The combined efforts of nine women and three men form the upper echelon of our Best Albums list from 1993. This embarrassment of riches showcases just how much great music there was to choose from that year, especially given how many of the genre’s biggest and most acclaimed stars – Vince Gill, Alan Jackson, Reba McEntire, Mary Chapin Carpenter, and Pam Tillis, just to name a few – were between albums that year. It was also a strong and diverse enough year that despite some overall consensus among the lists of all of the writers, each one of us has a different album at #1 on our personal lists. Enjoy the second half of our list, and look for the Singles list to kick off next weekend. #10 Uncle Tupelo Anodyne #1 – JK | #3 – SG In jumping to a major label, Uncle Tupelo was supposed to give Read More
Today, we kick off our Best of 1993 feature with the first part of our album retrospective. Included in this list are the debut albums of two underrated singer-songwriters, confident projects from the genre’s leading ladies, and highlights from legends of both the mainstream and alternative country landscapes. When our writers wax rhapsodic about the glory days of the nineties, one reason why is that albums as great as this aren’t even among the top ten albums of the year. Look for the conclusion of the albums list tomorrow and the singles list next weekend! #20 Lari White Lead Me Not #9 – JK | #19 – KJC Rather than establishing a clear identity for Lari White as an artist, Lead Me Not made for an eclectic debut, as White and producer Rodney Crowell explored styles ranging from traditional country and jazzy torch ballads to torrid Southern gospel and even Read More
He spent most of the eighties struggling for recognition, but thanks to his smooth ballads and country’s suddenly expanded audience, Vince Gill emerged as one of the biggest superstars of the nineties.
Reba McEntire already has 56 top ten hits to her credit, and her new single, “Strange”, just entered the chart at #39, a career-high entry for the legendary singer. She’s been a presence on the country charts for 23 years, has more gold and platinum albums than any female country artist, and she’s a multimedia star, finding great success on Broadway and in television and film.
But for those who know her best as a sitcom star or Kelly Clarkson’s and Kenny Chesney’s duet partner, trying to tackle her catalog is a daunting task. This Starter Kit will get you going, as it includes ten of her most essential tracks. Those of you looking to learn more about McEntire are highly recommended to check out the excellent My Kind of Country blog, which gives frequent and always high-quality coverage of McEntire’s music, past and present.
“Somebody Should Leave” from the 1984 album My Kind of Country
Even though she was won her first CMA award for Female Vocalist before this album was released, My Kind of Country is widely credited as being the first truly great Reba McEntire album. She exerted creative control for the first time, and instantly became one of the genre’s most significant new traditionalists.
This Harlan Howard classic is achingly, heartbreakingly beautiful, a description that fits most of McEntire’s best work. Here, a couple is aware that it’s time to part ways, but aren’t sure how to go about it, so worried are they for their children: “If it was only you and me, goodbye might come more easily. But what about those babies down the hall?”