Trisha Yearwood

You Can’t Play Two Women Back to Back

May 30, 2015 // 18 Comments

How could you ever tell them apart? Thank goodness we have the diversity and variety of male voices in country music to keep things fresh. With deep gratitude to country music programmers for knowing what we really want.   Thanks to your leadership, the genre is so much richer with talent today than it was in 1993.

Say What? – Keith Hill

May 28, 2015 // 54 Comments

UPDATE: Check out the impeccably researched work of Deb B, also known as Windmills, over at MJ’s Big Blog: Country Radio & The Anti-Female Female Myth: A Data-Based Look ORIGINAL POST: Via Terri Clark’s Twitter, this gem from radio consultant Keith Hill: This One’s Not For The Girls: Finally, Hill cautions against playing too many females. And playing them back to back, he says, is a no-no. “If you want to make ratings in Country radio, take females out,” he asserts. “The reason is mainstream Country radio generates more quarter hours from female listeners at the rate of 70 to 75%, and women like male artists. I’m basing that not only on music tests from over the years, but more than 300 client radio stations. The expectation is we’re principally a male format with a smaller female component. I’ve got about 40 music databases in front of me and the Read More

Daily Top Five: Least Essential Albums

May 27, 2015 // 25 Comments

We’ve all got ’em. What are the five albums from artist you love that you try to pretend didn’t happen? (Or at least just don’t copy over to your iPod) Here’s my list: Sugarland, The Incredible Machine Tim McGraw, Emotional Traffic Trisha Yearwood, Where Your Road Leads Dolly Parton, Rainbow Randy Travis, Full Circle

Daily Top Five: Most Essential Albums

May 26, 2015 // 27 Comments

Suggested by longtime reader and commenter  Jonathan Pappalardo: What are the five most essential albums in your collection? I love this question! Here’s my list: Dixie Chicks, Home Reba McEntire, For My Broken Heart Patty Loveless, When Fallen Angels Fly Trisha Yearwood, Hearts in Armor Linda Ronstadt, Heart Like a Wheel Was going to try to do some equal opportunity attempt and squeeze in an album by a male act.  But even without repeating artists, the next seven or eight would still be female artists. So here are my five most essential albums by male artists, for the record Johnny Cash, American III: Solitary Man Dwight Yoakam, Gone Todd Snider, The Devil You Know Willie Nelson, Phases and Stages Alan Jackson, Like Red on a Rose

Daily Top Five: Should’ve Been Hits

May 25, 2015 // 29 Comments

Today’s Daily Top Five is loosely inspired by reader PSUMucci. What are five singles that should’ve been hits? They could be songs that ended up signature tunes for their act despite not being hits, or could not have made any impact at all. For my top five, I stuck to artists who were having some radio success at the time these songs were released. Here’s my list: Trisha Yearwood, “Where are You Now” David Nail, “The Sound of a Million Dreams” Sawyer Brown, “Another Side” Faith Hill, “Stealing Kisses” Lorrie Morgan, “I Just Might Be”

Daily Top Five: Favorite Title Tracks

May 20, 2015 // 16 Comments

Suggested by longtime reader Hoggy From Oz: What are your favorite title tracks? Here’s my list: Trisha Yearwood, “The Song Remembers When” Carrie Underwood, “Blown Away” David Nail, “The Sound of a Million Dreams” Suzy Bogguss, “Aces” Kathy Mattea, “Love Travels”

Daily Top Five (by Five): Fan Favorites

May 9, 2015 // 23 Comments

We haven’t done a Daily Top Five for a few days, so the original post is going to be lengthier than usual. Loyal fans of an artist usually love album cuts and rarities as much as they do the singles, if not more.   Today we ask, what are your five favorite lesser-known tracks by your five favorite artists? You don’t have to to pick five artists in the comments, of course.  But for the artists you pick, try to avoid singles! I’m cheating and using my iPod play counts to help me out here. Here are my five favorite fan favorites from five of my favorite artists: Trisha Yearwood Dreaming Fields Woman Walk the Line Standing Out in a Crowd Little Hercules Harmless Heart

Daily Five: Least Favorites from Your Favorites

April 23, 2015 // 46 Comments

We’ve been way too upbeat lately with our Daily Fives!  Today, we’re asking a different question about your favorite artists. What are the five albums from artists you usually love that really disappointed you?  The ones that are lucky to have a handful of tracks that are still on your iPod, or made you think twice before you bought the album that followed? Here’s My Top Five: Mary Chapin Carpenter, A Place in the World Sugarland, The Incredible Machine Trisha Yearwood, Where Your Road Leads Todd Snider, Agnostic Hymns and Stoner Fables Lori McKenna, Numbered Doors What’s your top five?

Daily Top Five: Strengthen Country Radio

April 22, 2015 // 21 Comments

Actively writing single reviews again has me also looking at the radio charts again.   What a bleak landscape of interchangeable singers and songs!  I can’t remember things ever being this generic and bland.  We flirted with it back in the Kellie Coffey days, but the bottom didn’t fall out. Today, is there even a bottom?  An old friend of mine listened to country radio for the first time in presumably years and asked, “Am I crazy, or is everyone getting drunk on country radio?” He’s not crazy.  What can we do to fix this? Today’s Top Five asks: What five songs would you immediately put in heavy rotation on country radio? They can already be singles, or could be unreleased songs that you think should be singles, but they should be current enough to be featured on an artist’s most recent album. Here’s my top five: Old Crow Medicine Show, Read More

Album Review: Kimmie Rhodes, Cowgirl Boudoir

March 3, 2015 // 1 Comment

Kimmie Rhodes Cowgirl Boudoir Though she’s recorded steadily since the late 80s, Texas singer-songwriter Kimmie Rhodes hasn’t enjoyed either the commercial or critical cachet of many of the other alt-country and Americana acts. Both Wynonna and Trisha Yearwood have recorded her songs, but she hasn’t been a steady go-to songwriter like, say, Gretchen Peters or Kim Richey. That’s largely the result of how unassuming Rhodes’ work routinely is: Her songs are never less than well-constructed and are always observed in plainspoken but effective lines, while her singing hinges on her gentle, wispy voice.

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