Posts Tagged ‘Trace Adkins’

400 Greatest Singles of the Nineties: #200-#176

Monday, August 2nd, 2010

The hits come from all over the place here. Breakthrough hits from Trace Adkins and Carlene Carter join one-hit wonders Brother Phelps and George Ducas.  And alongside crafty covers of songs by sixties rock band The Searchers and nineties country artist Joy Lynn White, you can also find tracks from three diamond-selling country albums.

400 Greatest Singles of the Nineties: #200-#176

#200
Carrying Your Love With Me
George Strait
1997 | Peak: #1

Listen

A traveler gets through his lonely nights on the sheer strength of love. It’s perhaps a little too saccharine for some, but the sweet melody and Strait’s understated vocals make the record work. – Tara Seetharam

#199
Nothing’s News
Clint Black
1990 | Peak: #3

Listen

A man sits around in a bar “talking ’bout the good old times, bragging on how it used to be.” Standard premise, but Black’s melancholy performance lifts the record to Haggardly heights. – Dan Milliken (more…)

Single Review: Trace Adkins, “This Ain’t No Love Song”

Saturday, June 5th, 2010

Trace Adkins has been around for a long time, perhaps even been counted out once or twice along the way.  He’s had a handful of big singles that have brought back some forward momentum when his career has started to lull.

But even when he has faltered, it usually hasn’t been because of a lack of good material or good vocal performances.  But therein lies the rub: his material and vocal performances are usually good, not great.

“This Ain’t No Love Song” continues that pattern.  This is a good song, and he sings it well. But it’s not a great song, and he doesn’t sing it well enough to elevate it beyond what it already is.

Grade: B

Listen: This Ain’t No Love Song


ACM Live Blog 2010

Sunday, April 18th, 2010

Winners

Vocal Event of the Year – Blake Shelton & Trace Adkins, “Hillbilly Bone”

Video of the Year – Miranda Lambert, “White Liar”

Song of the Year – Lady Antebellum, “Need You Now”

Single of the Year – Lady Antebellum, “Need You Now”

Top New Artist: Luke Bryan

Album of the Year: Miranda Lambert, Revolution

Top Vocal Group of the Year: Lady Antebellum

Top Male Vocalist of the Year: Brad Paisley

Top Vocal Duo of the Year: Brooks & Dunn

Top Female Vocalist of the Year: Miranda Lambert

Entertainer of the Year: Carrie Underwood

- – -

10:10 TS: Overall a solid show, with some colorful and sincere moments. And I had a blast doing my first live blog, y’all! Thanks so much.

10:07 DM: Anyway, it’s certainly been an interesting awards night. Thanks so much for your participation, everyone!

10:04 DM: I suspect the Carrie base was rattled by the CMAs and really buckled down this time. It’s hard to make numbers judgments, since Taylor has won other fan awards before (CMT Awards, for example).

10:03 KC: Maybe the Grammy performance did Swift in, though I suspect she was only hurt in the race for Female Vocalist because of that.  Carrie Underwood has a stronger fan base voting for her, I guess.

10:02 TS: I’ve been hard on him in the past, but I enjoyed Darius’ bluegrass-y performance.

10:01 DM: Also significant: After the major CMA sweep, a completely award-free night for Taylor Swift! Interesting.

10:00 KC: Carrie Underwood is the first woman in history to win ACM Entertainer of the Year more than once.

9:58 DM: Now Darius is up playing “Forever Road”, which has a pretty country arrangement here.

9:58 KC: No complaints from me on this one. I do love having this woman as a genre standard-bearer. She seems to actually give a darn about it as a cultural commodity, not just a radio format.

9:57 TS: Back to irrational fan mode. So insanely happy right now.

9:56 DM: Not terribly surprised, actually. I feel like fan-voting guaranteed it’d be her or Taylor.

9:56 TS: Speechless.

9:55 KC: SHOCKER! I’m actually speechless!

Entertainer of the Year: Carrie Underwood

9:50 TS: This is trippy.

9:48 DM: So Keith is letting his fans film him or something. Whatever. Important thing is that he’s doing “I’m In”, the great Radney Foster song he covered on the latest album. Hope it’s the new single; even though it’s not my favorite version of the song, it does have the rare cool guitar solo.

9:44 TS: Miranda’s moment. Finally. (Not trying to stir anything up, but when she listed the people she couldn’t take this award from in a recent article, she left off Swift. Wonder if it was intentional or not considering she included her just now.)

9:44 KC: Not surprised, but happy to see Miranda win.  Surprisingly Swift-free evening so far, but I still expect her to win entertainer.

9:43 DM: That was a Kool-Aid Guy thing, incidentally. Just the first thing I thought.

9:41 DM: OH YEAAAAAH.

Top Female Vocalist of the Year: Miranda Lambert

9:38 DM: Wow, and now Reba is performing “Keep on Loving You” right before the announcement of Female Vocalist. COULD IT HAPPEN?!?

9:31 DM: Third straight time tonight that an artist has performed right before the announcement of their win, if I’m counting correctly.

Top Vocal Duo: Brooks & Dunn

9:29 DM: Well, sound came back for the very end. Ronnie sounded great; bummed I missed most of it.

9:28 TS: Wow. Talk about anti-climatic. Come on.

9:25 DM: WHO IS F—ING UP THE SOUND ON THE FINAL BROOKS & DUNN PERFORMANCE? Someone’s getting fired tonight.

9:25 DM: The final Brooks & Dunn! “My Maria”!

9:18 DM: Brad Paisley makes a shirtless Matthew McConaughey joke.

Male Vocalist of the Year: Brad Paisley

9:15 DM: Well, he fell into a pool. Pretty close.

9:15 TS: I like everything about this song but the lyrics. Who thinks water’s going to come pouring down “Should’ve Said No” style?

9:11 DM: Brad Paisley shows up with “Water”. Most of his singles I either really like or really don’t. This is one of the few I feel pretty much nothing about.

9:03 DM: Another song I’m indifferent to on record, but which gains something from the added visual element of live performance. Tired of these guitar solos, though.

9:03 KC: KC: Four months into 2010, “Still” remains my favorite single of the year.

Vocal Group of the Year: Lady Antebellum

9:00 KC: Funny that a ridiculously fake award produced the most genuinely real acceptance speech of the night.

8:59 TS: Excuse me while I turn into an irrational fan. So proud of that girl!

8:59 DM: A heartfelt moment is weirdly followed by the presentation of a totally weird “Triple Crown” award to Carrie for winning a bunch of other stuff. The new Crystal Milestone, I guess.

8:57 TS: Here’s the thing: this is as honest a moment as Miranda’s, regardless of how much more flash or vocal bombast it includes. Carrie’s emotion in this song is so incredibly pure.  And I really wish people would see that.

8:57 KC: As always, I love Underwood’s sincerity and conviction. Her vocal isn’t up to her usual par, though.

8:54 DM: Carrie doing “Temporary Home”. Looking super pretty in pink-purple. Guitarist needs a tune-up, though, and I question the producer decision to have this performance directly after the other quiet, well-sung acoustic number of the evening.

8:50 TS: I feel like Seacrest should be giving out the EOTY voting numbers. There’s an amusing visual in my head of George Strait holding up four fingers and mouthing “Please!” OK, no more Idol references from me.  Promise.

8:49 DM: A very frat-tastic performance with Jack, Dierks Bentley and a bunch of random crowd girls.

8:46 DM: Love that the ACMs gave Jack Ingram a performance slot, and love that he’s doing his old fan favorite, “Barbie Doll.” Good song.

8:45 KC: Nice to see MG get some love though, as they’ve had to play Bellamy Brothers to Sugarland and Brooks & Dunn for so long.

8:44 KC: Country Universe is proud to present the CU Humanitarian Award to the viewers at home for enduring this evening so far.

8:42 TS: Such an honest moment. And I’ll say it again – Miranda does not get enough credit as a strong vocalist. Although I think she’s about to get some.

8:41 DM: There’s a projector image of what looks like the Ryman in the backdrop toward the end. Intriguing.

8:38 DM: Miranda doing “The House that Built Me”. Excuse me while I actually listen to a performance.

8:33 TS: Miranda’s wonderful, fabulous, etc., etc.  AOTY win made me immune to Jason Aldean’s performance. Thanks ACM!

8:31 DM: Jason Aldean’s terrible “Crazy Town” sounds exactly like Jason Aldean’s pretty bad “She’s Country”, miraculously making the latter sound good by comparison. Is that mean? Sorry.

8:31 KC: Lambert looking like a lock for Female Vocalist at this point. If she wins that, she gets to claim “big winner of the night” bragging rights that she’s currently sharing wtih Lady Antebelum.

8:28 KC: As for studio albums, only Dixie Chicks can claim two wins among those with XX chromosomes.

8:28 TS: Woah, not cool.

8:28 DM: Frank Liddell or Mike Wrucke (didn’t see which) gets cut off just as he’s starting to talk.

8:27 KC: Wow! First solo female artist in ACM history to win this award twice, unless you count Emmylou Harris for Trio and O Brother.

8:26 TS: YES!

8:26 DM: D@@#0wF%$*#*#W YES

Album of the Year: Miranda Lambert, Revolution

8:21 DM: As much as I still dislike a lot of mainstream country, I can’t tell you how much happier I am with the genre now that we’ve definitively cleared Rascal Flatts’ peak.

8:19 DM: Hey, butterfly reader! If you can’t get enough live-blog snark, might I shout out the good people at Entertainment Weekly and The 9513.

8:16 KC: Nobody’s owning the stage the way Bundy did.  Perhaps we’ll make a stint on Broadway a new requirement for country music stardom.

8:16 DM: The chorus has a pretty melody, I’ll say that.

8:16 TS: Loved the intro to “Ameri-kin Honey,” but not so much the vocals. The song still makes me teary every time I hear it. I’ve moved past feeling like I need to explain why (I think).

8:11 TS: That was an awkward way to present an award, with mini sing-offs.

Top New Artist: Luke Bryan

8:08 KC: If the nineties were country music’s spin on seventies California rock, this decade must be country’s spin on eighties hair bands.

8:08 TS: I prefer Gloriana’s 25 seconds of cheese-tastic performance to Taylor’s pseudo-epic performance. So kill me.

8:07 KC: Hough apparently celebrated her Top New Artist win last year at the tanning salon.

8:07 DM: “Last year’s Top New Artist, Julianne Hough.” THIS IS WHY YOUR SYSTEM IS BROKEN, ACM.

8:05 KC: A big, loud choir should accompany every Taylor Swift glory note.

8:04 DM: Ah, here’s the outfit change. I was beginning to wonder.

8:01 DM: People keep describing Taylor Swift’s writing her own songs like it was a completely revolutionary idea.

7:59 DM: The Laura Bell Bundy haters are already coming out in droves on the social networking sites.

7:58 DM: Grumble, grumble.

7:58 TS: So predictable, but so deserved.

7:54 DM: I started typing that “Need You Now” was the winner before it was even announced.

Single of the Year: Lady Antbellum, “Need You Now”

7:46 DM: I don’t mean this cynically (especially since they were my choice), but I bet Zac Brown Band is currently receiving a good last-minute boost in the Entertainer race thanks to all the attention given to their USO stuff.

7:44 TS: TS: I think Toby is the only artist that elicits from me such polarizing feelings. That was lovely.

7:40 DM: “Cryin’ For Me (Wayman’s Song)”. Never been able to get into the recorded version personally, but it makes for a moving live performance.

7:35 TS: Ok, maybe a lot happy.

7:34 KC: Well, that was the best thing of the night so far. The most country, too. Things are weird.

7:34 TS: I’m having a similar reaction to Kara DioGuardi’s after Adam Lambert sang “Ring of Fire.” LBB left me “confused but sort of happy.”

7:31 DM: Laura Bell Bundy’s much-anticipated (by me, at least) performance going on now. She’s done well keeping up with the song so far. I think people are either going to hate this or kind of love it.

Song of the Year: “Need You Now”

7:28 TS: Faith looks younger. How is that even possible?

7:28 KC: Great. The first person I want to hear perform is presenting! Love Faith Hill.

7:27 DM: Reba wants to remind you to vote for the song Brooks & Dunn will perform tonight. “My Maria”, “Red Dirt Road”, or “You’re Gonna Miss Me When I’m Gone”. I love all of them, but I’d rather one of the two oldies.

7:24 TS: Touche.

7:23 KC: I thought they were all non-country performances, and I’m hardly a purist.

7:23 TS: Four performances so far, and I’ve only enjoyed the non-country one. I feel a little bad.

7:19 KC: I think Kenny Chesney is lip-syncing.

7:18 DM: Kenny Chesney performing his current single, “Boring Freewheeling Lifestyle Song #7″.

7:16 DM: Billy Currington performing his recent #1, “Stupid ‘Country Boy’ Mentality Song #14″.

7:13 KC: NYC people know about country music, and we’ve all been south of Queens. This entire song is built upon a ridiculous stereotype.

7:13 DM: Blake and Trace doing “Hillbilly Bone.”

7:12 DM: Miranda looked like she had NO IDEA who that person was. Love it.

7:12 TS: Is anyone else completely blind-sided by Cher? What…?

7:11 KC: Cher and Reba share a doctor.

7:08 KC: A Kirstie Alley fat joke? Really?

7:05 KC: KC: Couldn’t this have been done just as easily with a country song and a country legend?

7:05 TS: Um, I kind of ridiculously loved that. FIERCE vocals.

7:03 DM: Carrie, Miranda, Brad, Fogerty, and CHARIE FREAKIN’ DANIELS rocking out to “Travelin’ Band.” Pretty kickass, although it might have been nice if they’d done a slightly countrier CCR song like “Lookin’ Out My Back Door.”

7:00 DM: Yes, Matthew McConaughey is back! His Carrie speech shout-out last year was classic.

6:58 TS: Let the shenanigans begin. I’m pretty stoked for this much-buzzed-about opener…ready to see Miranda and co. rock out!

6:51 DM: RAaAaaaAAAHH DANNY GOKEY RaAAaAH GO AWAY!!!

6:50 DM: John Fogerty on the carpet now. He’ll be playing tonight with Brad Paisley, Miranda Lambert, and Carrie Underwood. Shaping up to be a super-cool night.

6:30 DM: I’m happy to see Sarah Buxton staying in the public eye on the orange carpet, but I’d be happier if she still had a record deal. Stupid Disney.

6:15 DM: Apparently CMT is going to be re-airing this past year’s CMA Awards at the same time as the ACMs. Doesn’t that seem kind of like a cheap attempt to grab confused viewers?

6:08 DM: All right folks, Kevin, Tara and I will be triple-teaming it tonight! And Blake Shelton is on the orange carpet doing some great fake-bragging about his Vocal Event win.

2010 ACM Awards: Staff Picks & Predictions

Friday, April 16th, 2010

Nashville takes over Vegas this Sunday for the 45th Annual Academy of Country Music Awards, and it could actually be an interesting night. Eight acts are vying for Entertainer of the Year, one trio is poised to sweep the show, and a certain artist’s performance may solidify her as Music Row’s Lady Gaga. We’ll find out for sure Sunday at 8 pm Eastern, but in the meantime, we’ve picked ‘em and predicted ‘em. Sound off in the comments below.

Entertainer of the Year

Should Win:

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley – Tara
  • George Strait – Kevin
  • Taylor Swift
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band – Dan, Leeann

Will Win:

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley
  • George Strait
  • Taylor Swift – Dan, Tara, Kevin, Leeann
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band

Kevin: While I suspect that this will be the end of her impressive awards show victory lap, Swift should easily win this award. Does she deserve it? Probably. If I was an ACM voter (traditional member or willing to go vote online), I guess that I’d vote for George Strait, though my favorite among those with a real shot at this is Carrie Underwood.

Leeann: I predict Swift, though I don’t know if the backlash against her will thwart my prediction. Then again, the fan voting debacle will likely still work in her favor. I’ll throw my personal vote to Zac Brown Band, since I’ve really dug their live performances that I’ve seen on television. They seem like natural entertainers.

Dan: Fan-voted = Taylor Swift, with a possible Underwood repeat. But Swift hasn’t been as interesting post-Grammys. So I’ll also go with our resident grassroots heroes, ZBB.

Tara: One of the most rewarding aspects of being a five-year Underwood fan has been watching her stage presence gradually become as killer as her vocals, resulting in a powerful combination. I’d love for this to be properly recognized, and rationale seems pointless now that the EOTY race is a glorified internet fan war…but I can’t ignore that Underwood spent most of 2009 off stage. I’m going with Paisley.

Top Male Vocalist of the Year

Should Win:

  • Kenny Chesney
  • Brad Paisley – Tara, Dan, Leeann
  • Darius Rucker
  • George Strait
  • Keith Urban – Kevin

Will Win:

  • Kenny Chesney
  • Brad Paisley – Kevin, Leeann
  • Darius Rucker – Dan
  • George Strait – Tara
  • Keith Urban

Dan: It feels like Paisley’s winning streak may be just about up, which is a shame, since this year has actually been stronger material-wise for him than the years for which he’s won. Honestly, as much as I hate to say it, Jason Aldean had a bigger year than any of these guys.

Tara: Paisley and Strait were the only two who impressed me in 2009, and Paisley’s material feels fresher and more interesting. But I agree with Dan that his winning streak has probably run its course, so I’ll go out on a limb and say Strait will be the one to edge him out.

Kevin: I agree with Dan but suspect that there isn’t another nominee with enough momentum to upset the status quo in this race. If I’m wrong, I hope it’s because Urban or Strait pull it off.

Leeann: I think Paisley just might have another year of winning left in him.

Top Female Vocalist of the Year

Should Win:

  • Miranda Lambert – Dan, Leeann
  • Reba McEntire – Kevin
  • Taylor Swift
  • Carrie Underwood – Tara
  • Lee Ann Womack

Will Win:

  • Miranda Lambert – Kevin, Leeann
  • Reba McEntire
  • Taylor Swift – Dan
  • Carrie Underwood – Tara
  • Lee Ann Womack

Tara: It’s really a toss-up between Lambert and Underwood for me, with personal preference and investment swaying me towards the latter artist. I’m eerily optimistic that the ACM voters will stick to the truest sense of the award’s title – as I adamantly believe they should – and sidestep Swift.

Kevin: This is the first time in my twenty years as a country fan that I’m rooting for Reba McEntire to win Female Vocalist, though I wanted her to win Entertainer every year she was nominated in the nineties. Consider me smitten by “Consider Me Gone.” As always, I’d be happy with an Underwood victory and I wouldn’t mind Womack or Lambert, either. I’m guessing that Lambert will actually win, given her widespread appeal among ACM voters and the fact that she’s had a big radio and retail breakthrough during the voting period.

Leeann: The Academy seems to like Lambert pretty well. Since this has been her biggest year to date, it’s hard for me to imagine that she won’t be rewarded for it.

Dan: I’m going to cautiously predict that Swift’s CMA win will carry over to ACM, but Underwood has been reliably successful, and Lambert’s got stronger momentum than ever. The latter is also my favorite mainstream act at the moment, so it’s a no-brainer that I’m rooting for her to take it.

Top Vocal Group of the Year

Should Win:

  • Lady Antebellum
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band – Dan, Tara, Kevin, Leeann

Will Win:

  • Lady Antebellum – Dan, Tara, Kevin, Leeann
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band

Leeann: Lady A has the hype and momentum that makes it impossible for me to bet against them. I’d sure love to see ZBB prove me wrong ,though.

Dan: Little Big Town’s new single has me thinking I’ll probably be gunning for them again soon, but for now, I’m with Zac Brown Band.

Tara: I have a feeling the coming year(s) is going to be Lady Antebellum’s year o’ accolades, so I’d like to see the equally deserving Zac Brown Band pick this one up while they still have some momentum.

Kevin: This is becoming a habit. Predict LA, root for ZBB. This was so much easier when the Dixie Chicks were in the running.

Top Vocal Duo of the Year

Should Win:

  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland – Kevin, Tara, Leeann

Will Win:

  • Brooks & Dunn – Dan, Tara, Leeann
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland – Kevin

Kevin: A sympathy vote might give B&D one more trophy, but it seems that both the CMA and ACM see this award as one that is passed down from one duo to the next, and not very often at that. I wonder if they will be calling this “The Sugarland Award” like it was once called “The Judds Award” and “The Brooks & Dunn Award.”

Leeann: I’d love to see Joey + Rory win, but I know it wouldn’t actually be fair if they did. So, I’m not officially picking them here. I’m pretty sure this one will go to Brooks & Dunn as a parting gift, though they’d be totally undeserving at this point. Really, Sugarland is probably the duo that makes most sense. It’s just too bad I’m not more personally invested in them, though I’ve warmed up a bit.

Dan: Sugarland have been off the radar since “Joey” trailed off months ago, and I still remember how ACM stuck with Brooks & Dunn that one year even after CMA had passed the torch. So I see the veteran duo winning again in a shrug. I’m indifferent, personally.

Tara: I keep going back on forth on this one. I want Brooks & Dunn to win, but I can’t rationalize it. I think the ACM voters may feel the same.

Top New Artist of the Year

Should Win:

  • Luke Bryan
  • Joey + Rory - Kevin, Dan, Tara, Leeann
  • Gloriana

Will Win:

  • Luke Bryan - Kevin, Dan
  • Joey + Rory
  • Gloriana – Tara, Leeann

Kevin: It’s categories like this that make me feel out of touch with contemporary country music. I love Joey + Rory, but can’t see them winning. Who’s bigger now, Bryan or Gloriana? I’m taking a guess here.

Leeann: I’m like Kevin. I love Joey + Rory, but don’t imagine they’ll have enough votes to win. So, between Bryan and Gloriana, I’ll flip a coin and predict the latter.

Dan: Given the fan vote, I imagine this award will boil down to whether or not Taylor Swift has been urging her peoples to back Gloriana like she did with the AMAs. She hasn’t tweet-commanded it, and that’s as much research as I’m willing to do on the subject. So I’ll go with Bryan.

Tara: My best guess is that there’s enough fan overlap for Swift’s votes to lift Gloriana to victory.

Album of the Year

Should Win:

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, RevolutionTara, Dan, Leeann
  • Carrie Underwood, Play OnKevin
  • Zac Brown Band, The Foundation

Will Win:

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady AntebellumKevin, Dan, Leeann
  • Miranda Lambert, RevolutionTara
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Kevin: I’m expecting a Lady Antebellum sweep. They’re just ridiculously popular right now. But I could see any one of these five winning. I revisit the Underwood set more than any of the others.

Leeann: I can’t ignore Lady A’s popularity right now, but I’d love to see Lambert be recognized for one of my two favorite albums on this list, Paisley’s album being the other one.

Dan: Revolution doesn’t have the punch or consistency of Crazy Ex-Girlfriend, but it’s got some brains, and I like that. I’m expecting a Lady A sweep too, though.

Tara: If my co-bloggers are right about a Lady A sweep, I’ll be pleased to see the trio’s underrated debut album take this award. But frankly, every album in this line-up is substantial, authentic and layered. I’m backing Revolution because it’s the sharpest of them all, created by the artist who has the firmest grasp on her potential.

Single Record of the Year

Should Win:

  • Lady Antebellum, “Need You Now” – Tara, Kevin, Leeann
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes” – Dan
  • Miranda Lambert, “White Liar”

Will Win:

  • Lady Antebellum, “Need You Now” – Tara, Dan, Kevin, Leeann
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes”
  • Miranda Lambert, “White Liar”

Kevin: There’s only one career-changing single in the running here.

Leeann: Ditto to Kevin. But also, it’s my favorite in terms of melody.

Dan: I swear I’m not just being a spoilsport. I know “Need You Now” sounds great, and in many respects it was the single of the year. But I can’t get past how boring Lady A’s lyrics always are. There’s just not a single original phrase in that song, and it puts a damper on my experience listening to it.

Tara: It’s never been my personal favorite, but “Need You Now” finds the trio excelling at what it does best – honing in on specific, raw emotion and expressing it potently and believably. In a category as weak as this one, and with a performance as haunting as Scott’s, “Need You Now” is the clear winner.

Song of the Year

Should Win:

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott – Tara, Kevin, Leeann
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift – Dan

Will Win:

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott – Dan
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift – Tara, Kevin, Leeann

Kevin: I like the writing of “Need You Now” more than the performance, even if it’s just a college dorm knock-off of “I May Hate Myself in the Morning.” I range from indifference to active dislike for the rest of these entries.

Leeann: I think Lady A will sweep these awards, but I doubt that Swift will walk away with nothing. Since she’s most lauded for her songwriting skills, I predict that the Academy will continue the trend in this category.

Dan: “You Belong with Me” combines a memorable melody with telling details. Subject matter notwithstanding, it’s the only one of these songs I take seriously as a composition.

Tara: Unlike Kevin, I think “Need You Now” is better performed than written, but it’s still a great composition. I wouldn’t mind if Swift took this award, though.

Video of the Year

Should Win:

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar” - Kevin
  • Taylor Swift, “You Belong With Me” – Dan, Tara

Will Win:

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar”
  • Taylor Swift, “You Belong With Me” – Dan, Tara, Kevin

Tara: The “You Belong With Me” video is brilliant in that it embodies everything that makes Swift relevant and appealing. I just really wish Paisley’s video had been better directed, because its message is so compelling.

Dan: That Swift video is mega-charming. But Lambert’s is a close second.

Kevin: I’m rooting for the only video I don’t reflexively skip past while channel surfing.

Vocal Event of the Year

Should Win:

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone”
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So” – Tara, Kevin, Dan, Leeann
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Will Win:

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone” – Dan, Tara
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So” – Kevin, Leeann
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Kevin: Nice to see Griffin on the ballot, but “I Told You So” is among both my favorite Underwood and favorite Travis singles.

Leeann: Frankly, I’m not crazy about any of them, as long as the B&D collaboration doesn’t get the token vote.

Dan: Wish I liked “Seeing Stars” more. I’d actually probably go with presumptive favorite “Hillbilly Bone” if the song itself didn’t feel like such a Music Row toss-off. There’s charm in the idea and performances, but again, limp lyrics.

Tara: Underwood and Travis’ collaboration is the strongest and most exquisite of the bunch, but it feels a little like old news, with the news of the day being the inescapable (but nonetheless solid) “Hillbilly Bone.”

ACM Flashback: Single Record of the Year

Saturday, April 3rd, 2010

As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year.  There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.

As always, we start with a look at this year’s nominees and work our way back to 1968.

2010

  • Zac Brown Band, “Toes”
  • Billy Currington, “People Are Crazy”
  • Lady Antebellum, “Need You Now”
  • Miranda Lambert, “White Liar”
  • David Nail, “Red Light”

There’s usually a “Huh?” nominee among the ACM list in recent years.  This year, it’s David Nail.  Good for him!  Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it.  With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.

2009

  • Trace Adkins, “You’re Gonna Miss This”
  • Jamey Johnson, “In Color”
  • Miranda Lambert, “Gunpowder & Lead”
  • Heidi Newfield, “Johnny and June”
  • Brad Paisley, “Waitin’ On a Woman”

Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award.  He also won the ACM for Top New Male Vocalist in 1997.

2008

  • Gary Allan, “Watching Airplanes”
  • Big & Rich, “Lost in This Moment”
  • Kenny Chesney, “Don’t Blink”
  • Miranda Lambert, “Famous in a Small Town”
  • Sugarland, “Stay”

“Stay” swept the Song of the Year categories at all three industry shows, along with winning the ACM for Single Record.  Allan’s presence here shows that being a little West Coast can still help a guy at the ACMs.

2007

  • Heartland, “I Loved Her First”
  • Rascal Flatts, “What Hurts the Most”
  • George Strait, “Give it Away”
  • Josh Turner, “Would You Go With Me”
  • Carrie Underwood, “Before He Cheats”

George Strait earned his second ACM Single Record award a decade after his first (“Check Yes or No”) and two and a half decades after having his first radio hit.  Underwood won at the CMAs later that year.  “Give it Away” is one of a small group of ACM winners to not receive a nomination at the CMA ceremony.

2006

  • Gary Allan, “Best I Ever Had”
  • Brooks & Dunn, “Believe”
  • Brad Paisley, “Alcohol”
  • Sugarland, “Baby Girl”
  • Carrie Underwood, “Jesus, Take the Wheel”

In the battle of biblical hits, the CMA picked Brooks & Dunn but the ACM picked Carrie Underwood.  Much like George Strait would later win a CMA trophy for a different single (“I Saw God Today”), Underwood later triumphed at the CMA with “Before He Cheats.”

2005

  • Tim McGraw, “Live Like You Were Dying”
  • Brad Paisley with Alison Krauss, “Whiskey Lullaby”
  • Rascal Flatts, “Bless the Broken Road”
  • Keith Urban, “Days Go By”
  • Gretchen Wilson, “Redneck Woman”
  • Lee Ann Womack, “I May Hate Myself in the Morning”

Because McGraw picked up the trophy at the CMAs in 2004, the field was cleared for Womack to win the CMA later in 2005.  McGraw had won the ACM before for “It’s Your Love.”

2004

  • Brooks & Dunn, “Red Dirt Road”
  • Alan Jackson with Jimmy Buffett, “It’s Five O’ Clock Somewhere”
  • Alan Jackson, “Remember When”
  • Toby Keith, “American Soldier”
  • Randy Travis, “Three Wooden Crosses”

Among all the lead nominees, only Toby Keith wasn’t a previous winner. Still, the award went to the new alcoholic’s creed, winning over a more pensive Jackson track and a big comeback hit for Randy Travis.

2003

  • Kenny Chesney, “The Good Stuff”
  • Toby Keith, “Courtesy of the Red, White, and Blue (The Angry American)”
  • Trick Pony, “Just What I Do”
  • Keith Urban, “Somebody Like You”
  • Mark Wills, “19 Somethin’”

Chesney spent nearly two months at #1 with this hit, perhaps giving him the edge over the other mega-hits at radio from Keith, Urban, and Wills. As for the Trick Pony nomination, somebody really should find out what Heidi Newfield has on those ACM voters.

2002

  • Brooks & Dunn, “Ain’t Nothin’ ‘Bout You”
  • Diamond Rio, “One More Day”
  • Alan Jackson, “Where Were You (When the World Stopped Turning)”
  • Toby Keith, “I Wanna Talk About Me”
  • Travis Tritt, “It’s a Great Day to Be Alive”

Jackson’s powerful 9/11 reflection stands out as the only ballad among his four ACM Single Record victories.

2001

  • Toby Keith, “How Do You Like Me Now?!”
  • John Michael Montgomery, “The Little Girl”
  • Jamie O’Neal, “There is No Arizona”
  • Aaron Tippin, “Kiss This”
  • Lee Ann Womack with Sons of the Desert, “I Hope You Dance”

Toby Keith’s run of four consecutive nominations began this year. His album of the same name proved victorious that evening.  Womack’s massive hit became an instant standard, and is incidentally the most recent winner to also be a genuine crossover hit.

2000

  • Dixie Chicks, “Ready to Run”
  • Lonestar, “Amazed”
  • Tim McGraw, “Please Remember Me”
  • Brad Paisley, “He Didn’t Have to Be”
  • George Strait, “Write This Down”

As pop hits go, this one was a monster. “Amazed” even topped the Hot 100, the first country single to do so since “Islands in the Stream.”

1999

  • Faith Hill, “This Kiss”
  • Martina McBride, “A Broken Wing”
  • Shania Twain, “You’re Still the One”
  • Steve Wariner, “Holes in the Floor of Heaven”
  • The Wilkinsons, “26 Cents”

Hill and hubby Tim McGraw each have two ACM trophies in this category, one solo and one shared.

1998

  • Diamond Rio, “How Your Love Makes Me Feel”
  • Tim McGraw with Faith Hill, “It’s Your Love”
  • LeAnn Rimes, “How Do I Live”
  • George Strait, “Carrying Your Love With Me”
  • Trisha Yearwood, “How Do I Live (from “Con Air”)”

While Yearwood had won over Rimes at the Grammys a few weeks earlier, the ACM sidestepped the big controversy of the year and gave the trophy to the biggest hit in the bunch.

1997

  • Brooks & Dunn, “My Maria”
  • Deana Carter, “Strawberry Wine”
  • Tracy Lawrence, “Time Marches On”
  • LeAnn Rimes, “Blue”
  • George Strait, “Carried Away”

It’s rare that the ACM goes with the song that was least successful at radio, but don’t let that #10 peak of “Blue” fool you.  That hit was responsible for millions of record sales.

1996

  • Brooks & Dunn, “You’re Gonna Miss Me When I’m Gone”
  • Faith Hill, “It Matters to Me”
  • Tim McGraw, “I Like It, I Love It”
  • George Strait, “Check Yes or No”
  • Shania Twain, “Any Man of Mine”

It was a stroke of marketing brilliance: add two singles to a box set of a genre superstar. When the first single became one of his biggest hits, the box set quickly became the top selling in country music history.

1995

  • Joe Diffie, “Third Rock From the Sun”
  • Vince Gill, “Tryin’ to Get Over You”
  • Alan Jackson, “Livin’ On Love”
  • Tim McGraw, “Don’t Take the Girl”
  • John Michael Montgomery, “I Swear”

There have been a few wedding standards to win this award, though Montgomery’s hit didn’t cross over in its original form.

1994

  • Clint Black with Wynonna, “A Bad Goodbye”
  • Garth Brooks, “Ain’t Goin’ Down (‘Til the Sun Comes Up)”
  • Alan Jackson, “Chattahoochee”
  • Reba McEntire with Linda Davis, “Does He Love You”
  • Dwight Yoakam, “Ain’t That Lonely Yet”

Jackson won the ACM with his massive hit, but the McEntire/Davis duet and the Yoakam track were Grammy winners.

1993

  • John Anderson, “Straight Tequila Night”
  • Brooks & Dunn, “Boot Scootin’ Boogie”
  • Billy Ray Cyrus, “Achy Breaky Heart”
  • Collin Raye, “Love, Me”
  • Tanya Tucker, “Two Sparrows in a Hurricane”

Brooks & Dunn are among the most nominated artists in this category’s history, but this is their only victory.

1992

  • Clint Black, “Where Are You Now”
  • Garth Brooks, “Shameless”
  • Alan Jackson, “Don’t Rock the Jukebox”
  • Travis Tritt, “Here’s a Quarter (Call Someone Who Cares)”
  • Trisha Yearwood, “She’s in Love With the Boy”

This was Jackson’s first major industry award.

1991

  • Alabama, “Jukebox in My Mind”
  • Garth Brooks, “Friends in Low Places”
  • Vince Gill, “When I Call Your Name”
  • Alan Jackson, “Here in the Real World”
  • Shenandoah, “Next to You, Next to Me”

Garth-mania was beginning to peak in 1991. He swept the ACMs that  year.

1990

  • Clint Black, “Better Man”
  • Garth Brooks, “If Tomorrow Never Comes”
  • Patty Loveless, “Timber I’m Falling in Love”
  • Keith Whitley, “I’m No Stranger to the Rain”
  • Hank Williams & Hank Williams Jr., “There’s a Tear in My Beer”

Clint Black is one of only three artists in the last twenty years to win for their first proper single, with Carrie Underwood and LeAnn Rimes being the other two.

1989

  • Kathy Mattea, “Eighteen Wheels and a Dozen Roses”
  • K.T. Oslin, “I’ll Always Come Back”
  • Ricky Van Shelton, “I’ll Leave This World Loving You”
  • Randy Travis, “I Told You So”
  • Keith Whitley, “Don’t Close Your Eyes”

Mattea’s award-winning hit had such a high profile that it was even referenced in the dialog of the hit movie Rain Man.

1988

  • Restless Heart, “I’ll Still Be Loving You”
  • Ricky Van Shelton, “Somebody Lied”
  • George Strait, “All My Ex’s Live in Texas”
  • Randy Travis, “Forever and Ever, Amen”
  • Hank Williams Jr., “Born to Boogie”

Travis won for the second year in a row with what would become his signature hit.

1987

  • Alabama, “Touch Me When We’re Dancing”
  • Janie Fricke, “Always Have, Always Will”
  • The Judds, “Rockin’ With the Rhythm of the Rain”
  • Reba McEntire, “Whoever’s in New England”
  • Randy Travis, “On the Other Hand”

This was technically his first single, but when released under the name Randy Traywick, it bombed. Warner Bros. then released “1982″ under Randy Travis, and it went top ten. They then re-released this song, and it became his first #1 hit.

1986

  • Lee Greenwood, “Dixie Road”
  • Waylon Jennings, Willie Nelson, Johnny Cash, Kris Kristofferson, “Highwayman”
  • The Judds, “Love is Alive”
  • Mel McDaniel, “Baby’s Got Her Blue Jeans On”
  • Hank Williams Jr., “I’m For Love”

So successful was this winning single that the four legends would go on to release future collaborations as the Highwaymen.

1985

  • Alabama, “When We Make Love”
  • Julio Iglesias & Willie Nelson, “To All the Girls I’ve Loved Before”
  • The Judds, “Why Not Me”
  • John Schneider, “I’ve Been Around Enough to Know”
  • Conway Twitty, “I Don’t Know a Thing About Love (The Moon Song)”

Say what you want about this winner, but it was popular enough to sell two million 45s.

1984

  • John Anderson, “Swingin’”
  • Anne Murray, “A Little Good News”
  • Willie Nelson & Merle Haggard, “Pancho  and Lefty”
  • Kenny Rogers & Dolly Parton, “Islands in the Stream”
  • Shelly West, “José Cuervo”

Another pop smash that moved two million 45s. Is there anybody over 30 who can’t sing along to the chorus?

1983

  • David Frizzell, “I’m Gonna Hire a Wino to Decorate Our Home”
  • Willie Nelson, “Always on My Mind”
  • Kenny Rogers, “Love Will Turn You Around”
  • Ricky Skaggs, “Crying My Heart Out Over You”
  • Sylvia, “Nobody”

Nelson’s had quite a few signature hits, but none bigger than this one.

1982

  • Rosanne Cash, “Seven Year Ache”
  • David Frizzell & Shelly West, “You’re the Reason God Made Oklahoma”
  • Barbara Mandrell, “I Was Country When Country Wasn’t Cool”
  • Ronnie Milsap, “(There’s) No Gettin’ Over Me”
  • Oak Ridge Boys, “Elvira”

This might be the most pop-flavored lineup in category’s history. Even the Mandrell hit doth protest too much.

1981

  • George Jones, “He Stopped Loving Her Today”
  • Johnny Lee, “Lookin’ For Love”
  • Dolly Parton, “9 to 5″
  • Eddie Rabbitt, “Drivin’ My Life Away”
  • Don Williams, “I Believe in You”

Jones capped his biggest comeback in a career defined by them with several awards for this classic hit.

1980

  • Charlie Daniels Band, “Devil Went Down to Georgia”
  • Larry Gatlin & The Gatlin Brothers Band, “All the Gold in California”
  • Crystal Gayle, “Half the Way”
  • Waylon Jennings, “Amanda”
  • Kenny Rogers, “Coward of the County”

West Coast represent!

1979

  • Crystal Gayle, “Talking in Your Sleep”
  • Loretta Lynn, “Out of My Head and Back in My Bed”
  • Willie Nelson, “Georgia On My Mind”
  • Waylon & Willie, “Mammas Don’t Let Your Babies Grow Up to be Cowboys”
  • Don Williams, “Tulsa Time”

In a category of superstars, the Gentle Giant of Country Music was the victor.

1978

  • Debby Boone, “You Light Up My Life”
  • Crystal Gayle, “Don’t it Make My Brown Eyes Blue”
  • Waylon Jennings, “Luckenbach, Texas (Back to the Basics of Love)”
  • Kenny Rogers, “Lucille”
  • Linda Ronstadt, “Blue Bayou”

All of these records made a big impact on both the country and the pop chart.

1977

  • Mickey Gilley, “Bring it On Home to Me”
  • Loretta Lynn, “Somebody Somewhere (Don’t Know What He’s Missin’ Tonight)”
  • Marty Robbins, “El Paso City”
  • Red Sovine, “Teddy Bear”
  • Waylon & Willie, “Good Hearted Woman”

A surprising win, perhaps fueled by the momentum of Gilley’s previous single, “Don’t the Girls All Get Prettier at Closing Time.”

1976

  • Glen Campbell, “Rhinestone Cowboy”
  • Freddie Fender, “Before the Next Teardrop Falls”
  • Mickey Gilley, “Overnight Sensation”
  • Willie Nelson, “Blue Eyes Crying in the Rain”
  • Kenny Starr, “The Blind Man in the Bleachers”

Campbell made quite the comeback with this one, and it later inspired the Dolly Parton film vehicle Rhinestone, which earned an ACM nomination of its own for the Tex Ritter Award.

1975

  • John Denver, “Back Home Again”
  • Merle Haggard, “Things Aren’t Funny Anymore”
  • Ronnie Milsap, “(I’d Be) A Legend in My Time”
  • Cal Smith, “Country Bumpkin”
  • Billy Swan, “I Can Help”

Smith may not have gotten all the recognition that his talent warranted, but he made two undeniable classics: “The Lord Knows I’m Drinking”, and his winner here.

1974

  • Merle Haggard, “If We Make it Through December”
  • Byron MacGregor, “The Americans”
  • Jeanne Pruett, “Satin Sheets”
  • Charlie Rich, “Behind Closed Doors”
  • Charlie Rich, “The Most Beautiful Girl”

Rich’s two hits were so big that even with vote-splitting, he still emerged the winner.

1973

  • Donna Fargo, “The Happiest Girl in the Whole U.S.A.”
  • Merle Haggard, “It’s Not Love (But It’s Not Bad)”
  • Johnny Rodriguez, “Pass Me By (If You’re Only Passing Through)”
  • Jerry Wallace, “If You Leave Me Tonight I’ll Cry”
  • Faron Young, “Four in the Morning”

Fargo was a local star on the West Coast before she broke through nationwide with this hit, dominating the 1973 ACM Awards as a result.

1972

  • Merle Haggard, “Carolyn”
  • Freddie Hart, “Easy Loving”
  • Loretta Lynn and Conway Twitty, “Lead Me On”
  • Loretta Lynn, “One’s On the Way”
  • Charley Pride, “Kiss an Angel Good Morning”

This gold-selling classic helped Hart triumph over the superstars of his day.

1971

  • Lynn Anderson, “Rose Garden”
  • Merle Haggard, “The Fightin’ Side of Me”
  • Anne Murray, “Snowbird”
  • Ray Price, “For the Good Times”
  • Sammi Smith, “Help Me Make it Through the Night”

Each one of these is a classic in its own right. In a battle of Kristofferson-penned hits, Price emerged victorious, though Smith won the CMA later that year.

1970

  • Glen Campbell, “Try a Little Kindness”
  • Johnny Cash, “A Boy Named Sue”
  • Merle Haggard, “Okie From Muskogee”
  • Billy Mize, “Make it Rain”
  • Elvis Presley, “Don’t Cry Daddy”
  • Freddy Weller, “Games People Play”
  • Tammy Wynette, “Stand By Your Man”

Haggard’s only victory in this category came on a night where he also won Album of the Year for the only time in several nominations.

1969

  • Glen Campbell, “Wichita Lineman”
  • Merle Haggard, “I Take a Lot of Pride in What I Am”
  • Merle Haggard, “The Legend of Bonnie and Clyde”
  • Merle Haggard, “Mama Tried”
  • Roger Miller, “Little Green Apples”

Miller’s known for his legendary songwriting, but his winning hit here was penned by Bobby Russell.

1968

  • Glen Campbell, “Burning Bridges”
  • Glen Campbell, “Gentle on My Mind”
  • The Gosdin Bros., “Hangin’ On”
  • Bobbie Gentry, “Ode to Billy Joe”
  • Merle Haggard, “Branded Man”
  • Merle Haggard, “I’m a Lonesome Fugitive”

A young Vern Gosdin made up half of the nominated Gosdin Bros., a nice historical footnote to the first year of this category. Glen Campbell’s victory was appropriately West Coast for the ACMs first attempt at honoring the national country music scene.

Facts & Feats:

Most Wins

  • (4) – Alan Jackson
  • (3) – Willie Nelson
  • (2) – Glen Campbell, Faith Hill, Tim McGraw, Kenny Rogers, George Strait, Randy Travis

Most Nominations

  • (12) – Merle Haggard
  • (8) – Willie Nelson
  • (6) – Brooks & Dunn, Alan Jackson, George Strait
  • (5) – Glen Campbell, Waylon Jennings, Tim McGraw
  • (4) – Garth Brooks, Toby Keith, Loretta Lynn, Brad Paisley, Kenny Rogers, Randy Travis

Most Nominations Without a Win

  • (4) – Toby Keith, Loretta Lynn, Brad Paisley
  • (3) – Alabama, Crystal Gayle, The Judds, Miranda Lambert, Hank Williams Jr.

Singles that Won Both the ACM and CMA Award:

  • Merle Haggard, “Okie From Muskogee”
  • Donna Fargo, “The Happiest Girl in the Whole U.S.A.”
  • Charlie Rich, “Behind Closed Doors”
  • Cal Smith, ‘Country Bumpkin”
  • Kenny Rogers, “Lucille”
  • George Jones, “He Stopped Loving Her Today”
  • Oak Ridge Boys, “Elvira”
  • Willie Nelson, “Always On My Mind”
  • Randy Travis, “Forever and Ever, Amen”
  • Kathy Mattea, “Eighteen Wheels and a Dozen Roses”
  • Garth Brooks, “Friends in Low Places”
  • Alan Jackson, “Chattahoochee”
  • John Michael Montgomery, “I Swear”
  • George Strait, “Check Yes or No”
  • Lee Ann Womack with Sons of the Desert, “I Hope You Dance”
  • Alan Jackson, “Where Were You (When the World Stopped Turning)”
  • Tim McGraw, “Live Like You Were Dying”

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Concert Review: Martina McBride and Trace Adkins

Thursday, March 11th, 2010

By Guest Contributor Cory DeStein.

Over the river and through the snow to the ‘Shine All Night Tour’ we go…On this particular Saturday night a friend and I traveled through the snow and ice to attend the Martina McBride and Trace Adkins tour stop at the Peterson Event Center, here in Pittsburgh.  This is the third time I have been fortunate enough to experience a Martina tour, along with the ‘Timeless’ and ‘Waking Up Laughing’ tour, and like those performances the country diva did not fail to deliver.

In front of a black back drop Trace kicked off the show, much to the delight of fan club section nestled quite noticeably to the right of the stage, rose onto the stage with his opening number “I Got My Game On” one of the many novelty songs he charmed the audience with throughout his one hour set.

Trace has one hell of a powerful voice, but he sadly didn’t go out of his way to show it throughout the show. He rather focused more on hits like “Honky Tonk Badonkadonk,” “Hot Mama,” “Swing,” and “Rough and Ready” along with other similar tunes.  Towards the end of his set, he introduced his recently crowned ACM Song of the Year, “You’re Gonna Miss This.”

Just in case fans had forgotten the true potential he returned to the stage to entertain the enthusiastic crowd with “Muddy Water” and “Higher Ground” joined by a 7 member gospel choir for his encore. The 6 ft something cowboy exited the stage handing his Stetson hat to a young  fan in the front.

Although I was entertained during his set, filled with one liners, and music video clips, I can’t say that I would see Adkins as a headliner in concert. He has much better material than what he sang that night, and never ventured off the beaten path of radio favorites. I would have been just as happy sitting at home watching him on CMT, than venturing out for the live experience. The live excitement was missing.

After a quick bathroom break and a check on the weather, we were back at our center stage row 13th row seats for the main attraction. A techno remix of some of Martina’s biggest hits began to spin. In front of a white sheer scrim a group of young girls, including all three McBride children danced and launched t-shirts and glow sticks into the crowd.

The girls exited the stage just as a techno remix of “Ride”  played and a slowly growing disco ball began growing in the distance. For a moment I felt I may have been at Cher’s farewell show with remixes and color effects. Martina’s seven member band rose from the stage and as the disco ball gained its full size Martina appeared launching into “Ride.”

Without losing momentum they leapt into hits such as “When God-Fearing Women” “Happy Girl” and her first number one,  “Wild Angels”. The four time CMA Female Vocalist’s voice is just as flawless in concert as on record, if not better.  McBride went into one of her oldest hits with “My Baby Loves Me”  straight into her newest “Wrong Baby Wrong” a upbeat tune on good friends and wine.

Martina took a moment to highlight her 7 piece band, with their rendition of “Lean On Me” complete with vocal highlights from the band mates.

For a quick trip back to Timeless,  Martina and her highly talented band mates gathered center stage for a stunning rendition of Kris Kristofferson’s “Help Me Make It through the Night” followed by her inspiring “Anyway”.

Martina never let the excitement fail with note after note nailed, and the special effects rolling. A highlight of the evening was following the solo of McBride’s new fiddle player on the far left wing of the stage,  on the white scrim that had covered the set a city scene was displayed under the stars.

With the steel guitar in the background the moon rose over the city scene dancing across the sky to the left, as the moon set on the city, McBride rose from the stage sitting in a neon blue crescent moon while serenading the heartbreaking “Concrete Angel.”

The moon flew across the audience and right over my head, reaching a second stage directly behind my seats. Fans rushed the stage for a brief front row seat as Martina introduced an album track that she loves, but claims probably won’t be a single: “I’m Trying.” In classic McBride fashion, she dropped to her knees for the climax of the tale of an alcoholic man and the unrelenting love of his wife. From her mini stage she sang a combined mix of “Loves the Only House” and “Blessed.”

She exited the stage belting out “This Ones For the Girls” as she met with many of the fans on her way back to the stage through the aisles of the venue.

Once back at the main stage and after another album cut “You’re Not Leaving Me”  it was time for what the power house was truly known for, hitting notes that few artists dare tackle. Switching out “Where Would You Be” for a rare treat and one of my personal favorites “Whatever You Say.”

With plenty of fluids and and just pure talent Martina reminded every member of the audience what she can do with “Broken Wing” The final note rang out for what felt like an eternity and the crowd went wild. She couldn’t leave the city without the one that took her to all new levels.

“Independence Day” was delivered with full blown emotion and McBride’s now signature mic stand throw she brought down the house. With all the excitement and the feeling of my heart beating out of my chest, I was ready to drag her out for a encore myself when finally reappeared  with Journey’s “Don’t Stop Believing” and Bryan Adams’ “Summer of ’69” complete with a Ben Roethlisberger jersey, a nice touch for any Pittsburgh show.

When all was said and done, and I was walking back to my car I gained an immense appreciation for what I saw put on. The concert was completely over the top and spared no expense, it was something id expect for a artist at the peak of their fame to put on, but Martina and her band still pulls out all the stops and  gives it everything they got for what I truly believe is for the fans. I highly recommend you experience for yourself if they ‘Shine’ their way into your city, and look forward to my next chance.

Trace’s Set List

“I Got My Game On”
“Swing”
“Songs About Me”
“Hillbilly Rich”
“Marry for Money”
“What’s the Big Deal?”
“Chrome”
“Rough and Ready”
“You’re Gonna Miss This”
“Hot Mama”
“Ladies Love Country Boys”
“Honky Tonk Badonkadonk”
ENCORE: “Muddy Water” and “Higher Ground”

Martina’s Set List

“Ride”
“When God Fearin’ Women Get The Blues”
“Happy Girl”
“Wild Angels”
“The Way That I Am”
“Wrong Baby Wrong”
“Lean on Me”
“Help Me Make it Through The Night”
“Anyway”
“Concrete Angel”
“Love’s the Only House/Blessed”
“I’m Trying”
“This One’s For The Girls”
“You’re Not Leaving Me”
“Whatever You Say”
“Broken Wing”
“Independence Day”
ENCORE: “Don’t Stop Believin’” and “Summer of ’69″

2010 ACM Nominations

Tuesday, March 2nd, 2010

You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.

Entertainer of the Year

  • Kenny Chesney
  • Toby Keith
  • Brad Paisley
  • George Strait
  • Taylor Swift
  • Carrie Underwood
  • Keith Urban
  • Zac Brown Band

Who’s In: Who isn’t?

Who’s Out: No one.

Snap Judgment: My best guess about the surprise expansion of this category is that ACM thinks the Oscars are onto something. They’re not. But while the Oscars risk having a Best Picture nomination lose some of its prestige, I don’t think the same quite holds true for ACM Entertainer, since an artist can already be nominated multiple times throughout a career anyway (and most are). So this could actually work, I guess. If nothing else, it’ll be interesting.

Top Male Vocalist of the Year

  • Kenny Chesney
  • Brad Paisley
  • Darius Rucker
  • George Strait
  • Keith Urban

Who’s In: Darius Rucker

Who’s Out: Toby Keith

Snap Judgment: No surprises here; it’s the same pool the CMA picked this past fall.

Top Female Vocalist of the Year

  • Miranda Lambert
  • Reba McEntire
  • Taylor Swift
  • Carrie Underwood
  • Lee Ann Womack

Who’s In: Reba McEntire

Who’s Out: Martina McBride

Snap Judgment: Martina shaft! Drama drama!

Top Vocal Group of the Year

  • Lady Antebellum
  • Little Big Town
  • Randy Rogers Band
  • Rascal Flatts
  • Zac Brown Band

Who’s In: Zac Brown Band

Who’s Out: The Lost Trailers

Snap Judgment: I imagine Love And Theft’s and Gloriana’s managers will be spending the morning trying to figure out who the hell Randy Rogers Band is. Seriously, I don’t know how RRB keeps squeezing into this race. Not complaining, though!

Top Vocal Duo of the Year

  • Brooks & Dunn
  • Joey + Rory
  • Montgomery Gentry
  • Steel Magnolia
  • Sugarland

Who’s In: Steel Magnolia

Who’s Out: Big & Rich

Snap Judgment: What’s this? Five duos who actually did something in the last year? Get outta here.

Top New Solo Vocalist of the Year

  • Luke Bryan
  • Jamey Johnson
  • Chris Young

Who’s In: Chris Young, Luke Bryan (both re-entries from previous years)

Who’s Out: Jake Owen (won last year), James Otto

Snap Judgment: I’m just pretending this is the Top New Male category, since ACM’s annual changing around of award names and criteria can be kind of silly. This is going to be an interesting race to watch, especially since all three of these guys are nominated their second time here. It’s the last chance any of them will have to win it.

Top New Vocal Duo of the Year

  • Bomshel
  • Joey + Rory
  • Steel Magnolia

Who’s In: This category was merged with New Vocal Group last year, so none of these duos (being duos) were there.

Snap Judgment: Seriously, doesn’t this whole “actually having semi-active vocal duos” thing kind of weird you out at this point? (P.S. Vote for Joey + Rory!)

Top New Vocal Group of the Year

  • Eli Young Band
  • Gloriana
  • The Lost Trailers

Who’s In: Gloriana

Who’s Out: Zac Brown Band (won last year)

Snap Judgment: Love And Theft HQ must be a grim, grim place today.

Album of the Year

  • Brad Paisley, American Saturday Night
  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Snap Judgment: Not a bad lineup, but the ACM’s lenience in the Album category never ceases to amaze. Lady Antebellum came out two full years ago.

Single Record of the Year

  • Lady Antebellum, “Need You Now”
  • Billy Currington, “People Are Crazy”
  • David Nail, “Red Light”
  • Zac Brown Band, “Toes”
  • Miranda Lambert, “White Liar”

Snap Judgment: I’m used to scratching my head in this category. Whatever.

Song of the Year

  • “Cowboy Casanova” – Mike Elizondo, Brett James & Carrie Underwood
  • “Need You Now” – Dave Haywood, Josh Kear, Charles Kelley & Hillary Scott
  • “People Are Crazy” – Bobby Braddock & Troy Jones
  • “White Liar” – Natalie Hemby & Miranda Lambert
  • “You Belong With Me” – Liz Rose & Taylor Swift

Snap Judgment: …It’s like, do people even pay attention to lyrics anymore?

Video of the Year

  • Randy Houser, “Boots On”
  • Lady Antebellum, “Need You Now”
  • Brad Paisley, “Welcome to the Future”
  • Miranda Lambert, “White Liar”
  • Taylor Swift, “You Belong With Me”

Snap Judgment: Actually not a bad pool. The Lady A video is pretty boring, though.

Vocal Event of the Year

  • Blake Shelton feat. Trace Adkins, “Hillbilly Bone”
  • Brooks & Dunn feat. Billy Gibbons, “Honky Tonk Stomp”
  • Carrie Underwood feat. Randy Travis, “I Told You So”
  • Kenny Chesney with Dave Matthews, “I’m Alive”
  • Jack Ingram with Patty Griffin, “Seeing Stars”

Snap Judgment: Eh.

- – -

What are y’all’s thoughts?

Grammy 2010 Staff Picks & Predictions

Sunday, January 31st, 2010

Even in Grammy’s darkest hours, CU brings its picking powers!

- Superhero television show about our blog from the 50′s.

We won’t be live-blogging this time around, but will be reacting to the show in a full post tomorrow, and welcome your reactions in comments on this post. The awards telecast starts at 8 pm Eastern, and I imagine there will be some red carpet action in the hour prior.

Record of the Year

Picks

  • Beyonce, “Halo” – Kevin
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” - Tara
  • Lady GaGa, “Poker Face” - Dan
  • Taylor Swift, “You Belong with Me”

Predictions

  • Beyonce, “Halo”
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Kevin, Dan, Tara
  • Lady GaGa, “Poker Face”
  • Taylor Swift, “You Belong with Me”

Kevin: Am I wrong for preferring Eric Cartman’s rendition of “Poker Face” over the original? This is a pretty lightweight slate of contenders. I really like “Halo”, but I suspect Kings of Leon will win, simply because it’s the only rock song in a lineup of pop hits.

Dan: “Poker Face” just feels very representative of popular music in 2009. I wouldn’t whine if it got passed over so that “Bad Romance” could take this award next year, though.

Tara: I would’ve pulled for “Single Ladies” in a heartbeat had it been submitted, but “Use Somebody” is just as deserving of this award. It’s a fantastic song even outside the context of its moment in pop culture, and it’s the kind of larger-than-life song that the voters have picked to win in the past.

Album of the Year

Picks

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame Kevin, Tara
  • Dave Matthews Band, Big Whiskey and the Groogrux King
  • Taylor Swift, Fearless - Dan

Predictions

  • Beyonce, I Am…Sasha Fierce
  • Black Eyed Peas, The E.N.D.
  • Lady GaGa, The Fame
  • Dave Matthews Band, Big Whiskey and the Groogrux King - Kevin
  • Taylor Swift, Fearless - Dan, Tara

Kevin: I’d like to see dance music get some respect in the big category, even if there are a half-dozen Madonna albums at this point that would’ve been worthier winners than The Fame. Again, I think the Top 40 votes are going to be split, leaving Dave Matthews Band the winners.

Dan: In little over a year, Fearless has grown from success story to cultural artifact. It’s that rare pop album that seems to have a personality all its own, like Jagged Little Pill in a yellow sundress (and sung about as well). I could see anyone but the Peas taking this, but I think Swift’s support in both Nashville and the Top 40 crowd will take her to the top.

Tara: I have to say I was fairly shocked to see Swift’s truckload of Grammy nominations, so I’m having a little trouble wrapping my mind around the Academy’s thought process – but, I suppose a Swift win in this category is inevitable. However, I fully back Lady GaGa, who is the perfect storm of creativity, vision, swagger and raw vocal talent (remember that, pop world?). (more…)

My Grammy Wish List: 2010 Edition

Thursday, January 28th, 2010

Since this was a solo blog, doing a Grammy Wish List has been an annual tradition.  I’m not too excited about this year’s Grammys, to be honest. 2009 was a weak year in my opinion, and the shortened 11-month eligibility period didn’t help matters.  But a tradition is a tradition, so here are my picks in the eleven categories that I care about this year:

* denotes my personal wish:

Record of the Year

  • Beyoncé, “Halo”  *
  • The Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody”
  • Lady Gaga, “Poker Face”
  • Taylor Swift, “You Belong With Me”

It’s always nice to see a country radio hit in there, but I honestly can’t stand “You Belong With Me.”  I dig the Kings of Leon song, but the record that I enjoy the most here is “Halo.”  Some pundits have suggested that Beyoncé threw her chances at this trophy by submitting “Halo” instead of “Single Ladies”, but I like that song even less than “You Belong With Me.” Love “Halo”, though.

Song of the Year

  • Lady Gaga & RedOne, “Poker Face”
  • Hod David & Musze, “Pretty Wings”
  • Thaddis Harrell, Beyoncé Knowles, Terius Nash & Christopher Stewart, “Single Ladies (Put a Ring On It)”
  • Caleb Followill, Jared Followill, Matthew Followill & Nathan Followill, “Use Somebody”  *
  • Liz Rose & Taylor Swift, “You Belong With Me”

Great to see Liz Rose in there, too, but I still can’t stand the song.  I think “Use Somebody” is a great composition that could easily be a hit in other formats if the right artist covered it. Are you listening, Sugarland?

Best New Artist

  • Zac Brown Band *
  • Keri Hilson
  • MGMT
  • Silversun Pickups
  • The Ting Tings

Zac Brown Band don’t quite live up to the hype, but they come a lot closer than last year’s nominee, Lady Antebellum.

Best Country Album

  • Zac Brown Band, The Foundation
  • George Strait, Twang *
  • Taylor Swift, Fearless
  • Keith Urban, Defying Gravity
  • Lee Ann Womack, Call Me Crazy

There isn’t an album here that is built for more than cherry-picking. Strait’s set has the most cherries.

Best Female Country Vocal Performance

  • Miranda Lambert, “Dead Flowers”
  • Martina McBride, “I Just Call You Mine”
  • Taylor Swift, “White Horse”
  • Carrie Underwood, “Just a Dream” *
  • Lee Ann Womack, “Solitary Thinkin’”

The only women who brought their A-game to this category are Swift and Underwood.  “White Horse” might be the better song, but Underwood’s is the better vocal performance by a country mile.

Best Male Country Vocal Performance

  • Trace Adkins, “All I Ask For Anymore”
  • Billy Currington, “People Are Crazy”
  • Jamey Johnson, “High Cost of Living”
  • George Strait, “Living For the Night” *
  • Keith Urban, “Sweet Thing”

I love the Strait song, so it’s my pick, but this is one of the only strong categories this year and I wouldn’t mind seeing any of these five win.

Best Country Performance by a Duo or Group With Vocals

  • Brooks & Dunn, “Cowgirls Don’t Cry”
  • Zac Brown Band, “Chicken Fried”
  • Lady Antebellum, “I Run to You”
  • Rascal Flatts, “Here Comes Goodbye”
  • Sugarland, “It Happens” *

No A-game here, but Sugarland’s B-game is better than the rest.

Best Country Vocal Collaboration

  • Dierks Bentley & Patty Griffin, “Beautiful World”
  • Kenny Chesney & Mac McAnally, “Down the Road”
  • Brad Paisley & Keith Urban, “Start a Band”
  • Carrie Underwood & Randy Travis, “I Told You So” *
  • Lee Ann Womack & George Strait, “Everything But Quits”

Some amazing pairings here, but Underwood and Travis are the only ones with the material to match the talent.

Best Female Pop Vocal Performance

  • Adele, “Hometown Glory”
  • Beyoncé, “Halo”
  • Katy Perry, “Hot N Cold”
  • Pink, “Sober” *
  • Taylor Swift, “You Belong With Me”

Pink is an awesome songwriter, and easily the most substantial female pop star to come along in the last decade.  “Sober” is one of her best.

Best Pop Vocal Album

  • The Black Eyed Peas, The End
  • Colbie Caillat, The Breakthrough
  • Kelly Clarkson, All I Ever Wanted
  • The Fray, The Fray
  • Pink, Funhouse *

It’s not quite as good as I’m Not Dead, but it comes close.

Best Dance Recording

  • The Black Eyed Peas, “Boom Boom Pow”
  • David Guetta and Kelly Rowland, “When Love Takes Over”
  • Lady Gaga, “Poker Face”
  • Madonna, “Celebration” *
  • Britney Spears, “Womanizer”

Even her throwaway singles are built to last.

Best Country Singles of 2009, Part 1: #40-#21

Tuesday, January 5th, 2010

Here’s hoping you haven’t gotten completely burned out on countdowns yet. 2009 was hardly a favorite musical year for many of us, but amid each year’s glut of throwaway items, there’s always a good’un or two (or forty). The following is the first installment of our Best Singles of 2009 list, which will conclude tomorrow morning. Best Albums will follow next week.

As with the Singles of the Decade feature, this countdown has been compiled through combination of four equally weighed Top 20 lists by Kevin, Leeann, Tara and myself. An inverted point system was applied to the individual rankings (#1 on a list meant 20 points, while #20 on the list meant 1 point). The songs were then ranked together by number of total points, greatest to least. The final result is another rather stylistically diverse set.

As always, we hope you enjoy the countdown, and welcome all the feedback you can muster. Happy New Year!

#40

Lady Antebellum, “Need You Now”

The trio puts a country spin on an old school pop sound, but without forsaking raw emotion. The highlight of the song is Hillary Scott’s smoky performance, which draws out all the anguish and regret you’d expect from a desperate, 1 AM lover’s call. – Tara Seetharam

#39

Joey + Rory, “Play the Song”

While Joey + Rory’s image appears to be squeaky-clean, it is fascinating that their songs have displayed some of the most attitude in the mainstream country music world. After releasing the sassy “Cheater, Cheater”, they have appealed to radio (the very people holding part of the duo’s career in their hands) to stop limiting their playlists with safe choices and to just “play the song.” – Leeann Ward (more…)

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