Tag Archives: Tom Douglas

The Best Singles of 1994, Part 3: #20 – #11

Our Best of 1994 Singles List continues with Part Three, which includes the ten songs that just missed the top ten! This section includes several #1 singles and signature hits, but kicks off with one of those should’ve been hits by a should’ve been star.
Joy Lynn White Wild Love

#20
“Wild Love”
Joy Lynn White

Written by Dennis Linde

JK #9 | SG #18 | KJC #39

A brash, fiery vocalist with an instantly recognizable timbre and sense of phrasing, White revels in the forthright sexuality of “Wild Love” and has the pipes to match the track’s blistering arrangement. White may never have cracked the top 40 at radio, but the influence of her vocal style is all over Natalie Maines’ singing, and “Wild Love” foretold the hard rock turn the genre would take a decade or so later. – Jonathan Keefe

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2015 Grammy Nominations

Updated:

Little Big TownBest Country Duo/Group Performance

  • The Band Perry, “Gentle on My Mind”
  • Miranda Lambert and Carrie Underwood, “Somethin’ Bad”
  • Little Big Town, “Day Drinking”
  • Tim McGraw featuring Faith Hill, “Meanwhile Back at Mama’s”
  • Keith Urban featuring Eric Church, “Raise ‘Em Up”

Nickel Creek DestinationBest American Roots Performance

  • Greg Allman & Taj Mahal, “Statesboro Blues”
  • Rosanne Cash, “A Feather’s not a Bird”
  • Billy Childs featuring Alison Krauss and Jerry Douglas, “And When I Die”
  • Keb’ Mo’ featuring the California Feet Warmers, “The Old Me Better”
  • Nickel Creek, “Destination”

carrie-underwood-something-in-the-waterBest Country Solo Performance

  • Eric Church, “Give Me Back My Hometown”
  • Hunter Hayes, “Invisible”
  • Miranda Lambert, “Automatic”
  • Carrie Underwood, “Something in the Water”
  • Keith Urban, “Cop Car”

 

Brandy Clark StripesBest New Artist includes last year’s actual best new artist!

  • Iggy Azalea
  • Bastille
  • Brandy Clark  (!!!!)
  • HAIM
  • Sam Smith

rosanne-cash_12Best Americana Album

  • Rosanne Cash, The River & The Thread
  • John Haitt, Terms of My Surrender
  • Keb’ Mo’, Bluesamericana
  • Nickel Creek, A Dotted Line
  • Sturgill Simpson, Metamodern Sounds in Country Music

glencampbellBest Country Song

  • “American Kids” – Rodney Clawson, Luke Laird, and Shane McAnally
  • “Automatic” – Nicolle Galyon, Natalie Hemby, and Miranda Lambert
  • “Give Me Back My Hometown” – Eric Church and Luke Laird
  • “I’m Not Gonna Miss You” -Glen Campbell and Julian Raymond
  • “Meanwhile Back at Mama’s” – Tom Douglas, Jaren Johnston, and Jeffrey Steele

The best lineup for Best Country Album that we can remember:

Best Country Album

  • Dierks Bentley, Riser
  • Eric Church, The Outsiders
  • Brandy Clark, 12 Stories
  • Miranda Lambert, Platinum
  • Lee Ann Womack, The Way I’m Livin’

Record of the Year includes a former country artist and a CMA Awards duet partner:

Record of the Year

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Single Review: Tim McGraw with Faith Hill, “Meanwhile Back at Mama’s”

Tim McGraw Faith Hill Meanwhile Back at Mama's“Funny the things you thought you’d never miss,” Tim McGraw sings on his simple, nostalgic new single, “Meanwhile Back at Mama’s.”

He’s talking about all the little details of family life that can seem irrelevant, or even irritating, like dad watching a game of the tube with a cigarette in one hand and whiskey in the other.  But I couldn’t help thinking of McGraw himself, an artist that I never thought I’d miss because I didn’t expect him to go away.

“Meanwhile Back at Mama’s” is an excellently written song, and McGraw delivers it in his straightforward way that doesn’t get in the way of the song.   We don’t get both of those much anymore from McGraw. Getting even one has been cause for celebration recently.

Harmonizing with Faith Hill, they still sound like a married couple.  But a much older one, not newly in love like they were on their starry-eyed early collaborations.  They sound so natural together, and the production makes it sound like the entire song was surreptitiously recorded during a back porch guitar pull.

For the first time, the both of them seem like they’re less interested in regaining the throne of mainstream country music and are choosing instead to embrace being elder statesmen of country music.  That’s what we really need from them.  I hope this is their new way forward.

Written by Tom Douglas, Jaren Johnston, and Jeffrey Steele

Grade: A

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Single Review: George Strait, “I Got a Car”

George Strait I Got a CarHave we reached the point yet where a solid George Strait single should bring on waves of deep gratitude?

He’s been so good for so long that it’s easy to take him for granted.  Maybe it’s radio’s sudden unwillingness to play him in heavy rotation, or the bittersweet sadness brought on by his farewell tour.  But I’ve never been more aware that the music will eventually stop coming from him.

“I Got a Car” isn’t anything revolutionary or Single of the Year worthy.  It’s just a good song elevated by a master storyteller who can make the most pedestrian conversation sound interesting.  There’s so much back story in his voice, still strong but weathered by time, that adds layers of meaning here.   This is a potential romance between two older people who are trying to start over again, and stumble upon a chance at real love and starting a family.

It wouldn’t sound like that if even the best of the new singers were singing it.   Not because they aren’t good.  They just haven’t lived enough yet.   Maybe twenty years from now, somebody else will write about how much more interesting a song sounds because they’re singing it instead of whoever the new kid on the block is then.

I hope we’ll get a few more good ones from this guy before he’s gone.

Written by Tom Douglas and Keith Gattis

Grade: B+

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