Written by Connie Harrington, Tim Nichols, and Jamie Lynn Spears
The sentiment is quite poignant. “I got the boy. She got the man.” A high school sweetheart reminisces as she sees her boyfriend from back then has gotten married.
The writers establish some wonderful specifics in the verses that help to bring the characters to life. But the chorus is bland both lyrically and melodically, so the payoff from the buildup isn’t there.
If this was released twenty years ago, it wouldn’t catch much attention amidst the wave of hat acts attempting to break through.
Released in today’s climate, Dustin Lynch’s “Cowboys and Angels” sounds almost revolutionary in its retro feel. It certainly doesn’t sound like anything else on country radio today. Between Lynch’s baritone vocals and the High Noon production, it’s a somewhat theatrical record, like something you’d expect to hear at the O.K. Corral a century and a half ago.
There’s nothing terribly interesting about the story line itself, buy cipro but Lynch is a good enough storyteller to keep you interested. Give him stronger material, and he could be one to watch.
Written by Josh Leo, Dustin Lynch, and Tim Nichols