winning. Then again, Easton Corbin is elsewhere on the ballot, too. It could be a horse race.
2009

  • Randy Houser
  • Jamey Johnson
  • Jake Owen
  • Darius Rucker
  • Zac Brown Band

Thirteen years after winning the Best New Artist Grammy as part of Hootie & The Blowfish, Darius Rucker won the country music equivalent, adding an exclamation point to the most successful pop-to-country crossover in a generation.

lady-antebellum2008

  • Jason Aldean
  • Rodney Atkins
  • Lady Antebellum
  • James Otto
  • Kellie Pickler

The industry favorites Lady Antebellum became the fourth band in history to win this award, following Rascal Flatts, Dixie Chicks and Sawyer Brown.

2007

  • Jason Aldean
  • Rodney Atkins
  • Little Big Town
  • Kellie Pickler
  • Taylor Swift

In the year since winning the Horizon Award, Swift has solidified her position as the genre’s most successful rising star.  While her debut album hasn’t reached the sales heights of the first discs by previous winners Carire Underwood and Gretchen Wilson, Swift is still one of the genre’s only significant sellers.

2006

  • Miranda Lambert
  • Little Big Town
  • Sugarland
  • Josh Turner
  • Carrie Underwood

I had a sneaking suspicion that Josh Turner was going to take this home, but as I’ve said before, Carrie’s got the best pipes since Trisha Yearwood. That she’ was acknowledged for that at such an early stage of her career is pretty amazing. Somehow I think the thrill of winning Horizon was short-lived, as winning Female Vocalist the same night left that memory in the dust.

2005

  • Dierks Bentley
  • Big & Rich
  • Miranda Lambert
  • Julie Roberts
  • Sugarland

Four of these five were nominees again the following year, and all in categories besides just Horizon, though Lambert got another shot at that as well. I think Big & Rich and Sugarland are making the most interesting music, and they’re moving more units than Bentley, though he’s no slouch himself. The CMA showed good judgment this year.

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CMA Flashback: Male Vocalist

For a look back at the other major categories, visit our CMA Awards page.

2010

  • Dierks Bentley
  • Brad Paisley
  • Blake Shelton
  • George Strait
  • Keith Urban

Bentley and Shelton have never won, but they’re up against Strait, who has won five times, and Paisley and Urban, who’ve won three times each.  With the balance of commercial and critical success not significantly different across the category, this race could bring the night’s biggest surprise. But whatever happens, kudos to Paisley for earning his tenth nomination, and Strait for earning his twenty-fifth!

2009

  • Kenny Chesney
  • Brad Paisley
  • Darius Rucker
  • George Strait
  • Keith Urban

Just like in the Entertainer category, 80% of this race for the past three years had been Kenny Chesney, Brad Paisley, George Strait, and Keith Urban. This year, Darius Rucker took the fifth slot that was occupied by Alan Jackson in 2008 and Josh Turner in 2007.  Brad Paisley went on to win his third Male Vocalist prize.

brad-paisley2008

  • Kenny Chesney
  • Alan Jackson
  • Brad Paisley
  • George Strait
  • Keith Urban

After so many years on the sidelines, Paisley began to dominate the category, scoring his second consecutive Male Vocalist award. Meanwhile, Kenny Chesney tied Willie Nelson for most nominations without a win, though his seventh loss was accompanied by his fourth win for Entertainer.

2007

  • Kenny Chesney
  • Brad Paisley
  • George Strait
  • Josh Turner
  • Keith Urban

This was the year that Brad Paisley finally won, with his seventh nomination in eight years. The stars aligned for him, with a very successful tour, a new album that is selling strongly, and a continued hot streakat radio that was nearly unmatched. He still hasn’t had a single miss the top ten since “Me Neither” in 2000, a claim that even radio favorites like George Strait, Toby Keith, Brooks & Dunn, Tim McGraw and Rascal Flatts can’t call their own.

2006

  • Dierks Bentley
  • Kenny Chesney
  • Alan Jackson
  • Brad Paisley
  • Keith Urban

Urban became the first artist to win Male Vocalist three years in a row since George Strait did it in 1996-1998, right after Vince Gill’s 1991-1995 run. His acceptance letter, read by Ronnie Dunn, was the emotional highlight of the evening’s show.

2005

  • Kenny Chesney
  • Alan Jackson
  • Brad Paisley
  • George Strait
  • Keith Urban

No surprises here, as another multi-platinum year full of radio hits and a high-profile appearance at Live 8 kept Urban fresh on voter’s minds. The big shock was him walking away with Entertainer of the Year later that night.

2004

  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • George Strait
  • Keith Urban

Urban hadn’t even been nominated for any CMA Awards in 2002 and 2003, after winning Horizon in 2001, but he came back with a bang, taking home Male Vocalist of the Year over the four other superstars in the category. He joined Chesney as the only other man in the running who had never won before; Chesney got the wonderful consolation prizes of Entertainer and Album of the Year the same night.

2003

  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Tim McGraw
  • Brad Paisley
  • George Strait

Things were getting tight in this category in 2003, with so many worthy contenders that ties resulted in six nominees, instead of the usual five. Still, voters chose to stick with last year’s winner, Alan Jackson, a sure indicator of his enduring popularity among CMA voters.

2002

  • Kenny Chesney
  • Alan Jackson
  • Toby Keith
  • Brad Paisley
  • George Strait

The other four men were merely placeholders, there to create a list around the obvious winner, Alan Jackson. As he swept the awards on the strength of his post-9/11 “Where Were You” and autobiographical “Drive”, the only real shock was that he was winning Male Vocalist for the first time, a result of the ridiculously slow turnover in this category during the 1990′s.

2001

  • Alan Jackson
  • Toby Keith
  • Tim McGraw
  • Brad Paisley
  • George Strait

Toby Keith has been a vocal critic of the CMA because he feels they’ve overlooked him, but he’s been up against some tough competition, with his popularity peaking at the same time that Alan Jackson, Kenny Chesney and Keith Urban were making a huge impact on the charts and at the CMA’s. Thankfully, he’s at least won in this category, so he won’t go down in history with Willie Nelson and Conway Twitty as one of the best male singers to never win it.

2000

  • Vince Gill
  • Alan Jackson
  • Tim McGraw
  • Brad Paisley
  • George Strait

On the same evening that his wife was crowned Female Vocalist, McGraw walked away with his second consecutive Male Vocalist award.

1999

  • Vince Gill
  • Alan Jackson
  • Tim McGraw
  • George Strait
  • Steve Wariner

Early on in his career, when McGraw was selling tons of records but being excluded from this category, he humbly said that he didn’t think he was a good enough singer to be nominated. His talents grew over the years, and he finally won in 1999.

1998

  • Garth Brooks
  • Vince Gill
  • Tim McGraw
  • Collin Raye
  • George Strait

Strait matched Vince Gill’s record of five wins in this category, defeating Gill and three other nominees who had yet to win in the category.

1997

  • Vince Gill
  • Alan Jackson
  • Collin Raye
  • George Strait
  • Bryan White

With no turnover in the category from the previous year, Strait won for the fourth time, again defeating his fellow mega-winner Gill, and three other stars who had never won before.

1996

  • Vince Gill
  • Alan Jackson
  • Collin Raye
  • George Strait
  • Bryan White

Jackson was already long overdue, and Collin Raye and Bryan White broke into the category for the first time. Nobody expected Gill to win for the sixth year in a row, but many were surprised to see former two-time winner George Strait collect a Male Vocalist award for the first time in ten years.

1995

  • John Berry
  • Vince Gill
  • Alan Jackson
  • John Michael Montgomery
  • George Strait

Even Gill was expecting to lose, so when his name was called out for the fifth year in a row, he was gamely applauding backstage for the winner, before suddenly realizing it was him and rushing out to the stage.

1994

  • John Anderson
  • Vince Gill
  • Alan Jackson
  • George Strait
  • Dwight Yoakam

Vince won for the fourth year in a row, even though fellow nominees John Anderson, Alan Jackson and Dwight Yoakam were seen as likely spoilers.

1993

  • John Anderson
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

Vince not only won his third Male Vocalist award this year, he also took home four other awards: Entertainer, Album, Song and Vocal Event.

1992

  • Garth Brooks
  • Joe Diffie
  • Vince Gill
  • Alan Jackson
  • Travis Tritt

A bunch of hot young stars dominated the ballot this year, with Gill emerging triumphant for the second time. Though they would continue to score hits for many years, Joe Diffie and Travis Tritt received their only nominations to date in this category.

1991

  • Clint Black
  • Garth Brooks
  • Vince Gill
  • Alan Jackson
  • George Strait

After Garth swept the ACM’s earlier that year, he was expected to do the same at the CMA’s, and he came close, winning Entertainer, Single and Album. But industry favorite Vince Gill took home Male Vocalist, an award that Garth Brooks would never receive, though he would win Entertainer a record four times.

1990

  • Clint Black
  • Garth Brooks
  • Rodney Crowell
  • Ricky Van Shelton
  • George Strait

For the second year in a row, the previous year’s Horizon winner took home Male Vocalist. Clint Black won easily over very distinguished competition.

1989

  • Rodney Crowell
  • Ricky Van Shelton
  • George Strait
  • Randy Travis
  • Keith Whitley

After winning Horizon in 1988, platinum-selling Ricky Van Shelton graduated into a Male Vocalist winner only one year later. Keith Whitley received a posthumous nomination; he won Single of the Year that same evening.

1988

  • Vern Gosdin
  • Ricky Van Shelton
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

It’s hard not to wince at the knowledge that the peerless Vern Gosdin only received one nomination in this category, but there was no stopping Travis from collecting his second win.

1987

  • George Jones
  • Ricky Skaggs
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

In a lineup that was a traditionalist’s dream, new star Randy Travis took home the trophy.  At the time, he was breaking sales records, enjoying a quadruple-platinum studio album in Always & Forever.

1986

  • George Jones
  • Gary Morris
  • George Strait
  • Randy Travis
  • Hank Williams, Jr.

Strait won his second consecutive Male Vocalist award on the strength of another huge year at radio and retail.

1985

  • Lee Greenwood
  • Gary Morris
  • Ricky Skaggs
  • George Strait
  • Hank Williams, Jr.

George Strait won the first of a record-matching five Male Vocalist awards, also taking home Album of the Year that same evening.

1984

  • Lee Greenwood
  • Merle Haggard
  • Gary Morris
  • Ricky Skaggs
  • George Strait

Greenwood’s Vegas vocals won him the award for the second time.

1983

  • John Anderson
  • Lee Greenwood
  • Merle Haggard
  • Willie Nelson
  • Ricky Skaggs

Greenwood looks pretty shabby against these other four nominees, taking home Male Vocalist in the same year Janie Fricke won for Female Vocalist. Is there a year in the history of the CMA’s where the winners of those two categories were collectively less impressive?

1982

  • Merle Haggard
  • George Jones
  • Ronnie Milsap
  • Willie Nelson
  • Ricky Skaggs

Pulling off the astonishing feat of winning both Male Vocalist and Horizon award, Emmylou Harris’ former bandmate was hugely rewarded for bringing bluegrass to the masses.

1981

  • George Jones
  • Ronnie Milsap
  • Willie Nelson
  • Kenny Rogers
  • Don Williams

It’s taken for granted that Jones is the greatest living male vocalist in country music; few would dare to argue otherwise. No surprise, then, that he won for the second year in a row.

1980

  • John Conlee
  • George Jones
  • Willie Nelson
  • Kenny Rogers
  • Don Williams

Nominated for the first time in his career, George Jones walked away with Male Vocalist of the Year, along with Single of the Year for “He Stopped Loving Her Today”.

1979

  • John Conlee
  • Larry Gatlin
  • Willie Nelson
  • Kenny Rogers
  • Don Williams

It’s hard to believe that the legendary showman never won Entertainer of the Year, but he did take home a much-deserved Male Vocalist award, at least.  Unfortunately, fellow nominee John Conlee would never be recognized at all, losing his first of two shots at this award.

1978

  • Larry Gatlin
  • Ronnie Milsap
  • Willie Nelson
  • Kenny Rogers
  • Don Williams

One of the most underrated artists in country music history got a well-deserved pat on the back, winning over four larger personalities in 1978.

1977

  • Larry Gatlin
  • Waylon Jennings
  • Ronnie Milsap
  • Kenny Rogers
  • Don Williams

Milsap set a record when he won for the third time in this category, which would stand until 1994, when Vince Gill won his fourth trophy.

1976

  • Waylon Jennings
  • Ronnie Milsap
  • Willie Nelson
  • Conway Twitty
  • Don Williams

After losing to Jennings the previous year, Milsap returned to collect his second Male Vocalist trophy in 1976. Conway Twitty lost again in his final appearance in the category.

1975

  • John Denver
  • Freddy Fender
  • Waylon Jennings
  • Ronnie Milsap
  • Conway Twitty

There was no love lost between Waylon Jennings and the CMA – he loathed the organization so much, he didn’t even show up at his Hall of Fame induction. This was the first of several CMA wins for Jennings, though the only one in this category that he would receive.

1974

  • Merle Haggard
  • Waylon Jennings
  • Ronnie Milsap
  • Charlie Rich
  • Cal Smith

Blind singer-songwriter and pianist Ronnie Milsap won for the first time; with Olivia Newton-John winning Female Vocalist the same night, pop was the flavor of the evening.

1973

  • Merle Haggard
  • Tom T. Hall
  • Charlie Rich
  • Johnny Rodriguez
  • Conway Twitty

The Silver Fox won on the strength of a great year at radio. He’s still considered one of the era’s finest and most under-appreciated vocalists.

1972

  • Merle Haggard
  • Freddie Hart
  • Johnny Paycheck
  • Charley Pride
  • Jerry Wallace

Charley Pride became the first artist to repeat in the category, winning for the second year in a row.

1971

  • Merle Haggard
  • Ray Price
  • Charley Pride
  • Jerry Reed
  • Conway Twitty

The CMA had a wealth of great male vocalists to choose from in the early years of the awards, and they finally got around to acknowledging Pride, who had been nominated four times already.

1970

  • Johnny Cash
  • Merle Haggard
  • Charley Pride
  • Marty Robbins
  • Conway Twitty

Merle Haggard dominated the show in 1970, winning Entertainer, Male Vocalist, Single and Album of the Year.

1969

  • Glen Campbell
  • Johnny Cash
  • Merle Haggard
  • Sonny James
  • Charley Pride

Cash was a huge winner in 1969, taking home five awards: Entertainer, Male Vocalist, Single, Album and Vocal Group (with wife June Carter Cash). He wouldn’t win again until after his death in 2003, when he took home another three awards.

1968

  • Eddy Arnold
  • Glen Campbell
  • Johnny Cash
  • Merle Haggard
  • Charley Pride

Crossover star Glen Campbell won in a year that is so impressive, all five nominees are now in the Hall of Fame. He also took home Male Vocalist the same evening.

1967

  • Eddy Arnold
  • Jack Greene
  • Merle Haggard
  • Sonny James
  • Buck Owens

Few casual country fans would recognize him today, but Jack Greene will forever go down in history as the first Male Vocalist winner at the CMA’s. He won on the strength of his signature hit “There Goes My Everything”, which also won Single of the Year and was the title track of his Album of the Year winner that same night.

Facts & Feats

Multiple Wins:

  • (5) – Vince Gill, George Strait
  • (3) – Ronnie Milsap, Keith Urban
  • (2) – Lee Greenwood, Alan Jackson, George Jones, Tim McGraw, Brad Paisley, Charley Pride, Randy Travis

Most Consecutive Wins:

  • (5) – Vince Gill (1991-1995)
  • (3) – George Strait (1996-1998), Keith Urban (2004-2006)

Most Nominations:

  • (25) – George Strait
  • (16) – Alan Jackson
  • (11) – Merle Haggard
  • (10) – Vince Gill
  • (10) – Brad Paisley
  • (8) – Kenny Chesney
  • (7) – Ronnie Milsap, Willie Nelson, Keith Urban
  • (6) – Don Williams
  • (5) – Garth Brooks, George Jones, Charley Pride, Kenny Rogers, Ricky Skaggs, Conway Twitty

Most Nominations Without a Win:

  • (8) – Kenny Chesney
  • (7) – Willie Nelson
  • (5) – Garth Brooks, Conway Twitty
  • (4) – Hank Williams, Jr.
  • (3) – John Anderson, Larry Gatlin, Gary Morris, Collin Raye
  • (2) – Eddy Arnold, Dierks Bentley, John Conlee, Rodney Crowell, Sonny James, Bryan White

Winners in First Year of Nomination:
Clint Black (1990), Glen Campbell (1968), Vince Gill (1991), Lee Greenwood (1983), George Jones (1980), Toby Keith (2001), Ronnie Milsap (1974), Charlie Rich (1973), Ricky Skaggs (1982), Randy Travis (1987), Keith Urban (2004)

CMA Male Vocalists of the Year Who Have Never Won the ACM Award:
Johnny Cash, Jack Greene, Waylon Jennings, Charley Pride, Ricky Van Shelton, Ricky Skaggs, Randy Travis, Don Williams

ACM Male Vocalists of the Year Who Have Never Won the CMA Award:
Garth Brooks (1990 & 1991), Kenny Chesney (2003), Larry Gatlin (1980), Mickey Gilley (1977), Freddie Hart (1972)

CMA Male Vocalists Who Have Also Won the Grammy for Best Country Vocal Performance, Male:
Glen Campbell, Johnny Cash, Vince Gill, Lee Greenwood, George Jones, Tim McGraw, Ronnie Milsap, Brad Paisley, Charley Pride, Charlie Rich, Kenny Rogers, Randy Travis, Keith Urban

Winners of the Grammy for Best Country Vocal Performance, Male Who Have Never Won the CMA Male Vocalist Award:
Garth Brooks, David Houston, Lyle Lovett, Roger Miller, Willie Nelson, Ray Price, Jerry Reed, Ralph Stanley, Dwight Yoakam

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Tim McGraw, Greatest Hits 3

Tim McGraw
Greatest Hits 3

If it seems that Tim McGraw’s latest hits collection came pretty soon after his last one, you’re not losing track of time.   It was only two and a half years ago that Greatest Hits Vol. 2 was released, complete with four new tracks attached to its generous helping of twelve previously released hits.   Why on earth would Curb be releasing another hits collection, even while they’re still working the title track of his 2007 studio album to radio?

We all know the answer to that question, so I won’t bother to explain what motivates cash-strapped labels. What I will do is evaluate this on its own merits.  Greatest Hits 3 collects some essential Tim McGraw singles.   In addition to featuring “If You’re Reading This”, a classic from his last album, and “Last Dollar (Fly Away)”, the biggest hit from that set, Curb has gone back and collected some songs that were inexplicably omitted from the previous two sets.  The most notable older cuts here are  “Back When”, “Can’t Be Really Gone” and “Angry All the Time.”

But other choices made here are a mystery.   They revisit the admittedly entertaining “Do You Want Fries With That” from  Live Like You Were Dying, but do not make room for the far superior “Drugs or Jesus.”   His last album featured a stellar duet with Faith Hill in “I Need You”, but that cut is overlooked for “Suspicions”, which wasn’t much of a hit in the first place.

The album is then padded out with a live version of “Real Good Man”, a song that was included in its original form on the previous hits album; the crowded multi-artist version of Tracy Lawrence’s “Find Out Who Your Friends Are”; and “Nine Lives”, his loud and bewildering pairing with Def Leppard.

Ultimately, Greatest Hits 3 plugs up some holes in the record collection of those who have just bought the hits albums.   But even in that situation, the consumer would be better off cherry-picking the handful of worthy tracks here.   As a stand-alone compilation, it fails to serve a purpose.   Collectively, the songs don’t tell the story of Tim McGraw’s music.  At least the previous two sets were somewhat definitive overviews of the first and second phases of his career.   This collection is a scattered, undefined and incomplete portrait of a significant country artist, and does no justice to the artist or the listener.

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Tim McGraw, “Let it Go”

Well, this is clearly an empowerment anthem. He’s going to rise above the pain and dark experiences that have permeated his life and try to “let it go.” It may sound cheesy, but I’m sold.

While this song from McGraw’s current album, Let It Go, may not break new ground, his vocals and the production are solid. Ultimately, McGraw’s delivery is successful enough to make us believe that he will, indeed, conquer his demons. Moreover, it aptly delivers on what we have come to expect from Tim McGraw music, which is a good thing.

Written by Tom Douglas, Aimee Mayo & William C. Luther

Grade: B+

Listen: Let it Go

Buy: Let it Go

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