Please join me in welcoming our newest staff writer, Mr. Larry Rogowin. Welcome aboard, Larry! – KJC I can’t say I grew up listening to country music. Actually, I can’t say I had a very meaningful musical youth. My parents played a lot of Beatles, Motown and Sinatra but I was more interested in what the cool kids played. The first album I begged my parents to buy was Poison’s 1988 magnum opus Open Up and Say…Ahh! (They obliged despite…well, obvious reasons – not the least of which was that original album cover.) So there you go. I fell hard and fast for “Every Rose Has its Thorn,” the greatest and twangiest ’80s glam metal ballad. And that sent me on a path directly to Johnny Cash and Merle Haggard. Only kidding. Though I don’t want to discount that this could’ve happened to me and has happened to others. Nonetheless, Read More
“Trouble” Gloriana Written by Ross Copperman, Mike Gossin, Jon Nite, and Rachel Reinert I’m starting to think there’s a group of guys in Nashville who have only two things going for them: the ability to sing “whoa-oh-whoa” and enough dirt on every record producer to blackmail them into singing on thirty records a year.
Our Best of 1994 Singles List continues with Part Three, which includes the ten songs that just missed the top ten! This section includes several #1 singles and signature hits, but kicks off with one of those should’ve been hits by a should’ve been star. #20 “Wild Love” Joy Lynn White Written by Dennis Linde JK #9 | SG #18 | KJC #39 A brash, fiery vocalist with an instantly recognizable timbre and sense of phrasing, White revels in the forthright sexuality of “Wild Love” and has the pipes to match the track’s blistering arrangement. White may never have cracked the top 40 at radio, but the influence of her vocal style is all over Natalie Maines’ singing, and “Wild Love” foretold the hard rock turn the genre would take a decade or so later. – Jonathan Keefe
Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year. Originally a revolving door of winners, the winner in early years was often not even nominated the following year. In 1981, Barbara Mandrell became the first artist to win the award twice. Alabama succeeded her with a three year run from 1982-1984. Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.
Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.
- Bill Anderson
- Eddy Arnold
- Merle Haggard
- Sonny James
- Buck Owens
One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.” He remains the only member of the Hall of Fame to win this award after being inducted.
The Class of 1989 permanently changed the face of country music. Clint Black was its valedictorian.
A famed member of the Class of ’89, Travis Tritt suburbanized the Outlaw sound for a broad new country music audience.
Cover songs can be a hot topic at just about any given time. We recently got to hear a somewhat underwhelming OneRepublic cover by Faith Hill, which Kevin recently reviewed. Other recent attempts include Sara Evans’ pop-country reworking of Rod Stewart’s “My Heart Can’t Tell You No,” as well as last year’s polarizing Beyoncé cover by Reba McEntire.
Since cover songs are so much fun to talk about, I thought I’d weigh in on a few well-known cover songs from the past few years – the good ones, as well as a few that we would rather forget. My criteria is simple: A good cover song should bring something new to the table, and the song should be treated in a way that is well-suited to the artist as well as the genre. This list focuses specifically on country covers of non-country songs.
You can count their country hits on one hand, and still have fingers to spare. But the Eagles did more to shape the sound of country music than any rock band before or since.