Trisha Yearwood

Single Review: Trisha Yearwood, “I Remember You”

February 27, 2015 // 4 Comments

“I Remember You” Trisha Yearwood Written by Kelly Archer, Ben Carver, and Brad Rempel After the anthemic “Prize Fighter”, Trisha Yearwood softens things with the emotional “I Remember You.” With just an acoustic guitar and simple strings, “I Remember You” is a gorgeous tribute to the memories of someone who has passed from this life to the next.

Album Review: Rhiannon Giddens, Tomorrow is My Turn

February 17, 2015 // 9 Comments

Rhiannon Giddens Tomorrow is My Turn Although Rhiannon Giddens has been a fixture on the Americana circuit as the frontwoman for the terrific Carolina Chocolate Drops, it’s on her solo debut, Tomorrow Is My Turn, that Giddens truly announces herself as an artist. On a shrewdly chosen collection of songs that draw from a diverse sample of American roots music, Giddens and producer T Bone Burnett showcase a fearless approach to genre that never once allows easy signifiers to interfere with her forceful and intuitive interpretations.

2015 ACM Awards: Nominations & Analysis

January 31, 2015 // 14 Comments

The third most prestigious country music industry award nominations – but the most important ones handed out in the spring – have been announced.  Here’s a rundown of all the major categories, along with some back-of-the-envelope analysis: Entertainer Jason Aldean Garth Brooks Luke Bryan Florida Georgia Line Miranda Lambert Who’s In: Jason Aldean, Garth Brooks, Florida Georgia Line Who’s Out: Blake Shelton, George Strait, Taylor Swift Last year’s winner, George Strait, didn’t get a return invitation, but Garth Brooks, who has won this award six times before, returns to the competition.  Much like Strait’s farewell tour was a reminder of his extensive popularity, Garth’s ability to sell out several dates per city overshadows the lukewarm reception to his new material at radio and retail.   Taylor Swift’s exit is directly tied to her cutting ties with the genre. Jason Aldean’s return makes logical sense, but it’s quite the mystery to see Read More

Kicking the Canon: Jonathan Keefe on Trisha Yearwood’s Hearts in Armor

January 24, 2015 // 1 Comment

Country Universe writer and editor Jonathan Keefe has contributed to an awesome new project called Kicking the Canon.  Put together by In Review Online, Kicking the Canon attempts to expand on what has traditionally been considered the definitive music and films of eras gone by. Keefe’s take on Trisha Yearwood’s landmark 1992 set, Hearts in Armor has gone live: Her self-titled debut may have spawned four top-ten singles, but it was on Hearts in Armor that Trisha Yearwood properly announced herself as one of the finest country artists of her generation. Informed by the end of her first marriage, the album explores both the subtle and the dramatic ways that a relationship can dissolve, and it allows Yearwood to lay bare hard-earned truths that lesser vocalists might have left hidden. And that’s just the beginning!  You can read the whole thing here. The only other country album  featured so far Read More

The Best Singles of 2014, Part 1: #40-#21

December 29, 2014 // 11 Comments

Does failure to reach a consensus indicate a year that lacked quality, or a year that had enough interesting singles that subjective taste is enough to prevent a consensus? This was the dilemma faced by the Country Universe staff as we compiled our Best Singles of 2014 feature.   We followed our usual routine.  Each writer submitted their list of the twenty best singles of the year, and our numbers guru Jonathan Keefe used his time-test algorithm to produce a collective ranking. But this year, there was only one single that appeared on four out of five lists.  The rest: three or less.  Rather than shorten the list to showcase only those songs chosen by multiple writers, we decided to stick to the usual forty slots, and let quite a few songs embraced only by one writer to have their place in the sun. The result is probably the most diverse Read More

The Best Singles of 1994, Part 3: #20 – #11

December 15, 2014 // 2 Comments

Our Best of 1994 Singles List continues with Part Three, which includes the ten songs that just missed the top ten! This section includes several #1 singles and signature hits, but kicks off with one of those should’ve been hits by a should’ve been star. #20 “Wild Love” Joy Lynn White Written by Dennis Linde JK #9 | SG #18 | KJC #39 A brash, fiery vocalist with an instantly recognizable timbre and sense of phrasing, White revels in the forthright sexuality of “Wild Love” and has the pipes to match the track’s blistering arrangement. White may never have cracked the top 40 at radio, but the influence of her vocal style is all over Natalie Maines’ singing, and “Wild Love” foretold the hard rock turn the genre would take a decade or so later. – Jonathan Keefe

Album Review: Trisha Yearwood, PrizeFighter: Hit After Hit

November 17, 2014 // 34 Comments

Trisha Yearwood PrizeFighter: Hit After Hit PrizeFighter: Hit after Hit includes the first set of new material from Trisha Yearwood in seven years.  That new material, six tracks in total, is uniformly excellent and often extraordinary, adding to her already impressive legacy as the genre’s finest singer and interpreter of the last thirty years.   What a pity that the rest of the collection cheapens and sullies that legacy. Let’s start with those wonderful new tracks.  The lead single and title cut, “PrizeFighter”, is an inspiring, get back up when you fall power anthem, featuring supporting vocals by Kelly Clarkson.   In true Trisha form, the preview track is better than just about anything else on the radio today, yet still only hints at the treasures that await on the rest of the album.

CMA Awards 2014: Staff Predictions and Picks

November 2, 2014 // 32 Comments

Despite the Grammys and even the ACM’s demonstrating more consistent taste over the past few years, the CMA’s remain the most significant industry awards that honor country music.  This year’s slate of nominees gives the organization an opportunity to build on the credibility of last year’s George Strait victory.  His win for Entertainer saved a dismal show in its closing minutes. Here’s our take on this year’s contenders: Entertainer of the Year Should Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Kevin, Jonathan, Tara, Ben Keith Urban Will Win: Luke Bryan Miranda Lambert Blake Shelton George Strait – Jonathan, Kevin, Tara, Ben Keith Urban Kevin:  I’d settle for a Miranda Lambert victory, as she had an amazing year.  But my first choice is George Strait, who deserves a fourth trophy for that record-breaking final concert.   The rest of these nominees have either won before or still seem to Read More

Single Review: Trisha Yearwood, “Prize Fighter” (with Kelly Clarkson)

October 12, 2014 // 22 Comments

“Prize Fighter” (with Kelly Clarkson) Trisha Yearwood Written by Jessi Alexander, Sarah Buxton, and Ross Copperman Yes, it’s been more than seven years since Trisha Yearwood has released a proper single.  Yes, it was worth the wait. “Prize Fighter” is uplifting, inspirational, and powerful.   It showcases Yearwood’s still flawless voice, an instrument that is effective at every setting between whisper and shout, and is always properly calibrated to the material it delivers.    It’s a credit to Kelly Clarkson that she can even keep up with Yearwood, and her contributions to the track are complementary, if not entirely necessary.

100 Greatest Men: #20. Garth Brooks

August 12, 2014 // 20 Comments

100 Greatest Men: The Complete List Arriving on the scene in 1989 with a great song sense and a strong background in marketing, Garth Brooks emerged as the poster boy for the nineties country boom, and along the way, became the biggest record-seller in America since the Beatles. Brooks was born and raised in Oklahoma, the son of Capitol country recording artist Colleen Carroll.   He grew up with music around the house, and learned to play the guitar and the banjo.  His athletic prowess earned him a track scholarship at Oklahoma State University, but his interest soon turned to music.  He began performing around Stillwater, becoming a major draw on the local talent circuit.

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