Wednesday, June 8th, 2011
And so it comes to a close, with the final category:
A Song That Makes You Want to Be a Better Person.
Here are the staff picks:
Tara Seetharam: “Bridge Over Troubled Water” – Aretha Franklin
Maybe it’s the way the gospel arrangement evokes a guttural reaction or the way the lyrics are shamelessly selfless. As with the best songs, I can’t quite put my finger on why it moves me – but this song makes me want to live for others.
Kevin Coyne: “Hell Yeah” – Neil Diamond
This is how I want to look back on my life when it’s all said and done. I’m about halfway there.
Leeann Ward: “Man in Black” – Johnny Cash
This is a tough and weighty category for sure. “Man in Black” could just as easily fit the “worldview” category for me, but then, “What You Give Away” could fit this one too. Somehow, these lyrics, however, make me want to try harder to be better toward those around me: “I wear the black for those who’ve never read/ Or listened to the words that Jesus said/ About the road to happiness through love and charity/ Why, you’d think He’s talking straight to you and me.”
Dan Milliken: “Square One” – Tom Petty
My worst vice is that I’m perpetually behind on several things at once. Not just long-term shoulds, like “I’ve been meaning to call my old pal Jan,” but short-term imperatives like “I need to start that paper that was due three weeks ago.” I’ve gotten away with play-first-and-maybe-work-later for most of my life, and while it’s made me less uptight and more understanding of others’ foibles, it also means I’m usually walking under an invisible raincloud of sorts. The burden of something unfinished – let alone several things – is like an awful condom on the fun you can actually experience, the care you can give to other people, the love or joy you can feel – everything good about living, basically.
I want to be Tom Petty in “Square One.” He’s fought his way through his respective “world of trouble” and finally come out clean. “My slate is clear,” he sings, in the sweetest Tom Petty tone ever; “Rest your head on me, my dear.” With his baggage cleared out, he can finally live fully in the present, taking full advantage of the people and experiences he’s blessed with.
Friday, July 17th, 2009
In 1985, four country music rebels/icons came together to form a larger-than-life group that people wouldn’t have even dared dream about before their actual union. Johnny Cash, Kris Kristofferson, Waylon Jennings and Willie Nelson formed the country super group, The Highwaymen. The four highly revered friends recorded three albums worth of material, much to the delight of the astonished public. While all of the members were extremely successful in their own rights, their potential egos were set aside to make music as a cohesive unit. They sounded like a polished group, not just some people thrown together as a marketing gimmick.
Then, in 1988, the rock world hit the jackpot when superstars George Harrison, Tom Petty, Roy Orbison, Bob Dylan and Jeff Lynne formed The Traveling Wilburys. Again, these immensely famous, talented and respected people formed a super group that still seems too good to be true to this day. Their unbelievable union created two albums that were repackaged in 2007 with bonus material, which sold surprisingly well for a reissue. Like The Highwaymen, their voices blended amazingly well together as if they were meant to be a group.
Dolly Parton has been a part of two dynamic trios: one with Linda Rhonstadt and Emmylou Harris and the other with Loretta Lynn and Tammy Wynette. Both trios consisted of women equally as talented as the super groups previously discussed, which also provided us with excellent albums as a result.
And of course, anyone who has read anything that I’ve written in the past year or so should instinctively know that my pet super group is The Notorious Cherry Bombs, which was comprised of Rodney Crowell, Vince Gill, Tony Brown, Hank Devito, Richard Bennett, Michael Rhodes, John Hobbs and Eddie Bayers.
As I think of the competitive climate of the music industry today, I’m discouraged to think that such super groups would be next to impossible to unite anymore. Record label disputes prevented Tracy Lawrence’s collaboration with Kenny Chesney and Tim McGraw to be officially released to radio. Likewise, Reba McEntire had to replace Kenny Chesney’s vocals with lesser known artist, Skip Ewing, in order to release “Every Other Weekend” to radio. And these were only disputes over single songs, not even an entire album.
In true essay style form: Without considering record company politics, if you were able to create your own super group who could make at least one album, who would be the members? What would you name the group? Explain.
Tags: Bob Dylan, Dolly Parton, Emmylou Harris, George Harrison, Johnny Cash, Kenny Chesney, Kris Kristofferson, Linda Rhonstadt, Loretta Lynn, Reba McEntire, Rodney Crowell, Roy Orbison, Skip Ewing, Tammy Wynette, Tim McGraw, Tom Petty, Tracy Lawrence, Vince Gill, Waylon Jennings, Willie Nelson