After the loud, thumping, controversial nature of “Indian Outlaw”, it’s a good thing that Tim McGraw had another trick in his bag to be found on that second album, which needed to be successful after his debut album, as he has stated, “went wood.” There’s little doubt that the sappy, three act single is what catapulted McGraw’s status to the superstar level that he’s enjoyed since.
1994 | Peak: #8
The distinction of being Tim McGraw’s first Top 10 hit could hardly have gone to a more oddball song.
Ever had one of those songs that you used to enjoy when you were younger, but then you kind of… I dunno… grew up and then realized it wasn’t that good? This is one of those songs for me. It’s catchy, to be sure. Tim puts a lot of character and personality into his performance, and the fiddle and tom-tom-driven arrangement is infectious.
Despite some amazing album artists – a Willie Nelson here, an Emmylou Harris there – country music has always been a singles format. Over the past seven years, we’ve charted the development of some artists from the very beginning, like Lady Antebellum and Zac Brown Band, just by reviewing their singles.
Here’s how it works: At any given time, we’ll be working our way through the catalog of five artists. When we complete one of them, we’ll add a new one to the rotation.
The first five artists are:
Trace Adkins, “Just Fishin'” (Listen)
Written by Casey Beathard, Monty Criswell and Ed Hill
Wish this weren’t quite so heavy-handed about driving home the theme; a subtler approach could have made it a Strait-ish classic. Still a nice, fresh idea, though.