Tag Archives: Willie Nelson

Single Review: Willie Nelson and Merle Haggard, “It’s all Going to Pot”

Willie Nelson Merle Haggard It's all Going to Pot

“It’s all Going to Pot”
Willie Nelson & Merle Haggard

Written by Buddy Cannon, Jamey Johnson, and Larry Shell

Let’s answer all of the burning questions right away.

1. Do these two legends still sound great?  Yes.

2. Is it a real duet where they alternate verses and play off of each other?  Yes.

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The Best Albums of 2014

2014 was a banner year for country music albums.   In addition to the predictably solid entries from the Americana, folk, and bluegrass scenes, some excellent albums also surfaced from the unlikeliest of sources: mainstream, radio-friendly contemporary country artists!

Here are our twenty favorite albums from 2014.   Fingers crossed that 2015 is as good or better than this year has been.

Jennifer Nettles That Girl

#20
Jennifer Nettles
That Girl

KJC #8 | LW #16

A confident, intelligent solo project that washes away all of the bitter taste left by Sugarland’s preceding studio album, The Incredible Machine.  Nettles manages to remind us what was so appealing about the trio-turned-duo in the first place, while also staking out her own musical territory that has room for independence anthems alongside wry, humorous commentary on society and, of course, palpably vulnerable heartbreak numbers.  – Kevin John Coyne

Recommended Tracks: “Me Without You”, “Know You Wanna Know”, “Jealousy”

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100 Greatest Men: #1. Merle Haggard

Merle Haggard100 Greatest Men: The Complete List

The Poet of the Common Man.  Merle Haggard emerged from the Bakersfield music scene in the mid-sixties, and over the course of time, became the greatest man in the history of country music.

Born during the height of the Great Depression, the son of a honky tonk fiddler and a church-going mother, Haggard’s life was a hard one from early on.  When he lost his father at age nine, he rebelled to the point that much of his youth was spent in juvenile detention centers.  His only positive outlet was country music, and he listened to and studied obsessively the work of his heroes Bob Willis, Hank Williams, and Lefty Frizzell, all of whom would shape his singing and his songwriting.

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100 Greatest Men: #3. Willie Nelson

Willie Nelson100 Greatest Men: The Complete List

He started out as an unconventional songwriter trying to be a conventional artist.  But when Willie Nelson let his hair down, he became a country legend for the ages.

Nelson was raised by his grandparents in Texas, who encouraged him to play the guitar and to write songs.  When his sister Bonnie married fiddle player Buddy Fletcher, Nelson joined his band as the frontman, staying with him until he graduated high school and did a brief stint in the Air Force.

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100 Greatest Men: #8. Lefty Frizzell

Lefty Frizzell100 Greatest Men: The Complete List

Lefty Frizzell just may be the most influential vocalist in country music history.  His signature honky-tonk style has been the foundational template for several generations of traditional country vocalists, smoothing out the twangy edges just enough to please the ears of mainstream audiences without compromising its hillbilly roots.

Frizzell was born in Texas, but moved to Arkansas at a young age. He earned the nickname Lefty in a schoolyard fight at the age of fourteen, and it followed him from that point on.  Though he was singing on the radio in his teens and performing locally, run-ins with the law sidelined his music career in the mid-forties.

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100 Greatest Men: #11. Waylon Jennings

Waylon Jennings100 Greatest Men: The Complete List

Waylon Jennings was the very embodiment of the country music outlaw movement in the seventies, demonstrating that legendary music can be made if artists are liberated to create it in the way that they want to.

Jennings was born in Littlefield, Texas, and was playing the guitar and singing on the radio by the time he was twelve years old.    Jennings dropped out of school at age fourteen, and picked cotton while pursuing music in his spare time. When he moved to Lubbock, he became friendly with rising rock star Buddy Holly, who took Jennings under his wing. Holly produced a single for Jennings and had him fill in as a bass player in the Crickets.

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100 Greatest Men: #14. Ray Price

Ray Price100 Greatest Men: The Complete List

One of the few traditionalists who was able to successfully transition into the smoother Nashville Sound style, Ray Price was a defining artist in two completely different eras of country music history.

A small town Texas native, Price moved to Dallas as a child and learned how to play the guitar.   After a stint in the Marines, Price returned to Texas and became popular on local radio as the Cherokee Cowboy.   By the early fifties, he was ready to pursue a major label deal in Nashville, landing with Columbia and scoring his first hit in 1952 with “Don’t Let the Stars Get in Your Eyes.”

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Album Review: Dolly Parton, Blue Smoke

Dolly Parton Blue Smoke

Dolly Parton
Blue Smoke
stars-312

A big step up from her last few projects, Dolly Parton’s Blue Smoke is her most balanced album since Backwoods Barbie.   While it lacks cohesion due to so many different styles being used, there’s a solid entry from every kind of Dolly – country Dolly, pop Dolly, mountain Dolly, gospel Dolly, duet-with-fellow-legend Dolly.   While it isn’t likely to be anyone’s favorite Dolly Parton album because of this, it’s also unlikely that any fan of hers won’t find something here that reminds them of why they became a fan in the first place.

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2014 Country Music Hall of Fame Inductees: Hank Cochran, Ronnie Milsap, and Mac Wiseman

Ronnie MilsapGood news for three legends of the genre, one of whom we lost to cancer only four years ago:

Ronnie Milsap, Mac Wiseman and the late Hank Cochran are the newest members of the Country Music Hall of Fame.

Wiseman got his start in music after contracting polio as a child, which kept him out of the fields in his native Virginia. He was an original member of Lester Flatt and Earl Scruggs’ Foggy Mountain Boys, made his Grand Ole Opry debut with Bill Monroe, was an executive with the influential Nashville independent label Dot Records and a founding board member of the Country Music Association.Milsap, inducted in the modern era category, was an established talent by the time he arrived in Nashville in the 1970s. He’d played in J.J. Cale’s band in the early 1960s and moved to Memphis to work with Chips Moman at the hit-making American Studios, where he worked with Elvis Presley, among others, before accepting an invitation to go to Nashville to record for RCA Records.

It was something of an experiment for Milsap, known as an R&B and rock singer, but he made sure he had a regular gig before he hit town, playing nightly at Roger Miller’s King of the Road Hotel.

He found country fans were open to his style, and he went on to win several Grammy Awards, the CMA’s entertainer of the year award in 1977 and four album of the year awards between 1975 and 1986.

Cochran, who is being inducted posthumously in the songwriter category, probably secured his place in country music history when he got Willie Nelson a songwriting job at Pamper Music by forgoing his own raise.

He wrote the Ray Price standard “Make the World Go Away” and Patsy Cline’s second most-memorable song, “I Fall to Pieces” (following Nelson’s own “Crazy”), among many others.

He died in 2010 of pancreatic cancer shortly after a touching bedside singalong that included friends Jamey Johnson, Buddy Cannon and Billy Ray Cyrus.

Source: Associated Press via CBS News

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ACM Awards 2014: Final Thoughts

George StraitThis year’s ACM Awards were mediocre and broverwhemingly male-centric, despite women winning most of the major awards.  As with last fall’s CMA show, the best moment was the final one, when George Strait won Entertainer of the Year.

Here’s a rundown of all the major winners:

Entertainer of the Year

  • Luke Bryan

  • Miranda Lambert

  • Blake Shelton

  • George Strait

  • Taylor Swift

George Strait winning at the ACMs this year was even more surprising than at the CMAs last year, given how the fan-voted element of this award has favored stars with young fanbases in previous years.  King George, indeed. – KJC

While it’s disheartening to see Strait’s mainstream support dwindling, it’s great to see the fans come through for King George. – BF

Even if Strait did unintentionally but hilariously leave Miranda Lambert hanging on her attempted hi-five, it was nice to see the genuine support for Strait’s win among the other artists in attendance. Too bad radio seems to have turned their back on him.  – JK

jason-aldeanMale Vocalist of the Year

  • Jason Aldean

  • Lee Brice

  • Luke Bryan

  • Blake Shelton

  • Keith Urban

A repeat win for Jason Aldean helped both hosts go home empty handed, despite the big years both Bryan and Shelton had. – KJC

Miranda Lambert Over YouFemale Vocalist of the Year

  • Sheryl Crow

  • Miranda Lambert

  • Kacey Musgraves

  • Taylor Swift

  • Carrie Underwood

Has there ever been a female vocalist that the ACMs loved more?  Lambert’s fifth consecutive victory snaps Reba McEntire’s four in a row from 1985-1988, though she’d return to the winner’s circle three more times in the nineties.  But even McEntire didn’t dominate the other categories the way Lambert’s been doing. – KJC

Lambert officially owns this category for a half-decade. Can we please get a shake-up in the Female Vocalist race next year? – BF

As I said on twitter: If she’s in the building, Trisha Yearwood is the Best Female Vocalist (unless Connie Smith is also in the building, in which case Trisha would be runner-up). End of discussion. – JK

2013 CMA Music Festival - Day 3Vocal Duo of the Year

  • Big & Rich

  • Dan + Shay

  • Florida Georgia Line

  • Love and Theft

  • Thompson Square

Florida Georgia Line had the biggest year – actually, the only big year – of all the nominees, making their victory the least surprising win of the night. – KJC

Congratulations to Florida Georgia Line on their win for (Only Significantly Successful) Vocal Duo of the Year. – BF

The Band PerryVocal Group of the Year

  • Eli Young Band

  • Lady Antebellum

  • Little Big Town

  • The Band Perry

  • Zac Brown Band

The Band Perry won their first Vocal Group award, with all the votes in before a confetti backlash was able to sway the tally. – KJC

Justin MooreNew Artist of the Year

  • Brett Eldredge

  • Justin Moore

  • Kip Moore

Two Moores and a Brett walk into an ACM ceremony… – KJC

Kacey Musgraves Same Trailer Different ParkAlbum of the Year

  • Blake Shelton, Based on a True Story…

  • Luke Bryan, Crash My Party

  • Florida Georgia Line, Here’s to the Good Times

  • Kacey Musgraves, Same Trailer Different Park

  • Tim McGraw, Two Lanes of Freedom

With the Grammys picking Musgraves and the CMAs picking Shelton, the ACMs broke the tie, picking the best album over the biggest.  Good call. – KJC

Musgraves’ well-deserved victory restores some ACM credibility, though it is ironic that she was the only nominee whom the producers did not grant a performance slot. – BF

She won for Album of the Year and co-wrote the winner of Single of the Year, so we can’t necessarily blame the ACM voters for Musgraves’ lack of a performance: Clearly, the producers of the show had adopted an ethos of “Bros Before Women Who Make Good Music.” – JK

Mama's Broken HeartSingle Record of the Year

  • Florida Georgia Line, “Cruise”

  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”

  • Lee Brice, “I Drive Your Truck”

  • Miranda Lambert, “Mama’s Broken Heart”

  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

True, a Song of the Year victory would’ve been sweeter.  But Lambert’s single was still the best of the five, and gave her a third win in this category in four years.  That feat was last accomplished by Willie Nelson, who picked up three in four years back in the eighties, for “Always on My Mind”, “To All the Girls I’ve Loved Before”, and “The Highwayman.” – KJC

The “Cruise” phenomenon promised to be hard to beat, but fortunately the voters chose to honor the best record over the biggest. – BF

I really wouldn’t have any reservations at all with Miranda having won this category three times for “Kerosene,” “Gunpowder and Lead,” and “The House That Built Me.” Hers was easily the best nominee of this line-up, though. – JK

IDriveYourTruck_lee_briceSong of the Year

  • “Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren

  • “I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary

  • “Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves

  • “Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan

  • “Wagon Wheel” – Bob Dylan, Ketch Secor

With Grammy winner “Merry Go ‘Round” not in the running, the ACM chose to honor last fall’s CMA winner, “I Drive Your Truck.” – KJC

Props to Lee Brice for letting the songwriters have the spotlight for this win. Considering the Song of the Year award purports to honor the year’s best songwriting, it’s been disconcerting that recent years have seen the ACMs shifting the focus from the songwriters to the artists. – BF

Of note: Women won for Album of the Year, Single of the Year, and were two of the three co-writers of the Song of the Year. Yet the genre’s regressive gender politics are as problematic right now as at any point in recent memory. When will we reach a true tipping point with this? – JK

220px-TMG_-_Highway_Dont_Care_coverVideo of the Year

  • The Band Perry, “Better Dig Two”

  • Kacey Musgraves, “Blowin’ Smoke”

  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”

  • Lee Brice, “I Drive Your Truck”

  • Miranda Lambert, “Mama’s Broken Heart”

  • Carrie Underwood, “Two Black Cadillacs”

The high-octane collaboration between these three superstars earned several nominations, but their only win came in this category. – KJC

NASHVILLE, TN - NOVEMBER 06:  Miranda Lambert and Keith Urban perform onstage during the 47th annual CMA Awards at the Bridgestone Arena on November 6, 2013 in Nashville, Tennessee.  (Photo by Rick Diamond/Getty Images)Vocal Event of the Year

  • Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”

  • Florida Georgia Line featuring Nelly, “Cruise” (Remix)

  • Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”

  • Darius Rucker featuring Lady Antebellum, “Wagon Wheel”

  • Keith Urban and Miranda Lambert, “We Were Us”

Betting against Miranda Lambert at the ACM Awards is starting to look like a fool’s wager.  This is her first win in this category, and with the other awards she won last night, her total ACM count is now at fifteen. – KJC

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